https://soundcloud.com/naor-dayan
https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com/album/oe-018-v-a-the-male-body-will-be-next-pt2
🔊 https://youtu.be/mQAhrPPJSCw

Following on from the celebrated first instalment, the second part of The Male Body Will Be Next compiles an entourage of daring sonic experiments, composed in response to bell hooks’ landmark book The Will to Change. Prompting artists and musicians to envision cross-gender solidarity, Osàre! Editions founder Elena Colombi presents an enrapturing, narrative album, conceptualised around collective transformation.

Resonating with hooks’ challenge to men to reclaim the sensitivity that patriarchy denies them, the name of the record arises from a photograph by Peter de Potter and Rebecca Salvadori’s film of the same title. In these depictions, naked flesh is exposed, made vulnerable and trembles with emotion as the fragility of masculine bodies are examined through the queer and female oppositional gaze. Transforming this visual language into musical expression, The Male Body Will Be Next swirls with punk vitriol, electrified noise, acid, electro and free-wheeling encounters charged by love, lust and limerence.

Gently plunking chords signal Pose Diva’s reimagining of lover’s rock before Sissy Fuss smashes in with a heavy-weight instrumental version of their erotic anthem ‘No Restraint’.
Made up of Turkish musician Etkin Çekin and Belarussian songstress Galina Ozeran, God is God delivers a gentle lullaby, while Low End Activist flirts with dark and brooding bass, shattering penetrating frequencies into luminous fragments. Riffing off the 2020 documentary about female early electronica pioneers, Loma Doom crafts a slowly oscillating drone zenith, the ultimate climax. In line with the conceptual underpinning, there are plenty of collaborations – Daytripper’s Riva and Sitar player Tommy Khosla, Lebanese experimentalist NAR and Swiss-French producer John Silvestre (AKA Typhon), as well as Colombi herself and trans author/activist Juno Roche. Within these partnerships, new modalities come alive as mediums, practices and perspectives are ignited and pushed in otherworldly, metamorphic directions. 

Tracklist:

A1 Sepehr - Twilight Calls
A2 Sissy Fuss - No Restraint (Instrumental)
A3 God Is God - Na Gore More (Dub Edit)
A4 Alex Loveless - Voicenote
A5 Suemori - Kisou
A6 Mari Herzer - Limbal Ring 
A7 Elena Colombi ft. Juno Roche - Lost In a City
A8 Loma Doom - SisterResister
A9 Decha - Mujeres
B1 Pose Dia - Lovers Rock
B2 Low End Activist - Need To Know (Blue Room Version)
B3 Decha - Wir Sind Da
B4 Mayurashka - Libra Man
B5 Nâr & John Silvestre - Ensel Ham 
B6 E-Bony - Slow Machines
B7 Riva ft. Tommy Khosla - Resurfacing
B8 Anenon - Length-Of-Night (Improvisation)

Slow Machines

PREMIERE:  E-Bony - Slow Machines [Osàre! Editions]

https://soundcloud.com/afunkdamage
https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com/album/oe-019-anna-funk-damage-il-corpo-che-si-rompe
🔊 https://youtu.be/unDdwBpRj3g

An icy wave of distortion. Gristle and bone bass. Incantatory, bloodcurdling poetics. Anna Funk Damage returns to Osare! Editions with a full-length LP, laying down 13 occultist tracks, turbocharged by industrialism, dissolution and heartbreak. The Italian producer more than lives up to his namesake, delivering his signature, genre-destroying blend of experimental-punk-techno and steely dance floor deviance.

Opening with a howl, clatter and smash, on 'Sono Spento’, Andrea Natale takes the shape of a self-annihilating robot, his heavily pitched-down vocals laden in layers of FX. ‘Maybe I’ whirls into a slow build screech while 'Allegri Rimpianti’ joins together organic, pummelling percussion, sharp synth chords, and jangly guitar for a nightmarish trifecta of throbbing noise. Occasionally, Natale's presence falls away entirely, allowing for unadulterated machinic ecstasy to take over. Cogs grind on 'Memoria, Solitudine’, a dark and lolloping track, thrumming with sinister, malicious intent, before 'La Fine’ signs off, lurching skittishly like an anxious, artificially pumping heart.

Interweaving elements of avant-garde ambient, rock, and even black metal, all rewired through a Moog DFAM and a Mother-32 interface, II Corpo Che Si Rompe is powered by unrelenting energy as Natale descends to ever more demonic, punishing depths.

Tracklist: 

A1 Sono Spento
A2 Maybe I
A3 Nessuno Da Salvare
A4 Occhio Che Balla
A5 L'odore Del Mare
A6 Tom You Was A Good Player

B1 Quello Che Non Ho
B2 Il Corpo Che Si Rompe
B3 Allegri Rimpianti
B4 Breaking Apart
B5 She's So Different
B6 Memoria, Solitudine
B7 La Fine

PREMIERE: Anna Funk Damage - L'odore Del Mare [Osàre! Editions]

https://soundcloud.com/jens-uwe-beyer
https://soundcloud.com/thomas-venker
https://soundcloud.com/lenawillikens
https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com/album/oe-021-hasan-poppu-hasan-poppu
🔊 https://youtu.be/HOd6BcvV8tY

The project by Jens-Uwe Beyer and Thomas Venker boasts a remarkable origin story.
In 2017, Venker, co-founder and co-editor-in-chief of Cologne’s Kaput magazine, hosted a gathering at Beyer's house, bringing together journalists, creatives, and musicians. To mark the occasion, the pair decided to join forces for an impromptu ambient-electronic performance, presenting themselves as a two-man band. That evening, donned in special costumes designed by artist Sarah Szczesny and fuelled by a generous amount of Japanese whisky, Hasan Poppu was born.

Over the course of the pandemic, the duo thought about creating a record based on the live recording of their premiere show. However, the synergy of their collaborative creative energies led them in entirely novel directions. Their self-titled, double-sided album traverses a wild and raucous terrain, moving swiftly from hybrid noise-techno to giddy party ecstasy, to strange and shadowy atmospheres. Including remixes by YPY, Hibotep, Lena Willikens, Efdemin and Barnt, the 11 tracks span a dizzying array of experimental dance-facing styles. 

'Die-Biden' kicks off as a high-vibrational vocal experiment seemingly voiced by a sentient German vocoder. 'Kodō' follows, featuring Venker's playful mantra set against a stomping beat. Willikens' reimagining of 'Teiko' transports the track to obscure realms inhabited by strange creatures emitting ungodly sounds. Meanwhile, Efdemin's take on 'Ekusutashī' pulsates with a kinetic buzz.
Flipping over to the B-side, 'Sakura' is a euphoric wall of drone punctuated by eerie whispers and mystical singing. Then, the second installment of 'Kodō' takes a fresh trajectory with a touch of Barnt’s electronic groove stylings. Finally, Hibotep's 'Shojo no yo ni flp' serves as the finsher – an unrepentant trance belter that disintegrates into sampled fragments.

Loosely translating to "broken pop music," Hasan Poppu is informed by Beyer and Venker's shared love for Japan. The band takes their cues from the country’s rich sonic cultures while also drawing on Venker's wordsmith background and Beyer's flair for melding melodic tech-house with song-based synth-pop. 
Originally out on Beachcoma Recordings, Hasan Poppu’s debut album gets a new lease of life on Osàre! Editions with a digital and limited edition cassette tape release. Sarah Szczesny reprises her role in shaping the visual identity of Hasan Poppu by creating beautiful, painterly artwork for the record.

Tracklist:

A1 Die-Biden
A2 Kodō 
A3 Teiko 
A4 Hasan (YPY remix) 
A5 Teiko (Lena Willikens remix) 
A6 Ekusutashī (Efdemin version) 
B1 Sakura 
B2 Kodō (Barnt & Jens-Uwe Beyer remix)
B3 Ekusutashī 
B4 Shojo no yo ni 
B5 Shojo no yo ni flp (Hibotep remix)

PREMIERE: Hasan Poppu - Teiko (Lena Willikens Remix) [Osàre! Editions]

https://soundcloud.com/jens-uwe-beyer
https://soundcloud.com/thomas-venker
https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com/album/oe-021-hasan-poppu-hasan-poppu
🔊 https://youtu.be/Th_s72-y4Yc

The project by Jens-Uwe Beyer and Thomas Venker boasts a remarkable origin story.
In 2017, Venker, co-founder and co-editor-in-chief of Cologne’s Kaput magazine, hosted a gathering at Beyer's house, bringing together journalists, creatives, and musicians. To mark the occasion, the pair decided to join forces for an impromptu ambient-electronic performance, presenting themselves as a two-man band. That evening, donned in special costumes designed by artist Sarah Szczesny and fuelled by a generous amount of Japanese whisky, Hasan Poppu was born.

Over the course of the pandemic, the duo thought about creating a record based on the live recording of their premiere show. However, the synergy of their collaborative creative energies led them in entirely novel directions. Their self-titled, double-sided album traverses a wild and raucous terrain, moving swiftly from hybrid noise-techno to giddy party ecstasy, to strange and shadowy atmospheres. Including remixes by YPY, Hibotep, Lena Willikens, Efdemin and Barnt, the 11 tracks span a dizzying array of experimental dance-facing styles. 

'Die-Biden' kicks off as a high-vibrational vocal experiment seemingly voiced by a sentient German vocoder. 'Kodō' follows, featuring Venker's playful mantra set against a stomping beat. Willikens' reimagining of 'Teiko' transports the track to obscure realms inhabited by strange creatures emitting ungodly sounds. Meanwhile, Efdemin's take on 'Ekusutashī' pulsates with a kinetic buzz.
Flipping over to the B-side, 'Sakura' is a euphoric wall of drone punctuated by eerie whispers and mystical singing. Then, the second installment of 'Kodō' takes a fresh trajectory with a touch of Barnt’s electronic groove stylings. Finally, Hibotep's 'Shojo no yo ni flp' serves as the finsher – an unrepentant trance belter that disintegrates into sampled fragments.

Loosely translating to "broken pop music," Hasan Poppu is informed by Beyer and Venker's shared love for Japan. The band takes their cues from the country’s rich sonic cultures while also drawing on Venker's wordsmith background and Beyer's flair for melding melodic tech-house with song-based synth-pop. 
Originally out on Beachcoma Recordings, Hasan Poppu’s debut album gets a new lease of life on Osàre! Editions with a digital and limited edition cassette tape release. Sarah Szczesny reprises her role in shaping the visual identity of Hasan Poppu by creating beautiful, painterly artwork for the record.

Tracklist:

A1 Die-Biden
A2 Kodō 
A3 Teiko 
A4 Hasan (YPY remix) 
A5 Teiko (Lena Willikens remix) 
A6 Ekusutashī (Efdemin version) 
B1 Sakura 
B2 Kodō (Barnt & Jens-Uwe Beyer remix)
B3 Ekusutashī 
B4 Shojo no yo ni 
B5 Shojo no yo ni flp (Hibotep remix)

PREMIERE: Hasan Poppu - Kodō [Osàre! Editions]

https://soundcloud.com/lfttrax
https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com/album/oe-023-l-f-t-minecrawler-ep
🔊 https://youtu.be/Djq9ECAtXA4

L.F.T (Love, Fist, Tears), aka Johannes Haas, returns to Osàre! Editions for another scorching release. As ever, the German producer’s sonic palette is immediately recognisable as he manoeuvres through 1980s-inspired wave and raw, rugged electro. Equal parts dancefloor elixir and cerebral wonderment, Minecrawler showcases Haas’ flair for freewheeling, chemical artistry, and experimentation.

Divided into heavy, vocal numbers on one side and potent, club-orientated material on the other, the EP is unified overall by the frigid crackle of drum machines, primal synths, and goth aesthetics. ‘Halbverdient’ opens up – made in collaboration with fellow cold wave renegade Konstantin Unwohl, the song captures the duo’s shared love for all things dark and driving. Structured around pummelling basslines, the titular track follows, an electro breed of The Hague’s West Coast variety, and a perfect example of L.F.T’s signature sound. This is vampire music at its finest – fanged, winged, and seductively menacing.

Despite its impromptu origins, arising out of a spontaneous jam session, ‘Auf Meiner Haut’ is slick and steady. Cracking some beers with musicians Bella and Viva, L.F.T invited the duo to improvise lyrics, resulting in their detached, icily amorous exchange. Apocalyptic groover ‘Broken 101’ is next up, with ‘Fear and Machines’ preceding, a sparking stomper burning with cool, electric heat. Finally, don’t miss the digital bonus – ‘Planetary Intellect’ broods with penetrating, glacial energy that sends shivers down the spine.

Tracklist: 

A1 Halbverdient (with Konstantin Unwohl)
A2 Minecrawler
B1 Auf Meiner Haut (with Bella & Viva)
B2 Broken 101
B3 Fear and Machines

PREMIERE: L.F.T. - Auf Meiner Haut (with Bella & Viva) [Osàre Editions]

Kinzua LIVE at Solstice 2024

This double act is a bit special.

Osàre! Editions x Sameheads - C90 Special - Released in physical form a couple of months ago and long since gone appears courtesy of the long standing and musically alingned satelites of Osàre & Sameheads.

2 artists we both admire, and agreed are long overdue being asked for a 45 min concept mix.

Diamin & RRRKTRA belong together on this one. Acid tinged, industrial soundscapes, overlayed with gorgeous melancholic sonic droplets.

We adore what you've made for us. The time has come for a wider audience.

With love.
Sameheads & Osàre x

Side Y - RRRKRTA (Osàre! Editions x Sameheads - C90 Special)

Side X - Diamin (Osàre! Editions x Sameheads - C90 Special)

https://soundcloud.com/fetter https://soundcloud.com/osare-editions
🛒 https://osare-editions.bandcamp.com

Fetter’s Body of Noise erupts at the threshold between ravey hypnosis and avant-pop experiment, slithering through the hinterlands of unconscious desire. Nine shape-shifting tracks conjure haunted landscapes where beauty refuses clarity and dancefloor logic warps underfoot. Vocals swoon, drift, and demand—stacking into fragments that multiply and weave through saturated pulses and shimmering, snarling synths.

Opening track "Like a Rose" traces a dreamer’s transition into the unstable physics of a perplexing but familiar dream world, where they gradually become lucid. “Beast” follows up humming with shadowed urgency, threading a path through self-sabotage and metamorphosis. “Spathiphyllums” drifts a while in a lush lostness, aching for something new before fracturing into wild, cathartic collapse. Side B’s “Do I Exist? (D.I.E)” and “The Longing” spiral into existential wonder, searching for a human origin story—both personal and collective—against a backdrop of uncertainty, while “Headache” thrusts forward as an absurd and insistent manifesto to stay the course and harness one’s own power within the madness.

Body of Noise is crafted not only for sweating bodies in motion, but for distorting time and opening psychic portals, where surrender becomes strategy and uncertainty transforms into ecstatic navigation. Rooted in all-hardware improvised production and shaped by Fetter’s years of boundary-blurring visual and performance art, their debut LP feels alive and in flux. Reminiscent of a spectral pop chorus trapped in a loop of broken machinery, or a lost broadcast from a dancefloor in a parallel realm, Body of Noise is a journey into chaos, transformation, and a bold refusal to be contained. 

Tracklist:

Side A
01 Like a Rose
02 Beast
03 Spathiphyllums

Side B
04 All the Things Ever Said
05 The Longing
06 Phantom Tail
07 D.I.E. (Do I Exist?)
08 Headache
09 Fire

PREMIERE: Fetter - Beast [Osàre! Editions]

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

Post Bar is a club.

Post Sonics is a label.

New tracks tagged #Osare Editions