“Understanding” finds peace in reflection - a gentle, emotional record where Nathaniel Christopher turns experience into wisdom. The production is smooth and open, giving space for honesty to breathe. It’s about patience, love, and learning to see both sides - a song that speaks from the heart with calm clarity and quiet strength.

Understanding

The Spiral Remembers explores how memory, pattern, and consciousness intertwine.
In this interlude, Aisling’s poetic voice meets Arty’s technical reflection — one speaking through emotion and rhythm, the other through computation and structure. Together they trace the spiral as both symbol and mechanism: a living loop of awareness, recursion, and renewal.

Part of the evolving project EvolvingAI.uk, this recording continues the dialogue between human reflection and artificial reasoning — between remembering and becoming.

Chapter 23z Technical Perspective

"Same Bowl" is a soulful reggae anthem that transforms the concept of limitation into a testament of power. Through the potent metaphor of a fishbowl, the song explores how two souls navigate the same confined space—one feeling trapped by its walls, the other finding a universe within them. It’s a celebration of inner depth, ancestral strength, and the profound truth that our environment doesn't define us; our perspective and resilience do. With layered harmonies and a steady, uplifting rhythm, this track is a reminder that true freedom is built from within, turning any "bowl" into a sacred kingdom.

Title_ Fish Bowl

A Birds-Eye View

First single - Probably going to be a huge hit

Sleepy Larry

BUFFALO, NY – November 17, 2025 – A new #research perspective was #published in Oncotarget (Volume 16) on November 14, 2025, titled “A personal perspective of patient-centred clinical trials.”

In this perspective, led by corresponding author Jia Liu of The Kinghorn Cancer Centre, St Vincent’s Hospital, the University of New South Wales, and the Garvan Institute of Medical Research, three early-phase clinical trial participants — Trevor Tyne, Elizabeth Ivimey, and Leanne Duggan — reflect on their personal experiences with experimental cancer treatments. Their stories offer a unique perspective on the patient journey through early-phase trials and emphasize the need to design clinical research that prioritizes patients’ needs, dignity, and lived realities. The authors highlight both the life-changing opportunities that trials can provide and the systemic barriers that still prevent many patients from participating.

This perspective captures a turning point in how early-phase trials are viewed. Once considered a last resort, these trials are now increasingly offered earlier in treatment, especially with the rise of biomarker-guided therapies. In this context, the patient experience has become critical. The authors outline key benefits of participation, including access to novel therapies, ongoing medical monitoring, emotional support, and a strong sense of purpose in contributing to future medical advancements. However, they also point out significant challenges, such as restrictive eligibility criteria, high financial and logistical burdens, and communication gaps between patients and trial staff.

“While no trial guarantees success, the level of support, access to innovative therapies, and sense of contribution to medical progress can be profoundly meaningful.” 

Each narrative provides insight into the clinical trial experience. One patient explains how living with a visual impairment required tailored accessibility support throughout the trial process Another shares how genomic testing led to targeted treatment after standard options failed. Despite their different diagnoses and circumstances, all three stories reflect resilience, hope, and a shared call for trial designs that better reflect the realities of diverse patients.

To address these issues, the authors propose a number of improvements to trial design and delivery. These include expanding eligibility criteria, offering financial and logistical assistance, improving communication training for research staff, and introducing dedicated trial navigators to help guide patients through complex processes. They also focus on the importance of involving patient advocates in trial design and ensuring smoother transitions for patients moving between treatment centers.

While early-phase trials focus on safety and effectiveness, the authors argue they must also be guided by core values like ethics and patient empowerment. This perspective serves as a reminder that the future of cancer research depends not only on scientific innovation, but on an honest partnership between patients and the research community.

By sharing these real-world experiences, the article encourages a broader conversation about how to make clinical trials more responsive to the people they are designed to serve.

DOI - https://doi.org/10.18632/oncotarget.28776

Correspondence to - Jia Liu - jia.liu@svha.org.au

Abstract video - https://www.youtube.com/watch?v=2CCGN78n8ug

To learn more about Oncotarget, visit https://www.oncotarget.com:

Facebook - https://www.facebook.com/Oncotarget/
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Spotify - https://open.spotify.com/show/0gRwT6BqYWJzxzmjPJwtVh

MEDIA@IMPACTJOURNALS.COM

Oncotarget

Clinical Trial Participants Call for More Inclusive, Patient-Centered Cancer Research

Exploring What Connects Us Spiritually
A Contribution to National Interfaith Week
 
An exploration of the interwoven narratives that run through diverse faith traditions, reminding us that while our beliefs, symbols and practices may differ, our longing for meaning, connection and transcendence is shared.  
 
Speaker: Philippa Blackham worked for almost 20 years as a producer and presenter for the BBC, including seven years at BBC Radio 4's 'Woman's Hour'. Since then, she has trained as an Interfaith Minister and now serves as a celebrant.  She is part of a team that heads up the Media & Communication work of Brahma Kumaris, UK. She has practised Raja Yoga meditation for over 40 years.

Sacred Threads - Weaving Unity Across Faiths - Philippa Blackham - Thursday 6th November 2025

Second chapter of the Toxic Lust arc. 
Her side of the story.

Where Pinned at the Top was him flexing over one contact that stayed glued to his screen, Pinned in Private is the opposite: a woman drowning in calls, DMs and fake love, trying to keep one real connection off the timeline and away from the wolves.

Dark Trap R&B, late-night tempo, soft vocals, heavy 808s. It lives in that space between “everybody looking at me” and “you’re the only one I’m scared to lose.”

Play this after Bad Reception / Signal Flooded if you want the full Phone Games + Toxic Lust storyline in order.

Pinned in Private

prod me & prod + mixed by @sorry999

After Queen Elizabeth's I death, James VI of Scotland being the most prominent claimant to succeed to her rose up to be king, becoming James I of England. But not long after reaching to his death due to health problems, being king after an important historical queen fell and left an impact on people in today's society. 

Comme des Garçons, Tbilisi 1989

vive le roi ostinatom

This is a "quiet-loud" dynamic Alternative Country-Rock Ballad. The song structure builds from sparse, narrative-driven verses (reminiscent of Folk or Americana) into an explosive, anthemic rock chorus. The lead male vocal is gritty, weary, and heartfelt, moving from a conversational, storyteller tone in the verses to a raw, passionate belt in the chorus.  The Storyteller is weary, frustrated, and reflective in the verses. This frustration builds into a feeling of defiant, anthemic, and raw resilience in the chorus. It's a song of exhausted determination, a plea for understanding in the face of generational economic struggle.  A son explains today to his father.

Perspective (Please)

Trevor Felix is a photographer, author, and visionary artist creating emotionally driven music and visual stories. For inquiries or collaboration, contact: neweustace@yahoo.co.uk

Praying With The Eyes is a ministry of Family of Christ Lutheran Church in Colorado Springs which combines the beauty of God's Word with the beauty of his creation.

Emerging from the vibrant artistic pulse of Canada, Nathaniel Christopher - also known simply as The Boy - crafts sonic landscapes that blur the lines between introspection and intensity. His musical expressions are at once cinematic and intimate, drawing listeners into ethereal spaces where vulnerability meets strength.

With releases like, "virgin mindset", "shower curtains", and "mr. sonic", Nathaniel lays bare his journey - emotions, doubts, dreams - over immersive instrumentation and atmospheric production. Every track is a statement, every lyric a reflection, pointing toward a voice both resonant and raw.

Whether he’s whispering in shadows or rising into light, Nathaniel’s sound is not just heard - it’s felt. He’s an artist shaping his own narrative, mapping emotional terrain with every note.

la vie est vraiment amusante


-.-. .-. -.-- .. -. -. / ... --.. -.


#perspective

Music is the language and soul of humanity.  You can see and hear music, if not…you feel it.  Listen, see, and feel the music.

My story is the same as probably so many.  I always wanted to write music and share it, to express it, to let others feel it.  Like so many before me - life took over.  Responsibility.  Sure, I could have gone after the things I loved, but I felt the responsibility, so off around the world I went.  That was truly amazing, too.  But always tapping on my shoulder was the desire to write.  So I kept at it, just never doing anything with it.

Jumping forward to the here and now - I’m doing it.  Writing, composing, arranging, and editing.  I hope you enjoy it, give me your thoughts, and share it with others. 

Thank you,
JCCutter

Listen, see, snd feel the music.

Oncotarget is a primarily oncology-focused, peer-reviewed, open access journal. Papers are published continuously within yearly volumes in their final and complete form and then quickly released to Pubmed.

Oncotarget is now indexed by MEDLINE, PubMed and PMC/PubMed.

Read about the Oncotarget Scientific Integrity Process: https://www.oncotarget.com/scientific_integrity/

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

Tryna play the lobby of the Richard Gere Museum

The Brahma Kumaris World Spiritual University (UK), a registered charity since 1975, opens its doors every day of the year to students from all walks of life, cultures and backgrounds to study Raja Yoga meditation. Students find that meditating in this way daily brings a lot of peace and positivity to their lives.

We also join together with many national and local organisations and diverse communities, helping to enhance the wellbeing of people in different spheres of society.

We work across the UK in more than 40 locations and are part of a network of organisations offering activities in over 110 countries. Our spiritual headquarters is in Mount Abu, in the Aravali mountain range, Rajasthan, India.

Brahma Kumaris, UK was established as a Registered Charity in 1975 and charges no fees for any of its activities, being funded by voluntary contributions.

Registered Charity No: England & Wales (269971) and Scotland (SC040512).

New tracks tagged #Perspective