Track 1 of the No Carrier - Data Set Ready EP recorded in the late 1990s.

I was notorious for skipping school, so much so that a vice-principal once said to me "you put Ferris Bueller to shame," which isn't a big deal, cause the guy only skipped one (momentous) day. I did make it through the year, and on the last day before summer break, I asked him to sign my yearbook. He wrote "These are the times that try men's souls" and asked me to find out who he was quoting. He had a nervous breakdown during that summer and never came back in September.

This track was remastered in 2024, adding new drums and some overdubs while attempting to maintain its original energy.

Data Set Ready

Putting Ferris Bueller to Shame

No Carrier - Putting Ferris Bueller to Shame

Ice Age caves near Worksop, Nottinghamshire.

Pictones & Venicones

Creswell Crags

I cant even lie 
I think about us like every other night
Gave you my heart - you pushed to the side
I ask for a kiss you put up a fight
Not my valentine 
Not my valentine 
Not my valentine-

You get my name wrong on purpose
You look at me funny 
Do I deserve this
Never expected any gifts
Your Candy hearts say
Don’t be mine 
Im not yours
Watch your back
I come first
You’re not the love of my life
To me your the worst

 Im writing love poems
You dont wanna hear it 
My body keeps you drooling
I know you wanna lick it
You only want me for one thing
While I could name a 100
I always show you my gratitude 
But You dont like my attitude!

I cant even lie 
I think about us like every other night
Gave you my heart - pushed it to the side
I Asked for a kiss you put up a fight
Youre Not my valentine 
Not my valentine 
Not my valentine-

Not My Valentine

"Last Waltz" is a high-octane, emotionally charged rock anthem that blends raw passion with desperate urgency. With its driving guitars, thunderous rhythms, and anthemic chorus, this track captures the bittersweet beauty of a final, fiery connection before the world fades away.
The song paints a visceral picture of two souls clinging to each other in the shadow of an ending - dancing, fighting, and burning bright against the encroaching dark. It’s a tribute to love’s last stand, where every touch, every step, becomes a rebellion against time itself.
Perfect for fans of:
Alternative Rock
Punk Rock
Grunge
Cinematic Storytelling

Last Waltz

“I live with OCD and I am on the ADHD spectrum, which is the inspiration behind this song. A deep dive into my favourite pop/punk albums from my youth inspired me to revisit this and make it into the song I always knew it could be. This is about anxiety and exposure treatment; how it is a challenge and that in time it will get better and will be OK. I hope you enjoy this anthem” 

feeling hope again. 

It’s burning up the tinder box
Weigh on my brain like broken rocks 
I want you to leave by the front door
Instead I’m letting you put your feet under the table
I’m having drinks with a monster 
And it’s never closing time 
The whispers in my brain transmit like the loudest din and the rumours are always lies 

I’m living moment to moment
It’s hard
It’s hard 
It’s hard
It’s hard
Letting you in
Not figuring you out
Brain volumes on 10 
I’m feeling hope again 

This trapeze I’m jumping off
Down to my feet and staying put
Keeping you here on my terms
Brains on fire my mind burns
Over there I put you out 
Down by the water into a cloud
Of smoke you go to live another day 
Now hold you dear, friend and enemy

© heart house and the new kindness. 2025

Written, performed, recorded, produced and mixed by heart house and the new kindness. 
Mastered by DOLBY

feeling hope again.

“Rock Wave” is a bold fusion of 80s nostalgia and modern energy, bringing together the iconic sounds of synthwave and the powerful melodies of overdriven electric guitar. This EP is inspired by the cinematic moods of vintage movie soundtracks, think night drives on endless highways, neon city lights, and that adrenaline rush you only get from classic rock and electronic grooves.

Each track is a journey:
“Highway Lights” opens the EP with pulsating synths and a soaring guitar that instantly conjures images of fast cars speeding under city lights.
“Electric Dreamers” slows the pace with a dreamy, emotional ballad, where shimmering pads and heartfelt guitar leads tell stories of friendship, memories, and summer nights.
Finally, “Top Down in Neon City” turns up the energy, blending retro electronic beats and catchy guitar solos into a powerful anthem for anyone who loves the sound of the open road and the magic of the night.

“Rock Wave” is a celebration of movement, freedom, and feeling alive. The electric guitar takes center stage, weaving through rich synth textures and tight rhythms, creating a fresh take on retro sounds that feels both classic and new.

Electric Dreamers

Top Down in Neon City

Highway Lights

“Eterna” is a high-energy rock track that drives forward with power and momentum. Built on strong guitar riffs and steady rhythms, it’s a song about pushing through challenges and keeping your focus on what’s ahead. Uplifting yet gritty, it’s meant to spark motivation and remind you to keep moving forward no matter what stands in your way.

Eterna

Mommy cries in the kitchen light
Blames the bills and the endless fight
But I know why Daddy’s gone away
He wanted love you never gave

I see the boys when I walk outside
Their windows down in the Friday night

Mama, maybe if you did what I do
In the supermarket parking lot too
Papa wouldn’t leave, he’d still be here
But you don’t know the tricks I’ve learned this year
Yeah, mama, it’s not about love at all
It’s lipstick stains on bathroom stalls

You bake cookies, you fold the clothes
I wear glitter and strike a pose
He wanted fire, not your Sunday grace
Mum, you're such a disgrace

When the headlights hit, I’m a star on show
Guess that’s something you’ll never know

Mama, maybe if you did what I do
In the supermarket parking lot too
Papa wouldn’t leave
Papa wouldn’t leave
Papa wouldn’t leave
, he’d still be here
But you don’t know the tricks I’ve learned this year
Yeah, mama, it’s not about love at all
It’s candy lips and bathroom stalls

Don’t blame him, don’t blame the fight
You lost him, mom, I did it right

Mama, maybe if you did what I do
In the supermarket parking lot too
Papa wouldn’t leave, he’d still be near
But you never played it like me, my dear

That’s why he’s gone, mom… and I’m still here.

Mama, maybe if you did what I do, Papa wouldn’t leave

EO - Can You Hear Me (Full Metal Version)

Cassandra ist die Stimme, die immer alles besser weiß.
Die, die recht hat – und die genau deshalb keiner hören will.
Sie redet von Weltuntergang, von Macht, von Angst.
Von Mädchen, die unerreichbar scheinen.
Und von Wahrheiten, die man lieber ignorieren möchte.

Der Song stellt Fragen, gibt keine Antworten.
Er provoziert, widerspricht, flüchtet – und kommt immer wieder zurück.
Ein Schlagabtausch mit der Realität.
Zweifel trifft Trotz.
Wut trifft Müdigkeit.
Und am Ende bleibt die Frage:
Wer hört hier eigentlich wem nicht zu?

Cassandra is the voice that always knows better.
The one who’s right – and that’s exactly why no one wants to hear her.
She speaks of apocalypse, power, and fear.
Of girls who seem out of reach.
And of truths we’d rather ignore.

The song asks questions but gives no answers.
It provokes, contradicts, escapes – and keeps coming back.
A confrontation with reality.
Doubt meets defiance.
Anger meets exhaustion.
And in the end, one question remains:
Who’s really not listening to whom?

Cassandra

„Das war‘s mit der Demokratie“
Sagst Du
„Game over...
Schau Dich nur mal um in der Welt:
Autokraten, Diktatoren, Milliardäre
Und all der Hustle ums große Geld
Game over...“

Hey Hey Cassandra
Nicht so verbissen
Mal ehrlich, Alter
Wer zum Teufel will das wissen?!
Spar dir deinen Senf dazu
Oh Oh - Oh Oh Oh Oh
Ernsthaft Alter
Lass mich in Ruh
Oh Oh Oh Oh
Hey Hey Cassandra

„Vergiss das Mädel“
Sagst Du
„Zu jung, zu schön für dich“
Und ich denk nur - Junge
Unterschätz mich nicht
Ich schick jetzt mein Lächeln rüber zu ihr
Und in ner halben Stunde fragt sie
„Gehen wir zu dir oder zu mir?“

Hey Hey Cassandra
Nicht so verbissen
Mal ehrlich, Alter
Wer zum Teufel will das wissen?!
Spar dir deinen Senf dazu
Oh Oh - Oh Oh Oh Oh
Ernsthaft Alter
Lass mich in Ruh
Oh Oh Oh Oh
Hey Hey Cassandra

Hey Cassandra
Erzähl mir vom Urlaub 
Erzähl mir von der Sonne
Damit ich auf andere Gedanken komme

Hey Hey Cassandra
Nicht so verbissen
Echt jetzt, Alter
Wer zur Hölle will das wissen?!
Spar dir deinen Senf dazu
Und lass mich in Ruh
Oh Oh - Oh Oh Oh Oh
Oh Oh - Oh Oh Oh Oh
Hey Hey Cassandra
Lass gut sein...

Zu dir oder zu mir?


Cassandra

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

Kings of the Road is a hard-hitting rock band that emerged in 2019. Their sound is defined by powerful guitar-driven melodies, introspective lyrics, and a raw, emotional energy that resonates with listeners. Drawing from themes of life, struggle, and resilience, Kings of the Road create music that feels both personal and universal. With a knack for crafting memorable hooks and anthemic choruses, they’ve quickly established themselves as a force to be reckoned with in the modern rock landscape. Whether on stage or in the studio, Kings of the Road are all about delivering authentic, high-energy rock that speaks to the soul.

I am a professional composer and producer with over 20 years of experience in music and sound, and I have always been passionate about sharing emotions through melodies, harmonies, and stories.

Over the years, I have worked in many different genres and collaborated on projects for film, video games, and other artistic worlds. But lately, my heart has been drawn more and more towards spiritual themes, and I have discovered a deep personal and artistic interest in Christian music.

This new album [Il Grande Piano di Dio] is much more than a collection of songs, it is an autobiographical revelation.

Through these tracks, I share the most intimate part of my faith journey: moments of doubt and discovery, the daily surprises that life brings, and the inspiration I find in my family and in the world around me. Each song is a reflection of my experiences and my desire to unite the rational side of life with the spiritual dimension.

In these songs, I open my heart and invite listeners to join me as I explore questions of meaning, hope, and the longing for something greater than ourselves.

My wish is that this album can accompany anyone who is searching, who needs encouragement, or who finds beauty in both faith and wonder. Thank you for being here and letting my story become part of your own.

Once upon a time I was an opera singer. 
Now I tell stories on the radio.
This is the shoebox where I keep recordings & older radio segments I produced. 
Digital repository for the No Carrier & Shareholders projects.

Brian Sachetti — DJ since 2001, Producer since 2009, carving a path through the full spectrum of electronic music. With two decades of experience spanning everything from ambient textures to driving rhythms, his sound finds its true pulse in House and Techno—where groove, atmosphere, and energy converge to move both dancefloors and minds

Booking & Contact Information: Bri0927@yahoo.com

Folk-Rock with Acoustic and Electric guitars, Rock music.

Notes on Delivery

The Budding enthusiast that comes, by design or chance, to discover this collection shall, upon Preliminary Survey of its Contents, find him or herself confronted by divers  ‘Fulsome Bloomings, Abandoned Airs and Declamations’, all, indeed, allegedly composed by Messrs Drust & Erskine. 

It is, however, to be Anticipated that the fledgeling aesthete may, whilst hopefully being familiar with the general Thrust of this or that Song, find him or herself Uncertain as how best to approach the True Form of the Musical Pieces, and, moreover, how best to discern the Melody and Intonation: indeed, how to Discover, and consequently Interpret, the Leitmotif. 

Be then reassur'd that the Composers are devotees of Cantabile, and each Song in this canon has been thoroughly Mulled Over and Subjected to Rigorous and Demanding attentions. By this Means, Songs, that may, upon Inspection of the grounds upon which they were first Inspired having revealed a requirement for overly-exacting Polytonality or Interval that may Induce a certain Reticence, have subsequently been Hammer'd into a Shape that Messrs Drust and Erskine aver is Deliverable by one Mode or another. 

Accordingly, Messrs D & E press you oil your lung, fill your chest, loosen your tongue, and hold forth in as fulsome a voice as your maker may have designed for you, and relish every nuance of counterpoint, every flourish and every roundelay here afforded for your delectation.

A Music Fanatic, inspired Songwriter and Music Producer, enthusiastic Mixer and a Guitarist creating songs for the pure joy of it. I love to include my Wife and Daughter in my Music to capture a beautiful moment; a personal time capsule. Music is an expressive outlet for me and I write from the heart.

Close to my heart is raising awareness of HYPER MOBILITY EHLERS-DANLOS SYNDROME. 

“Sometimes when you hear hoofbeats, it really is a zebra.”

No two zebras have identical stripes and no two people with Hyper Mobility Ehlers-Danlos Syndrome are identical. They have different symptoms, different types, and different experiences. 

Please see the link below for further information and awareness about Hyper Mobility Ehlers-Danlos Syndrome on the Ehlers-Danlos Society website. 

heart house and the new kindness. 2025

Contact | hearthouserecords@hotmail.com

New tracks tagged #Power Chords