Faded Harmonies

Bring It Back

The Gambler's Fate

Live at Wembley

An unforgettable performance from the Celestics amazing concert at Wembley Stadium. 

Created with Udio

Eternal Melody (Live Acoustic)

Glaciers

it's never enough

A song about the current decline of western society.

Paranoia

A redo of my original song for better vocals.

Filthy Land
Music and Lyrics: Mike Krath
artifically enhanced using SUNO

Lyrics

I ride the train with packed men
Who haven’t bathed in some sense
I hold my hand to my nose
After covering it with after-shave,
The dirty men make it necessary
Their stench makes it necessary
Their mannishness makes it necessary
To hold my nose.

I am above these sad souls,
I am rich, they are dirt poor,
I hold my cash in my pants,
After seeing these men as beneath me
These poor men make it necessary
Their clothes make it necessary,
Their beneath me makes it necessary,
To hold my cash

And thirteen stations later,
That pass by in a dim blur,
These zombies move without purpose
Into the dirty air,
As rats play in the door
And women move their bellies,
But not their brains,
And children poop in the streets,
And no one cares.
Not there in Filthy Land,
Not there in Filthy Land.

And I find resolution,
But not absolution,
A dissolution if you will,
To breathe once more,
But the air is dirty.

In Filthy Land

Run away with me

From the heart of post-britpop and protest rock comes "Revolution." This track channels a restless spirit, dreaming of change and refusing to bow down to "engines of greed." It's a powerful statement for our times.

Revolution

Step into the heart of Manchester’s musical soul with "LIES", an electrifying indie rock anthem that echoes the raw honesty of Richard Ashcroft and the defiant swagger of Oasis. Gritty, melodic, and unflinchingly real, "LIES" punches through with soaring guitars, hypnotic rhythms, and a vocal delivery drenched in passion and northern charm.

Lies

“Leaving” is an alternative rock track driven by a hypnotic electric guitar riff that loops like a restless memory. Supported by punchy live drums and a steady, melodic bassline, the track slowly builds in layers – with airy synths and subtle piano weaving in as it unfolds. The result is a spacious, atmospheric sound with echoes of early-2000s indie rock — moody, melodic, and cinematic.

For fans of: early Coldplay, Interpol, The National, Snow Patrol, or anything that sounds like dusk settling in.

Leaving

Subte

Haydar singing Yellow by Coldplay (verse only)

My Tambourine Laughs V5

Don’t need you to understand
I breathe in my own rhythm
No need to hold my hand
That’s enough for me
That’s enough for me

You want a simple label
To sort what’s in my head
But I’m not made for boxes
I’m chaos wrapped in thread
A beautiful f-f-feedback loop
Just trying to be true
So keep your simple answers
I don’t need them from you

It’s okay if you don’t see
(don’t see, don’t see)
I’m not hiding, I’m just me
It’s okay if you don’t see
(don’t see, don’t see)
I’m still shining underneath

Yeah it’s okay
It’s okay if you don’t see

Glitching through your system
I move the way I breathe
You try to track my patterns
But you’re not tuned to me
I live in other wavelengths
Out of sight, out of phase
So when I drift away
Just know I’m not afraid

I’m vibrating at a parallax
That you don’t understand
I’m stardust in a feedback loop
You couldn’t ever plan
So don’t try to define me
I’m not here to explain
I’m light and sound and silence
And I’m dancing through the rain

It’s okay if you don’t see
(don’t see, don’t see)
I’m not made for clarity
It’s okay if you don’t see
(don’t see, don’t see)
Still I move so gracefully
Yeah it’s okay
It’s okay
It’s okay if..
It's okay
It's okay
It's okay

Not broken
Not too much
Just different
A different truth
I'm letting all my colors show
I finally found the room to grow

And i'm still here
I am still free.

It’s okay
It’s okay if you don’t see
I’m not hiding, I’m just me
It’s okay
It’s okay
It’s okay if you don't see

Understand myself

producer, pianist, singer, songwriter, artist. 19, sheffield / huddersfield. the debut album "The Cities We Build", out now.

hi folks!
🎙️🏸📸🌸🍉💫🌧️🐰🕷️🕸️🫧

Im music maker .I like to make electronic and melodic music
inrikamusic@gmail.
https://music.apple.com/us/artist/1754833326
https://open.spotify.com/artist/6UDcfc5Vk3UFK7mxqm3IT2

Kimpituy – meaning roughly “butterfly” in Quechua – is the creative nest where music and literature take flight. We proudly present a diverse roster of musical acts:

Groove with the German Soul and Pop sounds of Samtblüten.
Rock out with the Alternative and Indiepop vibes of Velvet Petals.
Get lost in the Club, Trip-Hop, and Electronic landscapes of Calalga Beats.
Move to the Brazil Funk and Afrobeat grooves of Téo Fortes — music born between Paraty and Spain’s Costa Blanca, blending protest, passion, and rhythm.
Dive into dark urban drift with Tyranny Drift — haunting Phonk and dystopian beats for the night.
Feel the fire of Latin EDM with Nayrix, bold, sensual, and unapologetically catchy.
Float in expansive ambient soundscapes with Lemmon A6, where stillness and motion meet.

New Signings:
Kimpituy proudly welcomes Nayrix and Lemmon A6 to the family — two unique sonic identities: one born for the dancefloor, the other for inner space.

Beyond our core bands, discover unique projects like the official soundtrack for Oliver Stahmann’s book, “Der Faulosoph”.

While our SoundCloud focuses on audio, Kimpituy also publishes books including The Philoslother, Benny the Dancing Dog, The Green Sky, and many more by writers like Oliver Stahmann, Max Stargard, Lilia Alba, or Oscar Sullivan.

Follow Kimpituy to stay updated on all our musical journeys. If you are interested in recording or covering one of the songs, please reach out.

P.S.: No interest in Cover Art or Video Art offers.

Sound gives voice to the parts of my mind that are otherwise left on mute. 💜 My goal is to connect through music. 🔗

👇 Follow me 👇

Eugene Ryan is an Electronic Music Producer and Audio Mastering Engineer. Check out his music at Soundcloud, iTunes, Apple Music, Spotify, and other leading music distributors. 
MasteringMadeEasy.com

rock, electronic and other instrumental sad stuff you will find here, if you want to buy something, just leave a message.

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

New tracks tagged #Post-Britpop