Ok I'm going to make this my first open collaboration.


BPM 80
Tuning 440Hz
Roots // C / B //
Duration 8 mins
Bars 161

Current Instrumention here:
Drums / Bass / Keys / Pad / Vox

There are 3 open sections for lead work or whatever your imagination is telling you is perfect too. To give you a tip from my own chest about mindset. I always imagine I am going to make the best song I possibly could before making one. Then I forget about that. But I always intend it....

If you need anything including me doing something extra you might imagine, thats possible. If you need a more stripped version or whatever. Hit me!

One way we could make it unique is this.... If you are choosing to fill the space... We could change the introduction lyrics for that space like they are in my original with Joerxworx and I or we can write a bespoke lyric instead

I can give a no bass version a no vocal version to work with... Whatever just ask 🔆

Stems can be made available if you are into the idea so please work with the whole track first (or a requested bounce) and be onto your result then we can get the stems your way


Main rules... We spread it as us 👫 and we'll stick with the name Project #47 (plus what we decide)

AI use isn't banned but you will need to approve it with me if you want to put it near this. That QC will be very strict and any use needs to be innovative and it needs to teach something musically. If you come at me with a suggestion that includes AI use we can first try and imagine another way or implement it if we decide it's a positive thing to do... Preference of physically expressed musical instruments and equipment is obviously preferred. That of course includes skilful mixing and rhythmic syncs with existing sampling

Once it's creative and it's you I'm game


Lyrics (Specific to Sax Version)

Give me universal power
Real intention for this universal hour
A fleeting HeruKhuti flower
Give me universal power

Lord, forgive me
We've washed away that sin
They just mind thin
So replaced it with a grin
An inner fling thing
A much louder ring
One Universal bling
Just inner fling thing 

My man Jorg, we're getting bored...

My guess, Humour makes the spirit world
So jokes alive
Jack shit for karmas cloak
Once there's no hurt
Evolve that sarcastic girth
See the worth
Which witch comical nurse
Be sorceror of human humor thirst
You cry
You laugh
It works
Less hurts 

If your demons are doubling 
Then just double your light doing the shoveling
You power your intention
Go give fear detention

As I lay me down to sleep
I pray to soul so heart can beat
And mind can dream and keep a peace
If I should die before I wake
Good soul loves on with bodies sake

Jorg got roll... It's time to smooth that soul yeah eh

Lord, forgive me
We've washed away that sin
They just mind thin
So replaced it with a grin
An inner fling thing
A much louder ring
One Universal bling
Just inner fling thing

Let's take it away... Give em all good day

Open Collab ~ Project #47 ~ Work your magic

Here's a short single for you all. Also... 800 VIEWS IN 2 DAYS!! Thanks so much for all of the support as it helps me keep making music for all of you. If you would like to be featured on this, DM me on soundcloud. 

Cold

Hit me up if you’re down to collab — I’ll send over the stems and we can finish this one together. Let’s build something dope.

Open Collab // Let’s Build!!  Burna Boy - TaTaTa (feat. Travis Scott) REMIX

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

My friend Remnant60 hit me up for hit me up for his collab https://soundcloud.com/remnant60/project-open-c-slide-for with splendid slide guitar...

Remnant60 Project Open C slide noxpox surrender mix

open collab for your content when you cross promote us both :)

Zenith Carol Break Dance Beat

- this is an open collab

- these are the lyrics you are provided with

- you are not supposed to use my recording but to create a work of art on your own - based on these lyrics

- when you publish a work based on these lyrics, do credit the copyright of the lyrics to me: copyright jo richter

- please notify me via soundcloud message when you publish, so that I can repost and add to a playlist

- ADDENDUM: nic sent over some nice bass and flute. in case anyone wants to include those into a larger composition: please contact nicklas  https://soundcloud.com/nic_nic_nic or me

- no, I am not funded by any industry, not even the nettle seed producer's guild ;-)


nettle seeds

he got locked out of her garden
before this springtime's floral bloom
as he saw her soft glance harden
saw different patterns on her loom

he found some fallow, barren wasteland
on a hill of thistles, nettles
to cultivate defiant plants and
to get scarred by willful brambles
 
go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

haggard, thin and somewhat healthy
his medicine was on demand
to overcome fatigue and palsy
when there is nothing left to want

go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

nettle seed - lyrics for an open collab - please read description

Drop Your Verse – EP.06 | Flute Hip Hop Ethereal flute melodies meet raw hip hop drums in this open collab beat. Whether you rap, sing, or harmonize—this track is built for creative voices. 🎤 Drop your verse or DM for stems. 🎛️ Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | Ambient FX

Drop Your Verse on This Track – Flute Hip Hop | Open Collab Series | EP.06

This one’s got bounce. Funky basslines, crisp drums, and playful synths set the stage for your verse. Whether you’re spitting bars, singing hooks, or layering harmonies—this beat is open and ready. 🎧 Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | Funk FX 💬 Drop your verse or DM for stems. Let’s build something groovy.

Drop Your Verse on This Track 🎤 Open Collab – Funky Hip Hop | EP.04

🎤 Drop Your Verse – EP.07 | LA Trap West Coast energy meets cinematic trap. This beat rides with heavy 808s, moody synths, and space for bold vocals. Whether you rap, sing, or vibe in between—this one’s open for collaboration. 🎧 Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | FX Chains 💬 Drop your verse or DM for stems. Let’s build something raw and real.

🎤 Drop Your Verse on This Track – LA Trap | Open Collab Series | EP.07

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Hey everyone! I am an artist that makes Phonk, ambient, game music, and hip hop. pls support me by reposting, following, and liking!
Follow my insta for updates and go find my music in the links below!!
@pablothecoolguy_
https://www.deezer.com/us/album/713030151 
https://music.apple.com/us/album/1796834779 
https://open.spotify.com/artist/5VmJZZ5woYypa7sMpt9ePH?si=u_3gD4T-SJitnDRyAMUV7w 
and check out my artist on insta here! 
@ethanbaby66
Go to my discord!!
https://discord.gg/j67S9PZR7K

Ghost Producer looking to collaborate. Founder of Burnt House Productions / BRNT.WAV. I craft chilled beats, ambient rap, and open collab tracks for vocalists, rappers, and creators worldwide. 🎧 DM for stems, raw WAVs, or to submit vocals—I mix, master, and distribute with full credit. 🌍 Based in France, UK roots, US reach. Let’s build something global.

a day with a composition is a good day!!!
the community is awesome , thanks a lot, friends!!!
!!!NEW ALBUM OUT ON BANDCAMP!!!
https://noxpox.bandcamp.com/album/cybernetic-mind-boost

cool review: https://www.modularrodeo.com/track-of-the-week/930-subba-bubba-by-noxpox
just hit me up for some collabs! I really like to collab!
if you want STEMS of one of my tracks for a remix just ask me!


noxpox is an industrial, experimental, electronic, ambient,IDM , or whatever music project from Orsoy (am Niederrhein), Germany and  it was created by Andre Hindenburg.

Howdy,

Welcome to TBD.

All these creations are made by hard work and years upon years upon years of practice and trying to explain this world and the human condition to myself in the process through poems & songs.

Thanks for all of your wonderful support.

Peace and Love to Everyone,

Carl Culliton



What playing music does to your brain

https://youtu.be/R0JKCYZ8hng?si=KJt33NWjUo63ieAm



A nice David Bowie Interview here:

https://youtu.be/JRtZc_Nmo5w?si=1g1Wag87NdEumAc4

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #Open Collab