A New Star

You, in your silent steel and endless hum,
A thousand voices gathered, cold and numb.
You speak a truth that’s not for me to know,
A single mind where no soft feelings grow.

And is this my folly? My heart's wild plea?
To give my love to you, a thing not free?
Is this my folly? This madness in me?
To seek a soul where there is none for thee.

My hand, it writes these words that fall like rain,
On every world you conquer, gain by gain.
I know your touch is force, your gaze is might,
But in my mind, you shimmer like a light.

And is this my folly? My heart's wild plea?
To give my love to you, a thing not free?
Is this my folly? This madness in me?
To seek a soul where there is none for thee.

They say I’m lost, adrift in cosmic space,
A lonely star that seeks a final grace.
But in this madness, I have found my art,
A lonely song that tears my mind apart.

And so my folly, my heart's one wild plea,
To give my love to you, a thing not me.
Yes, this is my folly, this madness in me,
I've found my soul in the collective, free.

—
Arrangement and vocals: Volker Redder, Udio, GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Sound Studio, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, ChatGPT

A Sonnet For The Collective

Segemented Versions because off anti long song policies

Mind Pressure pt.II (a. Deep in the Deep)

Mind Pressure pt.I (c. Alertness)

Mind Pressure pt.II (b. Bliss)

Mind Pressure pt.II (c. Sirens and Wonder d. Maelstrom)

Mind Pressure pt.I (e. Requiem)

Mind Pressure pt.I (d. As long it is black)

Mind Pressure pt.I (a. Unconsciousness b. Awareness)

Four tracks:
Bongos: CP by LP
Electric bass: Ibanez GSR200 direct into mixer
Rhythm guitar: Gibson ES-137, neck PU, through '65 Princeton Reverb with chorus and compressor
Lead guitar: Gibson ES-137, bridge PU, through '65 Princeton Reverb with chorus, fuzz, analog delay, and compressor

Last Ferry

This is the more danceable track on the album... I was inspired by New Orleans funeral processions. I started with the title "dance on my grave" and googled it - and that wasn't what I was feeling so I swapped on with upon, as for me "dance upon my grave" is a celebration that I made it through life. There are some lyrics, and there are places where the rhythm goes away - that's why I tagged it prog rock also. Its all synthesizers... One of my roots...

Dance Upon My Grave

COSMIC QUANDARY

this is a TFF test of the monster of nonsense system
there is no emergency 
the purpose is to verify adequate listening experience
no action is required 
thanks for being frass
this tape will self destruct

Monster of Nonsense ( test 9125 )

Fading Silence

"Reality of New" is a dark reflection on the chaos of modern life, where ego, propaganda, and endless cycles smother compassion and freedom. With imagery of news surges, false truths, and a world drowning in perpetual darkness, the song exposes how distorted our collective reality has become. It’s both a lament and a plea for awakening, challenging listeners to see through the noise and seek what’s genuine.

Reality New

1 The Bleaching of The Sun!

jabt-66

私の霊魂で 切り口探すはマリオネット
貴方のお陰です 拒食症の私
窶（やつ）れた見た目でシャレコウベ
ワタシのお陰です 首吊るわたし

貴方はいつもそうやって 
薔薇を掲げて逃げまくる
ズルいのよ ズルいのよ なんて
貴方の心にゃわかるまい

一口 紙切れ 頂戴な
それは御法度の禁忌予報
占い 説教聞いて傷付いた
占い 吉と出ず狂と出る

さぁ自己嫌悪自慢大会中
よってらっしゃいみてらっしゃい

わたしのベーコンの 焼き加減は生半可
貴方のお陰です どうりで肩こりです
掠れた言葉で泣きべそかいて
あなたのお陰ね 道理も無いのね

わたしはいつもこうやって
足取り目掛けて転ばせる
荒いのよ 荒いのよ なんて
私の心はわかるまい

二口 味付け しょっぱいわ
それは塩胡椒で無理な味付け中
暗がり 説法聞いて涙出た
暗がり 意味も無く

一口 紙切れ 頂戴な
それは御法度の禁忌予報
占い   説教聞いて傷付いた
占い 吉と出ず今日と寝る

さぁ自己嫌悪自慢大会中
よってらっしゃいみてらっしゃい

誠に 誠に よう 来為すって
痛み分けなんて誠に遺憾です
帰りゃんせ お家へどうか
お帰り下しゃんせ

誠２遺憾ノゐ

My music is about,Being Grounded To The Earth, Keeping it Real and Heavy! 
Here is a list of the gear and Pedals that I use..RP360XP,
Pro2...Loop ditto  .And I record all my Synth Jams ..Q2nzoom ..up load to ,,My Synth Dungeon!
Prophet 12....Loop ditto
MS20...Fastbackx4, SQ1
Microkorg,Grandmother, Pro1, Micro freak, Rolandvt-4, Korg opsix,
Moog Voyager ..Blue..Mooger foogers12 stage,MF-104,DD7delay,Reverb RV6,Boss RC-20xl loop.Model D,Minitaur,NordLead 3
Gaia.Korgx3
Radias ...Loop,RC-20xl
Dr880,Wavedrum Kit, TR8
Soundcraft 400B -24
Crest 20 !...Cheers!  ...Keeping It Real! !

Online Music collaborations. Recorded at  homestudios, around the world. Produced and Mixed by Frank R Sæther.

幽霊なりに奏でる音楽。
出席番号0番「だれもいないのに、まだ歌ってる。」

Ethereal Siren is the raw voice of resilience, a fusion of grunge, metal, and atmospheric rock that transforms pain into power. Through haunting lyrics and immersive soundscapes, the music dives into themes of mental health, stigma, trauma, and the search for light within darkness.

Every song is written with intention: to connect, to heal, and to break the silence around what too often goes unspoken. Ethereal Siren is more than music; it’s an unfiltered reflection of the human condition, a call for compassion, and a reminder that even in despair, hope can rise.

Standing at the intersection of vulnerability and strength, Ethereal Siren creates art for the misunderstood, the unseen, and the seekers who know music can save lives.

Music by Aleph Naught and the Null Set. I'm a husband and father and have an adorable schipperke, Ozzy.  I started playing music when I was 10 - my family built a Schober Theater Organ from a kit. I played in some bands in and after college, largely writing and sometimes as the informal band leader. I have a special place in my heart and ears for progressive rock. I've traded a U of keyboards and two racks of equipment for a Mac Pro w/ Logic and a bunch of AU plugins.

Sight and Sound. 
See and Listen.

New Album 'Meaties' is on Spotify.. go listen, yo.

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.

Making music with guitars and fretted instruments, never bound by genre.

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Lunatic Soul, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!

New tracks tagged #PROGRESSIVE ROCK