Read the interview on Numero Berlin: 

https://www.numeroberlin.de/2025/08/anna-lena-krause-jessica-luostarinennot-a-thread-a-promise/?fbclid=PAQ0xDSwMRJeNleHRuA2FlbQIxMQABp7ZD8bTWQyi8ogjQrh4c2GFMWQPYjh0b-z29feUOmCb2CA0kl2-YDyL7WSUn_aem_Fy99e2q8ftK2aLAkyDorqg

Not a Thread, a Promise – Anna-Lena Krause & Jessica Luostarinen at Shipton Gallery, UK

Roxy is the creative mind behind Xanne Fran Studios, a sculpture and jewelry shop with a focus on magical figurative design. Inspired by the natural world and the world of her imagination, she brings to life dreamy jewelry designs in gold and silver, and fantasy sculptures in classic, timeless bronze. She got her start as a figurative artist, focusing on drawing and painting the human form, but immediately fell in love with the lost-wax casting process when it was introduced to her in college. Jewelry was never part of the plan, but sculpting at a very small scale came naturally to her, so when she tried casting silver on a whim, she fell in love with that too! 

xannefran.com
@xannefran

Artifice

Ep. 216: Roxy Becofsky

Here is our live performance from the Burning Mannele Festival.

Setlist : 
01. Chicane - Saltwater (Mirage Intro Mix)
02. Mirage vs. Cassandra Fox - Shifting Horizon vs Touch Me (Mirage vs. Ray Mashup)
03. Rank 1 - Breathing (Mirage Remix)
04. Mirage - Echoing Illusion
 05. Aly & Fila with Ferry Tayle - Take Me Higher (Mirage Mix)
06. LSG - Netherworlds (Mirage Remix)
07. Mirage - ID
08. Mirage x Yolaine - Don’t Ever Let Go
09. Hans Zimmer - Kiss The Ring (Mirage Remix)
10. C-Quence & Fictivision - Symbols (Mirage Remix)
11. Mirage - Resonate
12. Mirage - Take Your Flight
13. Mirage x Sarah Shields - Let It Shine 
14. RMB - Deep Down Below (Mirage Remix)
15. Mirage - Vol de Nuit 2026 (Fella Outro Mix)

Mirage Live@Burning Mannele (08-15-2025)

'Ashokan Farewell' is a musical piece composed by the American folk musician Jay Ungar in 1982. For many years, it served as a goodnight or farewell waltz at the annual Ashokan Fiddle & Dance Camps, run by Ungar and his wife Molly Mason, who gave the tune its name, at the Ashokan Field Campus of SUNY New Paltz in Upstate New York. The tune was used as the title theme of the 1990 PBS television miniseries The Civil War.

This arrangement is an edition for solo violin, featuring virtuosic double-stops and chords that add hints of harmony to the iconic melody.

Recorded on 12 August 2025 at Rhu and Shandon Parish Church, Helensburgh, Scotland.

Ashokan Farewell

мяч возвращается к владельцу

Skroly! [FREVALUATION TYPE BEAT]

Recording of a hybrid set played with Tim TVL at Russian House Melbourne for Soundcheck init 0. 
Equipment: Novation Peak, Keystep 37, iPad (AUM, UA Silo), RME UCX, DDJ 800.

Tracklist: 
Hotdrum - Idiophone
J. Albert - Gain
Kannabi - Idaltu (Original Mix)
Edit Select - Thread
ASC - Calm Under Pressure
Skjöld - Spacewalk
Organico - Lithe Alien
LSS - No Sun
Organico - From the Abyss
Cauê - Requiem
Cauê - Évora
a Universe of me - Destruction of self
Salvatore Foglia - Be Cude (Original)
Cliche Morph - Hidden Madness
Organico - No One Escape Planet
Wigbert - Subterranean Waves
Declan James - Perimeter Four
a Universe of me - Barkley marathon
Biorc - Unspoken

Hybrid set - myspacerocket & Tim Tvl @ RHM [19.07.25]

A live recording of Fajra’s performance at Metaverse Concert – August 18, 2025.
Capturing the energy and atmosphere of a virtual stage experience.

🎧 Enjoy the full performance here!

📅 Date: August 18, 2025
🌐 Event: Metaverse Concert Series

Follow for more music and live sessions ✨

Fajra Live @ Metaverse - August 18, 2025.

mimo is bringing a hybrid dj set-slash-performance to our monday afternoon, spinning through a selection of arabic and dabke sounds with live darbouka instrumentation.

mimo - 18.08.2025 - foundation.fm

𝓥Ⓐςíｏ, ᵃ๒𝔦sｍσ, ｃ𝔸íⒹａ, ⒶᎶỮａ, Ł𝔩𝐔ᐯｉ𝔞, 𝓔η Ǘ几 νó𝐫𝕋𝓲ℂ𝒆 η๏ ᗰẸ ℚ𝐮𝔦єʳ๏ 𝐏є𝔯𝐝𝔢ℝ 𝓐𝓤ｎɊ𝐮𝕖 𝑒𝐬σ Ŝ€ Ĥ𝒶℃ᗴ 𝐝Ⓔᔕ€𝐨, Ｕ𝓃 𝐄Ş𝔱𝔸𝓓ᵒ Đ𝔼Ļ ℂ𝑜𝕟𝓽Ř𝓪𝓭𝒆ⓢⓔ𝑜, 𝓑ᑌ𝓢𝒸ά𝐑 ŕ𝐨𝔪𝓟乇я ˡσร ιⓂｐ𝕌ŁŞⓄ𝐬 ⓓⒺℓ 𝕒Ⓗ𝕆𝓡𝒶, 𝕒ᵐᗝⓇⓉ𝒾𝓖Ｕάᖇ мⓘ ᶜＡíᵈᗩ, qᑌέʳє尺 Č𝒶乇𝓡 Ⓜáᔕ 𝔢ℕ 𝓁Ⓞ qｕє ㄚａ Ｎ𝕠 𝔢Ŝ. 
几ᗝ ᵖσ𝓭έ𝓡 ℓ𝕝ⒺＧ𝐚Ř α Ŧ𝓲 Μás, ᶰ𝓞 𝓹Øᗪ€Ř ⓢ𝔸ᗷє𝓇 ๔ᗴ 𝕟𝓸𝓼όＴя𝔵ⓢ мá𝐬, 𝕟єＧ𝓪𝒸ⒾóŇ ᗪє ℓά η𝒆g𝕒ᑕⓘó𝓃, ｅ𝓍ρĻ𝓞ⓣ𝕒𝓻 ᒪ𝓪 ℃𝒶𝐛ẸƵ𝐀, ģ𝐔𝐀ᖇᗪ𝔸Ř 𝕃όŜ ק€ภⓢ𝓐м𝓘Ẹⓝｔό丂 ＥŇ ⓤⓝ𝔞 𝓿𝔞𝔰ＩĴ𝔸 ⓓᵉ ᐯίᗪＲᶤᗝ 𝒶ⓩυ𝕝, 𝐀ђí 𝕘ยคʳᗪάｒ Ł𝐀𝕊 ρ𝐚ℓ卂𝕓ᖇάˢ qＵє ∂Ａᑎ Ⓛ𝐀 ιĻ𝕌ⓢᎥóᶰ 𝔡𝐞 αｔ𝒶∂𝓊𝐫ά𝐬, 𝐭ú, ㄚ𝕠, 乇ˢ𝐭Ø, Ⓠᑌ𝐢𝔢𝐫๏ q𝐮Ẹ 𝓂ⓔ ᒪ𝕃𝐞𝐕乇 έㄥ 𝓋ⓘ𝔼Ｎ𝕥Ⓞ 卂 ⓞⓉ尺Ａ 𝓹ΔⓇ𝐭€ Ǫ𝐮𝑒 ή𝕆 รεᵃ €𝓈𝓣ค ｃᗩｒᑎＥ; ℓ𝕠ᔕ 卩íχẸⓛ𝐞𝕤 ∂𝒆 𝓵α ｐ卂𝓝ŦᵃĹＬⒶ, ＬＯ 𝓆ỮⒺ Ŝｕ𝒆𝐍Ａ ᵖᗝʳ 𝒶𝐇í, 𝕌𝔫 𝓿óⓇŦιｃ乇 ά𝓒𝓾Ⓞร𝓞.
คђ𝐨gα𝓡Μє 𝒆𝔫 𝐩ά𝓵คв𝓡ά𝓢, 𝕝σ𝔰 𝓜𝐎𝕞Ⓔ𝓃т𝐨ѕ ｑυ𝒆 Ⓓ𝐄 Ｒε∂ᵘ𝕔𝔢ⓝ 𝓐 ᵘ𝓝Ⓐ ᔕⒺñⒶ𝓁, ⓠυⒺ𝕣𝔼Ⓡ 𝓔Ň匚ＯＮт𝓡卂𝓻 𝓝𝐮ᵉשᵒ𝐬 𝓒𝔸мιⓃ๏𝕊, ợυẸ𝐑𝕖ᖇ ᶜάє𝐫 𝔢𝕟 𝔼𝐋 ¢Ã𝓶𝓘ℕ𝓸 ⓟＡяα ρ𝔬𝔻ⓔⓇ 𝔯𝔼ｖσĹ¢𝔸尺𝓶𝐄 ｅ𝐧 𝑒şｐเⓝＡⓈ. 𝔰𝐨𝕃ｔ𝐚ᖇ, ａ𝓑𝐑𝒶Žａя ℓᵃ 𝓲𝕞ⓟⒺяƑᵉ𝕔ＣᎥó𝓃 ∂ᵉ 𝓊ᑎ 𝐞ℕ匚ùε𝓝Ⓣ𝔯ⓞ, 𝒹έ Ữ𝐍ᗩ𝐒 𝕧𝓸ⓒẸᔕ 𝐪𝓤𝐄 𝕝l𝓔ⓝᗩ几 ᵉㄥ άвιＳ𝓜๏, 𝔢Ｌ ｃⓐ𝓵๏я 𝓢𝑒 ق𝕌ⓐ𝓻ᗪ𝒶 ᗴＮ ᒪ𝕒 ѕυ𝐚𝐯ι𝔻𝐀๔ ᵉ𝐧𝐓ʳ𝐄 ᗪỖ𝐒 𝐜ｕ𝐄𝕣𝔭𝓧𝕤, ย几 Ć𝐚𝕊丅ⓘＬᒪ๏, ᗪｅ ⓟί𝔢ⓓ尺α, 𝕕𝑒 ᵃᖇ𝔼Ｎα, υηÃ єร𝓣尺ᑌČ𝓉𝓤𝔯ᗩ 𝓼𝓊ј𝒆𝕋𝐀 ά Ⓢⓤ ᵖŘ𝔬ⓟί𝐨 đᗴѶ𝔢Ⓝίⓡ, 𝐀𝒇ᑌεŘ𝓪, άĎＥᑎŤℝ𝕠 єภ ⓢ𝐮 爪卂𝐓є𝓻ᶤ𝐚.
ᗪ𝐚ᖇl𝐄 ㄥ𝓊ﻮά𝕣 𝒶𝐋 𝓈Ǘ𝕖ñＯ 𝔂 ŁΔ 𝕔𝔸Ⓡｎ𝐞 έ𝓝 ｎ𝕌𝓔ｓŤⓇΔ𝓢 ש𝕆cＥş, έl 𝓽𝐢𝐞𝔪𝐏𝐎 𝔼η 𝕖ⓈＰⒾя𝔸Ĺ, 𝕦η ᗰＡ𝔯𝓔𝑜 є𝓷 𝑒Ł 𝕡άᔕㄖ ᵈє м𝐨𝐦Ẹ𝕟tⓞŞ, ℃ε𝓡𝒆爪ㄖ几𝐈𝐀 ᵈᗴ ｆ𝓤ⓔＧᵒѕ Ａᶻ𝓾ｌєⓢ, 𝔠ε𝓵€𝔹ｒ𝔞ℝ 𝒆Ć𝓁ι𝓹ⓢ𝔸ή𝓭Ｏ şⓔŇ𝐓𝒾Ｒεⓢ, 𝐑𝐞𝔰𝓟Ỗή∂Ẹʳ ς𝕆𝐍 ŇⓊᵉ𝓼𝕥𝐫𝓪 Ď𝑒ѕᑎ𝐮Ďεℤ ᶜㄖ𝐦ρᗩŘŦ𝐢ｄ𝐀 𝔸𝓉尺𝒶ᵛєᔕάⓓ卂 𝔭𝓞𝐫 έᒪ 𝒹є𝕥乇几𝕀𝓜ί𝐞𝓷𝐭Ｏ, ᑭ𝐎ᖇ Ƥคʳţ𝔼Ⓢ, 𝓅ｏ𝓡 đⓔ𝕊Ｅ๏𝕤 ץ ⓐ𝕋𝐑乇ν丨ϻ𝓘𝒆𝔫𝓉Ø𝓼 𝓆υ𝐞 𝔰ｏⓝ 𝕆ғŘεη∂𝔞ｓ 卩𝒶ℝÃ 𝔩𝒶 𝕝ⓤ𝐧ⓐ. 

Ω𝔲𝕖ʳ𝑒Ř 𝐎ᖴ𝓻𝐄ＮĐＡ𝕣 𝔧𝔲𝓃т𝓧ᔕ ℍⓐＣᶤ卂 ˡσร 𝐞𝓷ţέⓢ 𝔻𝓔𝓛 ℃𝔦ᵉ𝓵Ø, Ⓟᵃℝ𝓐 ＥℓⓁό ςⒶＭⓘ𝕟ａᖇ 𝔰𝓸вℝＥ ᗴŁ ᔕỮ𝐞𝕃Ø, 𝕓𝓊ᔕ匚Ãя υ𝔫 ㄥ𝓊ⓖάʳ Ď𝐄 ＳＩє爪ᗷя𝐚, 𝕦𝕟Ⓐ ℂⓞᔕє𝓒卄ά, ᵘⓃ ℂόŇｊǗ𝐫ｏ 𝓶ｏŕ𝐀ᵈ𝕠 ᵠＵє 𝕟ᗩｃＥ Ďέ ⓜα几ｏş ᵉ𝐍𝐭Ř𝓔𝐥αz𝔞đ卂s. 

vewve - cr3atur4.v0rt1ce

OASE JAMM 2025 met Robbi Vleesch

Leif Vollebekk LIVE in Studio C on 1/13/25

Leif Vollebekk

-----------------------------------------------
Lyrics
-----------------------------------------------
Welcome, good morning, buenos dias, alo, bonjour!
Today is a wonderful day, am I right kids.
This one's for you boys and girls
who've been tiktoking and tweeting
the HELL out of your miseries
throughout these last couple of years 
so come on...

(You said it wrong, you said it wrong)

What? What did I say wrong?

Could you be more specific?

Well what she means is that you don't say "tweetering" anymore. No

Besides you said. like, "tweeting"? and is not "Twitter" now is X-

Don't come to me with those....
bullshit lady
its been years 
Everything there's something new everyday
Im tired, I'm tired
leave me alone
....this... twittering or whatever you do...
guys...

I love it when you get nervous
(we love it, we love it)
You forget how to speak

-Kill everyone now! Condone 1st degree murder! Advocate cannibalism! Eat shit!

"Mangia la Merda"

---------------------------------------------------------------------------------------
Title of the song.
Bonjour, bitches.

Author
Freddy (FM) Manuel Roldan Rivero


The date of creation.
20/08/2025

Bonjour, Bitches

Craig Finn

The best love to win. Period. Look, I’m all for being peaceful. For living in the moment. For savoring sunsets and rejoicing in nature. You know that, if you’ve been following my work over the years. Yet, serenity without bravery will leave you empty. And so yes, rest and relax and enjoy the fruits of your labor. And, push the envelope of your finest potential. Rise above last week’s performances to astonish even yourself. And make it a commitment to completely dominate your game.

My new book “The Wealth Money Can’t Buy” is full of fresh ideas and original tools that I’m absolutely certain will cause quantum leaps in your positivity, productivity, wellness, and happiness. You can order it now by clicking here: https://tr.ee/y3LZPF9fb7


Avoid the Arrogance Driven by Success Trap

Écoutez l'artiste !
Dans le cadre de l'exposition Panorama 27 - Simultanéité au Fresnoy - Studio national du 19 septembre 2025 au 4 janvier 2026, nous vous invitons à écouter les artistes exposé·es vous présenter leurs œuvres.

.

"Nous sommes le festin" provient de la citation “We are the feast”, tirée du livre de Val Plumwood où elle évoque le choc ontologique qui l’a frappée lorsqu’elle lut dans les yeux d’un crocodile qui s’apprêtait à l’attaquer la convoitise d’un prédateur devant son repas.
L’écoféministe rappelle avec une douceur marquante à quel point l’Occident a construit sa culture sur un exceptionnalisme humain niant la vérité : Nous sommes des proies pour certains animaux et seront nourriture pour d’autres à notre mort. Cette réflexion a été l’amorce d’un récit. Celui-ci se déploie dans une performance et une installation du même nom.
"Nous sommes le festin" réunit trois voix de natures différentes :
• Hante, un humain, que j’interprèterai, remplacé par un pantin en bois dans l'installation,
• Shell, une intelligence artificielle située dans un sceptre de fou qu’Hante tient à la main,
• une renarde recueillie par Hante, chimère en 3D vidéoprojetée dans l’espace scénique.
"Nous sommes le festin" explore l’étrange lien qu’instaure Hante avec la renarde, pour lui figure d’altérité : celle de l’animal, puis par extension celle de la nature, envisagée comme une entité extérieure et aliène, divinité immanente.
Elle dessine aussi pour Hante une dérangeante figure de l’amante, exprimée par un désir de se faire dévorer. Pendant la performance, Hante et Shell conversent, chantent à deux voix, et l’obsession de l’humain s’éclaircit : il est à la recherche de son propre corps, semble désincarné dans la complexité contemporaine. Presque aussi désincarné que son interlocuteur virtuel.

.

Hantédemos, "Nous sommes le festin", performance, 28 min, 2025, production Le Fresnoy - Studio national des arts contemporains


Hantédemos | Nous sommes le festin | Performance

New Single Blessed As funk by 420fun share join my YouTube channel at jnesselhauf86 or email me at jnesselhauf86@gmail.com

Blessed As funk

The title track of my upcoming release exploring intimacy and desire in the era of disassociation and disconnection, but you can dance to it.  In this song, sexy grinding bass alternates with levitating shimmering synths, replicating the push/pull of an ultimately doomed connection.  Lyrics are intimate, personal and yet universal.   

Written by Witch Cabin (Tracy Marcellino) Co-produced with Brux / Vocal production Ryan Martin/ unreleased 

WE WANT CONNECTION-Unreleased

This song follows a moth trapped in an apartment late at night searching for authenticity in artificial places-a metaphor for our own misguided longings as well as commentary on the way human creations cause harm.
From my upcoming release, We Want Connection, exploring desire and intimacy in the era of disconnection... but also you can dance to it.  

Written and Produced by Witch Cabin (Tracy Marcellino) / Vocal production Ryan Martin at Virtue and Vice Studios in Brooklyn / Mixed by Dan Knowles 

THE MOTH  (seeking light inside a television)- Unreleased

9. Play Song, from 44 Duos for 2 Violins, Sz. 98 by Béla Bartók

repost like share comment and subscribe to my YouTube channel jnesselhauf86 or jnesselhauf86@gmail.com thank you https://youtube.com/@jnesselhauf86?si=jaxj4q0inzDkBF9I

repost us on tidal apple pandora amazon and pandora and Shazam please every like helps stay blessed

The music taste of Ilia (aka myspacerocket) was largely formed by the sounds of underground Russian and Ukrainian scenes, as well as niche European parties and festivals. His sets are a journey through energetic, dark, and spacey realms, with fast-paced raw techno rhythms woven with experimental layers, captivating sound structures, and quirky twists. For myspacerocket, music is the most fascinating and the most fun form of art. He thrives on discovering unique tracks in the endless stream of new releases, sharing his finely curated selections with a like-minded audience.


Since moving to Melbourne in late 2022, he has established himself in the local electronic music scene, joining the Anomalie Collective as a resident DJ, performing at Tilt Shift and New Guernica's Eat the Beat. His growing presence in Melbourne's music landscape includes a notable appearance on Kiss FM radio, along with DJ and hybrid sets at various event series and venues, including the iconic My Aeon, 150BPM, Lucky Shmuck, 239 Space, Technoland, RaveCircuit, and SoundCheck at Russian House Melbourne. Following his vision for raw and hypnotic sounds, he curated and organised Dark Matters rave, performing alongside other artists to deliver an immersive outdoor experience.

a progressive music platform
hello@foundation.fm

I am a freelance musician, specialising in the classical genre, as well as other modern genres of music. 
My work as a violinist, music producer, composer and arranger has allowed me to collaborate with talented individuals. 
I co-founded Evans Chou Studios in 2015, where I oversee its creative work with the community.

WE WANT CONNECTION coming fall 2025

Witch Cabin is the solo project of Brooklyn-born and San Francisco-raised artist Tracy Marcellino, a multidisciplinary creative whose music blends raw vocals, synth-driven arrangements, and brutally honest poetic lyricism. Named after the black cabin in the woods where she writes most of her material, Witch Cabin is both a physical space and a psychological one—introspective, charged, and emotionally off-center.

Raised on Thriller, Purple Rain, and vintage reggae, Tracy was a latchkey kid with a yellow Walkman and a rich interior landscape. She cut her teeth singing in underground cyphers, fronted bands for years, and eventually found her voice solo. Witch Cabin is where that voice lives now: stripped-back, genre-blurring, and undeniably authentic.

Her upcoming EP, We Want Connection, explores longing, avoidance, and the chaos of modern intimacy. It's a body of work that confronts the way we chase closeness while sabotaging it in real time. Anchored by minimal production and highly personal yet universal lyrics, the EP refuses traditional structure in favor of tension, repetition, and unraveling in the most gratifying ways. 



Photos by Michael Feerick.

Bestselling author of 15 books (including The 5AM Club), globally celebrated leadership expert and philanthropist; Robin Sharma is considered to be one of the top 5 leadership experts in the world. His work is embraced by rock stars, royalty, billionaires and many celebrity CEOs. 

Deeply passionate about helping children in need live happier, healthier lives, Robin founded The Robin Sharma Foundation for Children (RSFC) as a registered charitable foundation. 

Visit www.robinsharma.com to learn more.

продюсер/producer
продюсирование организация(курирование) и менеджмент (почта)

𝓿𝓮𝓾𝓿𝓮¸,☾⫘⫘º°`𝓝๑𓂅¸𝓂𝓊𝑒𝓇𝒹❁ 𝓈𝒾 𝓉𝑒 𝒶𝒸𝑒𝓇𝒸𝒶𝓈 𝓂𝓊𝒸𝒽🕳️    ¸,ø¤º°`°º¤ø⫘sh⫘⫘⫘⫘⫘
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👷 
https://www.twitch.tv/videos/615820617?t=00h02m22s <3

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École d'art contemporain à Tourcoing, Métropole européenne de Lille
🤩 Formation, production et diffusion artistiques
👀 Exposition | Saodat Ismailova. Double horizon | 10 février - 30 avril 2023
🎬 Cinéma

Great art almost feels like magic—it opens our minds to brand new ideas, and teaches us to see ourselves and our world more clearly. Of course, behind all great art, there are artists. And that’s where the real magic happens…

As we go beneath the art itself to explore how different artists do what they do, we see glimpses of the sorts of creativity, resilience, and bravery that lead to the art that moves our world. And maybe we can learn to borrow some of that magic for our very own thinking.

Join professional musician Emily Merrell for conversations with artists of all kinds. Together, we examine the mysteries of our own experiences, our muses and fears, our gifts and foibles, our beliefs about the origins of creativity, and the secret magic we’ve discovered in our unique creative processes. 

Mediums include: studio art, graphic design, dance, cooking, illustration, creative writing, storytelling, comedy, music composition, music performance, film making, acting, production, fashion design, photography, and more.

Visit https://emilymerrellmusic.com/artifice-podcast/  for more information.

- Theme Song "As You Are" by Emily Merrell @emilymerrellmusic
- Illustration and Graphic Design by Sarah Keele @sarahkeeleart
- Photography by Jen Palmer @jenpalmerphoto
- HMU by Shawna Turner @shawnaturnerdesigns

British artist and composer based in Helsinki, Finland

studio@oscarbmorgan.com

New tracks tagged #PERFORMANCE