Hit me up if you’re down to collab — I’ll send over the stems and we can finish this one together. Let’s build something dope.

Open Collab // Let’s Build!!  Burna Boy - TaTaTa (feat. Travis Scott) REMIX

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

My friend Remnant60 hit me up for hit me up for his collab https://soundcloud.com/remnant60/project-open-c-slide-for with splendid slide guitar...

Remnant60 Project Open C slide noxpox surrender mix

open collab for your content when you cross promote us both :)

Zenith Carol Break Dance Beat

- this is an open collab

- these are the lyrics you are provided with

- you are not supposed to use my recording but to create a work of art on your own - based on these lyrics

- when you publish a work based on these lyrics, do credit the copyright of the lyrics to me: copyright jo richter

- please notify me via soundcloud message when you publish, so that I can repost and add to a playlist

- ADDENDUM: nic sent over some nice bass and flute. in case anyone wants to include those into a larger composition: please contact nicklas  https://soundcloud.com/nic_nic_nic or me

- no, I am not funded by any industry, not even the nettle seed producer's guild ;-)


nettle seeds

he got locked out of her garden
before this springtime's floral bloom
as he saw her soft glance harden
saw different patterns on her loom

he found some fallow, barren wasteland
on a hill of thistles, nettles
to cultivate defiant plants and
to get scarred by willful brambles
 
go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

haggard, thin and somewhat healthy
his medicine was on demand
to overcome fatigue and palsy
when there is nothing left to want

go feed on nettle seed
thistle oil and fibre weed
there is nothing else you need
nutrient rich and bittersweet

nettle seed - lyrics for an open collab - please read description

Drop Your Verse – EP.06 | Flute Hip Hop Ethereal flute melodies meet raw hip hop drums in this open collab beat. Whether you rap, sing, or harmonize—this track is built for creative voices. 🎤 Drop your verse or DM for stems. 🎛️ Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | Ambient FX

Drop Your Verse on This Track – Flute Hip Hop | Open Collab Series | EP.06

This one’s got bounce. Funky basslines, crisp drums, and playful synths set the stage for your verse. Whether you’re spitting bars, singing hooks, or layering harmonies—this beat is open and ready. 🎧 Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | Funk FX 💬 Drop your verse or DM for stems. Let’s build something groovy.

Drop Your Verse on This Track 🎤 Open Collab – Funky Hip Hop | EP.04

🎤 Drop Your Verse – EP.07 | LA Trap West Coast energy meets cinematic trap. This beat rides with heavy 808s, moody synths, and space for bold vocals. Whether you rap, sing, or vibe in between—this one’s open for collaboration. 🎧 Produced by Burnt House Productions | BRNT.WAV 📍 Cubase | Moog Bass | FX Chains 💬 Drop your verse or DM for stems. Let’s build something raw and real.

🎤 Drop Your Verse on This Track – LA Trap | Open Collab Series | EP.07

In honour of our 3rd page being almost full, we bring you all an open collab opportunity.

We're about to launch our 4th Archmage Band page here on SC, and we thought it'd be nice to post a demo which serves as an open collaboration for a track that we call "Where the Circuits Meet the Spell" as a nice little closing piece for this 3rd page. (The rest of the tracks uploaded here will be reuploads, that were deleted due to not having enough room, or older tracks).

Feel free to put your own spin on this, as long as you credit and link back to us. No commercial use, please.

Synth work by Masha Solo and Rob Ulysses: @masha-solo and @rob-ulysses

It's all going to be added to a special playlist: https://soundcloud.com/archmageband3/sets/where-the-circuits-meet-the-spell-open-collab-playlist

Open Collaborations

Meet The Spell (demo) [Open Collab]

Where the Circuits Meet The Spell - demo [Open Collab]

Our first collaboration with John Musichead, for our open collab "Where the Circuits Meet the Spell"

Thank you so much for this awesome cyberpunk-mood spin on our track, John!

In honour of our 3rd page being almost full, we thought it'd be nice to post a demo which serves as an open collaboration for a track that we call "Where the Circuits Meet the Spell" as a nice little closing piece for this 3rd page. (The rest of the tracks uploaded here will be reuploads, that were deleted due to not having enough room, or older tracks).

Feel free to put your own spin on this and the original track, as long as you credit and link back to us. No commercial use, please.

Original Track: https://soundcloud.com/archmageband3/meet-the-spell-open-collab

Synth work by Masha Solo and Rob Ulysses: @masha-solo and @rob-ulysses
Additional instruments by John Musichead @john-musichead
Art for this version is by Masha using Canva.

Thanks for being the first collaborator for the Open Collab playlist for this track. https://soundcloud.com/archmageband3/sets/where-the-circuits-meet-the-spell-open-collab-playlist

Where the Circuits Meet The Spell [Open Collab]

Where the Circuits Meet The Spell ft. John Musichead

Where the Circuits Meet The Spell ft. John Musichead - Instrumental

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Archmage Band was founded in 2013 by Rob and Masha, who are a musician couple and synth pop duo from Australia.

Our Albums:
Realm I [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-i-instrumental-prologue 
Realm II [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-ii-instrumental-prologue-2

Gear:
We use a synthesizer (Roland Gaia SH-01), a midi controller (the Korg microKEY), Reason Compact, Figure, the LMMS DAW, and Garageband for iOS to make all our sounds.

All art by Masha unless stated otherwise on the release.

For enquires, collaboration or remix ideas, or just to get in touch with either Rob or Masha, contact Archmage Band at mail@archmagemusic.com

Additional Accounts:
@archmageband (2020-2022 Music)
@archmageband2 (2022-2023 Music)

Solo Accounts:
@masha-solo
@rob-ulysses

Thank you all for listening to our music, we hope that you have a great day.

Ghost Producer looking to collaborate. Founder of Burnt House Productions / BRNT.WAV. I craft chilled beats, ambient rap, and open collab tracks for vocalists, rappers, and creators worldwide. 🎧 DM for stems, raw WAVs, or to submit vocals—I mix, master, and distribute with full credit. 🌍 Based in France, UK roots, US reach. Let’s build something global.

a day with a composition is a good day!!!
the community is awesome , thanks a lot, friends!!!
!!!NEW ALBUM OUT ON BANDCAMP!!!
https://noxpox.bandcamp.com/album/cybernetic-mind-boost
uploaded some cool stuff on my youtube channel!!!!!
cool review: https://www.modularrodeo.com/track-of-the-week/930-subba-bubba-by-noxpox
just hit me up for some collabs! I really like to collab!
if you want STEMS of one of my tracks for a remix just ask me!


noxpox is an industrial, experimental, electronic, ambient,IDM , or whatever music project from Orsoy (am Niederrhein), Germany and  it was created by Andre Hindenburg.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #Open Collab