Inspired by the incredible power of modern fighter jets. No AI

Jets(Remix)

Playlist: Works in Progress
First uploaded: July 21, 2025

From the composer: "Don’t Fight the Apple" is about the pursuit of knowledge that isn’t easy to accept at first, but that ultimately brings peace. I wanted the music to feel a little uncomfortable yet intriguing, with the promise of clarity somewhere on the other side. I think of the tedious process of assembling a mandala, which I understand to symbolize the universe and the path to wisdom. I once watched monks create one, grain by grain. It required incredible patience. Then when it was complete, they let it go.

Don't Fight the Apple

Berlin School-inspired electronica meets cinematic AI composition.


Recorded May 14, 2025 at 11:43 using AI v4.5 – All elements (composition, instrumentation, mix, and atmosphere) generated through artificial intelligence.

🔊 Best with headphones.
🚆 Inspired by movement, memory, and mechanized melancholy.

Signals in Transit

method: all the sounds you hear, apart from the voice, stem from a piano that is more than moderately out of tune, most of them morphed by audacity and samplitude
image: copyright jo richter

wunderbar geborgen / copyright jo richter

am wunderstumpfen ende
einer zweispur-einbahnstraße
senkt sich eines planers wendeplatte
zwischen steile bordsteingrate
in deren runden schenkels wölbung
die allerletzte eiderente ein
einzelei ausbrütet - solch memento
prospektiver nostalgie lädt
karrussellgenau zum grübelkreisen
ein, zum rasend innehalten

wunderbar geborgen

Música Inmobiliaria plantea al sonido como espacio: motivos cortos que se instalan, se repiten y generan planos que el oyente recorre. Trabajo enfocado en la percepción del lugar a través del minimalismo y el phasing; ideal para escucha atenta y repetida.
Composición y producción: Jorge Quintana G. Proyecto realizado para Taller de Composición 2 

5. TELVTST

1. Musica_inmobiliaria

2. Phasing I

3. Phasing II

4. Prado_Centro

What's the difference between 85bpm and 84bpm? I think you'll agree, that 1bpm makes all the difference! 🤯 Enjoy! 😁

For the eagle-eared among you, you'll notice the music is based on the Dali project which you can see on the halF unusuaL YouTube channel: https://youtu.be/1C3-wesgtec

More on the 719th weekly Disquiet Junto project, Riding on the Metronome — The Assignment: Play with and against a steady beat — at https://disquiet.com/0719/

more halF unusuaL

halF metronomE [disquiet0719]

Things that make an impression on me often inspire me to compose. I mostly design and sculpture my own sounds. I do not use AI on any of my Music. Every note is mine. I hope you like something here. 
Thanks for listening.  See my videos on Youtube.

Versátil compositor, arreglista, productor y musico de sesión cuya pasión radica en la exploración sonora a través de una amplia gama de estilos musicales aplicando técnicas compositivas vanguardistas. Su música va desde formas propias del barroco como fugas, pasando también por músicas populares como Jazz, Funk, Rock, latín, llegando hasta creaciones electroacústicas microtonales. 
Con una trayectoria de más de una década como músico de sesión, Jorge ha cultivado una gran versatilidad, destacándose tanto en el estudio como en el escenario. Su habilidad para interpretar una amplia variedad de géneros musicales, desde el heavy metal hasta el trap y la música urbana, lo posiciona como un artista sumamente adaptable ante cualquier situación.
Actualmente, Jorge desempeña un papel integral en dos proyectos musicales de la ciudad: como baterista, compositor e ingeniero de Mastering en la banda de Funk Progresivo "Disórbita", como baterista del artista local “TYSU”, y como tecladista en el grupo de Funk "DOT". También está trabajando en un nuevo proyecto enfocado en la producción musical llamado “Disturbia Producciones”, donde se encarga de componer, arreglar, masterizar y actualmente están produciendo a diferentes artistas de la ciudad, entre ellos “Alex Madrigal”.

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

What are the chances my newest song ends up in TV or film? Follow to support this work. Thanks for listening. 🌈 (he/him)

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #Phasing