The Hydra

Eternal Autumn es un viaje sonoro que fusiona la agresión del metal extremo con paisajes melancólicos y estructuras progresivas. Es un álbum conceptual, una experiencia inmersiva donde la brutalidad y la melodía conviven en un equilibrio dinámico, explorando temas como la salud mental, el paso del tiempo, la introspección y la conexión con la naturaleza.

Con influencias que abarcan desde Opeth, Mastodon, Gojira y Devin Townsend con sus contrastes de dinámicas y grooves violentos, hasta el enfoque melódico y agresivo de Sylosis, Trivium, Revocation e In Flames, o pasajes más densos y atmosféricos de Cult of Luna, Katatonia, The Ocean o Porcupine Tree. Este álbum combina riffs afilados, armonías envolventes y una producción densa que transporta al oyente a un otoño eterno. Cada canción es una pieza de este ciclo, donde la agresión y la belleza se entrelazan, construyendo una narrativa sonora profunda y envolvente.

Sumérgete en Eternal Autumn. Cada acorde es una hoja cayendo, cada silencio, el susurro del viento. 🍂🍂

Eternal Autumn

Bright Deeps

Crown of Leaves

Wetlands

Neraka

Shepherd of Stones

Gabrielle

⚡ Une Nuit En Enfer ⚡ 
C'est la récap 2024 🤘
Retrouvez Eric, Thib et Mass 
Au programme :
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- Sleazy Town pour le label M&O Music 
- Découverte du Hellfest Open Air Festival 2025
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- www.hearthis.com
- www.soundcloud.com
- l'application BLE radio 
- podcasts i-tunes

UNE NUIT EN ENFER - EMISSION 241 DU 06 02 25 - LA RECAP 2024 !

I studion sitter Martin, Panos och C.A. Även denna vecka gästas vi av den mystiske C.A. som pratar om konsertupplevelser och Opeths senaste album The Last Will and Testament. Martin har spelat spel till Nintendo 3DS och äntligen orkat se den tunga Netflix-serien Bojack Horseman. Slutligen har Panos lyssnat på dokumentärpodden Pappa, sekten och jag. Det blir ett avsnitt man sent glömmer, så det vill ni verkligen inte missa.

09:36 - Intro
14:33 - Professor Layton VS Phoenix Wright: Ace Attorney
28:06 - Opeth - The Last Will and Testament
47:54 - Bojack Horseman
1:08:26 - Pappa, sekten och jag

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Musik: Pontus Ljung


182 - Professor Layton VS Phoenix Wright, Opeth, Bojack Horseman och Pappa, sekten och jag

This is the first song on which I have used a recording of myself playing the guitar. It turned out pretty good in my opinion. I have used an EBow ‘look-alike’ called the Joyo JGE-01 Infinite Sustainer. Since the release of the Blackwater Park album by Opeth (and on several songs on the Deadwing album of Porcupine Tree) I was captivated by a particular sound that I could not quite identify. After a few years I ‘discovered’ that it was an EBow that was used on the guitar. Since then I always wanted to own such a device to play along an recreate that sound. Now I have finally used a guitar on a song with a similar device like an EBow. I used a VST by Hainbach (Landfill Totems) that I have used on more of my songs. I made some samples using the Landfill Totems VST and used these. I also used one of my go to VST’s by Spitfire Audio called Labs. On this song I have used the recordings of a Ondes Musicales. I cool instrument with a very distinctive sound. The percussive sounds also come from the Labs VST by Spitfire Audio. The song sounds more experimental than my previous work. According to some feedback it sounds a bit like The Gathering (one of my favorite bands) although that wasn’t my intention. You cannot escape influences by other artists so if it is (unintentionally and subconsciously) inspired by them; so be it. I like how this one turned out. I am curious what others think about this one. The title is an anagram by the way. It is an anagram of the most simple things imaginable and I will leave it to you to figure it out. Seeing and experiencing the world as it is today and still hoping for a better world I liked the ring of it so I chose this as the title.

A Daring Utopian

Sam 22

Guitars, vocals and backup vocals by myself.
Bass, keyboards, drums, flute, strings, Mellotron are MIDI tracks.
Recording, mixing, synth effects and MIDI rendering: Garageband (Mac), BBC Symphony Orchestra Discover plugin (https://www.spitfireaudio.com/bbc-symphony-orchestra-discover).
Setup: Lag Sauvage guitar with Ernie Ball Everlast strings, Yamaha TR5A amp, Shure MV88+ mic.

Opeth - To Rid the Disease (cover)

Opeth - Bleak

An acoustic guitar part by one of my absolute favorite bands kept calling out to me. So I decided to answer. 

Oath Robed in Twilight

opeth riff

Track Description:

“Kobanî (Daughters of the Fire)”
This is not a song.
It’s a fracture in time.
A howl echoing through burnt soil and rusted breath.
Where the daughters of the mountains stood—not as myth, not as martyr—but as memory sharpened into steel.
Against a death cult cloaked in god’s lies, they didn’t kneel.
They didn’t pray.
They became the storm.

Broken meters mirror broken homes.
Odd time signatures like fractured lullabies from mothers who buried their children with their own hands.
The guitars don’t play—they testify.
The drums don’t keep time—they interrogate it.
This is progressive metal reconfigured as ancestral vengeance.
A hymn for every voice silenced in the rubble.
A curse against every empire that mistook silence for surrender.
And in its core: a whisper, barely audible—
"We are still here."

Joe Qasso - Kobane

“Low Life” is an instrumental exploration of the human condition — stripped of names, flags, gods, and inherited masks.
No lyrics. No doctrine. Only sound.
A slow-burning descent through identity’s hollow core, where a single candle flickers in the fog, and a raven watches — not as omen, but as witness.

This is a rejection of the cages we were born into.
A requiem for forced belonging.
Music for the ones who feel like strangers in every homeland.
You don’t need to understand it.
You just need to feel it.

JoeQasso - Low Life

When the Silence Spoke
by JoeQasso

It didn’t end with a scream.
It ended with weather.
Cold air. A look avoided. A language unlearned.

This piece doesn’t ask questions — it remembers the silence that answered them.
Somewhere between a dream that stopped returning and a coat pulled tighter,
a voice faded… not because it was weak,
but because it knew no one was listening.

Everything else is just reverb.

JoeQasso - When the Silence Spoke

Ämpers@nd almost feels like music therapy to me. As Ämpers@nd I am producing (largely but not always intentionally) melancholic and dark-sounding soundscapes, ambient and occasionally some (experimental) electronic music. I would rather describe most of my music (if you can even call it that) as experiences or scenes than songs.

All astrophotography pictures (galaxies, nebula's and stars) I have used are made (and owned) by Bob Reijnders. For more awesome pictures check his website: https://astro.bobreijnders.nl/. 
All other photo's are taken and edited by me.

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En podcast om all möjlig fin- och fulkultur! Film, spel, serietidningar, skidskytte och mycket mer. Hålls i Stockholm av ett gäng unga vuxna med ett lite för stort intresse för media. Lyssna och skratta om konversationer och recensioner om allt från AAA-filmer till de mest obskyra gamla PSP-spelen. Varje avsnitt bjuder på nya upplevelser. Häng med!

1/2 of Wolf Helvetica Transwoman, singer, sometimes-rapper, mediocre guitarist, the person that ate all the churros, & bound to make my first million.

New tracks tagged #Opeth