It’s Dee’s birthday and the only gift he wants is to finally see Jerry Lewis’ legendary never released Holocaust film “The Day the Clown Cried” about a circus clown who entertains Jewish children in a concentration camp before they head to their final shower of doom. Atheist Preacher calls in with the grossest story ever told on air. Sign up for the Sick and Wrong Patreon to hear Second Show, SW archives, and the bonus minisode Serial Killer Star Signs.

S&W Episode 929: The Day the Clown Cried

Album de clarke

War of the worlds [ part. 1 : meteors ]

This is a short story... first an introduction to the situation that was the cause of the story... and then the audio file will play.
Orson Welles...if you are or are not an old time radio fan... have most likely at least heard of him.  He was a brilliant actor, director, and producer in the field of radio starting when he was 23 with the 1938 "War of the Worlds."  He is remembered and considered to be among the greatest and most influential filmakers of all time -" Citizen Kane", "The Stranger", "A Man for All Seasons", "Jane Eyre"... and many more.  His voice was almost unbelievable... rich, deep, baratone voice... perfect for Mercury Theatre on the Air.  When he got into his late 50's he started to do a lot of television and radio commercials...mostly  for wines... but in 1970 he was hired by a British TV Company to star in a few commercials... one for Frozen Peas and another for some fish company.  He was a perfectionist and demanded that of the people he worked with.  There was a time when he lost it... the Frozen Pea commercial.  This track is a recording of the recording session for that commercial.  Welles knew so much more about directing, writing, producing... that he literally walks out on this crew...  If you think he was in the wrong... just keep in mind that he had so many years of perfecting his skills and talent... what he tells the directors is true... the way it should have been done... part of recording radio/tv history.  The loud "Smack" that you hear is the slap of wood hitting the Clapper that they use to start recordings of film.

Soundcloud 1939 Frozen Peas Commercial Orson Welles 1970

"The Shadow" is probably the best known radio program... when polls were taken among college students who had never listened to OTR,"Can you name an old time radio show"... about 95% said, "The Shadow!"  Series started in 1937 with Orson Welles initially playing the first year of the series. Later Bret Morrison, Bill Johnstone, John Archer, and Steve Courtleigh took on the role of tThe Shadow.  Margo Lane was first played by Agnes Moorehead and later Marjorie Anderson, Marion Sharkley, Laura Mae Carpenter, Lesley Woods, Grace Matthews and Gertrude Warner.
The series ended in 1954 and thankfully many episodes were recorded and have been preserved. Incidently the phrase, "The Shadow Knows" became part of our vernacular  This episode will be stored in "The Shadow" Playlist.

The Shadow - The Hypnotized Audience - March 27, 1938 - Orson Wells - Suspense

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CITIZEN KANE (1941) Retrospective: Failed Award Contenders 3x04

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In May of 1944 Orson Welles appeared on Suspense three times. The first of which was on May 4th in “The Dark Tower,” a play originally written by George S. Kaufman and Alexander Woollcott. Adapted for Suspense by Peter Barry, Woollcott had died in January of 1943. In many ways, the play is a satire of Welles’ friend, John Barrymore, and it's ripe with innuendo and other inside humor. 

Featured in this episode as Jessica was Jeanette Nolan. Like so often in Bill Spier’s productions of Suspense, Hans Conreid played a villain. Here’s fellow actor Byron Kane talking about Orson Welles and Hans Conreid. 

On May 15th, 1944, Orson Welles was placed on the U.S. Treasury payroll to consult for the duration of the war. His pay: an honorary one dollar. On May 18th Welles starred in part one of “Donovan’s Brain,” based on the 1942 Curt Siodmak novel. 

Welles played Dr. Patrick Cory, who successfully learns to keep a brain alive outside the human body. The sound-effects were outstanding for their time. “Donovan’s Brain” is considered one of the first adult science-fiction broadcasts.

After this evening’s show, Orson Welles and Bill Spier were having dinner at the Players Restaurant in Los Angeles when Spier suffered his second major heart attack in ten months. He was immediately placed on bed rest. In the studio he was replaced by CBS executive Robert Lewis Shayon. 

Although he’s once again recovered, heart problems continued to plague Bill Spier for the rest of his life. 

Just two days after the west coast broadcast of part two of “Donovan’s Brain”, Welles spoofed it on his Orson Welles Almanac program. Performed live at the Air Transport Command in Long Beach, California, among those in the cast for the parody were Suspense regulars John McIntire and Hans Conried. For more info on this time in Welles’ career, tune into Breaking Walls episode 104.

BW - EP154—006: Stars on Suspense in 1944—Listen To Orson Welles Take Over Suspense in May 1944

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Edgar Bergen came to the attention of American audiences on Rudy Vallée’s NBC Royal Gelatin Hour on December 17th, 1936. How could ventriloquism work on radio? Perhaps Rudy Vallée himself put it best the night Bergen debuted.


Five months later NBC gave Bergen his own show Sundays at 8PM. He was an instant smash hit. Don Ameche worked with Bergen in those years. He was emcee on December 12th, 1937 when Mae West was the guest for an innuendo heavy skit called “Adam and Eve.”

Over the next six seasons his show was never rated lower than fourth. Twice it was the country’s top program. In November of 1944 Bergen’s rating was 22.7. Roughly eighteen million people tuned in on November 5th when the guest was Orson Welles for the second of back-to-back appearances on the show.

BW - EP155—010: New York and the 1944 Radio World—Orson Welles & Edgar Bergen Go To NYC in 1995

Well, it's been a while. The kids and the job and the yada yada. I gave myself a challenge to get something out by Halloween. I drew a a card from Eno's Oblique Strategy deck and it told me to indulge my worst tendencies. So kitschy and overproduced it is. I present Lady Gaga and Freddie Mercury starring in a Halloween radio play of David Bowie's Space Oddity.

Peace in the middle east and love,
Adam

Space Oddity - David Bowie

Radio 1190 DJ CJ and friends present ... the BOULDER edition of War of the Worlds. 
It's an excerpt, so you'll have to find out how it ends on your own ...

Radio 1190: War of the (Boulder) Worlds

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It’s a cold, rainy Sunday evening on January 8th, 1956. We’re heading south on Riverside Drive in Manhattan’s Upper West Side. On the air is NBC’s Monitor with a New World Today discussion about the differences in American life in the past twenty years. 

The United States is changing. Psychiatry is on the rise as the cold war rages onward. The internal Red Scare has subsided, but Secretary of State John Foster Dulles said this week that the U.S. won’t stop testing nuclear weapons, despite pleas from Pope Pius XII on Christmas Day. 

While nuclear fears are understandable, the U.S. government thinks the USSR’s presence in emerging nations means they can’t be trusted to follow suit and stop their own testing. 

In Ecuador today, five evangelical American Christian missionaries were speared to death by members of the Huaorani people after attempting to introduce Christianity to them.

Meanwhile, Algeria is in the midst of a war for Independence between France and the Algerian National Liberation Front. It began in November of 1954 and by now it’s considered the world’s only active war of note. It’s a complex conflict characterized by guerrilla warfare and the use of torture. 

Gunsmoke is far and away radio’s highest-rated dramatic show. It airs on CBS Sunday evenings with a Saturday afternoon repeat broadcast. The combined rating of 6.5 means somewhere between six and seven million people are still tuning in from their homes. When factoring in car and transistor radios, nearly ten million people are listening. 

CBS remains the home for the top-rated prime-time shows. Our Miss Brooks is pulling a rating of 4.3, and both Edgar Bergen and Two For The Money are pulling a 3.9. Meanwhile, on daytime radio, CBS has the twelve highest-rated programs.

So where am I heading? I’m a roving CBS producer. I’ve worked on both coasts, including with Norman MacDonell on Gunsmoke in Hollywood, but last year programming directors Guy Della Choppa and Howard Barnes sent me back home to New York.

I’m heading to the City Center at 131 West 55th street. I’m to cover a preview of Shakespeare’s King Lear starring Orson Welles. It features Viveca Lindfors and Geraldine Fitzgerald and begins at 8:30PM. 

I helped with Welles’ Omnibus production of Lear on CBS-TV in October 1953. I had drinks with him last week. He kept raving about two things: Carl Perkins’ new hit, “Blue Suede Shoes,” and friend Jack Johnstone’s production of Yours Truly, Johnny Dollar. 

Johnstone directed Welles’ Almanac series from the west coast during World War II. I phoned Jack yesterday. He had this to say.

Jack was sure to mention that this week’s upcoming Dollar story would take place in New York. If all goes well, Orson might be interested in returning to network radio in some capacity. Welles is once again a father. His daughter Beatrice was born last November 13th. He’s been looking for more stable projects and wants to get dinner after the performance. Lear doesn’t officially open until Thursday the 12th. 

The City Center was built as The Mecca Temple and opened in 1923. It’s part of a small section of galleries, apartments, and performing spaces, but development is possibly encroaching. 

Last April, The Mayor's Slum Clearance Committee, chaired by Robert Moses, was approved to designate the area just west in Lincoln Square for urban renewal. The residents, many of them Hispanic, have been protesting the decision, but Robert Moses usually gets his way.

BW - EP159—002: NYC In January 1956 With Johnny Dollar—Orson Welles Returns To A Changing New York

Audio introduction gives general background on "The Shadow" and introduces the track entitled "Firebug."  For a recording that was made 85 years ago, it is well preserved.  Goodrich Silvertown Tires is the sponsor,  A set of 4 tires would have cost $56 in 1938, but that is a pretty significant amount considering the average annual salary was $1731.  That amount of money...adjusting for inflation would now be $38,726.... an increase of 2,138.33%!.  Those $56 tires would now cost a little over $1100.00.
Never mind the tires... enjoy the show!  This track will be in "The Shadow" playlist.

The Shadow - Firebug - April-March 1938 - Orson Welles

This episode was originally released on 5/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes.

___________

In Breaking Walls Episode 79, we present a detailed look at Orson Welles’ radio career through the end of 1941. 


Highlights:
• Beginnings in Illinois and China — How they helped shape Orson
• The Todd Seminary School — His first exposure to theater and Radio
• Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway
• Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time
• 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio 
• How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937  
• The Shadow Knows! — Agnes Moorehead and Orson Welles’ one season on The Shadow
• The birth of the Mercury Theater on the Air as First Person singular. 
• How it’s success led to the most infamous night in radio in October of 1938
• Mainstream success with Campbell’s Soups
• Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24
• Citizen Kane — How William Randolph Hearst and RKO shaped the film
• Lady Esther Presents — Orson comes back to radio in the autumn of 1941
• Pearl Harbor Day and collaborating with Norman Corwin
• Joseph Cotton introduces Orson to Rita Hayworth

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Subscribe to Breaking Walls everywhere you get your podcasts.

To support the show:
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The reading material used in today’s episode was: 
• Citizen Welles: A Biography of Orson Welles by Frank Brady
• This is Orson Welles by Welles and Peter Bogdanovich
• The Encyclopedia of Old-Time Radio by John Dunning
• Discovering Orson Welles by Jonathan Rosenbaum

Other materials included:
• http://www.wellesnet.com - an incredibly comprehensive website on Orson’s career
• Orson Welles on the Air, 1938-1946 at https://orsonwelles.indiana.edu
• The Radio Preservation Task Force also has a great Facebook group headed by Josh Shepperd


Selected Interviews in this episode were:
• Orson Welles with Dick Cavett, Johnny Carson, and Huw Wheldon, 

• Agnes Moorehead and Alan Reed were with radio Hall of Fame Member Chuck Schaden, who interviewed over 200 members of the radio community during his 39 year career. Chuck’s interviews can be streamed for free at SpeakingofRadio.com.

• William Robson was with Dick Bertel and Ed Corcoran for WTIC’s The Golden Age of Radio in January of 1976 and Kenny Delmare was with John Dunning in 1983. Those interviews can be found at the Old Time Radio Researcher’s Group at Otrrlibrary.org 

• William Herz was with Walden Hughes and John and Larry Gassman in 2013 for their program on the Yesterday USA Radio Network, which you can visit at http://www.yesterdayusa.com.

BW - EP79: The Boy Wonder—Orson Welles' Early Career (1931 - 1941) [Rewind]

Song: Alien invasion from Majora's Mask (2000)
Samples: War of the Worlds (1938), Alien (1979), Predator (1987), War of the Worlds (2005), Super 8 Camera

Invasion

De pronto estalló el pánico en Nueva Jersey. A la gente le temblaban las piernas, y gritaba. Mujeres se desmayaban, y hombres se echaban a las calle esa noche, según dice el New York Times. Las líneas de teléfono estaban colapsadas, y a las dos horas la Cruz Roja y la Guardia Nacional se movilizaba en muchas zonas del este de Estados Unidos. Todo esto ocurrió el 30 de octubre de 1938, a causa de una emisión por radio que hizo Orson Welles en un teatro de Nueva York, dando la impresión que los marcianos estaban invadiendo en la Tierra. 

Bajo la forma y lenguaje de un informativo, los actores de la CBS, convertidos en locutores de noticias, anunciaron la llegada de una avalancha de platillos volantes, con conexiones a hipotéticas unidades móviles que narraban el aterrizaje de las naves y describían a aquellos temibles extraterrestres. Se calcula que casi dos millones de oyentes creyeron que la invasión era cierta,  El texto dramatizado por Howard Koch estaba basado en la novela clásica de ciencia-ficción, La guerra de los mundos (1898) de H. G. Wells (1866-1946).

En este programa de radio "Al Trasluz" escuchamos fragmentos del programa de Welles y el libro de Wells, leído por Eugenio Barona. Oímos algunas reacciones a la emisión de Welles, así como diálogos de escenas de las películas sobre el libro de Byron Haskin en 1953 y Steven Spielberg en 2005. La música es de la banda sonora original de John Williams para el film de Spielberg y las composiciones inspiradas en esta obra de Jack Hallam y Jeff Wayne. La narración es de José de Segovia y el sonido de Daniel Panduro.  

La Guerra de los Mundos - Al trasluz con José de Segovia

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I’m doing this Thursday July 17th, at 7PM on Orson Welles' early career of Orson Welles through the end of 1941.

If you can't make it live this Thursday July 17th at 7PM, don't worry,  I’ll be emailing every person who registers a video of the webinar once it's over. Here's a link to register: https://www.eventbrite.com/e/orson-welles-career-part-1-from-boy-wonder-to-trouble-maker-webinar-tickets-1445315741289?aff=oddtdtcreator

Some more information:
Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind.

Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face.

Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth.

He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look.

In Part 1: From Boy Wonder To Trouble Maker (1931-1941) we’ll explore Welles’ early life, through his explosion of success in the 1930s all the way to the end of 1941, complete with audio clips and highlights including:

• Beginnings in Illinois and China — How they helped shape Orson

• The Todd Seminary School — His first exposure to theater and Radio

• Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway

• Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time

• 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio

• How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937

• The Shadow Knows! — Agnes Moorehead and Orson Welles’ one season on The Shadow

• The birth of the Mercury Theater on the Air as First Person singular. How its success led to the most infamous night in radio in October of 1938

• Mainstream success with Campbell’s Soups

• Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24

• Citizen Kane — How William Randolph Hearst and RKO shaped the film

• Lady Esther Presents — Orson comes back to radio in the autumn of 1941

• Pearl Harbor Day and collaborating with Norman Corwin

• How Joseph Cotton introduced Orson to Rita Hayworth

Afterward, I’ll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

Thursday 7.17.2025 — A New Webinar: Orson Welles' Career, From Boy Wonder To Trouble Maker

NO LIMITED PLAYLISTS. NO LIMITED FORMATS. NO LIMITS. The best of independent and underground music from every era and genre, plus award-winning student news. Listen on 1190 AM in Boulder, 92.9 FM in Denver, or stream worldwide at https://1190.radio.

www.dynamisradio.org  - Emisora de Radio Cristiana - Madrid, Spain

Retired Science Teacher - hobby of old radio restoration - Volunteered for public radio and tv stations as Producer and A/V editor for 20 yrs. Concerned about Climate Change and our insane orange president.

THE WORLD’S SOURCE FOR ANTI-SOCIAL COMMENTARY

Sick and Wrong is your hearing aid into the dark, depraved, and dripping abscess that is contemporary existence. An enchanting mélange of social criticism, pointed observation, and well-deserved derision; Sick and Wrong is the pepto-bismol for society’s indigestion. In their critically acclaimed weekly podcast, award-winning broadcasters Dee Simon and Lance Wackerle discuss the most vile, disquieting, and oddly amusing news items for your listening pleasure.

“The most foul thing I have ever heard. I can’t believe people listen to this shit.” — Katy Perry

“Sick and Wrong is my new favorite podcast.” — Drew Barrymore

“My mom told me about this podcast.” — Neil Patrick Harris

“These guys have seen Brokeback Mountain one too many times.” — Bruce Campbell

Breaking Walls: The Podcast on the History of American Network Radio Broadcasting.

Hi welcome to my music journey 🥳
New songs on the 4th of every month!

Baby of the 80s, teen of the 90s, obsessed with the 60s and 70s; an FM wannabe in a Youtube world. I guess I just wasn't made for these times. I like songwriting in the Gershwin, Tin Pan Alley, Lennon/McCartney tradition. I prefer records to singles. I prefer three minutes to ten.

According to my mama, I was whistling before I learned to talk. I played organ in the Memphis garage rock scene between 2000 and 2016. I've done a lot of studio work, adding keys to records by songwriters that I really admire.

I'm now focused on recording my own songs. I have a minimal home recording set up with a laptop, microphones, cheap guitars, drums, piano, and a grab bag of other toys. All my lyrics rhyme with the truth, or at least I think they do. 

Life is short and there are more good songs then there are raindrops. Which is to say: thank you very much for lending me your ears.

Rock 'n' roll is dead, long live rock 'n' roll.
__________
__________
__________


A few of my influences, in no particular order, are:

Sly and the Family Stone 
The Mamas and Papas
Beck
Big Star
The Beach Boys
The Beatles
Smokey Robinson 
Bob Dylan
Buddy Holly
Jack Oblivian
James Brown
Beaulah
Elliot Smith
Hank Williams
Otis Redding
Steve Martin
10CC
Joe Jackson
Frank Ocean
Billie Holiday
Dave Fridman
Joni Mitchell
Tyler, The Creator
The Dirt Bombs
The Cocteau Twins
George Gershwin
Ben Folds
Cornelius
Bjork
Donny Hathaway
The Drifters
Ennio Morricone
Moby Grape
Prince
The Breeders
The Monkees 
Caetano Veloso
Kendrick Lamar
Nina Simone
Pink Floyd
Waylon Jennings
Del Shannon
Booker T and the MG's 
Mott the Hoople
Grandaddy
The Hombres
Philip Glass
Huey Lewis
My Bloody Valentine
David Bowie
David Byrne 
The Pixies
Thin Lizzy
The Clash
Broadcast
Willie Mitchell
Billy Joel
Wilco
Cat Power
Pusha T
Blonde Redhead
Os Mutantes
Al Green
The Kinks
The Animals
Spiritualized
The Zombies
Carol Kaye
Them
Led Zeppelin
The Beta Band
Loudon Wainwright
Leadbelly
Lou Reed
Tom Petty
Tom Waits
Shuggie Otis
The Impressions
Weird Al
Van Dyke Parks
Roy Orbison
Nino Rota
Jack White
Don Covay
Sir Douglas Quintet
Chet Baker
Chicago
Buffy Sainte Marie
Miles Davis
Elvis Costello
Rocky Horror Picture Show
Harlan T Bobo
Nick Lowe
Earth Wind and Fire
Chopin
William S Burroughs
Nina Simone
Ray Charles
Ravel
Electric Light Orchestra
M.O.T.O.
Steely Dan
Willie Nelson
Phish
Charles Mingus
The Grateful Dead
The Cars
Lee Hazelwood
REM
The Replacements
Pavement
Kurt Cobain
Isaac Hayes
Jerry Lee Lewis
Ike & Tina
The Vaselines
Lenoard Cohen
Gilberto Gil 
Air
Alejandro Escovedo
Fats Domino
Little Richard
Buddy Holly
The Flaming Lips
The Flaming Groovies
Janis Jolpin
Scott Joplin
John Coltrane
Willie Nelson
Todd Rundgren
They MIght Be Giants 
The Drifters
The Coasters 
Django
Marvin Gaye
Belle and Sebastian
The Delgados
Animal Collective
Curtis Mayfiled
Harry Nilsson
Warren Zevon
Steve Miller
Randy Newman
Carole King
The Isley Brothers
JJ Cale
Nat King Cole
Frank Zappa
The Rolling Stones
The Compulsive Gamblers
Greg Cartwright
The Reigning Sound
Jeff Pope
Penguin Cafe Orchestra
Dr. John
Ray Manzarek
Paul Simon
Dan Penn
The Byrds
Badfinger
The Band
Stephen Sondheim
Andrew Lloyd Weber
Stephen Schwartz
The Police
Richard Thompson
Dean Martin
Chuck Berry
Syd Barrett
Rita Lee
Gal Costa
The Specials
2 Pac
Weezer
Squeeze
The Violent Femmes
Wanda Jackson
The Andrew Sisters
The Memphis Horns
The Memphis Jug Band
The Oblivians 
Cole Porter 
Johnny Mercer
Black Sheep
Harold Arlen
The Everly Borthers
The Faces
Neil Young
Charlie Rich
Oscar Peterson
Stevie Wonder
Phineas Newborn
M. Ward
The Lyres
The Troggs
The Velvet Underground
Funkadelic
Donovan
The Doors
Meat Puppets
Brian Eno
The Hollies
Radiohead
Frank Sinatra
? and the Mysterians
Tommy James
Madness
The Seeds 
The Lovin' Spoonful
Carl Perkins
Howlin' Wolf
The 13th Floor Elevators
Yo La Tengo
Love
A Giant Dog
Sparks
Courtney Barnett
Kate Tempest
T. Rex
Outkast
Irving Berlin
The Who
The Searchers
Fleetwood Mac
Allen Toussaint

…and a few others

New tracks tagged #Orson Welles