It wasn't meant to
To go this way
Why have I done this
Over and over, again and again

I said that I
That I'd be okay
Why did I think that
I don't believe that

I thought that I was different
But really I'm not
I am the architect of my decay
Now let me fucking rot

Hollow healing
Insufferable emptiness
With each step forward
I feed my collapse

Withered mindscape
No peace, no silence
Ceaseless violence
Inside my own mind

I thought that I was different
But really I'm not
I am the architect of my decay
Now let me fucking rot

fairy metal

decay

There’s roses in her hair
She adorns herself with petals
Thorns deep in her neck
The suffering she chose to cherish

There’s sunlight on her skin
She dances in the rays
Burning through to her bones
Igniting the cavity of her core

I tore away my skin
Took you in
You pushed the thorns deeper
A beautiful or painful reminder
Our painful and beautiful memories
They have made me smile
They have made me cry
I love and hate these roses

There’s whispers on her lips
She sings to the sky
Though nobody hears
Her song captured by the stars

There’s rivers in her eyes
They swell and become oceans
Façade broken
Her miserable disguise beneath the monstrous waves

I tore away my skin
Took you in
You pushed the thorns deeper
A beautiful or painful reminder
Our painful and beautiful memories
They have made me smile
They have made me cry
I love and hate these roses
I love and hate these roses
I love and hate these roses

I prefer a love where I'm suffering
Awake at night and grinding my teeth
I prefer affection where I'm yearning
Longing, clawing, for something to keep

I prefer a song where I'm crying
Throat closed up, I'm nearly choking
I prefer sensations where I'm hurting
Bruise stained skin, I'm suffocating

roses

From Catalepsia's album "Pavisam" released on April 2024

Gods un negods

Harrowing but transformative EP by Sirhk solo experimental black-metal project from Norwich, UK

Sirhk - ubi nihil vales, ibi nihil velis - 04 Or none at all

Sirhk - ubi nihil vales, ibi nihil velis - 02 In endless unbroken chains

Sirhk - ubi nihil vales, ibi nihil velis - 03 Cast judgement on those present

Sirhk - ubi nihil vales, ibi nihil velis - 01 Lies march like sunlit clouds

Batushka/Yekteniya 6
The Feral Trees/For Tomorrow
Maria Peszek/Modern Holocaust
Mgla/Exercises in Futility III
Past/Serce
White Crosses/Dead Souls
Lonker See/One Eye Sees Red
Sunnata/Like Cogs in a Wheel, We're Trapped Between Waves of Distorted Time
Tides From Nebula/Rhino
Trupa Trupa/Dream About

Pologne

“Atrapando Ideas” es un descenso lento hacia el murmullo interior, donde los pensamientos se vuelven sombras que respiran. Entre drones densos, pulsos eléctricos y un ambiente cargado de neblina, el track captura ese momento en que una idea aparece, se distorsiona y muta en algo más profundo.

Atrapando Ideas

Second single from the Arcdive album Ego Death.

Arcdive is a collaboration between Martins Vans and Kristaps Berzins, two metal and post-metal, ambient musicians with collaborations including musicians from Poland, UK and Australia. The band merges atmospheric sound of post metal and post rock with metal grooves and alternative metal style.

Ego Death

Point North

waist deep

Raye - Bet You Wish (Post-Metal Remix)

You stand before the pulsar, its spiraling arms radiating light and motion, and at its center, a human heart pulses with quiet insistence. The hush presses around you, yet through your headphones, the sound unfolds. It is both fragile and immense—a slow awakening that traces the heartbeat of the cosmos. Every note feels like starlight brushing against your skin, every lyric a whisper of memory and becoming. 

You hear the dust of the universe stirring, rivers of time bending, and the weight of existence carried in a gentle, unrelenting rhythm. Light travels far, and here it returns, spinning through your chest and through the heart at the center of the pulsar, until you feel both tiny and infinite all at once.
------
LYRICS:
------
In the silence before the heartbeat
I felt dust wake in my veins
The ground breathes slow beneath me 
Learning how to hold my weight

Light travels far, but it always returns…  

And I reached for it unsure
Like a thought 
Trying to form

I rose from warmth and motion
A whisper turning into bone
Air moved around me
Naming me in its own quiet way

Light travels far, but it always returns…  

It traced my skin 
Like memory finding its path

I shaped the world in motion
Let time begin its run
I set sparks to wander
So each of you could grow

Light travels far, but it always returns…  

All things drifting outward 
Still carry where they’re from

I walked inside your footsteps
Felt questions in your hand
Held quiet worries
The kind no one speaks aloud

Light travels far, but it always returns…  

And I moved with it beside you
Wherever you were going

We learned the fire together
Carved meaning out of stone
We built fragile cities from the hopes 
We carried home

Light travels far, but it always returns…  

Across each age it finds us
Reminding what we were

Your stories run like rivers
Returning to the sea
Creation keeps unfolding
In the shapes you choose to be

Light travels far, but it always returns…  

Even now, as currents bloom 
Like stars encircle me

Hands made storms and towers
Reaching farther than fear
Yet small forgiveness 
Still travels more than war

Light travels far, but it always returns…  

I moved with it 
Quietly at your side

From dust to code to daylight
We rise and learn again
The path grows strange
But motion always finds its way

Light travels far, but it always returns…  

A single spark-
Remembering every place it’s been

-------------------------






BEFORE THE PULSE

“The Quiet God” drifts in as a slow-burn, nearly 7-minute piece that starts in fragile, spacious ambience and gradually swells into a dense, mid-tempo wall of sound. At around 102 BPM in a dark minor tonality, it moves like a slow tide: evolving pads and atmosphere first, then heavier rhythm and harmony stacking on top until it hits a huge, saturated climax before easing back into space again. Originally written for a band called The Fading Hour, this release is the original, unedited prog version—long-form, dynamic and uncompromised, before any arrangement cuts or simplifications.

Sonically it sits somewhere between modern progressive rock, post-metal and cinematic industrial-ambient: long, repeating motifs that slowly morph; layered textures that blur the line between guitars and synths; and drums focused on groove, weight and forward motion rather than showy fills. The track leans into melancholic, widescreen harmonies and subtle dissonance, with industrial-tinged pulses and post-rock-style crescendos that keep pushing the tension higher before everything finally dissolves back into space.

For fans of: atmospheric prog, darker post-rock/post-metal builds, industrial-flavoured electronica and moody, cinematic ambient soundscapes.

The Quiet God

Produced by: Attila Anrather
Co Produced by: Adam Sosnicki, Sara Sloan
Written by: Sara Sloan, Adam Sosnicki, Attila Anrather
Mixed by: Attila Anrather, Jack Shirley
Mastered by: Jack Shirley
Guitars by: Adam Sosnicki
Bass by: Adam Sosnicki
Vocals Recorded by: Eli Browning
Guitars, Bass, Drums Recorded by: Attila Anrather

Hook And Line

Deep Breaths

“Crown of the Righteous Man” dives into the battle between self-deception and awakening — a heavy, atmospheric metal piece built on grinding guitars, dark cinematic textures, and emotionally charged vocals.
The track blends melodic metalcore, dark ambience, and anthemic breakdowns, pushing a tense story about power, ego, and the masks we wear.

Massive choruses rise out of gritty verses, layered with soaring melodies and harsh vocal edges.
The song builds into a cathartic release — the moment the “crown” starts cracking and the truth underneath breaks through.

If you're into spiritual conflict, psychological tension, and big emotional riffs, this track hits right in that pocket.

Headphones recommended. Turn it up.

Crown of the Righteous Man

post-metal/blackgaze/black metal

https://open.spotify.com/artist/3GF1sRXprcbTNJrrl4Zap2?si=OV4c2s5xRHCiyZkEl24EsA

The aim is to break the boundaries of genres by integrating numerous styles of music from jazz, metal, electronic, progressive rock, and ambient soundscapes.

Grahf (Dean Thomson) tries to break the tropes of music composition and the formulas that have been put in place in modern music history over the past century.

Arcdive is a collaboration between Martins Vans and Kristaps Berzins, two metal and post-metal, ambient musicians with collaborations including musicians from Poland, UK and Australia. The band merges atmospheric sound of post metal and post rock with metal grooves and alternative metal style.

Sup. I’m making music for a game I have in the works. I hope you enjoy what I am posting early to convey the vibes I want for the game. Of course, it would be a great help for me to have people share my music with others who may take interest in it. Please share and thank you for stopping by.

Radio Show - Indie Rock, Metal, Punk, Hardcore, Industrial Music, Noise, Hip-hop, Experimental Music ...  Jet Fm-91.2
Une émission de radio dédiée au rock indé, metal, hardcore, punk, krautrock, noise, pop, hip-hop ainsi qu'aux musiques électroniques, expérimentales et industrielles.
Dimanche de 19h à 20h sur Jet Fm - Nantes

AI generated tracks and stems, chopped up by a bedroom dwelling monster girl 🌸

SINCERE IMPOSTER is an intimate collection of artists exploring a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave, and Experimental World Pop. Collectively, this is known as QUIRKPOP — music that pushes the creative limits of traditional pop.

Expect an unpredictable journey through sound, emotion, and humor, where genres collide and pop bends in strange new ways. Each song is conceived, composed, and performed with total sincerity, whether it’s built from voices, instruments, software, or hybrid experimentation. The focus is on the music itself: if it resonates, it resonates. No explanation required.

SINCERE IMPOSTER is curated by two musicians, both living within the same body, sharing a singular existence. They identify as Danielle & Dave. They are both psychologically and musically confused, yet extremely and unapologetically sincere.

Influences range from Weird Al and Nathan Fielder to David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain, and T-Swift. 

Danielle & Dave’s favorite inventions include the vacuum and the peach pitter. Their father is simply known as Vessel… who may be an entity or a god.


Passionate about art in all forms. Music has inspired me, gave me an outlet and has given me hope.  I'm eclectic so my style is very diverse and I enjoy variety.  Good music is good music no matter how its delivered and I enjoy making it just as much as I enjoy listening to it.

New tracks tagged #Post Metal