در این قطعه، غزل امیدبخش حافظ روایتِ بازگشت و رستگاری‌ست: از «یوسفِ گم‌گشته» که دوباره به کنعان می‌رسد تا «کلبهٔ احزان» که روزی گلستان می‌شود. دلِ مخاطب را از نومیدی می‌کَند و یاد می‌دهد سختیِ روزگار دوام ندارد و در پردهٔ غیب بازی‌هایی هست که نتیجه را برمی‌گرداند. تصویرِ سیلِ فنا و کشتیبانیِ نوح، پناه بردن به هدایت الهی در میانهٔ طوفان است؛ سفرِ بیابان به شوقِ کعبه هم نماد جست‌وجوی مقصدی دور با تحملِ خار و سرزنش. پیام روشن است: راهِ دشوار پایان دارد، حالِ دل‌ها در نظرِ خدا پوشیده نیست، و با وردِ دعا و درسِ قرآن می‌توان در تاریکی تاب آورد. این اجرا بر همین معنای پایدارِ صبر و امید تکیه می‌کند و کلام را محور می‌گذارد.

This piece leans on Hafez’s hopeful ghazal of return and redemption: from the “lost Joseph” who comes back to Canaan, to the “hut of sorrows” that one day turns into a garden. It pulls the heart away from despair, reminding us that hardship doesn’t last and that unseen turns of fate can reverse the outcome. The image of the flood of annihilation with Noah as helmsman points to seeking divine guidance in the storm; the desert journey toward the Kaaba marks a long quest endured despite thorns and blame. The message is blunt: every hard road ends, the heart’s state is known to God, and with the litany of prayer and the study of the Qur’an one can endure the dark. This performance centers those enduring themes of patience and hope, keeping the words themselves at the core.

Fa-Noose - Gham Makhor

Composer, Producer and writer: Armin Ahmadi
Mixed By: Miralee D
E-Guitarist: Amin Ahadiat
Violinist: Parsa Jannati
2025-September

Oghyanoose Birang - اقیانوس بی رنگ

Rashid Khan (Cover)

A cinematic and dark reimagining of the masterpiece "Asir-e Shab," a tribute to the immortal voice of Farhad Mehrad.
This track is part of the BlackKeyEcho project to create a lasting sonic legacy; a fusion of atmospheric rock inspired by @pinkfloyd with the emotional depth of classic Iranian music.

بازآفرینی سینماتیک و تاریک از شاهکار «اسیر شب» با صدای جاودانه فرهاد مهراد.
این قطعه بخشی از پروژه‌ی مستمر BlackKeyEcho برای خلق یک میراث صوتی ماندگار است؛ تلفیقی از فضاسازی‌های پراگرسیو راک با الهام از پینک فلوید و عمق احساسی موسیقی کلاسیک ایران.

Cover by: BlackKeyEcho
Originally Performed by: Farhad Mehrad (فرهاد مهراد)

--- Lyrics (متن ترانه) ---
جغد بارون خورده ای، تو کوچه فریاد میزنه
زیر دیوار بلندی، یه نفر جون میکنه
کی میدونه تو دل تاریک شب چی میگذره
پای برده های شب، اسیر زنجیر غمه
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده
من اسیر سایه های شب شدم
شب اسیر تور سرد آسمون
پا به پای سایه ها باید برم
همه شب به شهر تاریک جنون
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده
چراغ ستاره من رو به خاموشی میره
بین مرگ و زندگی اسیر شدم باز دوباره
تاریکی با پنجه های سردش از راه میرسه
توی خاک سرد قلبم بذر کینه میکاره
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده
مرغ شومی پشت دیوار دلم
خودشو این ور و اون ور میزنه
تو رگای خسته سرد تنم
ترس مردن داره پر پر میزنه
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده
دلم از تاریکی ها خسته شده
همه درها به روم بسته شده

--- Links (لینک‌ها) ---
Instagram: https://www.instagram.com/reel/DOtjDNujFPv/?igsh=MXZhczFqbXFsaDlsMQ==

---
If you felt the darkness of this track, support it with a Repost and leave your thoughts in the comments!
اگر در تاریکی این قطعه غرق شدید، با ری‌پست کردن (Repost) از آن حمایت کنید و حس خود را در کامنت‌ها بنویسید!

BlackKeyEcho - Asir-e Shab (اسیر شب) (Farhad Mehrad Cover)

Special Thanks to Ali Kamareji, Payam Shafahi 

Koja Gomet Kardam

Music, Arrangement, Mix & Mastering: Amirreza Kheiri
Poet: Omar Khayyam
Cover Art: Questionmark Guy

Sokoot

Omre Rafteh

"Bezan Saaz" is the first track of "Below Absolute Zero" (Third Album of Thunder) and written by Ardavan Anzabipour in March of 2017(in Farsi) and it also is the first official Single of them in Iran. 

The performers are : 
Ardavan Anzabipour ( Electric Guitars/Bass Guitar/Vocals) 
Mohammad Barzideh ( Lead Guitar)
Aydin Anzabipour (Drums) 

Mixed and Mastered by Homayoun Majdzadeh

Art Cover : Aydin Anzabipour

Bezan Saaz(بزن ساز)

A dark, cinematic reimagining of Roger Waters' critical masterpiece, "Is This The Life We Really Want?". This track is part of the BlackKeyEcho project to create a lasting sonic legacy; a fusion of atmospheric rock inspired by @pinkfloyd with the emotional depth of classic Iranian music.

بازآفرینی سینماتیک و تاریک از شاهکار انتقادی راجر واترز، «آیا این زندگی است که واقعاً می‌خواهیم؟». این قطعه بخشی از پروژه‌ی مستمر BlackKeyEcho برای خلق یک میراث صوتی ماندگار است؛ تلفیقی از فضاسازی‌های پراگرسیو راک با الهام از پینک فلوید و عمق احساسی موسیقی کلاسیک ایران.

Cover by: BlackKeyEcho Originally Performed by: @rogerwaters (یا اگر اکانت رسمی نداشت: Roger Waters)

So as an example you're CNN.
I mean it's story, after story, after story is bad. I won. I won.
And the other thing, chaos.
There's zero chaos.
We are running.
This is a fine-tuned machine
The goose has gotten fat
On caviar and fancy bars
And subprime homes
And broken homes
Is this the life, the holy grail?
It's not enough that we succeed
We still need others to fail
Fear, fear drives the mills of modern man
Fear keeps us all in line
Fear of all those foreigners
Fear of all their crimes
Is this the life we really want? (Want, want, want, want)
It surely must be so
For this is a democracy and what we all say goes
And every time a student is run over by a tank
And every time a pirate's dog is forced to walk the plank
Every time a Russian bride is advertised for sale
And every time a journalist is left to rot in jail
Every time a young girl's life is casually spent
And every time a nincompoop becomes the president
Every time somebody dies reaching for their keys
And every time the Greenland falls in the fucking sea is because
All of us, the blacks and whites
Chicanos, Asians, every type of ethnic group
Even folks from Guadeloupe, the old, the young
Toothless hags, super models, actors, fags, bleeding hearts
Football stars, men in bars, washerwomen, tailors, tarts
Grandmas, grandpas, uncles, aunts
Friends, relations, homeless tramps
Clerics, truckers, cleaning ladies
Ants – maybe not ants
Why not ants?
Well because its true
The ants don't have enough IQ to differentiate between
The pain that other people feel
And well, for instance, cutting leaves
Or crawling across windowsills in search of open treacle tins
So, like the ants, are we just dumb?
Is that why we don't feel or see?
Or are we all just numbed out on reality TV?
So, every time the curtain falls
Every time the curtain falls on some forgotten life
It is because we all stood by, silent and indifferent

--- Links (لینک‌ها) --- Instagram: https://www.instagram.com/reel/DOtjDNujFPv/?igsh=MXZhczFqbXFsaDlsMQ==

--- If this song made you think, support it with a Repost and share your thoughts in the comments. اگر این آهنگ شما را به فکر فرو برد، با ری‌پست کردن (Repost) از آن حمایت کنید و نظرات خود را در کامنت‌ها بنویسید.

BlackKeyEcho - Is This The Life We Really Want? (Roger Waters Cover)

Track 1 of Shotor Didi Nadidi

This song kicks off the album with the story of a Shia cleric before the 1979 Iranian Revolution. The title, "Shotor Didi Nadidi," is a Persian proverb that basically means "you didn't see the camel," even though camels are huge and hard to miss. It's like telling someone to be quiet about something obvious. Throughout the album, the clerics are compared to camels (shotor), and this song hints that the Iranian people were blind to the danger the clerics posed in 1979, just like in the proverb.

Lyrics:
پول‌های دوستمو دزدیدم
فیلم‌های لختی باهاش دیدم
کونشو دزدکی پاییدم
زورکی کونشو گاییدم
تو جمع دوست‌هام کم ارزش
مفت‌خور و دزد و خبرکش
کینه‌ای، عقده‌ای، دروغگو
ولی روز و شب تو مسجد

شتر دیدی ندیدی
شتر دیدی ندیدی
شتر دیدی ندیدی

بد جوری آب زیر کاهم
بدجنسی تو کنه وجودمه
سر همتون شیره می‌مالم
دوز و کلک شغلمه، کارمه
گرگم توی پوستین میشم
قلبم چه تاریک و پلیده
پنهون زیر عبا و ریشم
عمامه به سرم پیچیده

شتر دیدی ندیدی
شتر دیدی ندیدی
شتر دیدی ندیدی

روحتو تسخیر می‌کنم
عزمتو تسلیم می‌کنم
عقلتو به باد میدم
جونتو به فاک میدم
جسمتو به خاک میدم
روحتو تسخیر می‌کنم
عزمتو تسلیم می‌کنم
عقلتو به باد میدم
جونتو به فاک میدم
جسمتو به خاک میدم

بد جوری آب زیر کاهم
بدجنسی تو کنه وجودمه
سر همتون شیره می‌مالم
دوز و کلک شغلمه، کارمه
گرگم توی پوستین میشم
قلبم چه تاریک و پلیده
پنهون زیر عبا و ریشم
عمامه به سرم پیچیده

روحتو تسخیر می‌کنم
عزمتو تسلیم می‌کنم
عقلتو به باد میدم
جونتو به فاک میدم
جسمتو به خاک میدم
روحتو تسخیر می‌کنم
عزمتو تسلیم می‌کنم
عقلتو به باد میدم
جونتو به فاک میدم
جسمتو به خاک میدم
روحتو تسخیر می‌کنم
عزمتو تسلیم می‌کنم
عقلتو به باد میدم
جونتو به فاک میدم
جسمتو به خاک میدم

شتر دیدی ندیدی
شتر دیدی ندیدی
شتر دیدی ندیدی
شتر دیدی ندیدی

شتر دیدی ندیدی

Track 2 of Shotor Didi Nadidi

In 1979, Shia clerics and their communist allies seized power, promising free electricity, water, and public transportation. This song paints a picture of a restaurant run by the new regime, offering free food. The food itself is filthy and tainted with blood, but the restaurant's facade is kept pristine. Naive parents feed their children this tainted food – the ideology – and help it spread to the next generation.

Lyrics:
کباب کوبیده‌ی عن
بطری نوشابه‌ی شاش
سس قرمز خون
دسر تفه که جاش خالیه روی سفره
مشکلی نیست شاید کوفته ولی مفته
کوفته ولی مفته
کوفته ولی مفته

با طعم شاش و عن
با طعم شاش و عن
با بوی گوز و چس
کباب، نوشابه، سس
کباب، نوشابه، سس

به به! عجب طعم لذیذی
شگفتا! چه سس غلیظی
قاشق و چنگال تمیزی
گارسون جان! خیلی عزیزی

با طعم شاش و عن
با بوی خون و چس
کباب، نوشابه، سس
کباب، نوشابه، سس
کباب، نوشابه، سس

پسر کوچولوی بابا
باز می‌کنه دهنو
می‌ذاره دهنش بابا
کباب کوبیده‌ی عنو

با طعم شاش و عن
با بوی خون و چس
کباب، نوشابه، سس
کباب، نوشابه، سس
با طعم شاش و عن
با بوی گوز و چس
کباب، نوشابه، سس
کباب، نوشابه، سس
کباب، نوشابه، سس
کباب، نوشابه، سس


رستوران رایگان

BlackKeyEcho is a musical project that builds a bridge between the epic soundscapes of Western progressive rock and the soulful depth of classic Iranian music. The name itself is born from the artist's journey: from the "Black Key" of the piano in childhood to his formative rock band, "Echo".

Inspired by legends like Pink Floyd and the enduring spirit of Iranian icons such as Farhad, BlackKeyEcho creates a cinematic, sonic legacy for the discerning listener; a soundtrack for night drives and deep moments of reflection.

Tondar, is an iranian rock band that formed in 1998 by Ardavan Anzabipour (singer-songwriter)
They began their first concert, by playing cover version of well-known rock music(March 1999) and the first period of Thunder activity ended up to its first instrumental album in 2000. Between 2002-2009 Ardavan’s involvement in Exir and Kahtmayan ( Iranian Metal bands)did not leave him with enough time to pursue his projects with Thunder. Finally in winter 2010, he turned back to his Rock-Country idea in form of new line up of Thunder.
Line Up
From 2010 to 2015 due to shift from Country-Rock to Hard Rock, some changes happened in Thunder’s line up but main core of the band remained firm . Bita Sadeghi (Guitar 2010) , Aydin Anzabipour (Drums  2011)  Mohammad Barzideh (2011) by playing Guitar, Harmonica, Mandolin, Percussions and Keyboards. Also from the winter of 2016 Kaveh Vaziri joined the band as a Bass player and in Jan. 2024 Bita Sadeghi has been replaced by Amirhossein Hasani as a Rhythm Guitarist. 
Concerts
Thunder performs only original tracks and they try to perform a proper rock show with acts, light and good sound in their live performances. By summer of 2025,Thunder has performed about 34 concerts (50 shows) in Iran and abroad (for example Ukraine, Turkey, U.A.E. and Cyprus). They have produced 7 DVD of their concerts.
Albums
Between 2010 and 2014, Thunder could be called as a Country-Rock band and their first album     “ Rockin’ Man” (2015) sounds like that (acoustic guitar played main roll in almost all songs) .By summer of 2015 the band shifted to hard rock gradually and second album “Once Again” (2016) is complete Rock -in some point even Hard rock- album. More aggressive and critic lyrics with changes in Rhythm Guitars from Acoustic to electric! But after 30 months work prohibition in Fall of 2016 they came back on stage with new  idea. The third album “Menhaye-sefre-motlagh” (Minus Absolute Zero) supposed to be written in Farsi not English! Throughout 2017 they worked on writing of the album and recording session ended by winter of 2018 and released in summer 2019. During The Corona Pandemic they started to write new tracks for next album "Bazi e Dosar Bakht" (The both side losing game) and from 2023 get back on stage again.

فانوس مرزهای صدا را کاوش می‌کند و موسیقی‌ای می‌سازد که عمق احساسی را با بافت‌های تجربی ترکیب می‌کند. با استفاده از هوش مصنوعی به عنوان یک ابزار خلاقانه، هر قطعه از تعامل پویای ایده‌ها شکل می‌گیرد و تجربه‌ای منحصر به فرد و در حال تحول را به شنوندگان ارائه می‌دهد.

Fa-Noose explores the boundaries of sound, crafting music that blends emotional depth with experimental textures. Using AI as a creative tool, each track is shaped by a dynamic interplay of ideas, offering listeners a distinct and evolving musical experience.




Born on March 30, 1975, in Tehran, Kamran Atta began his musical journey at the age of 9, studying piano under Edward Cleveland at Fulneck Boarding School in England. It wasn’t long before a spark turned into a calling—after being mesmerized by Elvis Presley’s Blue Suede Shoes, Kamran felt the undeniable pull of the stage, voice, and guitar.

Raised in a home filled with warmth and melody, Kamran inherited his father’s soulful voice and deep emotional sensitivity. That gift, paired with a relentless drive, shaped him into an artist who doesn’t just perform—but connects, heals, and inspires.

Kamran’s admiration for music runs deeper than genre. From classic rock to timeless Iranian ballads, he sees music as a universal language—one that transcends borders, beliefs, and pain. With each note, he seeks honesty. With every song, he tells a story.

In 2008, after nearly a decade of waiting for government approval, Kamran released his debut album Impossible—a title that captured the struggle of creating art in silence. As the first Iranian vocalist post-revolution to officially sing in English, Kamran made history by refusing to let borders define his voice.

Today, his work blends Western influences with Persian soul, always grounded in sincerity and vulnerability. Kamran Atta is more than a singer—he’s a storyteller with a voice shaped by exile, hope, and unshakable love for music

Singer, Songwriter, Record Producer, Mixing Engineer & Multi-instrumentalist.

New tracks tagged #Persian Rock