June 13th, 1999: VENGE ART: Fascicle #1 for narrator, musicians, actors, dancers, and culinary artists (Op. 39). Art Maddox, narrator;  Robert Scofield (aka “Dr. Box”), urhu;  Timothy J. Mason, TV & vacuum cleaner; Gary Lloyd Noland, piano; Alan Phillips, banjo;  Peter Thomas, guitar and waterphone; Guy Tyler, double bass; Terry Wergeland, accordion, trumpet, and horn; Geoff Wooden, electric guitar.  Oregon Music Teachers Association (OMTA) state convention “Composer-of-the-Year” recital, Beall Hall, School of Music, University of Oregon. VENGE ART is a text of approximately 300,000 words with cues for musicians, actors, etc. that, although "completed" at one point, is still in need of edits and revisions, a project that would take many years to complete to the composer's satisfaction. For more information on composer Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

VENGE ART Fascicle #1, Op. 39 (1998)

Braindance, bleep techno or simply electronica were suitable candidates in the early 90s to label this week genre. IDM was the term that eventually succeeded and the very methodic EAK's Oscar LP is here to tell you why his Dance Music is that Intelligent.

01. Kettel - Introit [Dub Recordings] 2002
02. Quantum Collapse - Schrödinger Equation [Apnea] 2022
03. Vector Lovers - Perfect Score (Unreleased) [Lapsus] 2022
04. Aphex Twin - Alberto Balsalm [Warp Records] 1995
05. Bauri - Have No Fear [Expanding] 2004
06. Unknown Artist - Acvinine [Wémè] 2020
07. Autechre - VL AL 5 [Warp Records] 2003
08. Proem - Your Grandfather is Dead [A Colourful Storm] 2020
09. Serge Geyzel - Insignificant Last [Nebulae] 2023
10. Daniel Avery - Spyder [Phantasy Sound] 2022
11. Speedy J - D-Orbit [Warp Records] 1994
12. Serge Geyzel - Let Go [Touched Revolutions] 2022
13. Autechre - The Egg [Warp Records] 1992
14. Autechre - Cipater [Warp Records] 1997
15. Unknown Artist - Triaxan [Wémè] 2020
16. Vector Lovers - Empty Buildings, Falling Rain (2022 Version) [Lapsus] 2022
17. Brainwaltzera - Marzipan (Left Overs) [Emotional Response] 2019
18. Merinero - The Loneliness Of The Long Distance Runner [Biome Laps] 2021

More at https://soundcloud.com/0scarlp and https://soundcloud.com/e_a_kollective

SOULMEEX

Oscar LP - SOULMEEX 022

1	Rose Murphy - Busy Line
2	The Durutti Column - Grace
3	Jon Hopkins - 1_2 Singing Bowl (Ascension) (Excerpt)
4	 Southern Shores - Sankasa
5	Crystal Castles - Char
6	 The Robot Scientists (Feat. Lisa) - Black Hole (Kid Machine Vocal Mix)
7	Washed Out - All I Know
8	Seb Wildblood feat. Mauv - Amelia
9	Kero Kero Bonito - Well Rested
10	Yasuaki Shimizu - Shiasate
11	Panorama Channel - Shedding Feathers
12	Mihai Pol - Nu Te Supara Frate
13	Nu Zau - Drum De Foc (Original Mix)
14	Hanfry Martinez - Disco 90
15	Jansons, Dope Earth Alien - Medicine
16	214 - Lunar Landing
17	Djebali - God's Dreams
18	Proem - Rectangle Snake
19	DoubtingThomas feat. Odd Soul - Low.Fi Osaka
20	Diferit - Interludiu (exp 05)
21	Actress, Zsela - Angels Pharmacy
22	Susumu Yokota - Kodomotachi
23	George T and Johnny Aux - Amsterdam
24	Piero Piccioni - Mexican Dream (From _Colpo Rovent)

OFFURY - IDL

@knownow
http://knownow.bandcamp.com/

This is a primarily beat-driven mix with some ambient moments thrown in for the sake of balance. It features a carefully curated selection of some of the music I have been enjoying over the past few years. Perfect to listen to while multitasking or being otherwise passive. I hope you enjoy listening! ~

Mix created in 2022, refined & finalized in 2025.


TRACKLIST

Pola - Fatal
Topdown Dialectic - Untitled 2 [FUR 084]
Sleepdial - Planet B
Seiji Takahashi - Refractor
Tau Contrib - Kali Drips
Farben - Live At The Sahara Tahoe, 1973
Farben - Raute
Purl - Stillpoint
Shine Grooves - Confusing Call
GAS - Pop 4
Lusine - Excess
Lusine - Gravity
Sleepy Town Manufacture - Latatoo (Secede's Another Day Wasted Mix)
Proem - Socially Inept
Oh, Yoko - Seashore (Sprinkles' Ambient Ballroom)

Zoner: Volume 1

TÖRK Lion PRO suddern sharp turns

Record label and mix series engineered by DCSIS (@dcsis)

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

New tracks tagged #Proem