The radio play, like the stage and screen adaptations of the “Canterville Ghost” is based on the 1887 novella by Oscar Wilde. In each adaptation, Sir Simon Canterville, the ghost, is doomed to haunt some sort of edifice. In the screen adaptation, the ghost haunts Canterville Chase, which is an old and imposing English manor house while in this radio production, the ghost haunts a medieval  castle. In the screen and stage production the story involves the ghost carrying on its spectral duties, haunting an American family who have taken up residency within Canterville Chase . But this 1945 Lux radio adaptation by Edwin Bum has the ghost haunting the Castle which was occupied by a platoon of US soldiers, reflecting that period of time when the US was engaged in a world war.

The story itself is a humorous and satirical take on the traditional ghost story, blending elements of comedy, romance, and the supernatural. Wilde uses the story to explore themes such as the clash of cultures between American pragmatism and British tradition, the nature of bravery and redemption, and the power of love and forgiveness to transcend death.  And in each adaptation, the ghost is doomed to continue its haunting until a brave deed is performed which frees it from its worldly constraints.

This Naples Players Radio Theatre production features the vocal talents of Kenneth Allen as Sir Simon, the ghost, David Whalley as the father of Sir Simon, Jackie Weiner as the aunt and cook,  Cynthia Hile as Jessica, Jim Corsica as Cuffy, Kip Jones as the lieutenant and the GI from Hoboken, Gregg Birr as Edwards aka Trigger, Robert Mederios as Jordan, Vic Caroli is the narrator,  and Michael Troop as the butler and sergeant. This audio file was recorded, mixed and mastered by Michael Troop. All music and sound effects were obtained through a special license from pond5.com and may not be copied or reproduced for any reason.

Canterville Ghost

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Dréa woke up perplexed and amused, she dives into the times she was played by people she thought had good intentions. She also explains the consequences of keeping a relationship alive when it should be DONE. The usual, nothing too too crazy. After being bothered early in the morning, Dréa reminisces about the time
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Full Title: Are We Living in A Simulation? Testing Tom Campbell's Consciousness-Based Simulation Theory

This hour-long audio clip is a collection of excerpts from a three-hour long conversation with guest Eliott Edge that can be found on my Patreon page. A new option of a one-time purchase is now available as well, if you'd like to listen to the whole episode!

As listed on Eliott’s website bio, he "is a critically-acclaimed author, artist, and international speaker. Eliott has published and presented through The Institute of Ethics and Emerging Technologies, The University of Melbourne, Stevens Institute of Technology, Anthology Film Archives, The C.G. Jung Center, The Fenris Wolf, The Museum of Computer Arts, VRTO, Block Seoul, and Disinformation. His work has been included in university curricula as well as cited in Masters' theses and Doctoral dissertations. Edge’s interests include cyborg anthropology, simulation theory, media theory, consciousness and psi research, liminality, psychoanalysis, psychedelics, western occultism, contemporary folklore, as well as AI, culture and film criticism. Edge is a member of Das Unbehagen: Free Association for Psychoanalysis, and a Media & Arts Advisory Board member for The Lifeboat Foundation."

In this discussion, Eliott shares his insights and views surrounding the work of Thomas Campbell, a former NASA physicist who specialized in technology development and complex-system risk analysis for both government and industry. In addition, for more than 50 years, he conducted scientific, drug-free research into altered states of consciousness. Out of this work came My Big TOE, or Theory of Everything,  a scientific model of reality based on the insight that consciousness is fundamental to all existence.  Eliott is currently working on his own book that discusses Campbell’s simulation theory, which posits that our idea of reality is actually a virtual simulation. According to Campbell, consciousness is the fundamental basis of what we consider reality, and the physical universe is a virtual construct created by this consciousness.

In our discussion, Eliott talks as well about another simulation theory called the ‘ancestor simulation hypothesis’ and the problems associated with this. We also talk about how paranormal, or supernatural experiences such as out-of-body experiences, remote viewing, ghosts, UFOs, etc., play into this concept. As Eliott is not only interested in the scientific side of the story, he also talks about how occult practitioners, such as those found in ritual magick and chaos magick, as well as religious practitioners from any path can also benefit from learning about Campbell’s work. He explains everything in a down-to-earth manner so that anyone from any walk of life can understand the principles.

Visit https://www.rejectedreligion.com/podcast or https://www.patreon.com/posts/rr-patreon-tier-111609568 for links. 


Theme Music: Daniel P. Shea

RR Patreon Tier 2 Eliott Edge Excerpts: Are We Living in a Simulation?

The Naples Players' Radio Theatre reprises the old radio plays of the 1940's and 50s. Enriched by the addition of sound effects and music, this series of plays brings the fun and excitement of theatre into your own home.

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