For the July track challenge at /r/synthwaveproducers

Legally Distinct Zerg

GphryG

I completely forgot that I had produced this track! It should have been released with the ZOUK'd album! 

Inshallah

PERNICIOUS PRECISION is a satirical trap rap takedown of weaponized language—where boardrooms and news desks hide behind ten-dollar words while real problems go unsolved. Over sub-heavy 808s, triplet hats, and gritty analog stabs, the track slices through gaslighting, semantic spin, and academic grandstanding, turning a single word—pernicious—into a cultural mirror. 

If you’re into Kendrick Lamar’s “HUMBLE.”, Childish Gambino’s “This Is America,” or Denzel Curry’s “CLOUT COBAIN,” this delivers that cinematic social commentary energy with hook-first virality. Expect brooding E-minor tension with Phrygian flavor, radio-static textures, and a chorus engineered to stick on first play. Perfect for fans of lyrical wordplay, political satire, and intelligent hype—the cipher meets the think piece.

PERNICIOUS PRECISION

Buried In Myself

Calypso's Casbah

Latin meets Arab with a sexy dark tech house beat I made :) Thanks for listening

Su Papi

sahara cafe

Yesterday my razor died halfway through the crime,
Half my head went bald while the beard kept dragging time.
I looked like a TV nightmare from a trippy ’70s run,
Panic in my bones—this joke ain’t fun.

I grabbed a blunt old knife and tried to fix the wreck,
Carved at my own face till the mirror snapped my neck.
Gray on my chin, wild in my stare,
Twenty years younger at first glance—then… beware.

Oh Lord, oh Lord—what have I done?
Blood on the tiles, nowhere to run.
Oh Lord, oh Lord—I can’t go out,
The mirror laughs while I black out.

No way I’m walking streets looking like this mess,
Can’t pick up the kids like a horror in a dress.
Tomorrow is a wedding, the next day someone’s gone—
But I can’t face a soul with this face put on.

I can’t go out! I can’t go out!
What have I done? What have I done?

My darling—my new-found flame,
What will you see when I call your name?
I swore I’d take your hand and dance at the ball,
Now I’m hiding from the town, can’t face them at all.
Not welcome at the Zoo with this carnival head,
I’m a sideshow creature the crowd would dread.

Panic hits hard—what am I to do?
Could I glue back the beard? Could I glue back the ’do?
“Sure—it must work,” I said without a thought,
Grabbed the wrong tub… now curls I never bought.

Oh Lord, oh Lord—what have I done?
Hair set like concrete, nightmare won.
Oh Lord, oh Lord—I can’t go out,
Every pore is screaming loud.

Tape it? Staple it? Hide it with a hood?
Patchwork monster—does it do me any good?
Hands keep shaking, heartbeat drums—
This is the chaos a mirror becomes.

What have I done? (Say it!)
What have I done? (Say it!)
Can’t go out—can’t go out—
What have I done?!

Oh Lord, oh Lord—what have I done?
Glue and blood under a dying sun.
Oh Lord, oh Lord—I can’t go out…
Fade the lights—leave me with my shout.

Glue & Blood

The TRIGEMINAL nerve — a relentless conduit of sensation, wired deep into the skull. It carries pain and pressure with primal force, a current of electricity that cannot be silenced. Heavy, unavoidable, and merciless.

🦇

Out now everywhere there's music

Get It

Trigeminal

Many thanks to the creative minds and tutors that helped me create any wonderful music.

False Prophets Tale

Mother Moon

Fools Comet

Father Expanse

Futures Tale

Desertward

The first zone theme! This was directly inspired by Doom, and I wrote this track with the intention that it serves as the titular character's unofficial theme song. 

This song is written entirely in phrygian, but it plays around with the scale and switches keys mid-way as the character continues to leave a path of destruction behind them. The ending is written in 15/8, providing a last bit of insanity before it begins again.

Key: D, F Phrygian
BPM: 200

Gravity Storm OST - Zone 1 Theme

Follow for more parts and other genres of fun music
Prod. by NØEI
Guitar by the very talented Jay Carmona 

Safe Travels Pt 1

My take on 我们的爱 (Our Love), the classic by Taiwanese rock band F.I.R. Honestly, Faye 詹雯婷’s voice is unbeatable

Our Love (Eng. Ver. of 我们的爱)

Curious about Drums & Basses 
Filth, but with feeling 🦇

Alt-pop meets glitch and counterpoint.
I wire circuits, I write songs.
-12db, baroque shadows, digital noise.
📷 lastnams_is_not_shoe
Snap: awkwafino
Not from the queens tho.

By day I work a 9-5 job, by night I compose groovy chiptunes. I do game development as well, and many of my game's songs are posted to this channel! All of my chiptune songs are made with FamiTracker.

Clear all your expectations. Contact for Collab. Producer/DJ/Artist

eSTRANGEd couSINs: Augmented Ghost Songs and the Blood That Binds
For most of his life, Daniel didn’t know half his family. His father left too early to remember, cutting him off from cousins, uncles, and an entire branch of his own bloodline.
The gap might have stayed empty forever—except for music.

At nine years old, Daniel found an acoustic guitar in his grandfather’s garage. By sixteen, fate finally crossed his path with cousins Timmy and Kenny. Timmy sang, Kenny played keys, Daniel was on guitar, with Joey on drums and John on bass. They recorded on hissy four-tracks and eight-tracks, capturing songs that felt alive in a way nothing else did.
But like so many young bands, they split apart. Life pulled them in different directions.

Years later, after serving in the Army, Daniel got a call from his mom: “Danny, I think your dad died.” Obituaries confirmed it. Reaching out to Timmy on Facebook, Daniel sent his condolences—only to find Timmy didn’t know yet. Timmy’s reply hit even harder: “Sit down. I’ve got something to tell you.”

A few years earlier, Timmy and Kenny had been in a motorcycle accident. Kenny didn’t survive. Timmy was left badly injured, carrying a grief that never stopped echoing.
And then Timmy said the words that would start everything again: “We should get together.”

When they did, it was natural—musicians falling back into a language only they spoke. Timmy brought a notebook full of lyrics. Daniel brought his acoustic guitar. They walked five minutes through the woods to the boardwalk near Daniel’s house, sometimes at night, sometimes at dawn, sometimes in that strange orange light before evening. They played raw, unplanned, straight-from-the-heart jams, recording everything on a Samsung phone.

Years passed. Staying in touch was hard—they were, after all, estranged cousins. But Daniel never let go of those recordings. He experimented—mic’ing percussion, adding backing vocals, trying to polish the hiss and wind noise. They were priceless but imperfect.

Then came the shift.
AI music was starting to emerge. Out of curiosity, Daniel fed Timmy’s lyrics into a generator just to hear them sung. The results were good, but they weren’t theirs—the guitar wasn’t his, the feel wasn’t right. So he shelved it.

Fast forward a couple years: Daniel checks back in on Suno, and something’s changed. It could now process his music—uploading up to eight minutes, following his guitar work instead of replacing it. He had an epiphany.

He uploaded those old boardwalk sessions—the hiss, the strums, the cracked phone mic—and watched them come alive. Timmy’s lyrics were there, Daniel’s melodies were there, but now the recordings breathed. The wind and static were gone, replaced with clarity. The phrasing followed his playing exactly. For the first time, the ghosts in those songs stepped into the light.

Daniel doesn’t call it AI music.
He calls it augmented music—born from real moments, real grief, real family, rescued from bad recordings and given a second life.

That’s what eSTRANGEd couSINs is: a band that plays with the living and the dead at once. The catalog—Every Song is a Coffin, Birds of Prey, Ashes for Eyes, Apple of Sodom, Baxter in a Jar, and Unwanted Orphans and Dead Concepts—is part memoir, part séance, and part survival.

Every song is a ghost they refused to bury.

Daniel hopes that one day, he and Timmy will stand together again with a phone and a guitar, recording something new under the open sky—knowing it can be reborn into something even greater. Until then, he asks you to keep listening, drop a like, share the music, and maybe—just maybe—he’ll post the original phone recordings so you can hear exactly where it all began.

This isn’t about filling a SoundCloud page.
It’s about honoring Timmy’s poetry.
It’s about honoring Kenny’s life.
It’s about keeping family alive through song.

R.I.P. Kennith Lucier
God bless. Godspeed. We hope you enjoy.

🎶 Supporters’ Wall 🎶
This music lives because of you.
A huge thank you to everyone who helps me keep creating – every cup of coffee keeps the sound alive.

💛 Current supporters:
	•	KAT → @kat_space
	•	Mrdj81 → @mrdj81
	•	Your name
	•	Your name
	•	Your name

Want to join the wall? → buymeacoffee.com/marol

🤝 Big love to the amazing artists I’ve had the honor to collaborate with:

	•	KAT → @kat_space
	•	Mrdj81 → @mrdj81
	•	Harry → @harry-jackson-6
	•	Ōkami  → @lgnd-5hade

Combining tech house with Middle Eastern sounds :)

London based composer specializing in Film, TV, and Game Music. 

Music brings the world to life, music is energy and emotion. Xin Music aims to bring the right feeling to the right moment. The word Xin can be translated to mean heart or mind, both of which are essential parts of musical composition, for both the composer and the listener. It can also be translated to mean beautiful or elegant. Xin Music embraces all these meanings and aims to touch both your heart and mind, in a beautiful and elegant way.
Most tracks are available on all major streaming sites and also available for licensing/syncing (see links below)

For custom music contact -

Email: xinmusic@europe.com

Immersive soundscapes that blend trap, hip-hop, electronic, and experimental genres. Fuses cultural commentary with unforgettable rhythm.

mBaileyz

Thank you for visiting! I've always felt a strong need to express myself creatively. During the pandemic, music production became my personal outlet. I love exploring samples, composing, singing, and playing instruments like the flute, piano, and didgeridoo—always seeking out sounds that inspire me.
Since I began learning dance styles such as salsa, bachata, and zouk, my music has been deeply influenced by their rhythms, beats, and tempos. This fusion continues to fuel my artistic journey in exciting ways.
It’s very important to note that my songs are works in progress. I do the best I can with the limited time I have, so currently, each song is posted “AS IS”! Trust me, I hear all the imperfections..😒 My hope is to someday carve out more time and resources to polish and refine these tracks, so they can truly align with my original vision 😊. Ps. Made by a REAL human. 

New tracks tagged #Phrygian