A quick mic test to compare the onboard audio of a Canon DSLR to some other, dual sound system options. The speaker is seated at table. All mics out of shot except for the K2.

1. Canon 60D with a Røde Video Mic Pro (AGC left on)
2. Shure MX392C (cardioid boundary mic, placed on table)
3. Røde NT55 (small diaphragm condenser, mic stand, overhead)
4. Zoom H4N (on boom, on board mics)
5. Zoom H1 (handheld)
6. Røde K2 (large diaphragm tube condenser, close-mic with pop screen)

- 2,3&6 recorded through a Focusrite firewire audio interface
- audio pushed to roughly the same level, no other processing. Don't know what compression SoundCloud adds.


Zoom H4N

Join Thomas Popp as he welcomes David Cook into the Video Mantis Post Facility to discuss all things production sound and how students can get a step up over their competition...

Thomas Popp and David Cook discuss students in film and bridging the gap

Join Thomas Popp as he welcomes Joe Bartone and Kevin Dippold in the studio to discuss techniques and theories that all students should know. Don't miss this episode!

Thomas Popp speaks with Joe Bartone and Kevin Dippold about bridging the gap

On this Vault Talk, we discuss the new Mix Pre Series 2, how it differs from its predecessor and what 32 bit floating REALLY means.

Sound Devices Mix Pre 2 Pre Discussion with Matt Brodnick

What is a production sound mixer? What's a boom op? What's a foley artist? How much do you pay attention to the sound in a film or TV show? Who's making all of that happen? We talk to a working sound mixer who also happens to be our co-host, Ian.

So You Want to Be a Soundmixer...

TV, Film, Production, Politics, Culture. And tea, honey.
https://linktr.ee/ashlandpodcast

New tracks tagged #Production Sound