My remix/tribute to the movie "Swiss Army Man" (2016).

Watch the video for this:
https://www.youtube.com/watch?v=7GWQxx9o4bc

Follow Me!
YT: goo.gl/qjPfyU
SC: @onesimplegamer
IG: www.instagram.com/onesimplegamer/

Swiss Army Mix

the track of all time

good enough

four corners conquistador

sad you went

bugfruit

she jason on my derulo

nocturnal bird town

loving every second

spectra

https://hypervigil.neocities.org
https://archive.org/details/painthief

Ugly on the Inside; Pain Thief Track B (Drag Edit)

Vinyl Set para el Takeover Fhauna x Cicatriz, 25-05-2024:
tracklist:

1.- Solange - Not Screwed! (Interlude) / When I Get Home (2019)
2.- Biosphere – Black Mesa / The Petrified Forest (2017)
3.- Crystal Castles - Violent Dreams / Crystal Castles II (2010)
4.- Pep Llopis – Muntanyes De Granit / Poiemusia La Nau Dels Argonautes (1987)
5.- Oneohtrix Point Never – Sleep Dealer / Replica (2011)
6.- James Place – Robin Weep / Voices Bloom (2017)
7.- MJ Lallo – Galaxy Latina / Take Me With You (2018)
8.- Depeche Mode - Behind The Wheel / Music for the Masses (1987)
9.- Crystal Castles - Intimate / Crystal Castles II (2010)
10.- The Smiths – This Night Has Opened My Eyes / Hatful Of Hollow (1984)
11.- Solange - Exit Scott (Interlude) / When I Get Home (2019)
12.- Solange - Sound Of Rain / When I Get Home (2019)
13.- Patrick Cowley – Mutant Man / Mind Warp (1982)
14.- Joy Division – Day Of The Lords /Unknown Pleasures (1979)
15.- Shiho Yabuki – Ki No Nagare = 気の流れ (The Way Of Energy Flow) / The Body Is A Message Of The Universe = からだは宇宙のメッセージ (1987)
16.- Biosphere – Just A Kiss / The Petrified Forest (2017)
17.- Jorge Gonzalez – Volar / Jorge Gonzalez (1993)

CDMX - 2024

Vinyl Set Cicatriz Take Over Fhauna 25/05/2024

Vinyl Set Selection Cicatriz Take Over Fhauna 25/05/2024

run away
just like aja used to say
all the wrong people stay

youre so off course, never came up like American war
got mouth like a horse, still locked up on your parents divorce
she's so unsure, in the replies she's got all seven dwarves
so snow-white core, never seen her eat an apple before...
there on the floor, full body mirror to show whats in store

meals and wheels got enough cars, they need food and money

i reckon

Made entirely on Garageband.

A sonic collage depicting a dialogue between the quixotic revolutionary and the oppressive authoritarian tyrant. The pitched-up vocals relay a story about an activist being taken to a secluded place to be interrogated about the activist's dastardly plans for domination. The pitched-down vocals that follow belong to the former president, who forcefully rebukes the possibility of revolution with all the untrammelled power at his disposal. In his words, political activism can only occur under the auspices of established state machinery. However, one is reminded of Audre Lorde's incisive comment that the master's tools will never dismantle the master's house.

I wanted this to capture not only the nuances of this power dynamic but also the larger social context within which it takes place by incorporating contrasting samples of cheering (representing popular support for the activists) and outrage (to evoke the ire directed at the tyrant). We are, whether we like to admit it or not, joined inextricably to the larger communities that we inhabit. None of us is capable of existing in isolation; we are each constantly dependent on one another to participate in and facilitate the myriad intersecting networks of production and trade that keep the trains running and the supermarket shelves stocked for our thoughtless consumption.

The two monologues are separate, taking place in different contexts. The first is an interview conducted by an NGO with a prominent member of the university student activist body. The second is an excerpt from a speech given in Parliament by the former president. These seemingly diametrically opposed viewpoints are shared by a shared raison d'être: they are both committed to advancing a particular vision for how the country ought to be run. True, they are contradictory, yet in their differences lie the similarities. Each instance of disagreement is simply an inversion of the same basic proposition. It is p or ~p: a tautology.

Our Quixotes, our Guveras, our Castros, our idealists and our dreamers cannot exist without their counterpart, their foils, the cruel, callous, and Machiavellian tyrants. It may be reductive to characterise one of these as heroes and the other as villains, but I do so anyway, in my subjective capacity. I chose to incorporate the MF DOOM-inspired trumpet backing track against the final segment to really lean into the classic comic book villain aspect of it, reminiscent of DOOM's interludes and outros on Mm Food.. where Victor von Doom's speeches were accompanied by similar samples. Rest in power, Dumile. You weren't an inspiration but a guiding light, a creative north star. I aspire to you forever.

There is more to be said, but I will leave that to the listener. After all, half of this work is precisely what hasn't been said. And remember: bARThes IS DEAD.

Audiography:

Radiohead – 15 Step, In Rainbows (2007)

Linked Horizon – Attack on Titan Season 2 - Opening | Shinzou wo Sasageyo! (2017)

Duke Ellington – Depk, Far East Suite (1967)
 
Voice of America, Sri Lanka: Protesters Takeover Presidential Residence, Swim in Pool –  https://www.youtube.com/watch?v=k9kk-tnNMR4

Newsfirst Sri Lanka, Police confront armed masked men in unregistered bikes at parliament protest - https://www.youtube.com/watch?v=C5_esSq2GCY

Daily Mirror Online,  Will not allow another Aragalaya: President – https://www.youtube.com/watch?v=qwHlnILyIGc

Journeyman Pictures, Sri Lanka's Protests Turn Violent - https://www.youtube.com/watch?v=lgPx8KC8wjc

Guerres Sans Nommes

දේශපාලන නාට්‍ය | Power Play

දේශපාලන නාට්‍ය | Political Drama

Cyclone Seven

Ends of History

part of the "death of my innocence" album.
listen here

BANDCAMP:
https://dynamtic.bandcamp.com/album/death-of-my-innocence

SPOTIFY:
https://open.spotify.com/album/6OVHlvZKOIAe1SRP9lB8Lh

APPLE:
https://music.apple.com/gb/album/death-of-my-innocence/1715369019

YOUTUBE:
https://youtube.com/playlist?list=PLyrETOBgqY1RAds6eRaOCmngE73wpm3LL&si=9-Oi5WHwePUYYdiI


future

Goodbye Tannhäuser est évidemment une référence à "Blade Runner" auquel le morceau emprunte un passage du célèbre monologue final de Rutger Hauer. A la fois mélancolique et épique, sombre et plein d'une énergie brute, "Gooddbye Tannhäuser" est une invitation à l'exploration et la découverte sous toutes ses formes. 

Goodbye Tannhäuser is obviously a reference to "Blade Runner," from which the song borrows a passage from Rutger Hauer's famous final monologue. At once melancholic and epic, dark and full of raw energy, "Goodbye Tannhäuser" is an invitation to exploration and discovery in all its forms.

Goodbye Tannhäuser

Дюраг

Amore

Tout cela est-il vraiment sérieux?

https://linktr.ee/caliorne.music

instrumental hip hop beats & loops, ambient stuff & techno
FREE🇵🇸

👾👾👾

Tg: https://t.me/+TUywuxTJY-PG25US

actualize/bloom remixes out now
alt: https://soundcloud.com/leumasxtra

New tracks tagged #Plunderphonics,