Jolt 33

A complex piece that features five musical points. It utilizes the irrational time signature of 6/5.

Five Points

just a doodle i made with my new Osmose, figuring out some of the amazing expressive capabilities - the only addition is some reverb

far away (Osmose doodle)

Bernard Tapis Volant

Copyright (c) 1996 Winds of Asgard.  All rights reserved.

Music by Gary Regester, lyrics by Roger Eberlin.

Gary Regester:  guitar, bass, synth.

Winds of Asgard - I Am (instrumental demo, 1996)

Just a short string quartet.
An experiment in phrygian dominant mode.

Khartoum

Lydian Trance

This Diamond approach accelerates your interval fluency and provides an immediate way to play with backing tracks or other musicians.

Starting in any mode or scale, play these intervals:
Play the root note, the "1"
Add the 5. Play with 1+5. 
Add the 3. Play with 1+3+5 (primary chord)
Add the 8 if available, giving you the arpeggio.
Add other pentatonic intervals.
Add other intervals to play the full mode or scale.
Add other extended notes 
Return to just the full mode or scale.
Return to just the pentatonic intervals.
Return to just the arpeggio (1+3+5+8)
Return to just the primary chord (1+3+5)
Return to just the 1+5
Return to just the 1

Shorthand:
1
1 5
1 3 5 
1 3 5 8
All pentatonics
Add other intervals
All pentatonics
1 3 5 8
1 3 5 
1 5
1

For more information go to: www.learntoplaynaf.com

A# Phrygian Dominant Diamond on the Native American Style Flute

This piece evokes the mystical journey of a small caravan crossing a dreamlike desert at night. Built around the exotic Phrygian dominant scale, the composition sways in a triple meter, creating a hypnotic, dance-like motion. The orchestration blends Eastern-inspired melodies with deep, resonant harmonies, leading to a luminous modulation into the Lydian ♯2 mode — a moment of surreal clarity and enchantment.

Phrygian Claravan

alti

I am a composer of emotional, fantasy-inspired classical music that blends piano, orchestral textures, and ethereal atmospheres to evoke dreamlike worlds.

Native American Style Flute musician, instructor, and author. The instructional book, "Learn to Play the Native American Style Flute" along with the accompanying student CD "One Life" can be found on Amazon.

Deep in the forests of Northern Michigan, frequencies vibrate from the distant glow of luminescence.

Welcome to an ever evolving landscape of organic bass music.

DJ/Producer

I am a composer of intricately crafted melodies and a deft weaver of unconventional time signatures. If my creations strike you as peculiar, it is by design. I invite you to discover the allure of divergence and dissonance. Each piece is imbued with subtle nuances and layered meanings; a song, even through its instrumentation alone, should narrate a story.

Under the moniker Shuriken Miasma, I aim to conjure the essence of my music: frequencies that, like a swarm of delicate blades, pierce the vital spaces of your ear. Piercing highs and resonant lows serve as the conduits for this sonic experience. My compositions exploit the full breadth of stereo sound, enveloping listeners in the music’s world. Above all, I strive to evoke the emotions or circumstances that inspire each work.

My creative wellspring flows from my multifaceted life as a human, martial artist, scholar, and individual navigating Dissociative Identity Disorder. (Explore my YouTube channel via the link below for music videos, some featuring martial arts.)

My repertoire spans vivid depictions of sunlit strolls along sidewalks to painstaking efforts to encapsulate moments of psychosis stemming from my neurological condition; hallucinations and disquiet included. For instance, “Throw You in the River” unfolds as a musical dialogue, structured in a call-and-response format. My album Creatura Thema is an avant-garde exploration of hallucinatory experiences, yet it peels back multiple thematic layers, much like an onion. I wager you’ll find at least one track that burrows irresistibly into your mind.

I craft original compositions, each one a step in my ongoing quest for musical growth. With a decade of songwriting experience, augmented by years as an audio engineer, my self-taught music theory has evolved significantly. Around five years into my journey, I began experimenting with modal music.

Today, I predominantly compose in modal frameworks, challenging myself with self-imposed constraints that vary from track to track. At times, my work evokes nostalgia, reminiscent of a beloved video game. Other pieces teeter on the brink of melancholy—should that resonate, I recommend “SAd Cacter,” its title deliberately miscased to reflect its tonal key.

Beyond this platform, my music is available across all major streaming services. If you wish to license my work or cannot afford to purchase it but desire copies, please reach out directly.

I nearly overlooked mentioning that my music is a form of sonic Goetia; a ritualistic invocation through sound. Cheers!
Thank you for listening, and welcome to my world.  

                          Shuriken Miasma

New tracks tagged #Phrygian Dominant