“Waning Light” captures the quiet collapse that follows a villain’s downfall. The melody drifts through fading strings and solemn piano, carrying a sense of loss and reflection.

Waning Light

This track begins with quiet confidence. As it builds, the orchestra swells into something grand and unstoppable, capturing the feeling of a world rising together in hope. It’s bold, radiant, and full of motion.

Sunstone

This piece sets the stage before the adventure begins, that calm moment when the title fades in and the world quietly comes to life. Gentle strings and soft chords carry a sense of wonder and anticipation, like the story is waiting just beyond the horizon.

The Enchanted Forest

The King’s Ruin is written as a final confrontation, powerful, tragic, and unrelenting. The orchestra drives forward with pounding percussion, dark brass, and soaring strings that carry both fury and sorrow. It’s the sound of a fallen kingdom and a battle that means everything. Victory and loss intertwined.

The King's Ruin

Some stories live quietly in our hearts for years before they find their way into the world.

The Haunted House on the Hill (A Christmas Ghost Story) is one of those stories.

I wrote it as a tribute to the kind of Christmas tales that fascinated me as a child — those moments when mystery and warmth exist side by side, where snow falls softly outside, and a single piano note can change everything.

As a kid, I dreamed of creating something that felt like those old storybooks and classic animated films — cozy yet filled with wonder, a little spooky but never sad. This project finally made that dream come true.

The story follows a young girl named Mary who visits her grandparents for Christmas and discovers a forgotten house on the hill. Inside, she finds a lonely music teacher, his moody cat, and a piano waiting to be played one last time.

It’s a story about kindness, memory, and the way music connects us across time — told through narration, orchestral score, and the quiet magic of the season.

Creating this was like stepping back into childhood — where imagination had no limits, and every sound of a piano key carried a little bit of hope.

I hope listeners — young and old — find in it what I did: that gentle reminder that even in silence, the music of Christmas still plays somewhere in the heart.

— John AI Smith / OrchraX

Support

The Star Over Brimwood

The Cat Called Silver

The Music Teacher’s Story

The Ascent and the Door

Goodbye, Mr. Alcott

The Story Begins

I’m John AI Smith — producer, songwriter, and sonic architect. My music explores what it means to feel in a digital age, where every track is a meeting point between intuition and algorithm.

🎧 The Algorithm of Emotion — that’s my compass, and the heart of everything I make.

This page is my playground — where ideas are born, where tracks evolve, and where I can share music with you first. Thanks for listening, commenting, and being part of this journey.

Join the journey — stream, collect, and support my music on Bandcamp ☕

Self-taught composer creating cinematic and video-game inspired music blending orchestral and digital elements. Passionate about storytelling through sound. Currently building a growing portfolio of fantasy and adventure tracks.

New tracks tagged #Orchestral Score