still untitled improvisation ambient track in an ordinary day

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"Orchestral Meditation" is a tranquil orchestral journey through serene landscapes. This evocative composition blends classical elements with contemporary influences, creating a soothing and meditative soundscape. Perfect for relaxation, study, or simply losing yourself in the beauty of music.

Orchestral Meditation

Playlist: Works in Progress
Last updated: December 8, 2024

Status: Inquiries/feedback welcomed.

From the composer: “Promised Ending” is a response to the profound disappointment following the U.S. election, capturing the atmosphere of collective grief. It begins with the quiet realization that things are going awry, unfolding into a slow-moving lament—a reflection on the country’s concession to a deepened darkness and an uncertain future.

Promised Ending

As its almost tradition now we start the year with a meditative album from Portuguese pianist and composer Tiago Sousa.

Using the piano as its primary tool of expression, Tiago has been slowly cementing his place as one of the most distinct voices to emerge out of the modern wellspring of piano driven minimalism.

After last years Angst (CREP81, Discrepant) and 2015’s Um Piano nas Barricadas (CREP23, Discrepant), Tiago returns with a deeply meditative album of synesthetic organic musical patterns and complex hidden melodies where every piano stroke and chord resonate into a nebulous sound world we can’t avoid to get lost into.

Entitled Organic Music Tapes Vol.1 the album opens up a new series of works where Tiago approaches composition as organic matter, like the organic patterns inherent in Jade or the irregular grains of wood or even the random fibre markings found in muscle. These are complex patterns, not to dissimilar to what we see when we look at the stars and notice a gaseous nebula, with its extremely indeterminate form and shape, easy to feel and understand but impossible to explain.
créditos

piano compositions: tiago sousa
sound engineer: andré fernandes
piano technician: paulo pimentel

Hoarfrost

To be nine of the nine

Mental Laziness

The Taste Of Nothingness

The Scent Of Time

Sitting Quietly Doing Nothing

Woodcrafter

Keru Not Ever - Mezzanine
Label: Infinite Machine
CAT#: IM115
Format: Digital
Release Date: December 20th
Mastered by Fausto Mercier

Words by Keru Not Ever.

Mezzanine is an album of post-classical music. The twelve pieces that make it up are attempts to take the raw materials of instrumental music, dip them in mud, and turn them into shimmering confetti. Flutes, violins, clarinets, voices, cellos, piano, bass—these elements are all there, woven together through a mixture of hyper-sampling and recording, creating a chamber music without walls, without windows, suspended in stagnant air and multicolored dust. The conductor lies in bed, sheets pulled up to his shoulders.

Modeled on human breath, the pieces highlight the phenomena of loops and feedback, as though each time a theme is voiced, it must be repeated, insisted upon, until something else — a counter-melody — emerges to disrupt it. This is clear from the very first piece, Requiem Caesura, which functions like the tuning of a small orchestra, seemingly deaf to itself. Then come, to name just a few, the shimmering wind arrangements of Ghisolabella, the pulsing glissandi of the solo bass in Mezzanine, and, finally, the epilogue, Harmonies de la brûlure, a tableau of slow-moving harmonic ashes.

This album took a long time to create, the time it took to free myself from Tereza and The Wind Of? — old, forgotten music. Whether that time was worth it, that is, the doubt in which every melody is born, I can’t say. What composes is always next to myself, an extimacy. But it's a leap in time, an interval of a few years, a leap based on certain musical ruins, anonymous shreds twisted in the throes of a pandemic, in the love and joys, the sudden lights striking the blind spots of a body. These are companion pieces produced from the detritus of history. They hold out a cold hand to those who lend an ear. 

Tracklist:
1. Requiem Caesura (Prologue)
2. Ghisolabella
3. Le poumon 
4. La chambre-haute
5. Infans 
6. L'oeil 
7. Passion
8. Coeur de peur
9. Mezzanine 
10. Le lac 
11. Malebolge 
12. Harmonies de la brûlure (Epilogue)

PREORDER

Keru Not Ever - Ghisolabella (IM115)

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Fantasy World

Fantasy World (Ambient Version)

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Fantasy World (Ambient SpeedUp Version)

Patros15 - Fantasy World (Ambient SpeedUp Version)

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Fantasy World (Ambient SpeedUp & Reverbed Version

Patros15 - Fantasy World (Ambient SpeedUp & Reverbed Version)

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Fantasy World (PitchedUp & Glitched VIP Version)

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Fantasy World (Ambient Slowed Version)

Patros15 - Fantasy World (Ambient Slowed Version)

I'm not driven by media trends or fleeting song fads—each track is a personal expression of the music I truly want to create.

Owen Barker is a versatile musician who blends diverse styles with ease, crafting every element of his music—from vocals and beats to production and lyrics. His passion for transforming ideas into captivating compositions shines in every track, reflecting his deep dedication to the craft of music-making.

Thank you so much for your support! From here on out, you can look forward to even higher-quality songs, with studio-level polish on everything released after the Halloween tracks. Your support means the world to me!

Nebulous works for piano, church tube and electric organ. Cut from similar cloth to works by Charlemagne Palestine, Terry Riley, Steve Reich.

Upcoming live
30 Jan ZDB, Lisboa
8 Feb Socorro, Porto

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

What are the chances my newest song ends up in TV or film? Follow to support this work. Thanks for listening. 🌈 (he/him)

The soul that will always be misunderstood.

Our world is full of unfairness and I hate it, because I am noone... I am mental ill for others... and I cant change it...

I am only honest to people, but they don't wanna hear truth because it is pain.

Noone is perfect you need accept it.

DnB/remixes profile: https://soundcloud.com/patros15-vol-2
Drone/Impro profile: https://soundcloud.com/patros15-vol-3

nostalgic, sentimental, folky electronica/ambient/post rock with acoustic & analog noise from Tochigi, Japan.
Solo project by Naoki Shbiata (e.g. nei / the boat room).

Naoki Shibata (e.g. nei, the boat room) によるソロプロジェクト．
エレクトロニカやポストロックを基調に、アコースティックな音色やフィールドレコーディング・アナログシンセによるノイズを交えたノスタルジックで叙情的なサウンドを奏でる．
何気ない日常の風景、その温かさを音に変換した優しいメロディとノイズが響きあう．

New tracks tagged #Post-Classical