Richard and Joe celebrate three years of this schlocky big adventure, the podcast . They also discuss the John Landis film, SCHLOCK, and Tim Burton's PEE-WEE'S BIG ADVENTURE. Be sure to listen to the intermission for a special skit and song! 

TIME STAMPS COMING SOON!

Not intended for children. The views expressed do not necessarily reflect the views of their employers.

Twitter: https://twitter.com/TwoDudes7

Facebook:https://www.facebook.com/Two-Dudes-One-Double-Feature-Podcast-108846657540306

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Richard's YouTube: https://www.youtube.com/user/Channel23hahaha

Joey's YouTube: https://www.youtube.com/channel/UCkFZy6PEmCY2SPScOAWkXbg?view_as=subscriber

Episode 121- Schlock's Big Adventure!

The Codex Prime Duo is back for some nerd catch up! Victor highlights his latest pick ups from Barnes & Noble's Criterion Collection sale and reviews four films - Mission: Impossible - Dead Reckoning Part One, Talk to Me, and the summer phenomenon that is Oppenheimer and Barbie.... Carl chats about his experience traveling to Raleigh, North Carolina for the Fleet DJ's conference, his latest comic book pickups, and getting roasted on the mic by Eric Bischoff.

This Barbie says let's nerd it up and GET IT!

Recorded August 2, 2023
----------------------------------------------------------------------------------
Catch Codex Prime on Spotify, Apple Podcasts, or other podcast platforms.

Email: CodexPrimePodcast@gmail.com

Buy Codex Prime Shirts at: @MFAMUCUSTOMS (Instagram)

SOCIAL MEDIA:
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Victor Omoayo
- https://www.instagram.com/victoromoayo/

Carl Byrd
- Twitter, Instagram and Snapchat: @mrbyrd1027
- bookmrbyrd102

EPISODE 332 - BARBENHEIMER

rest in peace Paul Reubens.
I was too young to see it when it aired live but the reruns of Pee-wee's Playhouse on Adult Swim were beyond memorable for me. - NAVE

NAVEISDEAD - cookie crumbs (pee-wee herman tribute)

This is a tribute mix in remembrance of Paul Reubens, aka 'Pee-Wee Herman', a fellow SubGenius who 'boarded the saucers early' on July 30th, 2023 at the age of 70 from a hitherto undisclosed illness. He leaves behind many fans, and an enormous body of work from a career that spanned 5 decades. 

This is a remix of, and about, the famous and iconic 'Tequila Dance' scene from the 1985 film 'Pee-Wee's Big Adventure' by director Tim Burton in which Reubens (as Pee-Wee) dances to The Champs' song, 'Tequila!'. This 'MetaMix' (or 'mix of mixes') consists mostly of mashups utilizing the 'Tequila!' song. 

It also includes audio of the scene in question as well as Pee-Wee and David Letterman discussing the film, and the scene, on the 'Late Night with David Letterman' show in 1985.

This mix is part of NCN's longform program, 'The Pee-Wee Herman / Paul Reubens Memorial Mix' which will be released in its entire by NCN soon.

RIP Pee-Wee Herman (aka Paul Reubens)

Credits in order: David Letterman; Paul Reubens (on Late Night with David Letterman - NBC - 1985); 'Pee-Wee's Big Adventure' (1985); The Champs; Mashup with Electric Six by DoM; J. Rabbit; The Sicks; Acapental; Pharrell Williams ('Happy'); DNC Liberty; Joeski Love

This mix is available here as a free 160kbps mp3 download. Special features of the mp3 encoding are: 1. Joint Stereo, 2. Highest Quality Encoding, 3. Mid/Side Stereo, 4. Intensity Stereo, 5. Volume Analysis and Leveling with MediaMonkey.

This mix is also freely playable at Mixcloud in HQ Sound, fully searchable back and forth, with timestamped source titles appearing in player during playback, with NO ADS.:

https://www.mixcloud.com/pnarco/ncn-tequila-the-champs-pee-wee-herman-memorial-mashup-metamix/

Enjoy!

-=-"pn"

The Pee-Wee Herman / Paul Reubens Memorial Mix

'Tequila!' (The Champs) Pee-Wee Herman Memorial Mashup MetaMix

Our Patreon

NCN - 'Tequila!' (The Champs) Pee-Wee Herman Memorial Mashup MetaMix

De elfde aflevering van het derde seizoen van Cinepraatjes, de podcast van Cinemaatjes. We staan even stil bij het overlijden van Paul Reubens aka Pee-wee Herman. Helaas zijn we een aantal Maatjes, die we ondanks dat toch enorm bedanken voor de steun die ze ons hebben gegeven, maar gelukkig hebben we ook weer een nieuw Maatje erbij. We mogen jureren op BUT Film Festival in Breda, dus als je ons eens wilt ontmoeten dan zijn we daar te vinden. We gingen weer eens naar de bioscoop en zagen ‘Oppenheimer’ van Christopher Nolan en bespreken die uitvoerig. William zag ook ‘The Father’ met Anthony Hopkins en Olivia Colman en JP keek naar aanleiding van een aankomende review naar ‘M3gan’. We trokken een VHS uit de kast van een film die we lang geleden samen zagen, ondanks dat William daar niets meer van weet. Het is ‘Geek’ uit 1988. In de Special bespreken we weer een jaren 90 film om te zien of deze overeind blijft staan nl. ‘The Crow’ met Brandon Lee. En uiteraard beantwoorden we ook weer vragen van luisteraars over o.a. Robocop 2 en 3, erotische filmscenes zonder naakt, John Carpenter’s Robocop 4, films over vakantie en personages die eigenlijk in een andere film thuishoren.

www.youtube.com/@cinemaatjes
www.instagram.com/cinemaatjes013
www.facebook.com/cinemaatjes
www.patreon.com/cinemaatjes
www.letterboxd.com/cinemaatjes

S03e11 - Oppenheimer, The Father, M3gan, The Crow, Geek en veel meer over films

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! 

SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1

Twitter: twitter.com/MediaLunchBreak
Patreon: www.patreon.com/TheMediaLunchBreak
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Or email us at: TheMediaLunchBreak@gmail.com

Listen and review us on iTunes and Google Play Music!

The Media Lunch Break on YouTube:

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Graphic art by:

Melinda Filonuk -
www.melgraphics.com
www.etsy.com/shop/melgraphicscreations

Eric Scotolati - 
https://twitter.com/ericscotolati

RIP Pee-Wee Herman! Plus, Adam Driver news and the Loki trailer! - 122.1

Mom reviews PEE-WEE'S PLAYHOUSE CHRISTMAS SPECIAL. Mom violates the spirit of Secret Santa. A listener puts mixed nuts in their Chex Mix.

Pop Mom

Pee Wee's Playhouse Christmas Special

Written, Performed, Mixed, and Mastered by: BD Isaac
Copyright 2023

Inspiration: After seeing Asteroid City, which is fantastic by the way, I wrote this—inspired by Wes Anderson's brilliant direction, production design, and visual language. I especially drew vibes from the UFO sequence.

Enjoy!

12-17-23

Martinis in Space

This is crack. Rock cocaine
It is kid stuff, and it can kill you
You risk dying
Look, everyone wants to be dead wrong

Veins collapse like brittle glass
Teeth rot black, lungs full of ash
Flesh peels back, nerves exposed
Rotting faster than a corpse decomposed

Feed the sickness, let it spread
Drag the soul where angels bled

Dead wrong! Breathe the plague
Hollow eyes, a severed fate
Dead wrong! Choke the swarm
Drown in filth, embrace the storm

Needle bites, the skin turns gray
Heart explodes, skulls decay
Bones dissolve in toxic flood
Guttering flames, drowning in mud

Fingers twitch in rigor’s grip
Laughter echoes, tongues are split

Dead wrong! Breathe the plague
Hollow eyes, a severed fate
Dead wrong! Choke the swarm
Drown in filth, embrace the storm

Huff the fumes, let the rot infest
Crack man laughs while death digests
Jaws unhinge, the marrow leaks
Endless night, the void now speaks

Bones are brittle, minds are torn
Beg for death but it won’t mourn
Sunk in waste, a broken pawn
Buried deep, forever gone

Sludge of flesh, a wasted breath
Beg for mercy, laugh at death

Dead wrong! Breathe the plague
Hollow eyes, a severed fate
Dead wrong! Choke the swarm
Drown in filth, embrace the storm


This Is Crack Cocaine

Graduated from Corman Park College of Dental Numismatics in 1993, with a graduate degree in Experimental Post-Sludge.

mchorsebones@gmail.com

Two everyday cats talking about all things that are on and poppin' in pop culture, be it films, video games, television, books, and everything else in between. 

Your hosts for this fine program are Victor Omoayo and Carl Byrd.

Enjoy the show, and as always, GET IT!

The podcast where two dudes discuss two films every single episode. (Also known as a double feature)

Sometimes, they discuss more than two movies. Whoa

The Media Lunch Break is your best resource for geek news, reviews, comedy, and the Oxford comma! We'll argue the oldest of debates: DC vs Marvel, Mac vs PC, Michael Bay vs our collective childhoods.
We're here to serve YOU!
And ourselves.
Mostly ourselves.
But hopefully you like it too! So sit back, relax, and listen to two idiots riff on topics they know nothing about.


𝙩𝙝𝙚 𝙝𝙞𝙨𝙨 𝙤𝙛 𝙩𝙝𝙚 𝘾𝙍𝙏 𝙞𝙨 𝙩𝙝𝙚 𝙬𝙖𝙧𝙢 𝙚𝙢𝙗𝙧𝙖𝙘𝙚 𝙤𝙛 𝙖𝙣 𝙤𝙡𝙙 𝙛𝙧𝙞𝙚𝙣𝙙...

@dismissedfit
@naveisdead

Affiliated with: @covertprxgress & @lakesidecollective

(group formerly known as "Artists Anonymous")

God first—Castlevania freak, Harryhausen, Star Wars fanatic, Lord of the Rings, Burton, Elfman, Stan Lee, Mozart, Bach, '80s/'90s Synth-Guitar/Video Game Atmospheres. 

Turning pain into music.

Music Only Youtube Channel: https://www.youtube.com/channel/UCqP4d0rEMsjB4hUVibt6LUw

Influences: Bernard Herrmann, Danny Elfman, Basil Poledouris, Hans Zimmer, John Williams, Alan Silvestri, Alexandre Desplat, Celldweller, Michiru Yamane, Koji Kondo. Blood Dragon, Harold Faltermeyer, John Carpenter, Daft Punk.

Credits: Hellboy 2: The Golden Army
               My Immortal Enemy: Akuma
               Castlevania: Prelude to War

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

De filmpodcast van Cinemaatjes, waarin we naast o.a. filmnieuws en weetjes gewoon gezellig kletsen over films en alles eromheen. Check ook onze film reviews op YouTube.

I'm a TV critic. People think I'm pretty opinionated. Then they meet my mom.

New tracks tagged #Pee-Wee Herman