5. Particle Shockwaves (Grade 1.5)
Quarter Notes, Eighth Notes, Multiple Bounce 8th notes rolls, playing on Rim, Side of the Pad, Stand Post, Legs, and Floor; Accents, More Dynamic Contrasts

"Wired Beats" is a collection of nine percussion ensembles written for two or more beginning to intermediate players. Utilizing the standard beginning percussion kit, these ensembles incorporate playing on the drum pad, pad rim, parts of the stand, and even the floor. Rhythms, sticking patterns, and special effects combine with accompaniment tracks to create fun yet challenging pieces designed to engage and develop young percussionists and may be used for both practice and performance.

5. Particle Shockwaves (from "Wired Beats" - Brian L. Monroe

6. Power Line (Grade 1.5-2)
Quarter Notes, Eighth Notes, Sixteenth Notes, Flams, Multiple Bounce 8th notes rolls, playing on Rim, Stand Post, Legs, and Floor Accents, Stick Clicks, Pad to Pad, Stick Visuals; More Dynamic Contrasts

"Wired Beats" is a collection of nine percussion ensembles written for two or more beginning to intermediate players. Utilizing the standard beginning percussion kit, these ensembles incorporate playing on the drum pad, pad rim, parts of the stand, and even the floor. Rhythms, sticking patterns, and special effects combine with accompaniment tracks to create fun yet challenging pieces designed to engage and develop young percussionists and may be used for both practice and performance.

6. Power Line (from "Wired Beats") - Brian L. Monroe

7. Interposing Forces (Grade 2)
Quarter Notes, Eighth Notes, Sixteenth Notes, Flams, Multiple Bounce 8th Note Rolls, playing on Rim, Stand Post, Legs, and Floor Accents, playing Split Hands: Rim & Pad, Pad to Pad, Stick Visuals; More Dynamic Contrasts

"Wired Beats" is a collection of nine percussion ensembles written for two or more beginning to intermediate players. Utilizing the standard beginning percussion kit, these ensembles incorporate playing on the drum pad, pad rim, parts of the stand, and even the floor. Rhythms, sticking patterns, and special effects combine with accompaniment tracks to create fun yet challenging pieces designed to engage and develop young percussionists and may be used for both practice and performance.

7. Interposing Forces (from "Wired Beats") - Brian L. Monroe

8. Circuits Sparking (Grade 2.5)
Quarter Notes, Eighth Notes, Sixteenth Notes, Flams, playing on Rim, Stand Post, Legs, and Floor Accents, Pad to Pad, Stick Visuals; More Dynamic Contrasts

"Wired Beats" is a collection of nine percussion ensembles written for two or more beginning to intermediate players. Utilizing the standard beginning percussion kit, these ensembles incorporate playing on the drum pad, pad rim, parts of the stand, and even the floor. Rhythms, sticking patterns, and special effects combine with accompaniment tracks to create fun yet challenging pieces designed to engage and develop young percussionists and may be used for both practice and performance.

8. Circuits Sparking (from "Wired Beats") - Brian L. Monroe

9. Mag Lev (Grade 3)
Sixteenth Note based Rhythms, Multiple Bounce 8th Note Rolls, playing on Rim, Stand Post, Legs, and Floor Accents, playing Split Hands: Rim & Pad, Pad to Pad, Ghost Strokes; More Dynamic Contrasts

"Wired Beats" is a collection of nine percussion ensembles written for two or more beginning to intermediate players. Utilizing the standard beginning percussion kit, these ensembles incorporate playing on the drum pad, pad rim, parts of the stand, and even the floor. Rhythms, sticking patterns, and special effects combine with accompaniment tracks to create fun yet challenging pieces designed to engage and develop young percussionists and may be used for both practice and performance.

9. Mag Lev (from "Wired Beats") - Brian L. Monroe

"re: Impressions" is a groovy percussion septet for 5 keyboards, drum set, and 1 multi-percussionist that is influenced instruments, styles, and sounds that feel most "at home" with the composer.

re: Impressions (Perc Ens 7) - Reese Maultsby

"Hexachron" channels the raw energy and intricate architecture of progressive metal through the lens of chamber percussion ensemble. While the bulk of the piece is written in 6/4, that meter is rarely felt straight-ahead. Instead, it’s refracted through layered polyrhythms, rhythmic illusions, and constantly shifting subdivisions that destabilize the listener’s sense of time - yet somehow regularly lock into a groove that feels instinctively right.

Hexachron (Percussion Sextet) - Matt Moore

"Tilt" is a dynamic percussion octet that features a stereophonic setup of two percussion quartets “tilting” the musical ideas between sides of the stage. All eight players play (and share) both pitched and non-pitched instruments.

Tilt (percussion octet) - Lucas Garner

"Three Laughs" is the new champion of novelty pieces! Also available as a Wind Ensemble Percussion Feature (4 soloists), Three Laughs is scored for a variety of percussion instruments including electric drills, dustbusters, bicycles, hair dryers, bubbles and more ending with a glorious fountain of up to 100 colored ping balls! 13 themes include Beethoven's 5th, Yes We Have No Bananas, Michael Row The Boat Ashore, Habanera (Carmen), Bach Minuet variation, Frère Jacques, On Top Of Spaghetti, Swanee River and Yellow Rose Of Texas.

Three Laughs (perc ens 10-14) - Arthur Lipner

This intermediate work for 7-8 percussionists tells the story of Theseus’s ship as it approaches harbor and repairs begin. As you strip away broken parts and replace with new ones, the story of the ships’ adventures are told. Once the repairs are completed the ship sails away ready for its next adventure. 

New tracks tagged #Percussion Ensemble