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Inside Episode XXXVIII: Join us for an in-depth exploration of the post-production process for the feature film "Blitz," directed by Steve McQueen. Set in London during World War II's relentless German bombing campaign, The Blitz, the story centers on George, a young boy navigating a perilous journey home to his mother. Editor Peter Sciberras, ACE, along with Supervising Sound Editor and Re-Recording Mixers Paul Cotterall and James Harrison, will share insights on their unique approach to editing and sound design, highlighting how they crafted an atmosphere filled with suspense and captured the intense experience of a city under siege. The session will be moderated by Josh Apter, owner of Manhattan Edit Workshop.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Paul Cotterall is a British sound editor and re-recording mixer. He has been nominated three times for the BAFTA TV Award for his work on “The Missing,” “Birdsong,” and “Red Riding: The Year of Our Lord 1974.” Other notable projects include “The Northman,” “Small Axe,” and “Nocturnal Animals.”

James Harrison is a British sound editor. He was nominated for an Academy Award in the category Best Sound for the film “No Time to Die.” He is also known for his work on “1917,” “The Northman,” and “Napoleon.”

Peter Sciberras, ACE, is an Oscar-nominated Australian film editor based in London. Sciberras was nominated for an Oscar for Best Achievement in Film Editing on Jane Campion’s “The Power of the Dog.” Sciberras also earned an American Cinema Editors ACE Eddie Award nomination in the category of Best Edited Feature Film – Dramatic, and a Critics Choice Award nomination in the category of Best Editing

His previous filmography includes the following notable titles: David Michôd’s “War Machine,” “The King” (nominated for an Australian Academy of Cinema and Television Arts (AACTA) Award), and “The Rover” (nominated for an Awards Circuit Community Award).

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft.  We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. 

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#ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #aja #Mewtube #theblitz #blitz #filmediting #stevemcqueen #soundediting #soundeditor #postproduction #petersciberras #paulcotterall #jamesharrison #sounddesign

Inside the Post-Production Journey of the Steve McQueen Film "Blitz"

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With "From the World of John Wick: Ballerina" hitting theatres, it is a good time to talk to the sound team that, for some, have been working on the John Wick films for over a decade. Supervising Sound Editor Mark Stoeckinger, Re-Recording Mixers Andy Koyama & Casey Genton and Sound Designer Luke Gibleon discuss designing massive gun sfx, the challenge of each film getting bigger that the last, their relationship with the franchise's directors and how they find ways to make room for the huge music and sound effects that give the John Wick films their signature sound.
SPONSORS: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to https://www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions. The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community.  He puts a lot of work into making and testing each mic to ensure they live up to his high standards.  They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun.  They are extremely affordable.  At $150 American for a stereo matched pair, they offer a lot of value. Check it out at https://www.chrisatrevino.com/store/omini
 If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code “VFFTONEBENDERS” for your free tickets.

Episode Notes:  https://tonebenderspodcast.com/311-the-sound-legacy-of-the-john-wick-films/ 

Podcast Homepage: https://www.tonebenderspodcast.com  

 This episode is hosted by Timothy Muirhead

311 - The Sound Legacy of The John Wick Films

Hospitals are really hard to create sound design for. The walla and general soundscape of a hospital is very different than any other location, because they are dense but not necessarily loud. Plus there are lots of medical machines that need to be accounted for. In the new HBO emergency room drama, The Pitt, this challenge is amplified as the show takes place entirely inside an especially intense ER. Supervising Sound Editor Bryan Parker and Re-Recording Mixers Ed Carr & Todd Grace, tell us how they used the sounds of The PItt to increase the tension, emotions and payoffs..... all with almost no score in the series. No detail was left to chance, as a map of the fictional emergency room was used extensively by the sound team, to motivate panning and what kind of sounds are heard by the audience. The use of sound design to draw you into the story is one of The PItt's greatest triumphs.
SPONSORS: Check out one of Sound Ideas latest libraries The General HD vol 6, which brings over 4000 new effects, to add to your arsenal of sounds: from the deepest depths of the ocean, to the highest peaks of mountains and well beyond. Whatever the mood or circumstance, General HD 6 will cover it. This new library comes with rich metadata in UCS format, and is available in 24bit 96k resolution.  Head over to https://www.sound-ideas.com/Product/2465/General-HD-6-Sound-Effects-Collection to learn more.

The Soundminer Database Companion, or SMDBC, is an amazing App that is extremely easy to use. SMDBC simply cleans up your Soundminer Databases, saving you time and effort on all your future searches.  Simple as that. It does not erase anything from your drives, unless you want it to. You can learn everything it can do by heading over to https://smdbc.com While there you can get 10% off your purchase, by using the discount code: TONEBENDERS

Episode Notes:  https://tonebenderspodcast.com/312-the-pitt/
Podcast Homepage:  https://tonebenderspodcast.com  
This episode is hosted by Timothy Muirhead


See Our Site

312 - The Pitt

Selecting the right environment for editing, sound, and final touches is crucial in any film project. Many filmmakers rely on post production studios that provide both technical support and adaptable spaces to match their creative goals. A strong studio offers more than just equipment; it creates a setting with the right people, layout, and energy to help teams stay focused and meet deadlines.

Key Factors to Know Before Choosing a Post Production Studio

Arcane is a ground breaking animated series, especially when it comes to how the show used music and sound design, working together, all the way through the process.  In this special conversation from the Riot Games Campus, in California, Supervising Sound Editors (Eliot Connors & Brad Beaumont) sat down with the series composers (Alex Seaver and Alex Temple) to talk about how each of their contributions, inspired the way the others approached their work. They discuss how the musical themes evolved throughout the series, how the sound design had to be based in organic sounds and their desire to make the sound live up to the impressive visuals of Arcane.  If you enjoy this episode, go back to eps 309 for more Arcane talk, with the re-recording mixers Penny Harold & Andy Lange. 
SPONSORS:  The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community.  He puts a lot of work into making and testing each mic to ensure they live up to his high standards.  They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun.  They are extremely affordable.  At $150 American for a stereo matched pair, they offer a lot of value. Check it out at www.chrisatrevino.com/store/omini
Check out one of Sound Ideas latest libraries The General HD vol 6, which brings over 4000 new effects, to add to your arsenal of sounds: from the deepest depths of the ocean, to the highest peaks of mountains and well beyond. Whatever the mood or circumstance, General HD 6 will cover it. This new library comes with rich metadata in UCS format, and is available in 24bit 96k resolution.  Head over to https://www.sound-ideas.com/Product/2465/General-HD-6-Sound-Effects-Collection to learn more.
Episode Notes:https://tonebenderspodcast.com/313-the-sound-design-amp-music-of-arcane-season-2/
Podcast Homepage:  tonebenderspodcast.com  
This episode is hosted by Timothy Muirhead

313 - The Sound Design & Music Of Arcane Season 2

House Of The Dragon is one of the biggest shows on TV and the sound of the show is one of the big reasons for that success.  Al Sirkett (Re-Recording Mixer/Supervising Sound Editor), Barnaby Smyth (Foley Artist /Foley Supervisor), Ruth Knight (Sound Editor) and Doug Cooper (Re-Recording Mixer) joined me for an in-person interview to talk about the immense challenge of building the world of Westeros through sound.  They also discuss the many different kinds of fire recordings they used, and some keys scenes including The Battle of Rook's Rest, The Red Sowing and Blood and Cheese's mission.  Big thanks to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England.  To learn more about the Motion Picture Sound Editors, you can go to https://www.mpse.org.  They are doing great work to support and advocate for sound editors all around the world.
SPONSOR: The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms.  It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to https://www.thecargocult.nz , to learn more about Matchbox 2 and pulldown the free 15 day trial.   Matchbox 2 is exactly what you have been waiting for.  Spend your time being creative and let Matchbox handle the conforming.
Episode Notes:  https://tonebenderspodcast.com/314-mpse-presents-house-of-the-dragon/ Podcast Homepage: www.tonebenderspodcast.com  
This episode is hosted by Timothy Muirhead


314 – MPSE Presents: House Of The Dragon

Fresh off of receiving 2 Emmy nominations, for Sound Mixing and Sound Editing, the audio team from The Bear sits down to talk about their work on the latest season of the acclaimed series.  Re-Recording Mixer & Supervising Sound Editor Steve "Major" Giammaria, Dialog Editor Evan Benjamin and Production Sound Mixer Scott Smith, break down the many challenges this series presents, both on set and in post production.  They breakdown a few key scenes and follow how the dialog is captured on set, cleaned and prepped in editorial and finally crafted on the mix stage.  Listeners in England mark your calendars for Sunday August 24th for the Tonebenders London Sound Design Meet-up presented by the motion picture sound editors.  Full Details at https://tonebenderspodcast.com/tonebenders-sound-design-meet-up/ See you there everyone!  
SPONSORS: The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to www.https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial. Matchbox 2 is exactly what you have been waiting for. Spend your time being creative and let Matchbox handle the conforming.
Check out Extension 12, of the iconic General Series 6000 Library: Sound Ideas’ most popular sound effects collection. This newest addition features Over 2,500 high-quality recordings, over a wide range of sounds for both the fantastical and the realistic. Available in four resolutions with descriptive metadata in UCS formatting, this library ensures show-stopping results. https://www.sound-ideas.com/Product/2459/General-Series-6000-Extension-12

Episode Notes: https://tonebenderspodcast.com/317-the-bear-season-4/
Podcast Homepage:https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

317 - The Bear Season 4

Recorded in the legendary Formosa Trident Studios, this talk features someone on the sound team from every James Bond film released since 1973?!!!!  Michael Fentum ( Sound Editor on No Time To Die), Karen Baker Landers (Supervising Sound Editor on Skyfall & Spectre), Mike Prestwood Smith (Re-recording Mixer on Casino Royal & Quantum of Solace) and Graham Hartstone (Re-Recording Mixer on Moonraker, For Your Eyes Only, Octopussy, A View To A Kill, The Living Daylights, License to Kill, Golden Eye, Tomorrow Never Dies, The World Is Not Enough, Die Another Day and more), talk about their initial thoughts when they found out they would be working on the Bond franchise, the scenes they are most proud of and lots more.  Big “thanks” to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England.  To learn more about the Motion Picture Sound Editors, you can go to https://mpse.org/.  They are doing great work to support and advocate for sound editors around the world.
SPONSOR: The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to www.https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial. Matchbox 2 is exactly what you have been waiting for. Spend your time being creative and let Matchbox handle the conforming.
Episode Notes: https://tonebenderspodcast.com/318-mpse-presents-the-sound-legacy-of-james-bond/
Podcast Homepage: https://tonebenderspodcast.com
This episode is hosted by Timothy Muirhead

318 - MPSE Presents The Sound Legacy of James Bond

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

Black Hangar Studios is a leading production facility in Alton, Hampshire, UK, offering cutting-edge resources for film, television, and media projects. Known for its expansive sound stages, cutting-edge green screen technology, and top-tier post-production services, the studio serves as a hub for creative excellence.

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