A sibling of the legendary JUPITER-4, this rare and wonderful synthesizer from 1979 features an evocative voice with a thick, rich sound, and is increasingly sought after on the used market. Sonically accurate down to the circuit level, the versatile PROMARS plug-in cranks out big bass and lead tones with the unmistakable character of Roland synths from the era.

PROMARS Software Synthesizer Sound Demo - Jet-Black Sky by Hisashi Saito

PROMARS Software Synthesizer Sound Demo - Sleepwalking by Hisashi Saito

PROMARS Software Synthesizer Sound Demo - Metal Communication by Hisashi Saito

PROMARS Software Synthesizer Sound Demo - Windy Orcian by Daisuke Tanabe

PROMARS Software Synthesizer Sound Demo - Micro Story by Daisuke Tanabe

PROMARS Software Synthesizer Sound Demo - Threat by Hisashi Saito

PROMARS Software Synthesizer Sound Demo - The Perfect Transparency by Hisashi Saito

I highly recommend headphones for this one due to the stereo field.

Roland Cloud jam in Ableton Live which turned into a bit more of a track. Tons of post processing going on in this one. It all started with a custom JD-800 patch I made while messing around with the JD-08 Boutique as a control surface. I added a TB-303 bassline in the same key and just kind of went crazy with throwing layers on it.

Autumnal Equinox

Gamme: Bm  / bpm: 129  / production brute non masterisée 

25_10_2023

Fichier:
Final 1  48KHz 24Bit  POW3

Sometime Is Not Forever (Original Mix)

Music for the Dark Ages 5

[EXPLICIT]Beats for the Dark Ages

For nearly 50 years, Roland’s innovative electronic musical instruments and multimedia products have fueled inspiration in artists and creators around the world. Embraced by hobbyists and professionals alike, the company’s trendsetting gear spans multiple categories, from pianos, synthesizers, guitar products, and electronic percussion to DJ controllers, audio/video solutions, livestreaming products, and more. As technology evolves, Roland continues to lead the way for gigging musicians, producers, and beatmakers, providing modern software-based solutions and seamless creative workflows between hardware products, computers, and mobile devices. For more information, visit Roland.com or see your local Roland dealer.

The Sonicspace: Mac Pro on macOS 12 Monterey, running Ableton Live 12 Suite & Cubase Pro 12 [for film re-recording], DELL S2817Q, ASUS VE228H, 2004 Apple Cinema Display, PreSonus Eris E4.5, MXL-990 microphone, M-AUDIO AIR 192|4, Ableton Push, M-AUDIO KEYSTATION 88 MK3, Roland TB-03, Roland BOSS DR-660, Roland JV-1080

Electronic- I don't care what it takes to make a track as long as it's electronic: spaghetti, dread-locked tangles of patch cables, ridiculous VST plug-ins, feedback loops, external effects, old-school analog synthesizers or iPad apps.  You might find noise and experimental "tracks" here, live PA, maybe some ambient, downtempo, trance or analog drones.

What you definitely *will* find: Roland TB-303, Roland MC-202, Roland Alpha-Juno 1, Moog Rogue, Dave Smith MoPho, Korg Kronos, Korg microKORG, Alesis Micron, Akai MPC-1000, Ableton Push.

Lately I've been getting more into house music and early acid house which clearly shows in my newer compositions.  I've been migrating from Logic to Ableton Live but I do like to keep up with production and mixing/remixing in both.  The Ableton Push controller makes the composition part fun again ;-)  Regardless of the DAW, it's still amazing to be able to get hands-on with patch creation, performing parts and massaging the flow of a track with outboard gear (especially analogs :-)!) and dedicated controllers.

New tracks tagged #ProMars