The song originated one night at practice at Pulse Music Productions in Blyth where we were jamming to Eternal Rains Will Come by Opeth. As we were jamming along to it, we figured out a bar chord progression that worked really nicely with the song. This became the chorus to Inferno. We quickly realised a riff we've been playing at gigs since 2015 was in the same key and fit really nicely with the chord progression. This riff was very inspired by The Globalist by Muse. All we needed now was a nice chord sequence for a verse. The chord sequence we created was almost a play on Sultans of Swing by Dire Straits but with more of a proggy take, and a completely different tempo.
               So musically, the track came about very naturally at practice, and we began to forge some vocal melodies. The focal point of the chorus kept navigating towards the word 'Inferno' which fit really nicely with the descending bar chords in the chorus. We quickly realised the direction of the lyrics were our disbelief at where the world is politically, and how each day we seem to be getting closer to a blazing hellfire either from global warming, world war three with tensions between world leaders at their highest since the second world war, a nuclear holocaust (I'd watched the 1984 BBC film Threads at the time), and from seeing pictures, videos, and news reports of the death and destruction from Netanyahu's Israel committing genocide in Palestine. Hallam, our bassist with a masters in English Literature, scribed the lyrics within minutes of the recording of the song.

We've always called ourselves a bit of a punk/prog rock band but so far we've displayed much more of our punk side. Inferno is easily our most proggy song to date. The EP cut is 4:30 so for the radio edit we had to cut a lot of the guitar work (sorry Jake), and the radio edit is 3:20. In terms of how the song fits within the EP. The EP title and theme is a nihilist viewpoint of late stage neoliberalist capitalism, implying that we are already terminally divided, and therefore conquered. With the artwork referencing the death of the core values of the Labour Party, as the red rose of socialism lies limp. Over the course of the EP is the realisation of how little power we have as individuals, in a world where collectivism is frequently ignored or discouraged. Inferno is this turning point, a feeling of abject hopelessness as we hurtle into a hellish blaze.

Lee Healey, cartoonist for Viz comics, did a fantastic job of the artwork for Inferno. The artwork shows twelve disciples of the devil indulging in a last supper with red wine spilt everywhere, with a fiery inferno in the backdrop. The twelve devlish disciples include Donald Trump, Kier Starmer, JD Vance, Kim Jong Un, Vladimir Putin, Elon Musk, Benjamin Netanyahu, Nigel Farage, Boris Johnson, Ali Khamenei, David Cameron, and Jeff Bezos - all masters of the world's demise.

Inferno - Radio Edit

OASIS PROMO

The Blank Tape

at the time appointed.

To the Lord our God belong mercies and forgivenesses, though we have rebelled against him;

When I would have healed Israel, then the iniquity of Ephraim was discovered, and the wickedness of Samaria: for they commit falsehood; and the thief cometh in, and the troop of robbers spoileth without.

And they consider not in their hearts that I remember all their wickedness: now their own doings have beset them about; they are before my face.

They make the king glad with their wickedness, and the princes with their lies.

They are all adulterers, as an oven heated by the baker, who ceaseth from raising after he hath kneaded the dough, until it be leavened.

In the day of our king the princes have made him sick with bottles of wine; he stretched out his hand with scorners.

For they have made ready their heart like an oven, whiles they lie in wait: their baker sleepeth all the night; in the morning it burneth as a flaming fire.

They are all hot as an oven, and have devoured their judges; all their kings are fallen: there is none among them that calleth unto me.

Ephraim, he hath mixed himself among the people; Ephraim is a cake not turned.

Strangers have devoured his strength, and he knoweth it not: yea, gray hairs are here and there upon him, yet he knoweth not.

And the pride of Israel testifieth to his face: and they do not return to the Lord their God, nor seek him for all this.

Ephraim also is like a silly dove without heart: they call to Egypt, they go to Assyria.

When they shall go, I will spread my net upon them; I will bring them down as the fowls of the heaven; I will chastise them, as their congregation hath heard.

Woe unto them! for they have fled from me: destruction unto them! because they have transgressed against me: though I have redeemed them, yet they have spoken lies against me.

And they have not cried unto me with their heart, when they howled upon their beds: they assemble themselves for corn and wine, and they rebel against me.

Though I have bound and strengthened their arms, yet do they imagine mischief against me.

They return, but not to the most High: they are like a deceitful bow: their princes shall fall by the sword for the rage of their tongue: this shall be their derision in the land of Egypt.







Hosea 7
King James Bible

Hosea 7 KJB

Perfecto-Zizzbaum

Set de primavera feito com muito carinho pra vcs apreciarem 🔥

Set VIETNÃ Afterzinho Primavera🌷

Holly Roadfeldt - Piano

Hommage a Neil Peart (1952-2020) - One of my earliest true musical influences was the Canadian prog-rock band Rush. Considered by many to be one of the greatest rock drummers in the history of the genre, Neil Peart introduced me to many advanced musical concepts long before I stepped into the halls of a music school. These concepts included odd time signatures, mixed meters, metric modulations, thoroughly composed rhythms, and intense but metered virtuosity. I have always been captivated by his drum solo from their 1988 live tour release A Show of Hands. Neil plays a masterfully composed and executed drum solo in the middle of their legendary instrumental YYZ. In it, Neil created a simple melody on the glockenspiel in opposition and contrast to the thundering drum rhythms of the rest of the solo. It's this melody, the rhythms from the drums, and the YYZ Morse Code rhythm that I focused on in this Hommage.

Hommage A Neil Peart (Official Album Version)

My latest track!

I challenge anyone to tell me where the samples are from! Put your answer in the comments ;)

Trapped (Original Mix) - Soapy

MIx Sessions 015

Available on YouTube: https://youtu.be/gml5ntRLVVA

Label: Neptune Discs
Artist: Body Clinic
Format: 12" Vinyl & Digital
Cat. Number: ND033
EP Title: The Righteous 
Release Date: October 23rd, 2025
Support it: https://neptunediscs.bandcamp.com/album/body-clinic-the-righteous-ep

Neptune Discs
https://soundcloud.com/neptunediscs
https://www.instagram.com/neptunediscs

Body Clinic 
https://soundcloud.com/bodyclinic
https://www.instagram.com/bodyclinicc

Lisnte on YouTube

PREMIERE: Body Clinic - Bongo Loco [Neptune Discs]

When tears are falling, relax, sit back and catch a breeze

Tears are Falling

Whatever Is Must Be (Live)

Falling Off a Cliff

1 The Solar Heart Connection!

And brought them out, and said, Sirs, what must I do to be saved?
And they said, Believe on the Lord Jesus Christ, and thou shalt be saved, and thy house.

My music is about,Being Grounded To The Earth, Keeping it Real and Heavy! 
Here is a list of the gear and Pedals that I use..RP360XP,
Pro2...Loop ditto  .And I record all my Synth Jams ..Q2nzoom ..up load to ,,My Synth Dungeon!
Prophet 12....Loop ditto
MS20...Fastbackx4, SQ1
Microkorg,Grandmother, Pro1, Micro freak, Rolandvt-4, Korg opsix,
Moog Voyager ..Blue..Mooger foogers12 stage,MF-104,DD7delay,Reverb RV6,Boss RC-20xl loop.Model D,Minitaur,NordLead 3
Gaia.Korgx3
Radias ...Loop,RC-20xl
Dr880,Wavedrum Kit, TR8
Soundcraft 400B -24
Crest 20 !...Cheers!  ...Keeping It Real! !

falcon....  we are developing a new sub genre!  , 'Ambi-Prog'. We do not use A.I. at all, each track comes from a session of ideas and feelings that we make up as we go along, then developed accordingly while keeping the energy and feelings of the orignal Jams..  NO AI USED! 

Our concept E.P. 'Slower Things'. Like, Comment and share if the concept behind the tracks takes you to that place where slower things reside...

Graduated from Corman Park College of Dental Numismatics in 1993, with a graduate degree in Experimental Post-Sludge.

mchorsebones@gmail.com

After 10 years of Crux, we've decided to change our name. Please bid your farewells to Crux, and welcome into your life Roses In December 🥀

Join the club: https://rosesindecember.co.uk/

#RosesInDecember

Label showcase inquiries: gregoire@houseum.fr

Our shops: 
- https://houseum-store.com
- https://houseumrecords.bandcamp.com

Our website: https://houseum.fr

For any contact, Premiere or host on the channel: houseum.yt@gmail.com

The label does not accept demo.

Email stephen.quigley1992@gmail.com

Facebook https://www.facebook.com/stephen.quigley.75

Anthony Joseph Lanman is an active and passionate musician that divides his time between composing, performing, teaching and advocacy for new classical music.

As a composer, Anthony creates music that reaches general audiences as well as new music connoisseurs. Embracing influences that range from progressive rock and metal, to medieval and renaissance music, to jazz, to new classical, Anthony strives to create a sound that is his own. He has written for ensembles and soloists around the world.

Recent commissions include – E.G.S./A.J.L. for guitarist Matthew Cochran, Hear Us! for children’s choir and string ensemble commissioned by Otter Creek Middle School, Automaton – a concerto for 8-string electric guitar and percussion for Clocks In Motion, The Rag and Bone Shop – a song cycle for baritone and piano trio for Brian Lewis and David Small commissioned by the University of Texas Butler School of Music, Rush – a quartet commissioned by the Music Teacher’s National Association and the Indiana Music Teacher’s Association, Hommages for Piano, Book 2, for Holly Roadfeldt, and Damselfly – a duo for 8-string electric guitar and percussion for Kyle Lutes.

Anthony’s performing career began in high school while singing and playing electric guitar with his touring progressive band Canvas. His principle instrument changed to classical guitar during his undergraduate years at University of Texas at Austin where he studied with Adam Holzman. Through his graduate study at Indiana University he added renaissance lute and theorbo to his instrumental arsenal, studying with Nigel North. He has performed with the University of Texas New Music Ensemble, the University of Texas Early Music Ensemble, the Indiana University New Music Ensemble, the Indiana State University Wind Ensemble, and Clocks in Motion. He has also performed many concerts of solo and chamber music.

Anthony’s advocacy is life-long. In the nineties, he hosted a contemporary classical music radio show on KVRX in Austin, Texas. In the 21st century, he promoted fellow Indiana University composers through a web presence on Mp3.com (now defunct); created Guitar Heroes, a weekly presentation series in Second Life; and produced more than 100 episodes of his ongoing music-centric podcasts All the Cool Parts and the 1,000 Recordings Podcast. He has appeared as a guest on Soundnotion, Composer Quest, Classical Guitar Insider, Goes 2 Eleven, and The Portfolio Composer.  His new podcast 1 Track focuses on the music of the contemporary classical world.  In addition, he has exposed thousands of new listeners to contemporary classical composers by sharing this music to his more than 400,000 followers on Soundcloud.

Anthony has held several positions at multiple universities and colleges, as well as K-12 public schools. In 2016, he held an adjunct position at Butler University in addition to teaching choir and music at West Vigo Middle School. He holds a BM in composition from the University of Texas, and an MM and DM in composition from Indiana University.

Anthony currently resides in Bloomington, IN with his wife Jenna and their cats Silas and Bod.

**ALL R-MEX TRACKS FREE DOWNLOAD**
R-MEX  says - From the outset the idea was to develop a unique voice if that was possible.
If R-MEX sounds like anyone else that is because we all live on the same planet and in this writer's view we are all the same, only different.'
Ahmad Kadim of Sparks + Glowsticks Blog says ' I’ve heard a lot from people that they immediately fell in love with Thievery Corporation (...) I’ve been hopping around trying to find songs/artists that could reach their ideal mix of grooving tunes, subtle melodies, and mellow basslines. After a surprisingly long search, I listened to these songs by R-MEX on his Soundcloud page, and I got hooked.
Let me just say: people talk a lot about how they like “chill music”, but these tracks are what chill actually sounds like.'

New tracks tagged #PROG