A hauntingly delicate instrumental piece that drips with eerie elegance and quiet dread.

Cursed Piano Whispers

suenxmı on all platforms]\\



thank you for your time & innerg , 528hz...

outroludeonKıouds, 432hz.

Slowly Beaten

Little Bird Waltz - Spring Waltz - No.2 - Lorin Jones-Stubbs

I could be lost at sea for all this time and you would never know. Sinking to the bottom of an ocean, reaching out, calling out your name; but you would never hear, because you never answer anymore. Alone, Alone. 

Vortex

Lighthouse Guide Me Home

fuck you

CATHARSIS is sort of my come back: it's an original track and, it's dope! 

Beat: Uriel
Lyrics: Uriel
Singer: Uriel
Mastering: Uriel

CATHARSIS

ultrablack non-ference of mille plateaux II [https://non-milleplateaux.de/ultrablack-non-ference-of-mille-plateaux/]

Friday, 11. 4. 2025
Forum Stadtpark (Ground Floor) 16-20:00
Exhibition 

Forum Stadtpark (First Floor) 18:00
External book presentation [german]
Daniel Gönitzer & Katharina Pressl (Ed.) “Nullpunkte der Gewalt – Antisemitimus, Nationalsozialismus und Hexenverfolgung im Lavanttal”

Dom im Berg 20:00
NerdNights in cooperation with Institute for Sonic Welfare
Bienoise
Thesosung
Darko Vukić
Mara Never
Inou Ki Endo
CLER

Belgrade, March 15th. A sound blast broke onto the street among protesters, rupturing the air into temporary, panical confusion — a forceful storming, grooming, crashing blast. The audio blast sent protesters scrambling for cover. It stirred speculation — like a logical riddle with no punchline.  A forensic analysis suggests: it had been a Vortex, fired from a point near the protesters.  

There is no sound cannon. If there was a cannon — that is Serbian purgatory canon.

:  clash boom burst clang clap clatter clattering crack din peal racket slam smash smashing sound thunder thunderclap wham.

do you think that radio ...

Swag Tropicale

Изначально АОН в СССР изобрели для телефонных станций. Было это в 1964 году. Им оснащались междугородние телефонные станции, чтобы знать номер абонента ГТС, совершающего междугородний звонок. По городу для абонентов звонки были бесплатными и безлимитными. Физически оборудование размещалось в нескольких шкафах. Такое соорудить для дома никто не стал бы. С появлением микропроцессоров стало возможным те же функции выполнить маленькой платой, умещающейся в обычном телефоне. Так появился "Русский АОН"

Телефон "РУСЬ"

Вместо устаревшего канала, фактически являвшегося наследием советских времён и с которого на тот момент многие творческие и технические сотрудники массово уходили на каналы РТР, НТВ и ТВ-6 было принято решение делать канал «для людей»

Первый телеканал

see you again

April Shower Waltz - Spring Waltz - No.3 - Lorin Jones-Stubbs

オールクリエイターズフォルト all creators' fault

Larry June - Nothin But The $ (Prod By Diez Le Pro)

MC MÁGICO, MC ROSE DA TRETA, MC BIMBÃO - MEDLEY DA SEXOLOGIA

MEDLEY DA SEXOLOGIA

MC MÁGICO, MC ROSE DA TRETA, MC BIMBÃO - MEDLEY DA SEXOLOGIA (DJ SHENLONG MALVADÃO)

Birkin Instrumental

Westside Gunn - Birkin (Prod By Diez Le Pro)

There’s something otherworldly about EN1GMAT1CAL. Like a voice echoing from a dream you half-remember, their music wraps you in lo-fi haze, jazz-laced shadows, and truths too raw to say out loud. This isn’t just sound — it’s soul-spill. A secret soundtrack for the ones who feel too much and speak too little.

You don’t find music like this. It finds you.

“I don’t make music for everyone. I make it for the ones who feel in silence, who love too loud, who never fit in — and stopped trying to. If that’s not you? Keep scrollin’. 💋”
— EN1GMAT1CAL

soundcloud.com/en1gmat1cal 🖤✨

🎙️ EN1GMA — Where Truth Meets Freestyle
Raw. Unfiltered. Unapologetic.

Tracks like “Bitchery+Obstacles” & “Pretty Little Lies" cut deep — spilling truths on trust, betrayal, and the fight to stay real. "Venomous" calls out the fake, while "Double R" snaps with that locked-in hunger to win. 

This isn’t just music. It’s therapy, poetry, and a warning shot—all in one.
Tune in or tune out. The frequency's real. 🔊

Independent Production of Electronic, Low-Fi, Ambient and Random Habitual Noise. Habitually making one-off moments in sound using synthesisers, drum machines and effects pedals in hardware (No DAW) with live, low-fi recording.

@habitualnoise
@hiyafoto

Ed B. is a British multi-media artist with a passion for producing electronic music and visuals through his love of hardware synthesisers and drum machines combined with his passion for film photography.

Working under the name of "Habitual Noise" for his music and "HIYAFOTO" for his photography, he was born in East London, UK and began his passion for electronic music and photography in his teens.

Influenced by musicians such as Jean-Michel Jarre, Harold Budd, Cocteau Twins and Aphex Twin, he began by producing his own mix tapes on his dad's "GEC Music Centre" in the 1980s, before investing in his own small bedroom mixing setup based on equipment from Radio Shack. 

At the same time he progressed his passion in photography studying the art at high school, working with black and white 35mm film, developing and printing his own work in an age before digital photography.

Skip forward 40 years after a career in technology, the pandemic creates an opportunity for him to invest more time in his passions for electronic music and photography creating a studio for "HIYAFOTO" and space for his music by starting "Habitual Noise".

Applying similar principles to his music as he does to his photography, he seeks to capture a "moment in sound", often working in a single take, recording a "one-time-never-to-be-repeated" combination of sounds from his environment, hardware synthesisers, drum machines and effects.

Ed B. loves the imperfections of film photography and so seeks to introduce analogue artifacts into his music, using lo-fi hardware to introduce noise.

Please follow the links to find out more. Thanks for following...

♠️👱🏻‍♀️ WHOAMI? Uriel
♠️🖤 I'm just doing twisted shady tracks for fun. Or therapy? Anyway... Like it or not: IDGAF.

> savage velocity of the power of thought <

Lo, music hath dwelt within mine inmost soul since first I drew breath, a spectre unseen yet ever whispering in mine ear. When but a child of six, mine hands didst find their place upon the ivory keys, and in that instant, the heavens didst open, proclaiming thus: This is thy path—tread forth, and stray not.

Through the years, I didst dally with many an instrument—the clarinet, the tuneful lute, the chorus wherein voices rise as one, the riotous company of minstrels in bands of rock and revelry. Yet ‘twas not in the playing alone that my spirit found its fire, but in the crafting of melody itself—the stitching of notes like a tailor most possessed, shaping sound as a potter doth his clay.

And then, upon a fateful eve in the heady bloom of youth, I gazed upon Eroica, a vision of great Ludwig’s mighty Third. A tempest it didst stir within mine breast, a spark that set my very soul ablaze, and ere the night did wane, my quill had birthed its first true song—Piano Sonatina, 2004. From thence forth was I bound, a servant to the Muse, sworn unto composition as a knight unto his sovereign.

To Coventry’s learned halls I went, where masters wise did lend their art—Bob Ramskill, Marcus Cornell, Chris Hobbs—all scholars most esteemed, whose knowledge I did drink as doth a parched man drink the sweetest wine. Some do whisper that my hand doth echo Ornstein’s tempest, Nancarrow’s cunning, Antheil’s mad delight. If such be true, I welcome it as fortune’s boon.

Shouldst thou wish to hear the labours of my heart, thou needs but seek me out upon yon SoundCloud, where resteth my works—piano of wild fancy, great orchestral airs, a tome of strings where harmony and discord dance as lovers ‘neath the moon. And when I set mine own quill aside, I delve ‘midst the dust of time, where ancient scores lie in slumber, breathing once more the breath of life into those melodies the world hath nigh forgotten.

So tarry not, dear friend—lend thine ear, let music seize thee as the tide doth seize the shore, let it shake thee, stir thee, set thy heart adrift upon its waves. And if joy it bring thee, then know thou hast gladdened one poor composer’s soul.

I bow to thee, and bid thee well.

Diez Le Pro, Beatmaker & Producer  
Let's Work!!!

nxmi I am tsuenxmi ( also suenxmi) ( nxmi ) as <wel


the genruh re - doesn’t matter

BREVE EP. PARAÍSO DOS PRAZERES 🍎🐦‍🔥

Sexologia Musical e Arte Sexual Auditiva...

Meu sonho é ser da Dalãma 🕷️🕸️🎃🐉
Beatmaker, Compositor e Produtor

Se inscrevam no canal do Youtube que música exclusiva é tudo por lá:
https://www.youtube.com/@djshenlongmalvadao

New tracks tagged #Other Music