MUSICIANS
John Beckmann: all music, lyrics, and production
Tanner McGraw: vocals and backing vocals
Lawson Mars: backing vocals
Lux Astralis, New York: recording studio

LYRICS
I’d really like to see you,
I’d really like to see you,
One of these days,
One of these days...

One of these days,
We’ll meet there,
Where the crossroads
Kiss the sky,
Too bold to say goodbye,
Too shy to say I love you.

One of these days, I’ll find you,
Through the cracks of time’s refrain,
In the echoes of old laughter,
That washes away the pain.

The wind will whisper secrets,
The stars will light our way,
And all the words unspoken,
We'll have a fire gently burning.

One of these days, we’ll meet there,
On roads the restless paved,
Where the wild wind knows our names,
And the stars write their confessions.

I’d really like to see you,
I’d really like to see you,
One of these days,
One of these days...

ONE OF THESE DAYS (Alternative)

2 Hours with the master NAP aka Daniel Rincon in the box with yours truly, this mix quite simply takes a trip, doesn't get any more crystal clear than that!

For more of Daniel:
https://on.soundcloud.com/b5FyS96s5Cn3Q7vHdD

Lost In The Vineyard with NAP - August 2025

Control
Your thoughts
Control
Your actions
Control
Your mouth
Control
Satisfaction

To Keep
Yourself in check
To Fight
The demons
In your head, head

Believe in hope
Believe in love
Believe in dreams
Allow the good
To come above
You come above

You
And everything you do
You
And everything you do

Believe in the power of goodness
Self-Regulate
Self-Regulate
Self-Regulate

Keep
Yourself in check
Fight
The demons
In your head

Believe in hope
Believe in love
Believe in dreams
Allow the goodness

Self

Self-Regulate
Self
Self-Regulate
Self
Self-Regulate
Self
Self-Regulate
Self
Self-Regulate
Self
Self-Regulate
Self
Self-Regulate
Self
Self-Regulate

Self-Regulate

It's gonna be alright
I promise you
You gonna make it
You gonna improve
It's okay to be you

Save the day
For you, for you, for you
It's time you leave
The room
It's time you leave
The room
It's okay to be you
It's okay to be you
It's okay to be you

It's okay if you cry
It's okay if you're blue
It's okay to be you

You were born
To be someone special
You were born
To be you
Don't sell yourself short
Make the world love you
It's okay to be you
It's okay to be you

It's okay if you cry
It's okay if you're blue
It's okay to be you
It's okay to be you
It's okay to be you

The world is for you
The world is for you
I wanna tell you
It's okay to be you
It's okay to be you
It's okay to be you
It's okay to be you
It's okay to be you
It's okay to be you

It's gonna be alright
I promise you
You gonna make it
You gonna improve
It's okay to be you
It's okay to be you

Save the day
For you, for you, for you

It's time you leave
The room, the room
It's time you leave
The room, the room
It's time you leave
The room, the room
It's time you leave
The room, the room

It's okay
Okay to be you
Okay, Okay

It's okay to be you
Okay, Okay

For you, for you

You were born
Born
You were born
Someone special
Someone special
It's okay
Okay to be you
It's Okay

It's Okay to Be You

In this silence
I sit here and think
When will the day come
When will I be unique

What can I do
To make things happen
Do I let them believe
Or do I fake a happy

I want the best
That life has to offer
I want the best
That life has to offer

In the silence
I dream of the greatest
Affecting the world
Injecting the latest

This love is for the world
This love is for you
This love is for the night
This love is not blue

I find that I still care
I find that I still love
I find that I can believe
I find that I can rise above

The fire
The ashes
The rubble
The torn
The destroyed
The damaged
The devastation
The burn

I want the best
That life has to offer
I want the best
That life has to offer

In the silence
I dream of the greatest
Affecting the world
Injecting the latest

This love is for the world
This love is for you
This love is for the night
This love is not blue

I find that I still care
I find that I still love
I find that I can believe
I find that I can rise above

Dream of Greatness

You've got
One last shot
One last dream
One last spot

You've got
One last shot
One last dream
One last spot

Make It Happen
Make It Happen

To be in place
At the right time
Right place

To be in place
At the right time
Right place

Make It Happen
Make It Happen

It's gonna happen
If you believe
It's gonna happen
You will see

It's gonna happen
If you believe
It's gonna happen
You will see

Make It Happen
Make It Happen

Make It Happen

Jupiter is the fifth planet from the Sun and the largest in the Solar System. It is a gas giant with a mass nearly 2.5 times that of all the other planets in the Solar System combined and slightly less than one-thousandth the mass of the Sun. Its diameter is 11 times that of Earth and a tenth that of the Sun. Jupiter orbits the Sun at a distance of 5.20 AU (778.5 Gm), with an orbital period of 11.86 years. It is the third-brightest natural object in the Earth's night sky, after the Moon and Venus, and has been observed since prehistoric times. Its name derives from that of Jupiter, the chief deity of ancient Roman religion.

Jupiter was the first of the Sun's planets to form, and its inward migration during the primordial phase of the Solar System affected much of the formation history of the other planets. Jupiter's atmosphere consists of 76% hydrogen and 24% helium by mass, with a denser interior. It contains trace elements and compounds like carbon, oxygen, sulfur, neon, ammonia, water vapour, phosphine, hydrogen sulfide, and hydrocarbons. Jupiter's helium abundance is 80% of the Sun's, similar to Saturn's composition

Animal at Heart

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Tresor presents: Büro Siebzig - Henry Weekes & Paul Cinske  - 19 Aug 2025

Robert Louis Stevenson

https://soundcloud.com/beau-fiasco - original song idea -lyrics -vocal - bass 
purpleclaire- drums - synth - guitar- backing vox - re- arrangement - Mix/Master
Executive producer -mmm 🤣🤘🏻💜🤘🏻(fanks mum)

In the half light where the whispers play
Find some solace, drift away
Behind closed curtains the noise fades out
Dulls the clamour of the world without.

Hiding away from the world outside (yeah)
Hiding away from a world that despises
Hiding away from the world outside (yeah)
Hiding away so they can't hear my cries again
Again.

In the half light where the whispers play
Find some solace, drift away
Behind closed curtains the noise fades out
Dulls the clamour of the world without.

Hiding away from the world outside (yeah)
Hiding away from a world that despises
Hiding away from the world outside (yeah)
Hiding away so they can't hear my cries again
Again.

Sliding away from the world outside (yeah)
Hiding away from a world I despise (yeah)
Hiding away from the bullshit & lies (Yeah)

Hiding away so they can't hear my cries again
Again.

It's all I seem to do these days

These Days

These Days

These Days

These Days-purpleclaire X Beau Fiasco

New Runners Mix Set Release.  20 tracks Mix for a 1 hour Run at a ideal 160bpm pace.  Enjoy and stay fit!

Track List:
1. OBERER TOTPUNKT - Oberer Totpunkt [00:00:00]
2. A Shrine to Failure - The Clock that never turns [00:02:00]
3. ALIEN TEARS - A Ghost Town [00:05:17]
4. Cruelties - Condition Cynical [00:07:25]
5. CALAVERX - VAMOS [00:10:46]
6. Irène de Milo - Airs de misère [00:13:59]
7. Ash Code - Nite Rite [00:17:41]
8. Chalice Sect - Hush [00:21:20]
9. Alles.Scheisze - Israel ballert [00:24:23]
10. Cruelties - Harbinger [00:27:16]
11. FORGOTTEN SPECTRES Ft DEAD BORN BABIES - Sorrow Season [00:30:20]
12. Promenade Cinema - Alone At Parties ! [00:33:06]
13. Promenade Cinema - Alone At Parties ! [00:33:12]
14. This Cold Night - Black Cathedral (R.23 Version) ! [00:35:45]
15. She Past Away - Asimilasyon [00:37:49]
16. Dark Chisme - Fangs [00:41:57]
17. BLOOD TEARS AFTER - Шрами / Shramy (feat. STRIDULUM) [00:45:32]
18. The Spoiled, Terminal Serious - The Emptiness Inside (Terminal Serious Remix) [00:49:04]
19. L'An2000 - Strangers [00:51:54]
20. Cryptochroma - Shadowgame [00:55:17]

Runner Goths of MonoTon 25-08.m4a

Against You

Cinema

Paranoid World

No lies white
Or gas light
No safety from
The coming night
A siren sung
Speaking in tongues
Of castles built
On crooked stilts
Our compass line
De-magnetized
Now (that) everything has gone south


Black Nines_Bones Out

Relax your heart
Relax your brain
Relax your body
Don't feel ashamed

Let go of the stress
Feel the flow

It's okay
To move slow

Keep the cool
Keep the smile
Keep the love
Hold on for miles

Stay calm
Stay neat
Stay clean
Feel the heat

Calm
Calm
Feel your peace
It's in your arms, arms, arms

Calm
Calm, Calm
Feel your peace
It's in your arms, arms, arms

Relax your heart
Relax your brain
Relax your body
Don't feel ashamed

Let go of the stress
Feel the flow

It's okay
To move slow

Keep the cool
Keep the smile
Keep the love
Hold on for miles

Stay calm
Stay neat
Stay clean
Feel the heat

Calm, Calm
Calm
Feel your peace
It's in your arms, arms, arms

Calm
Calm, Calm, Calm
Feel your peace
It's in your arms, arms, arms

Calm

Keep the cool
Keep the smile
Keep the love
Hold on for miles

Stay calm
Stay neat
Stay clean
Feel the heat

Calm, Calm
Calm
Feel your peace
It's in your arms, arms, arms
Arms

Calm, Calm
Calm
Feel your peace
It's in your arms, arms, arms

Arms

Calm, Calm, Calm

soledad

The storm is coming 
The storm is here
Take shelter
Stay near

Withstand
The wrath
Withstand
The pain

Open the drain
Open the drain

Love can rescue
From emotional darkness
Love can rescue
From emotional darkness

Let the water flow
Flow it all down
Let the water flow
Wipe off the frown

Lift yourself up
Get strong again
Walk along
Always defend

Open the drain
Open the drain

Love can rescue
From emotional darkness
Love can rescue
From emotional darkness

Let the water flow
Flow it all down
Let the water flow
Wipe off the frown

Lift yourself up
Get strong again
Walk along
Always defend

Open the drain
Open the drain

Love can rescue
From emotional darkness
Love can rescue
From emotional darkness

Your heart
Your emotions
Your dreams
Your devotion

Can make you fly
Can make you live
Can help you get
To where you've been

Open the drain
Open the drain

Love can rescue
From emotional darkness
Love can rescue
From emotional darkness

Open the Drain

Help me
Save me
Prevent me
From it


Help me
Save me
Prevent me
From it


Save Me, Save Myself
Save Me, Save Myself


It's time I hold on
It's time I shine
This time I save
Yo, yo, yo, yo, yo this, this time, tonight


How do I hold
Myself intact


Save Me, Save Myself
Save Me, Save Myself


Of who I am
Stop the hand
Buy my land
I do begin


Of who I am
Stop the hand
Buy my land
I do again


Save Me, Save Myself
Save Me, Save Myself


Save Me, Save Myself


Save Me, Save Myself


Save Me, Save Myself


Of who I am
Stop the hand
Buy my land
I do begin


Of who I am
Stop the hand
Buy my land
I do again


Save Me, Save Myself
Save Me, Save Myself


Of who I am
Stop the hand
Buy my land
I do be









Save Me, Save Myself

Is there anybody out there fancy a jam? I’ve really been enjoying rearranging covers of classics but feeling stuck in a rut - so if you have a riff but never know where to take it - chord sequence you always strum but never use -bass - melody lyrics -even a whole song you wanna hear in a different style -DM me ☺️💜😈-nothing can become something with a little energy exchange ....💜🤘🏻💜

DJ from Switzerland, living in Zürich playing Electronic Body Music, Industrial Techno, Techno Body Music, Darkwave, Coldwave and Italo Disco. Producing the Mono Dark Mix Sets on my CDJs-3000 and DJM-A9 from PioneerDJ.

~ Refuge Worldwide is a community radio station based in Berlin, working in solidarity with grassroots and non-profit organisations.
~ Visit us at Weserstraße 166, 12045 Neukölln
~ refugeworldwide.com

LADY HEROINE - http://www.cdbaby.com/cd/ladyheroine
Lady Heroine (Elect-Rock) was formed in April 2008, in Tbilisi, Georgia by Kote Kalandadze (formerly the frontman of Nebo SSSR). Initially it was a one-man project and the first album « Elite » (Nov. 2008) was recorded independently in a home studio. The album remains yet unreleased. 
P Lady Heroine’s first appearance was a concert in the Composer’s House on Sept. 12, 2008 with a friend band « FLY ». 
   In 2009, the project took on another member - George Kordzakhia, a base player, with whom the second album with the title « Neetle » was recorded.. 
   In the fall of 2010 – the band went on a tour to the U.K., British gigs included the clubs Underworld, 93 feet east, Albani. Nick Kocharov was invited as a guest performer to play second guitar. 
   In 2011-12 – the band started studio work on an album « Friend’s songs », including the covers The Cure, Joy Division, The Smiths. 
   2011. Band members composed tracks for the feature film « Teen Spirit » (directed by Kote Kalandadze, produced by George Kordzakhia). Soundtrack singles included the tracks « Everything Will Fall » and « Take It Back ». Music videos were produced for both tracks.
     In the fall of 2012 – the band was invited to perform several live shows in London, including the clubs « Camden Rock » and « Barfly ».
       In 2013: Lady Heroine joined a female vocalist and second guitarist Natuka Natsvlishvili and a drummer Sandro Sulakvelidze. 
           With this final line-up the band recorded an 11 track album « Love’s Uncured », which is stilistically different from the band’s previous works and resembles the 90’s alternative rock symbolics, suggesting the grip of the 60s’. The first presentation of new tracks from the upcoming album took place in club divan for the TV show « Imediator » and at the « Secret Lives » venue in June, 2013, the video material of which will shortly be released as official live sessions. 


Home of Mr Merlot aka PH Balance aka Cappuccino Fred. Vancouver's #1 Rustico style DJ.

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets: John Beckmann’s Cinematic Descent Into the Electric Psyche

In the sprawling constellation of modern music, The Mortal Prophets occupy a shadowed corner—less a “band” in the traditional sense than a living, breathing séance conducted by John Beckmann. Across a series of albums, Beckmann has been excavating the strata of Americana, dream pop, blues, and avant-garde minimalism, folding them into a fever-dream narrative that feels like it was beamed from a late-night pirate radio station somewhere between the Mississippi Delta and the outer rings of Saturn. 

Beckmann, who founded New York’s Axis Mundi Design before turning his obsessive creative drive toward music, approaches songwriting like a visual architect—each track a space you inhabit rather than simply hear. His arrangements have the tension of architectural blueprints: precision married to instinct, steel and stone softened by ambient light. In GUITARWORKS II, the most recent installment in a sprawling instrumental odyssey, guitar tones unspool like distant telegraph wires, calling to mind Robert Fripp’s collaborations with Brian Eno, or the glacial drift of Cluster’s experimental soundscapes. It’s profoundly cinematic, yet never ornamental.

If Beckmann’s earlier releases (Stomp The Devil, Me and The Devil, Dealey Plaza Blues) reached back into mythic Americana—the open road, outlaw ballads, acid-washed folk visions—his more recent work tilts toward the abstract, replacing narrative with mood. This is music that understands how memory works: fractured, impressionistic, prone to bleed between truth and hallucination. The Mortal Prophets operate in that liminal space where you’re not sure if you’re dreaming, or just remembering wrong. 

Vocally, when Beckmann steps to the mic, it’s with a delivery equal parts Leonard Cohen confession and Bowie-esque theater—half-smirk, half-sermon. Lyrically, he trades in arcane symbols and sly allusions: 19th-century mystics rub shoulders with dive-bar drifters, and romantic longing flickers like neon through a rain-soaked windshield. He’s not afraid of obliqueness; in fact, he seems to revel in it. Where many contemporary songwriters flatten their work into algorithm-friendly hooks, Beckmann builds labyrinths. 

Part of The Mortal Prophets’ magnetism lies in its refusal to settle. One album might summon the humid ghost-blues of Junior Kimbrough refracted through a loop pedal; the next might drift into synth-heavy dream pop worthy of an early-’90s 4AD release. Beckmann’s collaborators—rotating players drawn from both avant-garde and roots backgrounds—expand that sonic palette, giving the project an almost shapeshifting quality. 
In a cultural moment where genre boundaries are largely performative, Beckmann treats them as haunted ruins worth spelunking through. His songs feel like dispatches from parallel histories of American music—histories where psychedelia never died, where blues never got sanitized, and where experimentalism didn’t have to hide in academic halls. 

The Mortal Prophets may never break into the Billboard mainstream, but that’s hardly the point. Their appeal is in the slow burn, the intimacy of discovery. Beckmann’s work isn’t built for quick consumption; it’s built for listeners willing to linger, to decode, to wander down the long corridors he constructs. In an era obsessed with speed and surface, The Mortal Prophets offer the opposite: a deep dive into the echo chamber of the self, scored by a man who seems to know exactly how to make the walls sing.

New tracks tagged #Post Punk