Miniature piece in Homayoun B arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Sayeh Khaterat ~ Shadow of a Memory, in Homayoun B - for String Quintet

Miniature piece in Dashti G arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Mahtab ~ Moonlight, in Dashti G - for String Quintet

Miniature piece in Homayoun D arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Raghse Samaa ~ Dance Of Ecstasy, in Homayoun D - for String Quintet

Dedicated in memory of the late contemporary Persian poet Houshang Ebtehaj.
Miniature piece in Dashti E for Violin, Cello & Harp out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Panjerei be Gozashde ~ Window into the Past, in Dashti E - Trio for Violin, Cello & Harp

Full video on @youtube:
https://youtu.be/XVl3kM6aEvc

Biyar Maeem 444Hz 
Melody and Words:
Jahanbakhsh Pazooki
Arrangement and Kamanche:
Abbas Sarafraz
Daf, Bendir, Daryeh:
Alirza Nasiri Fard
Tonbak / Dohol / Duduk / Keys:
Alireza Tavangar
Sorna:
Ehsan Abdi pour
Tar:
Peyman Lordi fard
Cello:
Hossein Zarei

Studio recording and Bass Guitar: Recorded in 444hz Solfeggio Frequency Scale
Adel Sharif 

Mix:
Art Tawanghar 
Mastered by: 
Pete Maher
Produced by:
Majorhitrecords

Special Thanks to:
Shahin Rashidi
House of Agha Bozorg

BIYAR MAEEM LYRICS 
همه یار دارن و بی یار ماییم
لباس کهنه بازار ماییم
همه دارن لباس کدخدایی
نمد پوش قلندر وار ماییم
بی یار ماییم بی یار ماییم
خوشا امشو که مهمون شماییم
کبوتر بر لب بوم شماییم
تٌرٌش رویی نکن مهمون عزیزه
خدا دونه که فردا شو کجاییم
بی یار ماییم بی یار ماییم
نشونٌم باغ سروناز دادند
به دستٌم نرگس شیراز دادند
تا اومدٌم سر و سامان بگیرٌم
منو از آشیون پرواز دادند
پرواز دادند
همه یار دارن و بی یار ماییم
لباس کهنه بازار ماییم
همه دارن لباس کدخدایی
نمد پوش قلندر وار ماییم
بی یار ماییم بی یار ماییم
می ترسٌم تا بخوام برٌم به خونه
نمونه از من مسکین نشونه
از اون ترسٌم که در غربت بمیرٌم
ولایت بر دلٌم داغش بمونه
داغش بمونه


Shakila's Official Instagram 
http://Instagram.com/shakila.music
Official Site
http://www.shakila.com
Itunes Link:
http://apple.co/1FYfc1S
http://Twitter.com/shakilamusic
http://Soundcloud.com/shakilamusic
http://Facebook.com/shakilaofficial
Copyright (c) 2015 Shakila Enterprises BMI

Biyar Maeem

Biyar Maeem Remix 2023 - شکیلا بی‌ یار مأیم رمیکس ۲۰۲۳

Instrumental cello solo piece in Chahargah F#. Composed by Mehdi D. Ardebili.

Contemplations, in Chahargah F# - for Cello Solo

Instrumental cello solo piece in Mahur F. Composed by Mehdi D. Ardebili.

Aftab ~ Sunlight, in Mahur F - for Cello Solo

Instrumental cello solo piece in Dashti G. Composed by Mehdi D. Ardebili.

Darde Eshgh ~ The Pain of Love, in Dashti G - for Cello Solo

Khabeh Setareh arranged for String Trio by Mehdi D. Ardebili, inspired by Mahyar Fazeli.

Khabeh Setareh ~ Star Dream, in Dashti C - for String Trio

Miniature piece in Dashti C arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Ghame Del ~ Heart of Sorrow, in Dashti C - for String Quintet

Miniature piece in Homayoun G arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Raghse Samaa ~ Dance of Ecstasy, in Homayoun G - for String Quintet

Miniature piece in Esfahan E arranged for string quintet out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.

Asire Zaman ~ The Prisoner of Time, in Esfahan E - For String Quintet

اجرای گریلی در شور - بخشی از کلاس درس به تاریخ ۵ آذر ۱۴۰۲

Graylie in Shour

Graylie in Shour گریلی

Miniature piece in Esfahan G arranged for 8-stringed Tar and string quintet. Theme by Farzad Aref, composed and arranged by Mehdi D. Ardebili.

Lahzeyeh Veda ~ Farewell Moment, in Esfahan G - for Tar & String Quintet

ای ساربان آهسته ران (O Camel Driver, Go Slowly) is a timeless Persian poem by the revered poet Saadi, brought to life through the heartfelt rendition of Milad Esmzadeh. This classic verse embodies the profound themes of love, longing, and the anguish of separation. With each line, Saadi’s words paint a vivid image of a soul being carried away, mirroring the heartache of those left behind. The poem’s beauty lies in its simplicity and emotional depth, resonating across generations.

Milad’s narration is accompanied by AI-generated visuals, adding a modern touch that amplifies the traditional Persian essence of the piece. The harmonious blend of music, visuals, and Saadi’s timeless verses allows for a captivating experience that transports viewers to an era of poetic reflection. Let ای ساربان آهسته ران be your window into the world of Persian mysticism, where every word carries the weight of emotion, and every note echoes the heart’s deepest yearnings.

Copyright Notice:
© 2024 Saadi & Milad Esmzadeh. All rights reserved. Unauthorized copying, reproduction, distribution, or use of this content is prohibited without express written permission.

ای ساربان آهسته ران | By Saadi | Persian Soundscape by Milad Esmzadeh | AI-Generated Music & Visuals

چهارمضراب پنجه مویه
ابوعطا
آهنگساز: ناصر پاک روی
سه تار: امیرحسین اشرفی
کمانچه: کیومرث یوسفیان
تنبک: سینا قدم خیر

Chaharmezrab Panjeh Mouyeh | چهارمضراب پنجه مویه

Milad Hamidkhani - Bahare Delneshin

Composer, pianist, physicist, mathematician.

صفحهٔ رسمی شکیلا 
Shakila is an international Award winning Artist. Her dream of being a singer started when she was a young girl.
 
At the delicate age of nine years old, Shakila’s career began when she was invited to perform on a major television show. It is here that she caught the attention of numerous producers that wanted to transition her into a professional artist. While Shakila so eagerly wanted to become the star she was so destined to be, she made sure to focus on her education, and limited her performances to talent shows and school competitions.
 
Through hard work and determination, she completed her studies and ultimately succeeded in becoming a professional performer in 1990. That year, she released her first Persian hit album. In addition to her passion for music, Shakila also expresses her deep connection with poetry. Using her lyrics, she paints a scene with her voice, which allows the listener to become a part of her journey.  Alike many artists, Shakila shows her personality through her words and uses poetry to create distinctive metaphors to empower her songs. She holds true to her devotion to spirituality and the values of life that she so deeply holds on to. Music is not just a sound to Shakila, but a voyage through emotions. Her vocal ability allows the listener to connect with the music on a whole new level.
 
She is a Powerhouse vocalist, with a silky smooth lower registery, and a crystal clear highs to capture any audience and crossing the true essence of the emotion abroad.
 
In particular, she has always taken exceptional interest in Rumi’s poems, which has inspired her to sing many of his pieces in such a way that would make any listener feel empowered by pure emotion. With the combination of her angelic voice, and the meaningful words, it is obvious that Shakila obtains the true essence of love.
 
She was also the featured artist on the album ‘Operatica-Shine’, which includes two of her own outstanding performances, one of them being featured as the Bonous Track of the album.
 
In 2012, Shakila broadened her horizons by extending her talents to the International market. She released multiple singles such as, “Fall Away”, “El Corazon (My Heart)”, “Xmas”, Only You, Pledge for Peace and more. In addition to these singles, Shakila plans on releasing a new World Music, English album in 2015. 
 
She also won the  International Artist Award, and she is also an official Grammy® voting member. So far she has released over twenty Persian albums, which have helped her gain millions of followers worldwide.

Welcome to AI Soundscape – where poetry, music, and modern technology come together to craft a unique auditory and visual experience. Founded by Milad Esmzadeh, this channel celebrates the soul of culture, blending timeless themes of love, loss, and resilience with AI-enhanced visuals and original compositions.

Through heartfelt recitations, soulful melodies, and collaborations with contemporary poets, AI Soundscape invites you on a journey of profound poetic reflection. Step into a world where tradition meets innovation, and let AI Soundscape be your bridge to the heart of art and emotion.

Farshad Tavakoli
Started his basic training with Ali Khavarmanesh. He spend several years to learn Radif (repertoire) from Vahid Bassam. He then spend seventeen years to study the authentic styles of Setar with special emphasis on Abolhassan Saba with master Majid Kiani. He also studied musicology in University of Tehran. He dedicated several years to understand various Radifs and original Persian musical scales and Maghams by carefully analyzing old written historical documents. In addition he focused on the styles of Hormozi, Forootan, Dargahi among others. He also benefited from master Daryoush Talai. As a result of such persistence and hard work, Farshad Tavakoli is considered one of the rare musicians that his performance is strongly rooted in the authentic styles. Meantime his music carries subtle features that is reflected in his performances and respected by experts in this field. His major activities include many concerts in Iran and abroad, publication of several lectures and research articles and teaching privately or in major academic institutes for more than two decades. 
فرشاد توکلی
مقدمات موسیقی را با علی خاورمنش آغاز کرد، و پس از چند سال تجربه های شخصی، ردیف میرزاعبدالله را نزد وحید بصام فراگرفت. همچنین در کنار تحصیل موسیقی‌شناسی در دانشگاه تهران، به مدت هفده سال زیر نظر مجید کیانی بر روی شیوه های نوازندگی استادان قدیم سه تار، با تاکید ویژه بر شیوه ی ابوالحسن صبا تحقیق کرد. تمرکز بر ردیف های موسیقی ایران، شناخت و بررسی فواصل و مقام ها در رسالات قدیم موسیقی، و توجه جدی به نوازندگی استادانی چون صبا، فروتن، هرمزی، درگاهی و دیگران، و نیز بهرمندی از راهنمایی های داریوش طلایی، در کنار یکدیگر، شخصیت خاصی به نوازندگی توکلی بخشیده است. سونوریته، فنون مضرابی و بیان موسیقایی وی در عین حال که در تداوم سنت های یاد شده است کاملا شخصی است. کنسرت های متعدد در داخل و خارج از کشور، مقالات و سخنرانی های تخصصی، و نیز نزدیک به دو دهه آموزش از مهمترین فعالیت های وی در این زمینه است. 


New tracks tagged #Persian Classical Music