Directors Domee Shi & Madeline Sharafian, join the show to talk about their approach to collaborating with the audio post team on the newest Pixar film, Elio. Re-recording Mixer Bonnie Wild & Supervising Sound Editor/Sound Designer Jeremy Bowker are also on board to share how they built the soundscape of the "Communiverse", a friendly and warm version of outer space. Together the directors and sound team discuss how scary is too scary, how they share new sounds during development and what types of references and language they used to communicate the film's sonic needs.
If you are going to be in the Mexico City area on Oct 21st, at 4pm, come out to SAE Institute for a afternoon and evening of audio post talk, food and drinks.  please register in advance at http://www.tinyurl.com/mpseincdmx and find full details at https://tonebenderspodcast.com/tonebenders-sound-design-meet-up/
SPONSOR: After over a year of dedicated work, the entire Sound Ideas sound effects collection, over 500,000 individual files, has been upgraded to the Universal Category System’s, filename and metadata standards. With this enhancement, sounds are now more organized, searchable, and ready for seamless integration into your workflow. Head over to https://www.sound-ideas.com/Page/ucs-data-upgrade to learn more.
Episode Notes: https://tonebenderspodcast.com/329-the-directors-sound-team-from-elio/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

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329 - The Directors & Sound Team From Elio

The sound design in the Harry Potter series completely changed the way audiences expect magic to sound on screen. Those magical sounds also had to evolve as the series went on, to match the skills developed by the main characters. James Mather was the Supervising Sound Editor on the final 4 films in the series (Order of The Phoenix, Half Blood Prince, Deathly Hollows Pt 1&2) and in this episode he discusses what it was like to find out he got the gig, discovering inspiration from both the books and the sounds of the previous films, and how his team designed the magic to match the circumstances and personalities of each character. Stay tuned for part two of this talk coming soon.
SPONSOR:  Take your sound design to the next level with the Creator Access Plan from Sound Ideas. This membership puts 100 downloads a year from over 630,000 world-class sounds right at your fingertips: easy to search, simple to use, and built for creators. Power your next project with the sounds pros trust at Sound Ideas.  Go to https://www.sound-ideas.com/ too learn more
Episode Notes: https://tonebenderspodcast.com/331-the-sound-legacy-of-harry-potter-with-james-mather-pt-1/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

331 - The Sound Legacy Of Harry Potter With James Mather Pt 1

Film creation is a detailed process that transforms hours of unpolished footage into a polished and engaging movie. Post production studios play a major part in this journey, bringing together skilled professionals who handle every creative and technical detail. Behind every great film, there is a team of experts who work together to ensure the final product looks and sounds perfect. Production studios play a key role in this transformation, managing everything from editing to color correction, sound design, and visual effects. Their goal is to create a seamless and visually captivating experience for the audience.

How Production Studios Turn Raw Footage into Stunning Films

In Part 2 of this in-depth interview with James Mather we talk more about his work as Supervising Sound Editor on the final 4 Harry Potter films (Order of The Phoenix, Half Blood Prince, Deathly Hollows Pt 1&2). James digs into the sound of the horcrux and how the overall sound design was able to become more complex/scary as the main characters grew up. There is also an added bonus of a mini interview with Gillian Dodders, Ben Barker & Glenn Freemantle about their work on The Fantastic Beast Trilogy. All of that is proceeded by Tim's run down of his trip to Mexico City for a recent Tonebenders/MPSE/SAE Institute event, including his adventure being detained by police at the airport on his way home?!
SPONSOR: Take your sound design to the next level with the Creator Access Plan from Sound Ideas. This membership puts 100 downloads a year from over 630,000 world-class sounds right at your fingertips: easy to search, simple to use, and built for creators. Power your next project with the sounds pros trust at Sound Ideas. Go to https://www.sound-ideas.com/ to learn more.
Episode Notes: https://tonebenderspodcast.com/332-the-sound-legacy-of-harry-potter-with-james-mather-pt-2/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead


332 - The Sound Legacy Of Harry Potter With James Mather Pt 2

Viktor is an impressive documentary that relies on sound to tell it’s story.  The film’s protagonist is a deaf photographer living in Ukraine, documenting the Russian invasion of of his country after he finds out he is not allowed to sign up as a soldier.  Using innovative sound design to immerse the audience in Viktor’s POV (or more accurately POH, point of hearing), the film focuses on his frustration at being unable to fight in the traditional sense and his passion for photography, as a way to serve his country. This spoiler free conversation with Sound Designer Peter Albrechtsen, Sound Designer/Foley Artist Heikki Kossi and Re-recording Mixer Tim Nielsen, discusses how they manipulated the sound in the film to approximate how Viktor hears and just as importantly, when to employ these techniques.  The sound design for Viktor evolved drastically from the start of postproduction to the final mix. They began with hard rules for when and how to twist the audio. Yet for the final version, all those rules were thrown out the door.  It is an interesting case study following the journey a soundtrack to find a film's “voice”.  The sound team interview is followed up with a one on one talk with Viktor's director Olivier Sarbil.  Olivier is an impressive man with a very unique relationship to the audio postproduction phase of film making.

SPONSORS: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!

Have you been using Subquake by The Cargo Cult?  Get the low end to cut through in your mixes, in ways you were never able to achieve before.  We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast.  Don’t fall into the trap of delivering boring, ho hum sub.  Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls.  Head to https://www.thecargocult.nz/ to learn more 
Episode Notes: https://tonebenderspodcast.com/333-the-unique-sound-of-viktor-with-the-sound-team-director/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

333- The Unique sound of VIKTOR with the Sound Team & Director

London has become one of the top global centers for film post-production. The city is filled with talented professionals, world-class facilities, and creative energy that attracts filmmakers from all over the world. Many international films, series, and commercials finish their work in post production studios London, where modern technology meets strong creative skills. From editing and sound to color grading and visual effects, London offers everything needed to turn raw footage into a polished and powerful story.
Visit: https://www.blackhangarstudios.com/post-production

6 Reasons Filmmakers Choose London for Post Production

Sinners was a massive critical and box office hit earlier this year.  The sound work was a major reason audiences flocked to see it.  Part Vampire/Horror, part period gangster and part full blown musical, Sinners is not a film that needed a standard approach to it's sound design and mix.  Re-recording mixer Brandon Proctor, Supervising Sound Editor Benny Burtt, Supervising Dialogue & ADR Editor David Butler, Music Editor Felipe Pacheco and Production Sound Mixer Chris Welker talk us through how the sound track was built.  Topics range from capturing the the voices and live music on set, to designing the sound of the Mississippi Delta in the 1930s, to mixing everything together to feel real on the mix stage.  Finally Re-Recording Mixer/Sound Designer, Steve Boeddeker, joins us to lead an in depth discussion on how long is the perfect amount of time for a blood curdling scream to last?  __________
Sponsors:
This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______

Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______
The Toucan, by Soundwich, is an omni-directional, ultrasonic microphone that can record up to 100k.  Designed from the ground up with an extremely unique look, the Toucan wants to make ultrasonic recording available for those on a budget, with an eye catching price of $185 US dollars 
This is the perfect time to buy because, for Black Friday, Soundwich is offering 15 percent off everything.  Starting now and running until Nov 30th, 2025, only while supplies last.  Head over to https://soundwichartist.com/pages/all-products to learn more and order a Toucan for yourself.
Episode Notes: https://tonebenderspodcast.com/335-sinners/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead



335 - Sinners

Gisle Tveito has been dreaming up the sounds in director Joachim Trier's films since 2006 and the two have collaborated again on the wonderful new film Sentimental Value.  Gisle joins me to talk about the challenges of working on the sound for quiet, internal films.  Including building an emotional map of the entire movie to determine where the sonic focus changes occur.  He also discusses how he attacks a project where he is the dialog editor, sound effects editor, music editor, voice over director and re-recording mixer.  Is wearing this many hats an an indie/punk rock approach or madness?!________
Sponsors:
This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______
Episode Notes:  https://tonebenderspodcast.com/337-sentimental-value-with-gisle-tveito/
Podcast Homepage:  https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead


337 - Sentimental Value with Gisle Tveito

It seems like Guillermo del Toro's whole career has been leading up to Frankenstein.  Part of that progression has been building a great trust with the sound team he has been collaborating with for over a decade.  Supervising sound editors Nathan Robitaille & Nelson Ferreira, Re-recording Mixer Brad Zoern and foley artist Goro Koyama join me for this episode to discuss working on their biggest del Toro film yet.  From designing the voice of the creature, to making all the guns sound huge (but certain ones sound even bigger!?) to the difficulty of making chains sound heavy, they discuss how challenging this film was. Including creating the sounds for their version of the iconic scene where the creature comes to life.__________  SPONSORS:  This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production.  And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995.  This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today. __________ The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial.   Matchbox 2 is exactly what you have been waiting for.  Spend your time being creative and let Matchbox handle the conforming.___________
Episode Notes: https://tonebenderspodcast.com/338-frankenstein/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

338 - Frankenstein

In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about films of the year, he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films that are all lead by director's with very specific visions. Johnnie takes us on a spoiler free journey, to tell us how he was able to tackle these films and find the sonic voice of each one. _________
Sponsor:  This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production. And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995. This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today.___________
Episode Notes: https://tonebenderspodcast.com/339-johnnie-burns-big-year-with-hamnet-bugonia-28-years-later/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

339 - Johnnie Burn's Big Year with Hamnet, Bugonia & 28 Years Later

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

Black Hangar Studios is a leading production facility in Alton, Hampshire, UK, offering cutting-edge resources for film, television, and media projects. Known for its expansive sound stages, cutting-edge green screen technology, and top-tier post-production services, the studio serves as a hub for creative excellence.

New tracks tagged #PostProduction