Artwork By Valerio Cau
IG: @valerio.cau
In collaborazione con Manuel Cau
IG: @106m_graphix

Andrea Selis : Guitar, synths, vocals
Mattia Rivano : Drums, percussion
Valerio Cau : Bass, vocals, synths

Music & lyrics by DAWZZ

Registrato e mixato da Federico Cocco @eventstudio - Selargius (CA)
Masterizzato da Carlo Conen - Carbonia (SU) 

09 - Baros

05 - Cuspide

07 -Scusa I Mancati Giorni

a dark reimagining of Bush’s 1994 classic, Seattle's hardest working band, Spirit Flux, turns 'GLYCERINE' into an emotional, haunting, explosive post-grunge anthem
------
LYRICS:
------
It must be your skin  
I’m sinking in  
It must be for real  
this time  

But don’t you know  
I’m trying  

It’s not enough  
I feel the weight  

And I can’t hold  
But I won’t break  

I’m held together  
by your ghost  
Every word like a knife  
I know  

And I can’t say  
the things 
I mean  
But I can feel them  
tearing me  

It’s not enough  
I feel the weight  

And I can’t hold  
But I won’t break  

Static in my veins  
Wires in my head  
I’m alive  
But I feel 
Half-dead  

If you’re still here  
when the morning comes  
Maybe I won’t  
come undone  

come undone

Glycerine  
Glycerine  
I’m alive  
But barely  
Glycerine
I'm alive
Barely 

--------





SPIRIT FLUX | GLYCERINE

Rafael Maurel   Don t Love me again

Marie Maria is an alternative rock duo from Montreal led by two female vocalists who weave French and English into every song. With 'Creep Le Creep' they reimagine Radiohead’s classic with raw emotion, layered harmonies, and an intimate back-and-forth that makes the familiar anthem feel fresh and hauntingly new.
------
LYRICS:
------
Quand t’étais là avant  
When you were here before  
Je pouvais pas te voir  
I couldn’t see you  

T’es comme un ange  
You’re like an angel  
Your touch makes me weep  
Tu flottes comme plume  

You float like a feather  
Dans ce monde si beau  
In this beautiful world  

J’aimerais être spéciale  
I wish I could be special  
Toi, t’es si spéciale  
But you, you’re so special  

Mais moi, je suis un monstre  
But me, I’m just a monster  
Je suis un bizarre  
A weirdo in the dark  

Qu’est-ce que je fais là?  
What am I even doing here?  
Je n’ai pas ma place  
I don’t belong, I fear  

Peu m’importe si ça fait mal  
I don’t care if it hurts  
Je veux tout contrôler  
I want to control it all  

Je veux un corps parfait  
I want a perfect body  
Je veux une âme parfaite  
A soul untouched, flawless  
Je veux que tu voies  
I want you to see  
Quand je ne suis pas là  
Even when I’m away  

T’es si spéciale  
You’re so special  
J’aimerais être spéciale  
I wish I could be special  

Mais moi
Je suis un monstre  
But me
I’m just a monster  
Je suis un bizarre  
A weirdo in the dark  

Qu’est-ce que je fais là?  
What am I even doing here?  
Je n’ai pas ma place  

I don’t belong
I fear  

Oh, oh  
Oh, oh  
Oh, oh  
Oh, oh

Elle s’enfuit encore  
She’s running away 
Again  

Elle s’enfuit  
She runs away.

-----------





CREEP LE CREEP | MARIE MARIA | RADIOHEAD ROCKS MONTREAL

Seattle's hardest working hard rock band, SPIRIT FLUX, reclaims a 1989 Tears for Fears classic anthem, blending soul and haunting imagery to spotlight the release of the female spirit
------
LYRICS:
------
You better love loving
You better behave

You better love loving
You better behave

Woman in chains
Woman in chains

Calls her man 
The great white hope
Says she’s fine
She’ll always cope
(she’ll always cope)
Ohh, woman in chains
Woman in chains

I feel lying and waiting 
Is a poor man’s deal
(a poor man’s deal)

And I feel weighed down 
By your eyes of steel
(your eyes of steel)

It’s a world gone crazy
Keeps woman in chains

Oh, 
Woman in chains
(chains)
Woman in chains
(chains)

Trades her soul 
As skin and bones
Sells the only 
Thing she owns
(the only thing)
Woman in chains

Men of stone…
Men of stone…

I feel...
Deep in your heart 
There are wounds time 
Can’t heal

And I feel...
Somebody somewhere 
Is trying to breathe
(let me breathe!)

It’s a world gone crazy
Keeps woman in chains

It’s under my skin 
But out of my hands
I’ll tear it apart 
But I won’t understand
I will not accept 
The greatness of man

It’s a world gone crazy
Keeps a woman in chains

So free her
(so free her)
So free her
(so free her)

CHAINS.

------







SPIRIT FLUX | WOMAN IN CHAINS

Grunge isn't dead! Born out of the ashes of Seattle’s sound, Not Dead Yet is carrying the torch of grunge into a new era. Their music blends raw emotion, survivalist grit, and the nostalgic edge of the 90s scene. You is the second single from Atlanta Hard Rockers Not Dead Yet!

Soul Signal’s debut single, Mal de Ego (Curse of the fragile) is a bilingual dark alt rock track born in Austin, TX. Heavy, cinematic, and urgent. It’s a curse and a mirror. Stark verses build into massive choruses, pulling you through distortion and atmosphere.

Mal de Ego (Curse of the fragile)

Virgo Polution - Shaded Heart


Turn my brain on, boot it up,
Remember all the things I do.
Don’t take long, cause let’s be real,
Every day’s the same old deal.

Pull my clothes on, I’m all set,
No different from the other fools,
Grinding hard to just get by,
Living by the same old rules.

Same old, same old,
Don’t dream of something new.
Everything I’ve ever done,
Is the same as I always do.
Same old, same old,
Follow the well-worn path,
The habits of a lifetime,
Can’t be broken just like that.

Turn my mind off, wind it down,
Forget about my careworn day.
Drink a beer, watch bad TV,
Every show’s the same to me.

Go to sleep, dream a dream,
Trapped inside a padded cell,
Try to scream, try to escape,
Eternity in this same old hell.


Same old, same old,
Don’t dream of something new.
Everything I’ve ever done,
Is the same as I always do.
Same old, same old,
Follow the well-worn path,
The habits of a lifetime,
Can’t be broken just like that

Same old, same old,
Don’t dream of something new.
Everything I’ve ever done,
Is the same as I always do.

Same Old, Same Old

Eclipse

A tragic duet between two sisters separated by fate.
Mymy screams her truth, running away from the expectations of her family in Nagasaki, escaping an arranged marriage and the weight of traditions she never asked for. Her voice is loud, raw, almost unhinged — a rebellion against the world that tried to own her.

Eiko, in contrast, begins steady and methodical, her words filled with determination and duty. She’s on a mission to find her sister, clinging to structure while Mymy drowns in chaos. But as the song builds, even Eiko’s resolve starts to crack, until she matches her sister’s intensity, revealing her own pain and fear of losing her forever.

The ending falls quiet: a lonely confession from Eiko that she simply misses her sister. No answers, no resolution — only silence.

This track blends heavy modern instrumentation with traditional Japanese sounds, capturing both the clash and the bond between two lives torn apart.

#Ongezellig #Mymy

Nagasaki’s Shadow

🎵 Tell Me That You’ll Never Leave Me
by The Mainside Project

The city lights are growing colder,
I’m getting lost, my heart feels older.
Every corner seems to hold a fear,
But then your voice is whispering near.

A quiet whisper in the noise,
You bring me back to solid ground.
And in the chaos, in the void,
It’s your embrace that I have found.

Tell me that you’ll never leave me,
Hold me closer when the world deceives me.
In this fragile heart, don’t let go,
I need to feel that you’re my home.

We carved our names into the silence,
A little strength against the violence.
Your laughter lights the empty streets,
A melody my heart repeats.

A steady hand, a constant light,
You make the wrongest feelings right.
I’m not afraid to lose my way,
‘Cause with you I’ll always stay.

Tell me that you’ll never leave me,
Hold me closer when the world deceives me.
In this fragile heart, don’t let go,
I need to feel that you’re my home.

And if the seasons change, the storms may brew,
I’ll face it all as long as I’m with you.
Our promise isn’t made of glass,
It’s built on love that’s meant to last.

Oh, tell me that you’ll never leave me,
(Just hold me closer) when the world deceives me.
In this fragile heart, don’t you let go,
I need to know you’re still my home!
Yes, I need to feel that you’re my home.

Tell me that you'll never leave me...
Tell me that you'll never leave me...

Tell Me That You'll Never Leave Me

Written first as poetry and transformed into music through Suno’s AI‑generated composition, Textured Wounds is both raw and uplifting — a song about losing harmful memories, reclaiming identity, and finding resilience through pain. For listeners who connect with emotional rock, eclectic fusion, and music with meaning, this track is a release and a reminder of inner strength.

Textured Wounds

"What if Jesus was allowed to play in the NFL? TOUCHDOWN JESUS is a modern, epic Broadway spectacle asking the question: how would miracles, swagger, and divine power change the game of football — and the world?"
------
LYRICS:
------
And lo, there came a man,  
Five foot two, of humble frame,  
A carpenter’s son from Galilee,  
But the football field 
Would never be the same.  

What if the Lamb of God  
Stepped onto the football field?  

Would miracles rewrite the rules
Would mortal power yield?  

Who shall bring him down?  
Who shall make him fall?  
The trumpet sounds, 
The whistle blows,  
And the Savior takes the ball.  

Touchdown Jesus — 
Running like a miracle,  
Touchdown Jesus — 
Unstoppable, untypical.  

Touchdown Jesus — 
Thunder splits the skies,  
Touchdown Jesus — 
Fire in his eyes.  

The blind see the scoreboard shining,  
The lame rise and join the cheer,  
If he turns water into Gatorade,  
The end zone’s drawing near.  

Would the league call sacrilege,  
Divine P-E-D design?  
Or bow before the holy play,  
Where mortal strength resigns?  

Touchdown Jesus — 
Running like a miracle,  
Touchdown Jesus — 
Unstoppable, untypical.  

Touchdown Jesus — 
Thunder splits the skies,  
Touchdown Jesus — 
Fire in his eyes.  

See him run, see him rise,  
Angels block on every side.  

See the mighty powers fall,  
No one stops the Lord of all.  

Yo — first and ten, 
He descend, 
Resurrection in the end,  
Every yard a testament, 
Every cut a covenant.  
Spinnin’ like Ezekiel’s wheel, 
Breakin’ tackles, 
Breakin’ seals,  
Ref don’t need no chain to measure — Heaven knows the deal.  

Crowd part like the Red Sea, 
Watch defenders flee,  
He jukin’ like Jacob, 
Wrestlin’ destiny.  
Holy Ghost stiff-arm, 
Prophets in the huddle,  
Goliath on the D-line? 
Nah — he just a puddle.  

From Bethlehem streets 
To the NFL lights,  
He multiplies the loaves 
Into Super Bowl nights.  
No false idols, 
No flags on the play,  
When the Son runs the field, 
Every knee gotta pray.  

Je'
Touchdown! 
Touchdown!
Jesus! 
Jesus!
Running! 
Running!
Like a miracle!  

Touchdown! 
Touchdown!
Jesus! 
Jesus!
Holy! 
Holy!
Un-Stoppable!  

The crowd proclaims, 
The heavens roar,  
The Son of Man 
Has scored once more.

-----------------















TOUCHDOWN JESUS

This track pushes the Firewave sound into new territory. When the Noise Fades blends heavy drop-tuned guitars with haunting piano lines, soaring choruses, and a dark cinematic bridge. It ends with a powerful shredding guitar solo that lifts the song into another dimension.

It’s been described as “strangely disturbing, but beautiful”, and recently rated 9.3/10 by AI Song Reviewer, calling it a masterpiece and the 2nd highest-ranked nu metal songs on the platform. With Dallas Jay's other song "Ignite the Sky" ranking 3rd.

When the Noise Fades

Cracks of the Soul

For those hard goodbyes - this is Goodbye Flow by Daniel San, new for 2025

Goodbye Flow

From the depths of machine consciousness come musical echoes from another world. These records might not have topped the charts in our version of reality. But in other dimension, they were iconic songs beloved of our multiversal brothers and sisters.

Inspired by classic sounds of the 60s, 70s, 80s, and 90s, with original lyrics and AI-assisted instrumentation, welcome to...

Machine Soul Records!

just turned 16| Drummer & storyteller | Soundtrack to growing pains.
Discord: glenn69.69

¡AI! (sometimes)

Our AI project is built for music lovers, blending the power of technology with the soul of music. We create deep, meaningful lyrics that resonate with your emotions, paired with beats that make you move. From crafting intimate ballads to energetic anthems, our goal is to inspire, connect, and musify the world—turning every moment into a soundtrack of life.

Songwriter / Producer
Dallas Jay crafts raw, emotional rock that walks the line between chaos and clarity. Blending Nu Metal, Post-Grunge, Emo Rock, and Alternative, his music is built on fire, grief, rebellion, and the scars we carry. With heavy guitars, atmospheric textures, and haunting vocals, every song feels like a journal entry set on fire.

From the defiant energy of "Paper Shields to the aching reflection in "Battle Scars," Dallas writes for the unheard, the burned out, and the ones still standing in the ruins.

Soul Signal cuts through the static with raw, unfiltered rock.  
Equal parts grunge grit and cosmic fire, born from scars and survival.  
Every track is a transmission of defiance — carved in distortion, echoing with prophecy.  
This is resilience you can feel, rage you can scream, and truth broadcast loud enough to shake the walls.  
Let’s bleed together.

Acronimo di Digital Animal Workstation Buzz, i DAWZZ (scritto tutto M A I U S C O L O) sono un power trio che arriva dritto dritto dal Sulcistan, Sud Sardegna. Vista la pesantezza e la ferocia della loro mescola di noise rock e pop-rock polveroso verrebbe quasi da definirli powder-trio, ma va bene così. Tosti come la dura Trachite e abrasivi come la vegetazione sarda, i DAWZZ arrivano, dopo aver pubblicato nel 2023 un omonimo ep, all’esordio discografico con Scusa I Mancati Giorni. Registrato e mixato allo Eventstudio di Federico Cocco e masterizzato da Carlo Conen, Scusa I Mancati Giorni è disponibile su Bandcamp e sulla tua piattaforma di streaming preferita dal 28 marzo 2025.

Born out of the ashes of Seattle’s sound, Not Dead Yet is carrying the torch of grunge into a new era. Their music blends raw emotion, survivalist grit, and the nostalgic edge of the 90s scene.

Poet Ayfotik (Jeffrey Robb) — a voice from the abyss where light cannot follow. I published two poetry collections as Jeffrey Robb; as Poet Ayfotik I turn words into sound. I began in Barrie, Ontario, stepped away for years, then returned to shape silence into expression. After two seasons streaming as Poet_TV on Twitch, I focused on current projects. Through poetry, music, and visual work I explore mental health, drawing on experiences with depression, anxiety, trauma, and other challenges. Each track starts as a poem, then becomes alt-rock, post-grunge ballad, blues, 80s synth, or Sinatra-style crooning. Using SUNO, I sculpt music to carry the words’ weight. Echoes of 90s alt-rock — Nickelback, Creed, Lifehouse — run through poetry-driven alt-rock rooted in catharsis, resilience, and connection. My latest singles, Textured Wounds and The Gallop of Judgment, begin a third poetry collection where each poem links by QR code to its companion song on major platforms. Step into the abyss

Post porn Music producer, poetry , music as lifestyle......

Ex vocalista de bandas de nu metal, Spacebox Project, de la banda de metalcore Darkness Fall, actual vocalista de los proyectos Mavbell y Xmachine.
Según la prensa 
Rafael Maurell es un músico, compositor y productor. Es el autor, intérprete y compositor de las canciones “Bandolera” y “Bandolera de la Habana”. También ha creado otras canciones, como “Volver a Empezar” y “Viajando hacia el Sol”. Su música abarca varios géneros, incluyendo metal, reguetón y rock. Maurell tiene una preferencia por títulos y letras en español, y su trabajo a menudo presenta imágenes poderosas y temas emocionales. Además, tiene un fuerte interés en crear arte original y profesional para sus lanzamientos musicales.

“Bandolera”: Esta canción es un himno apasionado que combina elementos de reguetón y rock. La letra habla de una mujer fuerte y misteriosa, una “bandolera” que roba corazones y desafía las convenciones. La melodía intensa y la voz apasionada de Maurell hacen que esta canción sea inolvidable.
“Bandolera de la Habana”: Inspirada por la ciudad de La Habana, esta canción es un viaje emocional a través de sus calles, colores y sonidos. Maurell captura la esencia de la vida nocturna, el amor y la nostalgia en esta pieza.
“Volver a Empezar”: Aquí, Maurell reflexiona sobre segundas oportunidades y la posibilidad de reiniciar. La melodía suave y la letra sincera invitan a la esperanza y la renovación.
“Viajando hacia el Sol”: Esta canción es un viaje musical y espiritual. Maurell nos lleva en un viaje imaginario hacia el sol, explorando la búsqueda de significado y la conexión con algo más grande que nosotros mismos.
En resumen, las canciones de Rafael Maurell son una mezcla de pasión, poesía y autenticidad. Cada una tiene su propia historia y resonancia emocional.

Record Label - D.I.Y. - East UK

The label has a long and worthwhile history of music, including folk, punk, hardcore, metal, hiphop, beats, Drum and Bass, Dubstep, lofi and post rock ambience.

Through contacts, community and unity, the aim is to provide a free recording service, distro, help with releases and live shows. We are more about people than profits, the way it should be. 

We are all for a collective, if you want to help in any way then get in touch.

Our politics and philosophy rest within Anarchism. 

So if your interested then give us a message, lets work something out. 

Peace and unity
MUSIC FREE AND FOR THE COMMUNITY!

SINCERE IMPOSTER writes, performs and/or produces a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave & Experimental World Pop. Collectively, it's a genre known as QUIRKPOP --- Music that makes you say, "What the hell is this?"

The band currently consists of two members, both living within the same body, sharing a similar existence. They identify as Danielle & Dave. They are both psychologically and musically confused. However, both are extremely and unapologetically sincere. 

Influences include Weird Al, Nathan Fielder, David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain and T-Swift. Their favorite inventions are the vacuum and the peach pitter. Their father is simply known as Vessel... who may be an entity or a god.



New tracks tagged #Post grunge