My second song in English — a slow-burn portrait of a love that feels like loss, where silence speaks louder than words and ghosts never quite let go.

Small Theft Ritual

I Need You

Electro-swing fusion with modern beats — fading echoes unfold into vibrant movement, led by a hypnotic sax that bridges vintage warmth and contemporary groove.

Midnight Train

Download on Bandcamp

Everything Fades Away

On My Video Games

8 O'Clock (Midnight Version)

Great for Fashion Show Swimsuit / Bikini Runway Fashion Music, Available On Spotify and Apple Music.

Pool Party

Artist: Roy Orbison
Album: "Mystery Girl" 
Original release date: 1989

I DO NOT own the rights to this material, nor do I claim to own them. Copyright belongs to its owners. We only spread your work, without any commercial spirit.
Thanks and enjoy!

To learn more material from this DJ/Producer, I invite you to activate the # Francisco Mirabet tab.

Roy Orbison - You Got It (Fran Mirabet Remix)

Artist: Shirley & Company
Album: "Shame Shame Shame" 
Original release date: 1975

I DO NOT own the rights to this material, nor do I claim to own them. Copyright belongs to its owners. We only spread your work, without any commercial spirit.
Thanks and enjoy!

To learn more material from this DJ/Producer, I invite you to activate the # DJ Martyn Remix tab.

Shirley & Company - Shame, Shame, Shame (FunkyDisco Rmx DJ Martyn Remix)

LYRICS:
You could have a steam train
If you'd just lay down your tracks
You could have an aeroplane flying
If you bring your blue sky back

All you do is call me
I'll be anything you need

You could have a big dipper
Going up and down, all around the bends
You could have a bumper car, bumping
This amusement never ends

I want to be your sledgehammer
Why don't you call my name
Oh let me be your sledgehammer
This will be my testimony

Show me round your fruit cakes
'Cause I will be your honey bee
Open up your fruit cakes
Where the fruit is as sweet as can be

I want to be your sledgehammer
Why don't you call my name
You'd better call the sledgehammer
Put your mind at rest
I'm gonna be-the sledgehammer
This can be my testimony
I'm your sledgehammer
Let there be no doubt about it

Sledge sledge sledgehammer

 I kicked the habit (Dejé el hábito)
 Shed my skin (Cambié mi piel)
 This is the new stuff (Esto es lo nuevo)
 I go dancing in (En esto salgo a bailar)
 Oh won't you show for me 
 (Por favor ¿no)
 Te presentarías por mí?
 I will show for you 
 (Yo me presentaré por ti)
 Show for me, I will show for you
 (Preséntate por mí)
 (y yo me presentaré por ti)

Yea, yeah, yeah, yeah, yeah, yeah, 
I do mean you
Only you, you've been coming through
Going to build that power
Build, build up that power, hey
I've been feeding the rhythm
I've been feeding the rhythm
Going to feel that power, build in you
Come on, come on, help me do

Yeah, yeah, yeah, yeah, 
Yeah, yeah, yeah, yeah, you
I've been feeding the rhythm
I've been feeding the rhythm
It's what we're doing, doing
All day and night
Come on and help me do
Come on and help me do
Ven y ayúdame a hacerlo
Come on and help me do 

------------------





SMOOTH SLEDGEHAMMER (Mazo Liso)

Lyrics by Lille van den Borst
Lyrics:
Цха дойла даккха, тӏе хьалха цуьнан хета.
Нийса хьа, кхети деш – цӏерам цуьнан цинирий гӏуллакхаш.
Цӏий йацар хьун «доьц»,

Хьажилар ю тӏаьха.

Дӏай цу, дӏай цу.
“Анти” хила хет хаъ; хаьа хетера цу сан юха.
Вапан, ракета, те кхета хийла;
Мотт хетам дац, сан цlахан хила тӏаьха.
Ахк ю дика, тӏехь ю вон;
Политика деш хетара йо.

Дойла ю: мара йоьлчу шен?
Делха а, шолха а – хьо къа вахар?
Юкъар дукх маьхьа ю хуьлла; хийлаза хазийра ча а.
Суьнан юкъар вийла, доьзалналар балха –
Хаяма хета.

Дӏай цу, дӏай цу.
“Анти” хила хет хаъ; хаьа хетера цу сан юха.
Вапан, ракета, те кхета хийла;
Мотт хетам дац, сан цlахан хила тӏаьха.
Ахк ю дика, тӏехь ю вон;
Политика деш хетара йо.

Даккха дойла – хьу, ду йоьза барт?
Хӏумма цӏе а, санна а.
Даккха дойла: мах тӏеаш;
Хуьлда хетар ву цуьнан.
Цхье ву кӏантир йуа –
Хӏум хозахь со мангина.

Даккха дойла, са бу цхьан ма гудала:
Хазна, марша, хьӓзиг да батал, кхаса да къонахалла –
Дехьалхачоь тӏехьара раьшнаш нохчийн мотт.

Дӏай цу, дӏай цу.
“Анти” хила хет хаъ; хаьа хетера цу сан юха.
Вапан, ракета, те кхета хийла;
Мотт хетам дац, сан цlахан хила тӏаьха.
Ахк ю дика, тӏехь ю вон;
Политика деш хетара йо.

Цуьнан леларийн кӏост

Lyrics by Lille van den Borst
Lyrics: 
ისევ ომია, ცოტა უფრო სახლთან ახლოს.
აიარაღე თავი და სხვებიც — ბავშვებიც კი მოიზიდე.
სისხლისღვრას „საპატიო საქმეს“ არქმევენ,
დაცემულები — ფასი არიან.

ეს არის ომი, ეს არის ომი.
„ანტი“ არ შესაძლებელია; შემოგვიერთდი ჩვენს დარდში.
მხოლოდ იარაღებს, რაკეტებს და თოფებს გვთავაზობენ;
მკვდრები ჩვენს სახელთან მაინც არ ეკვრის.
ჩვენ კარგები ვართ, ისინი — ცუდები;
მოუსმინე, რას ამბობს პოლიტიკა.

ომია: მხარე აირჩიე.
მარცხენა თუ მარჯვენა — სად ეკუთვნი?
შუა პოზიცია არაა; ძალადობის გარეშე განმარტებას ადგილი არ აქვს.
დანგრეული ახალგაზრდობა და ოჯახები —
მისაღები დანაკარგია.

ეს არის ომი, ეს არის ომი.
„ანტი“ არ შესაძლებელია; შემოგვიერთდი ჩვენს დარდში.
მხოლოდ იარაღებს, რაკეტებს და თოფებს გვთავაზობენ;
მკვდრები ჩვენს სახელთან მაინც არ ეკვრის.
ჩვენ კარგები ვართ, ისინი — ცუდები;
მოუსმინე, რას ამბობს პოლიტიკა.

ისევ ომი — ამას ზიდავ?
ვისთვის ვართ — ჩემთვის თუ ჩვენთვის?
ისევ ომი: დავიღალეთ;
ჭრილობა ჩვენს შიგნით ცხოვრობს.
შენი ხმა ძაფივით თხელია —
რატომ ვდუმვარ მე?

ისევ ომია, ამას ვერ ვივიწყებ:
ხაზინა, მარში, ენა და ბრძოლა, საბჭო და სტუმართმოყვარეობა —
მთების გულში ჩეჩნური სიტყვა მაინც ცოცხლობს.

ეს არის ომი, ეს არის ომი.
„ანტი“ არ შესაძლებელია; შემოგვიერთდი ჩვენს დარდში.
მხოლოდ იარაღებს, რაკეტებს და თოფებს გვთავაზობენ;
მკვდრები ჩვენს სახელთან მაინც არ ეკვრის.
ჩვენ კარგები ვართ, ისინი — ცუდები;
მოუსმინე, რას ამბობს პოლიტიკა.

ჩრდილები მშვიდობაზე

Lyrics:
Árion anélthar, Árion remélthar
Véston yeláthar, Véston yeláthar
Árion remélthar, Árion anélthar

Shái lor’na ven élith, felar rúen shor.
Silván lómë tair, vethar réan dor.
Thélia vren, nórë mel, dhúrën tel aur,
Ar lían veshar lín, belién tel thar.

Iyán se thar-lin, iyán se thar-lin,
Yevor shi aúrel, shi aúrel.

Aurén veshar! Aurén veshar!
Thalór ven’el, heran tel anór.
Aurén veshar! Aurén veshar!
Belíen shor’na, shor’na irél.

Árion anélthar, Árion remélthar
Véston yeláthar, Véston yeláthar
Árion remélthar, Árion anélthar

Dhalor fïnath lir, rinel quén sorín,
Farëndë luth shéi, norínen aurín.
Nethria len taur, váril fon thalor,
Ar kalen lín tei, ilúvené dor.

Meléthar shíra, zelín aurála,
Varëa loría, tharev narála.
Thria se lúmen, tirál i andor,
Breni séa ven, elór tel aur.

Aurén veshar! Aurén veshar!
Thalór ven’el, heran tel anór.
Aurén veshar! Aurén veshar!
Belíen shor’na, shor’na irél.

Árion anélthar, Árion remélthar
Véston yeláthar, Véston yeláthar
Árion remélthar, Árion anélthar

Árion anélthar, Árion remélthar
Véston yeláthar, Véston yeláthar
Árion remélthar, Árion anélthar

Aurén Veshar

Lyrics: 
Qui a tracé la ligne entre la bête et l’homme ?
Qui a séparé la peine du danger en deux ?
Des camarades jadis traités de « fous » portaient le monde sur des épaules fatiguées ;
Leurs yeux voyaient le feu, leurs pieds marchaient dans le sang.
Ils pleuraient en silence, prêchaient sans voix,
Pourtant, au nom de la vie, restaient humains jusqu’au bout.

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Pour chaque camarade jeté dans les ténèbres,
Pour chaque âme déclarée fardeau indésirable,
Élevant la flamme de la justice, nous avançons.
Nous répondrons avec la voix de nos ancêtres.
Notre sang parle, des cris assoupis s’éveillent
Lorsque nous prononçons ce nom — « Revenez ! »

Même si le monde nous traitait de fous, nous étions des héros,
Soutenant la terre par l’amour et la lutte.
Et maintenant… ils reviennent encore.
Encore… le commencement de la fin s’annonce.

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Revenez ! Revenez ! Au nom des tombés !
Revenez ! Revenez ! Pour chaque camarade jadis traité de fou !
Nous brisons les chaînes de l’impuissance,
Et nous nous dressons avec dignité devant les esprits de nos ancêtres !

Revenez

idk0011

Silentó's debut single, "Watch Me (Whip/Nae Nae)," released in 2015 when he was 17, became a viral dance phenomenon. The song combined several existing dance trends, including the "Whip" and the "Nae Nae," and its popularity was fueled by a viral YouTube music video and a strategic campaign by the digital media company DanceOn. It peaked at number three on the Billboard Hot 100 and earned multiple award nominations.


Silentó Whip'd, then Nae Nae'd

Cute But Corrupted

"𝑴𝒖𝒔𝒊𝒄 𝒊𝒔 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒘𝒐𝒓𝒅𝒔" 🎶


🎼 ENGLISH : In this site, you'll find new remixes and reworks of 70's, 80's and 90's classics. And some  surprises about new music! 🎵
The idea is to show the work of talented DJ's and independent producers of all over the world 🌎
We upload content weekly, hope you enjoy it! 🎧

♬ - - - - - - - - - - - - - - - - - - - - - - - - - ♬

"𝑳𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒆𝒔 𝒎𝒂́𝒔 𝒔𝒊𝒎𝒑𝒍𝒆 𝒒𝒖𝒆 𝒍𝒂𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔" 🎶

🎼 ESPAÑOL : En este sitio encontrarás nuevos remixes y reelaboraciones de clásicos de los 70, 80 y 90. ¡Y algunas sorpresas sobre nueva música! 🎵
La idea es mostrar el trabajo de talentosos DJ's y productores independientes de todo el mundo 🌎
Subimos contenido semanalmente, ¡esperamos que lo disfrutes! 🎧

For business inquiries, contact lightly@lightlymusic.com

Homojenik Projekt weaves symbolic soundscapes across lo-fi, jazz, soul, and ambient textures. A fusion of human vision and AI tools, inspired by journeys, archetypes, and inner silence.

Haga187= (Hagakure/ One Eight Seven*)  
One man band created by Peter Dos Santos. 
Bass Guitarist, Guitarist, Pianist and Improvised Songwriter
Compositions,Samples and Bass lines.
Open to collaboration. I can’t follow back anymore, maximum suscription on SoundCloud. 

Haga187Peter Dos Santos: Synth Drums, Bass Guitar, Guitar, Keyboards, Synths, Singing, Lyrics. 
All credits on the songs. 
All the tracks are made with Universal Audio Volt 276, Fender Jazz Bass Mexico, Squier Telecaster Butterscotch, Sherwood SH930CEQ Electro Acoustic Guitar, Korg D1BK, GarageBand except for Fantastic Mr Fish and Breakfast in Kreuzberg ( No soundcard at the recording.)
A few songs are supposed to become animated clips soon. (2024/2025)
All rights reserved (Imbd-Haga Records)
Influences (Bass): Jean Jacques Burnel-The Stranglers,Simon Gallup: The Cure (especially Three Imaginery Boys), Larry Graham ( Graham Central Station/Sly and The Family Stone,Betty Davis)Bobby Vega ( Sly Stone- Sly and The Family Stone,Tower of Power), Peter Hook (Joy Division/New Order), Tina Weymouth (Talking Heads), Paul Simonon (The Clash), Noel Redding (Jimi Hendrix), James Jamerson (Marvin Gaye, The Four Tops,The Temptations), Jaco Pastorius (Weather Report, himself),Glenn Cornick (Jehtro Tull),Les Claypool ( Primus), John Cale ( Solo, Velvet Underground)

Dj Ru D Ru House Music Producer and Artist

SINCERE IMPOSTER writes, performs and/or produces a curious mixture of New Wave, Dance, EDM, Folk Rock, Art Pop, Electro, Dreamwave & Experimental World Pop. Collectively, it's a genre known as QUIRKPOP --- Music that makes you say, "What the hell is this?"

The band currently consists of two members, both living within the same body, sharing a similar existence. They identify as Danielle & Dave. They are both psychologically and musically confused. However, both are extremely and unapologetically sincere. 

Influences include Weird Al, Nathan Fielder, David Lynch, T-Pain and T-Swift. Their favorite inventions are the vacuum and the peach pitter. Their father is simply known as Vessel... who may be an entity or a god.



STTAP (Set the Tunes and Play) is the artistic project of Ahmed Mokhtar, an Egyptian Musical Artist, DJ, Producer and creative technologist, crafting layered melodic worlds where human emotion meets digital imagination.

With a deep-rooted passion for sound since the early 2000s, Ahmed began creating layered DJ edits using stems before they became standard, later studying music theory and guitar to refine his craft. Over the years, he expanded his creative exploration into the video music industry, producing trailers and short films, which honed his ear for precise music timing and taught him the art of VFX layering and dynamic scheme building based on stems—skills that now deeply inform his structured yet emotive approach to music production.

Today, under STTAP, he writes, produces, and engineers his music entirely, focusing on clean, timeless compositions built on warm hooks and emotive synth atmospheres.

STTAP’s releases are not tied to a single vocal identity but are immersive, hybrid compositions blending electronic beats, dreamy melodies, abstract vocals, and precise grooves, creating soundscapes that invite listeners to get lost while staying connected to the pulse of the track.

This is music for those who believe in setting the tone and playing, for those who want to feel the silent pulse within every layered note.

His debut singles Fades Away & Neon Ghosts is out now, with Multiple new tracks arriving soon.

New tracks tagged #POP/FUNK