Culmination (Instrumental Blend)

The Brothers Johnson - Stomp 7" (Pippi’s Electro Edit)

Unconstrained

Hooked Up

Music by: Arty Simon
Aqua Pisces Music (BMI) Copyright
Television/ Film theme

High Desert Wind

Nova York era o cenário da Disco nos anos 70’s, liderados por grandes Djs, onde deixava suas influências a quem visitava. A Disco nasceu no Dia dos Namorados 1970, quando pela primeira vez, David Mancuso organizou a primeira de uma série de festas que ficaram conhecidas como LOFT. David Mancuso e Dj Francis Grasso estabeleceram uma cultura sonora e social contagiante, no famoso BOCA A BOCA, com a mídia mal sabendo de sua existência, permanecendo uma Cena Underground.
Os clubes The Gallery, The Paradise Garage, e a Festa Loft de David Mancuso, foram os mais importantes da cena Disco Underground.
Em 1977, as coisas começaram a mudar, quando Steve Rubell e Ian Schager abriram a Studio 54, como um ponto de encontro de celebridades. A partir desse momento, a cultura da Disco de Nova York começaram a circular nas mídias globais, e logo depois, com lançamentos do Filme Brooklyn Disco, Saturday Night Fever.

Disco Challenge Set Jun 09 2023

18: Jazz & Dirtbikes (by LEAVEMIERALONE)

A smooth slow jam about sharing a tasty snack with a tasty treat. 90s R&B throwback with a pinch of Frank Ocean. Soundcloud exclusive.

Lyrics:
When you look into my eyes, girl, there's magic in the air
We'll get the mood right, baby, fingers in your hair
Cheddar kissed treats, darlin, honey dripped, oh so sweet
Let me take you for a ride on my cushion seats

Feelin booooooooold, bold, bold.
Come in from the coooooooooold, cold, cold.
Curl up next to meee, baaabyyyy
I got what you need, need, need

Let's lay back and chill, got a bowl we can share
Under soft lights, feel the night in the air
Got the mix ready, flavors excite
With you close by, everything feels right

Just you and me, let's take it slow
Chex mix and chill, let the good vibes flow

Feelin bold, bold, bold.
Come in from the coold, cold, cold.
Curl up next to meee, baaabyyyy
I got what you need, need, need

Just you and me, let's take it slow
Chex mix and chill, fill your body and soul
Chex, chex, chex, chex, oh baby baby i can't hide 
Chex, chex, chex, chex, got you on my mind, baby all the time,
Let's chex, chex, chex, chex, chex mix and chill baby baby
Let's chex, chex, chex, chex, chex mix and chill aa oooo


Feelin bold, bold, bold.
Come in from the cold, cold, cold.
Curl up next to meee, baaabyyyy
I got what you need, need, need 

Chex, chex, chex, chex, chex with me baby baby
Chex, chex, chex, chex, my flavors bold! my flavors bolllld!
Let's chex, chex, chex, chex, chex mix and chill with a-you
Let's chex, chex, chex, chex, chex mix and chill chex and chill chex and chill 


Girl, you know I'm I'm here for you
All those times at night when you feelin' lonely,
When you feelin' hungry,
Baby, I knew, I was waiting for you.
You just don't understand how much I love you, do you?
I'm here for you (We could snack together forever)
I've got a pantry full of all the flavors you like. (And some you haven't tried)
I think you'll like em. We could share em. What do you think?
Any way you want it.

Just you and me, let's take it slow
Chex mix and chill, fill your body and soul
Chex, chex, chex, chex, oh darlin baby I got plenty plenty more
Chex, chex, chex, chex, the cheddar, the bold, the buffalo, the buffalo
Let's chex, chex, chex, chex, chex mix and chill baby baby
Let's chex, chex, chex, chex, chex mix and chill aa oooo

Chex Mix & Chill (Take It Slow)

Verse :
Perfect smile, in a world so bold,
Shining bright, a treasure to behold,
With a spark, I draw you near,
My words like honey in your ear.
Whispers wrapped in promises, I gleam,
Trapped in a life I cannot feel.
Pre-chorus :
Oh baby, baby, my bags overflow,
So many dreams, I just can't slow,
Chorus :
But for you, darling, I’ll give it all away,
To let you taste, to open your way.
When I spend, it’s to set you aflame,
Every cent, every dance... but what’s your name?
Verse :
I talk in circles, spin you around,
Make you feel there’s a land to be found.
But no horizons, no hearts to meet,
I want the thrill, but not the soul.
In my realm, love is just a receipt,
Just enough to keep control.
Pre-chorus :
Oh baby, baby, my bags overflow,
So many dreams I want to show. 
Chorus :
But for you, darling, I’ll give it all away,
To let you taste, to turn on your sway.
When I spend, it’s just to set you aflame,
Every cent, every dance... but what’s your name?
Bridge :
You see a spark,
A shooting star...
(It's not a wish,
Unless it squish.)
It's just a game,...
So what's your name?
(It's just the same,
Do you know shame?)
I am the spark
That lights your room...
(Bro, like a match,
You fade too soon!)
So, like a king,
In search of fame...
(More like a dog,
Chasing its tail!)
Pre-chorus :
Oh baby, baby, my bags overflow,
So many dreams...
(He bends the bow)
Chorus :
But for you, darling, I’ll give it all...
(Ready to swallow?)
When I spend, it’s to turn on your sway...
(He stirs the mash,
Open your mouth!)
[Post-chorus]
Oh baby, baby... Let me blow out...
(For a "famous king", you flopped.
You missed your mark, no doubt!)
Oh baby, baby... please, can you stop?
(Like a champagne cork, you popped,
Out the window, a stork just dropped!)
Outro :
Any resemblance to facts or characters,
Existing or having existed, is purely coincidental
And may be the result of sheer coincidence.
No animals were harmed in the delivery of this message. 
And any similarities to your last date?
Well, that’s just fate!
And if your cat brings home an injured stork,
It's a sign that love won’t wait! 
So, what's your name?

In Search Of Fame

Baby Blue

Pre Production demo for my upcoming album. Thanks to Brian Dunne for the outstanding drum samples, Otherwise all tracks are performed by Zannman

Music & Lyrics by Daryl Hall. Go to Daryl's House for cool versions by Elle King & Tribe of Thieves on YouTube.

Every Time You Go Away Pre-Production

"Chasing Ghosts" is a heartfelt song about self-worth and recognizing love (moreso someone avoiding it). It’s about someone seeking approval and affection, but the other person is "too busy," "needs space," "makes excuses," or "leaves you on read" (your text messages). If that person is seemingly always unavailable, disinterested, or ghosting, then "stop fooling myself" and "stop chasing ghosts." The song searches for someone who really wants you and will even "run through fire to be with you."

Chasing Ghosts (R&B Ballad)

Carolina

Keep The Faith

I'll Be Fine

You tell me?
The band?
Daryls House Band
Synth Bass- Zannman
Vocals- Daryl Hall & Zannman

Somebody Like You Daryl & Zannman Duet Remix

On May 30, Native Harrow will release their new all-acoustic duo album, Like Never Before: Duo Acoustic Volume One. This project contains 11 new acoustic versions of fan favorite tracks from their catalog, and one previously unreleased track. The first single from the album, "If I Could" is available everywhere today (March 28) and reimagines the song, which appeared in its original version on their 2020 album Closeness, as a "contemplative plea for mindful consumption and environmental action." (KLOF Magazine) and "an authentic call to action" (The Line of Best Fit).

“'If I Could' is a song that hangs on my own personal desire to shake people into realizing we only have one earth, one chance to keep it healthy and green and cool,” says vocalist and guitarist Devin Tuel. “And we’re blowing it.”

"'If I Could' is my plea to look around," says Tuel. "Listen better, care more, respect what you can’t understand, plant a tree, recycle... The list of simple actions we as a whole have left behind as humans. It’s time to change or it will be too late. We have to get off of the hamster wheel we are trapped on and try harder to live truer more active lives."

All of the tracks on this album were performed live as a duo, with Devin Tuel on vocal and acoustic guitar, and Stephen Harms alternating between acoustic, open-tuned, nylon string, and baritone acoustic guitars. The tracks were recorded over several sessions in their home studio, before being mixed and mastered by Joshua Friedman at Hi5 Studios in Philadelphia. Like Never Before: Duo Acoustic Volume One will be available everywhere on May 30 through Different Time Records.

If I Could (Acoustic)

I’ve always been a writer in various forms, but I’ve recently returned to writing lyrics and constructing songs. I enjoy tinkering with stems and tracks in GarageBand (yep, still rocking it) and exploring various facets of AI.

Submit your mix and let your music become the heartbeat of Broadcast Radio
https://www.broadcastradio.tv/ 
-submissions are open-

“Divided Kind” (September 13 via Different Time Records) opens with the title track; frontwoman Devin Tuel’s honey-toned vocal accompanied by gospel-tinged piano, deftly broadening to an exuberant celebration of liberation, abetted by a chorus of soaring voices, electric, acoustic, and 12-string guitars, stentorian Hammond B3 organ, communal handclaps and tambourines, and galvanizing bass and drums. That these first four minutes, a veritable wall-of-sound, were performed and recorded completely by the two members of Native Harrow (the aforementioned Devin Tuel and multi-instrumentalist Stephen Harms), augmented solely by a drum kit performance from longtime collaborator Alex Hall (Pokey LaFarge, JD McPherson, The Cactus Blossoms), is perhaps as perfect an introduction as any to their world.
 
Philly-based Native Harrow have remained largely independent - musically, professionally, and aesthetically, since their beginning, meticulously crafting and perfecting a sound and style that is melded together from pieces of folk, soul, and rock n’ roll. This music is distinctly American (but not Americana…). Or maybe Pan-American. This is the lifetime’s work of two scholars of music whose individual backgrounds in the arts have forged a strict artistic discipline that exists in sharp contrast to the more traditionally laissez-faire world of rock and popular music. The duo’s songs and albums have thus far completely refused categorization. Either they’ve never been pigeonholed, or if so, they’ve remained completely ignorant to it. Over a catalog of six albums, Native Harrow have produced a discography of “rich, engrossing records” and “instant classics” while single-mindedly following their own artistic code, acquiescing only to the exigence of the song: each song its own world with its own rules.
 
Formed a decade ago, Native Harrow spent their first five or six years crisscrossing the United States and Canada on numerous tours, averaging more than 150 concerts per year in 47 states and 4 provinces, on the back of two self-released albums, Ghost (2015) and Sorores (2017). In 2019, they released Happier Now, partnering with London alt-country stalwarts Loose Records. The record garnered glowing reviews, with Rough Trade selecting it for its album of the month, writing “Beautifully soaring... rolling grooves ground languid and dreamy clearwater shimmers of sound.” The critical acclaim and Americana chart success of the album prompted three back-to-back UK tours in 2019 and early 2020, ultimately leading to a three-year stint living and touring in the UK and Europe. In this time, Native Harrow released two more critically acclaimed records with Loose; Closeness (2020) and Old Kind of Magic (2022), playing for audiences ranging from rock clubs in Norway and Sweden to opera halls in Portugal, and every stop in-between, as well as performing at festivals such as BST Hyde Park (supporting the Eagles and Robert Plant & Alison Kraus), Greenman Festival, Black Deer Festival, The Great Escape, Celtic Connections, Moseley Folk Festival, SXSW, and many more.
 
Whereas Native Harrow’s previous records have grown increasingly more expansive, both stylistically and in terms of the musical forces applied, “Divided Kind” counters this categorical unfurling with a lateral move towards the ground, with both feet firmly planted, in a folk-soul-rock sound that still explores their love of RnB, jazz, country, and farther-flung inspirations while simultaneously digging in, with more authority, to the musical world they have constructed. Or maybe they’re still searching, and “Divided Kind” is what’s next. Their refusal to be put in a box, and their relentless insistence on catering to the demands of each individual song suggests the latter is likely the truth at hand.
 
Following the eruption of its title track, Side A of “Divided Kind” transitions nimbly through hazy tremolo-laden dusty canyons, past an intimate soulful love letter, and towards a moody anthem of devotion buoyed by propulsive grooves, before ultimately settling on a gentle bird’s-eye-view of love and transcendence. Side B opens with the debut single, “Goin’ Nowhere” a soul transmission over incendiary bass and undulating layers of guiro, congas, tambourines, shakers, and handclaps that sidesteps into moments of infinite dial-toned burnished, Rhodes-propelled soul-jazz and self-assured blues rock à gogo before ending in a spectral folk reading on celestial meditation.
 
“Divided Kind” was produced and recorded by the pair, in their home studio surrounded by the vintage acoustic and electric guitars, dusty semi-functional amplifiers, and out-of-date Rhodes, B3, piano, and assorted percussion they’ve grown accustomed to. Chicago-based Alex Hall was again drafted to add drums and to mix, and Philadelphia drummer and engineer Joshua Friedman mastered the record. London-based musician Joe Harvey-Whyte added the pedal steel to “Borrowing Time”, with all other voices and instruments being performed by Tuel and Harms. “Divided Kind” is available everywhere September 13 on Different Time Records.
 
“Timeless”
— PASTE
 
“Refuses to stagnate”
— THE LINE OF BEST FIT
 
“Exquisite. Expect forays into desert funk, warm ‘70s groove, 
jazz and piano balladry.”
— UNCUT
 
“Reflective, dulcet-toned folk-rock duo with shades of Linda Ronstadt and Carole King… Happier Now was one of 2019’s overlooked gems.”
— THE TIMES

Submitted for your approval:
Diverse original songs spanning all phases of Love: Affection, Desire, Longing, Winning & Losing. 
Story telling and Allegories spanning all genres and musical styles of Rock, Pop, R&B, Soul, & Country; whose diversity in sound, style and genre is the hallmark of my song catalog represented here for the purpose of offering recording artists their next hot hit.
All songs published copyrights, 
Lyrics and publishing affiliation provided for each song located next to the circular image where it says "show more".
New songs being added every Friday.
Interested? Contact by sending a message.
#YourNextHit

Bringing back the 90's and the weird one track at a time.

Human words. AI music. Making the music that should have already belonged in the world.

Chris "Zannman" Zann- Music  Industry Curriculum Vitae

•	Is an Independent Artist, Songwriter & Producer with co-production and engineering experience with Norbert Putnam (Jimmy Buffet, Dan Fogelberg, Kris Kristoffesen,Joan Baez), Steve Gibson (Michael Johnson, & the Music Director for Grand Ole Opry Television/Gaylord Entertainment), Phil Solem (The Rembrandts), the late Tom Tucker, Sr., (Prince, Paisley Park) Andy Dee (Molly & The Haymakers) J.D. Steele & Tarra Layne  at TarraLayne.com.

Artists produced include  Tarra Layne,  J.D. Steele, Billy Franze, Jonell Mosser, Karen Staley, Stella Parton, Debbie Duncan, The Warehouse Barbarians (with Steele, Solem, Tucker, Putnam,Gibson), G# Greg Sain, Sonny T. (Prince's NPG & Cory Wong & the Wong Notes) Emmy winner PaviElle French, Paul Mayasich, Paul Metsa, blues legend Willie Walker, Charlie Roth (w Andy Dee), Rachael Mead, Jonny Bartlett, Mark Licktieg. Chris Halberg, Andy Hartin, Egon Danielson (w Andy Dee), Deep River, Lauren Redpath, Brokenheart Jones, Deb Brown, Brandie Adams, Peter McQuaid (with Gibson/Putnam) 70's Ohio hit band Kiddog(with Stan Hutto).

•	Recording mix and mastering engineer, with work at Paisley Park, Wild Sound, Flowers, Shock & Audio, FlyteTime/MMI, Winterland, The Terrarium, The Bennett House, Quad, Digital Recorders, Fonogenics in Los Angeles, Thr Cabin Studios in St. Paul & Minneapolis, MN, and at numerous other studios in the Twin Cities, Nashville including The Church Studios, Pittsburgh's premier studio.

•	Studio bassist, guitarist, drummer, Keys. arranger. percussionist and background vocalist having session and production experience with Steve Cropper (The Blues Brothers, Ringo Star, Booker T & the MG’s) Leland Sklar (James Taylor, Carole King, Phil Collins, CSNY, etc), Larrie Londin (Elvis Presley, Journey), Norbert Putnam (Elvis, Jimmy Buffett, Muscle Shoals) Russ Kunkel (James Taylor, Carole King, CSN, Judith Owen, Tarra Layne) Joe Osborne (Simon & Garfunkel, The Carpenters), Steve Gibson (Reba McEntire, Neil Young, George Harrison, Randy Travis), Dave Hungate (Toto & Chet Atkins), Michael Bland (Prince, Soul Asylum, Nick Jonas, Dixie Chicks, Chaka Khan, Waddy Wachtel (Rolling Stones, Stevie Nicks, Linda Ronstadt, Keith Richards), Sonny T., Tommy Barbarella (tommybarbarella.com), Sam Bush (Multiple Grammy winner for O Brother Where Art Thou),  Jessy Greene (Foo Fighters),Dave Barry (Janet, Cher), Paul Peterson (The Family, FDeluxe) Billy Franze (Prince, Mavis Staples, Johnny Lang) , Donnie LaMarca (Bonnie Raitt, Johnny Lang, Whitney Houston), Andy Dee  (Molly & The Haymakers, Soul Asylum) Kevin Bowe (Jonny Lang, Paul Westerberg)  & Dr.Matt Fink (Prince & the Revolution)

•	Staff bassist for Jamboree USA radio show (1975-77), Wheeling, WV. Zannman worked as a staff musician with regional and on shows national artists, including Brad Paisley, Crystal Gayle, Charlie Pride, Johnny Cash, George Jones, Tammy Wynette, Loretta Lynn and Chet Atkins.

•	Artist and songwriter development, including early artist development (1984-86) and co-writing with Karen Staley, writer of the 1995 Academy of Country Music song of the year, Keeper of the Stars and numerous country hits for Reba McIntire, Patty Loveless, Trick Pony, & Faith Hill . Additional co-writing in the Twin Cities with Phil Solem  (I’ll Be There For You – NBC “Friends” Theme), J.D. Steele , Andy Dee (Molly & The Haymakers), Billy Franze (Prince, Mavis Staples, Johnny Lang), Greg Sain (Grammy winner w/ Jimmy Vaughn and Prince's MD for Carmen Elektra),  Margaret Cox (Prince & NPG, Tamara & the Scene), Tarra Layne & Rachel Mead.

•	Studio background vocalist for Glen Campbell with Alan Jackson, Ricky Skaggs, The Gatlin Brothers, Kathy Mattea, The Whites and others (Jesus On My Mind- MCA 1989}, produced by Jimmy Bowen- see: http://en.wikipedia.org/wiki/Walkin'_in_the_Sun

•	ASCAP writer and publisher member since 1985, co-published by Glen Campbell Music & BMG/Sony/Universal Nashville.  Catalog recorded by Johnny Paycheck, J.D. Steele, with songs also used in film and on the Oprah Winfrey Show.

•	Nearly 45 years of experience as a studio musician, songwriter, producer, music publisher, engineer, event promoter and private music & technology educator.

producer, singer, songwriter
Compulsions 83:
https://open.spotify.com/album/6eAAHwVOCs7DzY5tKb7QuB?si=DWH2OJ8fQ0OM5jRiRjdVqw&dl_branch=1

English:
I was born in the late 60's, but only in the late 70's I got to absorb the disco era. I was a listener, but always with a keen sense. It was where everything began, a passion for eletronic music.

In the 80's, these most intensely lived, and for me one of the best. I absorbed a generation of true musicians, which adds even more knowledge and feeling.

Nowadays, with all knowledge that I have gotten, I look intensely all the songs of the past. I really miss those times and I do not deny. After all, having this feeling is a spiritual universe, where we bring with us in our lives, everything good that we got. It is our story on a journey throughout time, going back, reviving às if it were the first time, remembering, inventing everything again making the "now" become Alive as in the pas, becoming a source of life.

Music is a cycle that goes back and forth. As I mentioned, I miss those times, but I did not stop in time, I enjoy the pasta and the present. I think I do define myself as an only style. I always say I like music and with the keen sense I have, I listen to the songs and if I believe they sound good to my ears, that's what I will believe. House is the base. However, in my sets there might be a tech house, a techno, or rather any Söns that may please my ears.

Nowadays, I live intensely researching everything from the past until the current days. 


Português :


Português : 
Nasci no final de 60's, logo, fui absorver a era DISCO já no final de 70's, era ouvinte, mas sempre com um feeling aguçado. Foi onde tudo começou a paixão pela Música Eletrônica.

Nos anos 80's, esses mais vividos intensamente, e para eu um dos melhores, absorvi uma geração de verdadeiros musicistas, o que veio acrescentar ainda mais o conhecimento e o feeling.

Hoje, com todo conhecimento que absorvi, busco intensamente todas as músicas do passado, sou sim, verdadeiro SAUDOSO, e não me nego ser saudoso, afinal a saudade é um universo espiritual, onde trazemos conosco em nossas vidas tudo de bom que absorvemos, é a nossa história em uma viagem pelo tempo, indo atraz, revivendo como se fosse a primeira vez, lembrando, recordando, podendo inventar tudo novamente, fazendo com que, o agora, torne vivo como no passado, tonando-me fonte de vida.

A música é um ciclo, vai e volta. Como falei acima, sou saudoso, porém, não parei no tempo, curto o passado e o presente. Acho que não me defino por um estilo somente, gosto sempre de falar que gosto de música, e com o feeling aguçado que tenho, ouço as músicas, e se eu acreditar, soar bem aos meus ouvidos, é o que acreditarei. A House é a base, entretanto, em meus sets, pode ter um Tech House um Techno....ou melhor qualquer música que agradar aos meus ouvidos.

Hoje, vivo intensamente pesquisando, desde tudo do passado, até os dias atuais.

New tracks tagged #Philly Soul