I CAN'T WAIT FOR OVERFLOW SEASON 2!!! (feat. Shinetonka)

Download the track for a clean voice version, since this one is uploaded with an fx on the vocals due to copyright reason, enjoy!

If you know me well you might find this remix really different from what I usually release, that being said, I hope you like the remix.



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Linkin Park - Overflow (KEPLER Remix) *Read Description*

There is love in the church, but the Apostle Paul prays for it to grow in "real knowledge and discernment".  He also prays that love itself may "increase and overflow".  Do you want more love in your life?  Join Pastor Adam Kees as we see how God's Word says it happens.

✖️First Time? - BlueprintChurch.tv/firsttime 
✖️Worship & Kids Resources - BlueprintChurch.tv/kids 
✖️Give Online - BlueprintChurch.tv/give

(2-16-25) Prayer -- Praying for Love

Linkin Park - Overflow (Reimagined by RostaSliwka)

FREE MAKINA RMX by HARDCAST, Original track Kuantize - Overflow 

HARDCAST - OVERFLOW RMX

Instrumental I whipped up with a lil reggae feel to hit! hpoe you like it.

"First Come"(Instrumental) [B.S.K]

Get you all in yo-self with this one yaw!

3RD.Depth(instrumental) [B.s.k]

this one goes to my commander nazgul is azazel and mezerrin the tuffest in the sky
never came down here even once
his names: lee summon is richard corridor 

gene rampage

OVERFLOW

P-line: ℗ 2025 Musstash, under exclusive licence 
C-line:
© 2025 Musstash, under exclusive licence 

IG: www.instagram.com/musstash.music/
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YOUTUBE: www.youtube.com/channel/UCEV2Gsw_1hecpPL1zBjCjeg

Dangerous Game

Title : Ove[R]flow
Composer : Frost0ne_ (Armand Lefebvre)
Genre : Speedcore, Dubstep
BPM : 198

I spent 3/4th of the production time creating my synths because I always forget to make presets but I had a lot of fun designing this track ! I imagined it for a very hard level so it had to go that hard 🫡

Ove[R]flow

On this episode of the Music Matters Media podcast, we dive into the newly released deluxe edition of 'From Zero' — the 8th studio album from Linkin Park, marking their first bold step into a brand-new era. Join us as we share our contrasting experiences growing up with the band, revisit the original album, and take a deep dive into the fresh deluxe content. And most importantly, we explore the arrival of Emily Armstrong as Linkin Park’s new lead vocalist — how she’s redefining their sound while staying true to the band’s legacy. And of course, no conversation about Linkin Park is complete without a heartfelt tribute to the one and only Chester Bennington — the voice of a generation. Stay tuned until the end as we honor his life and lasting impact. Whether you’ve been with the band since day one or you’re just discovering their music, this is an episode you won’t want to miss!

Visit our website: https://musicmattersmedia.com/
All Music Matters Media links: linktr.ee/musicmattersmedia

Linkin Park: From Zero (Deluxe) - Episode 142

Overflow - Brennisteinn (Mashup)

Overwhelmed

Music Matters Media covers all genres of music from Pop, R&B, and Hip-Hop to EDM, Pop-Punk, Alternative Rock, and more! Listen as we discuss music news, album reviews, concert reviews, discover up-and-coming artists, and talk about all things music. You can now stream the #MusicMattersMedia podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, Soundcloud, iHeartRadio, Amazon Music, Audible, Pandora, and any other platform podcasts are hosted. Make sure to subscribe to catch up on old episodes and stay tuned for more episodes to come!🎙🎧🎶🔊

Visit our website at: https://MusicMattersMedia.com
All Music Matters Media related content here: https://linktr.ee/musicmattersmedia

HARDCAST, un arquitecto sonoro que conjura ritmos poderosos y hechizantes. Su música es un hechizo moderno, donde cada beat es un encantamiento diseñado para hacer vibrar  las pistas de baile.
combina la energía cruda del hard dance, makina y happy hardcore con un toque místico, creando un universo sonoro de magia musical.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

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Making sounds and grooves for the whole family 








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Used to be a kid making music, now I'm a tech making noise and I like it.

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It's all love and creation! 

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New tracks tagged #Overflow