We dig into the ambitious sound work done on Director Bradley Cooper's latest film, Maestro.  They recorded the London Symphony Orchestra live on set with out any pre-recorded tracks.  I am not sure anything like this has been attempted before?  In addition to the huge orchestra scenes, there are intensely quiet scenes, that required a whole different set of skills to pull off. Re-Recording Mixers Dean Zupancic & Tom Ozanich are joined by Production Mixer Steven Morrow and Supervising Music Editor Jason Ruder to walk us through how they pulled off their Oscar nominated work.
Show Notes:https://tonebenderspodcast.com/247---maestro/

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247 - Maestro

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

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