Stealing Steele Style3

Schism (Cover)

Preview de track debutado en el Dance or Die 2025

I:C:S:Y:T

Y:I:C:S:Y:T

A Progressive Rock/Metal song about the anxiety of being different.
The song is written by (Michel Zandbergen) and recorded the demo.
The song was re recorded with the collaboration of:
Martin Hendriks, Rhythm Guitar, Acoustic Guitar the general organizing and bringing together of musicians.
Rob Boshuizen, Drums.
Harry den Hartog, Bass Guitar.
Marc Faber, Lead and Rhythm Guitar.
Michel Zandbergen, Vocals, Keyboards, Acoustic Guitar in the intro, Production, Mixing and Mastering.

Endless Anxiety

Floaty

Odd Time Radio – die Radiosendung, in der der 4/4-Takt verpönt ist. Freut euch auf die neusten, spannendsten und innovativsten Tracks aus der Welt des Progressive Metal und Rock!

Moderation:
Pascal Consiglio
www.instagram.com/odd_time_radio/
www.oddtimeradio.com

Zur Sendung:
Gautier Serre, besser bekannt unter seinem Künstlernamen Igorrr, veröffentlicht sein fünftes Studioalbum «Amen». Es ist einzigartig, hat Substanz – und ist aggressiv. So aggressiv, dass er im Song «Headbutt» mit einem Bagger ein Klavier zerstört. Was nach einem Aggressionsproblem klingt, ist jedoch harmlos im Vergleich zu den miserablen Bezahlkonditionen für kleine Bands auf Spotify. Ach ja – und nicht zu vergessen: Hinter der Plattform steht ein Mann, der in KI-gesteuerte Waffensysteme investiert. Mehr dazu im Flop des Monats.prog rock

ODD TIME RADIO - IGORRR zerstört ein Klavier für sein neues Album & Spotify nimmt Musikerinnen aus und investiert in Waffensysteme (10.11.2025)

SVKVNA ((Demo))



HQ-Version:
https://drive.google.com/file/d/1-z3We2--21eHYfW9kSl1pgp_0zzil5Ii/view?usp=drive_link

Support the Band:
www.facebook.com/ViolentBlissBand
www.youtube.com/channel/UCRa4cAgzgQxQHwRcUuYGo3w
www.instagram.com/violentblissband/?hl=de
violentbliss.bandcamp.com/


Violent Bliss - Voiceless Siren - Mix by Hoschi

The Abyss Beckons and the ten year anniversary redux of Afterglows of the Largest Explosions in the Universe were created during a period of intense growth for Crossing the Rubicon, and these tracks document both our current direction and our earliest origins.

Written and recorded by Crossing the Rubicon. Mixed by Alejandro Licano at Into the Void Production Co. Mastered by Jamie King. Released by SONARC.

Performances:
Alejandro Licano on guitar and synth or keys.
Adam Knox on bass with additional drum programming.
Madison Jones on guitar with significant creative development on the Afterglows redux.
Jon Baldwin on saxophone.
Gabriel Coffing on drums, overhead recording, and primary drum production.

Recorded at Into the Void Studios in Dayton, Ohio, and at Nostromo Media in Port Angeles, Washington.

Copyright 2025 by Crossing the Rubicon and Into the Void Production Co.

The Abyss Beckons

The Abyss Beckons (Vignette of Collapse)

Afterglows of the Largest Explosions in the Universe (10 Yr. Anniversary Redux)

Look To Windward

Trying out some metal stuff 
prod ilyalive

Dystopian

I don’t belong here…
(not yet)
I don’t belong…

I feel like I’m living
in a place outside this world,
a room between timelines
where everything feels suspended.

The life I knew
pushed me out
into a second universe
built only so I wouldn’t die.

Every turn life took
happened far from you,
and it taught me
to survive
without you.

Silent battles
carved into my chest.
No one sees them
but me.
If I stop now,
if I fall here,
the war inside me
wins.

Yeah…
These battles drain me,
drag me down,
face on the floor,
but something in me
keeps rising.

Cold hands
write the rules above me,
never caring
if I survive
or fade.

So I take each battle
one by one.
Every scar
proof I’m still here.
If I cannot change this world,
then I will shift
the universe
where I breathe.

I’m lost
between two universes,
too far
to ever turn back.
And I’m too alive
to disappear.
If this world
was never made for me,
I’ll tear the sky open
until I find
where I exist.

Between dimensions,
between dimensions,
I won’t live my life
as a ghost.

There comes a moment
when I see it:
these wars
were never only mine.
They were about us,
about being with you,
or wandering alone
in a place
where you don’t exist.

The ground shifts,
the front line flips,
and I cross
the fragile border
between reality
and survival.

I step into
another universe,
a silent place
where you’re not memory,
and maybe
I am someone new.

I’m lost
between two universes,
too far gone
to ever turn back.
And I’m too alive
to disappear.
If this world
was never made for me,
I’ll tear the sky apart
until I find
where I exist.

Between dimensions,
between dimensions,
I will not fade.
I will not fade.

If this world won’t hold me,
I’ll make another universe
to stay alive.

Between Dimensions

Aftermath

“Swamp Fox” is a dark, cinematic metal–jazz fusion epic about Revolutionary War guerrilla legend Francis Marion. Dissonant saxophone, double‑kick blast beats, and crushing riffs collide with jazz syncopation, non‑retrogradable drum patterns, and anthemic power‑metal choruses.
Crab‑canon guitar and sax trade palindromic hooks, a 7/8 jazz‑fusion bridge erupts into neoclassical shred, and the lyrics march through ambushes, burning depots, and shattered Redcoat supply lines across the Carolina swamps.
For fans of progressive metal, jazz fusion, power metal, and historical concept tracks with saxophone and shred guitar.
🎧 Track Info

• Style: Metal / Jazz Fusion / Power Metal / Progressive Metal

• Instruments: Electric guitar, alto & tenor sax, walking bass, blast beats, double bass drums

• Rhythms: Jazz syncopation, non‑retrogradable patterns, polyrhythms, 7/8 fusion bridge

• Theme: Francis Marion “Swamp Fox,” Revolutionary War guerrilla warfare in South Carolina

Swamp Fox

This is part of a big project involving my fictional world. Katto is a crucial setting; a historical landmark, and the birthplace of the main character.

Katto W.I.P

Echoes of Light is an independent music producer who transforms emotion, memory, and real human experience into atmospheric, progressive and cinematic sound. The project was born during a period of deep personal loss, where music became a way to survive, to heal, and to give meaning to moments that words could no longer carry.

With roots in the classic hi-fi world of the 80s and 90s, and supported by formal training in sound engineering, Echoes of Light combines technical precision with emotional depth. Years of work in mixing through the Cambridge Music Technology program helped refine a unique approach to sound design — from controlling bleed in drum recordings to shaping immersive textures and expressive dynamics.

On the technical side, the project has been strongly informed by educators and engineers such as Dan Worrall and Mark Daniel Nelson, whose in-depth explanations of plugins, dynamics and mixing workflows helped shape a deeper understanding of modern audio. The creative inspiration itself, however, comes from within: from lived experience, personal dedication and a constant search for honest expression.

Musically, Echoes of Light blends progressive metal, atmospheric rock, and cinematic soundscapes, creating tracks that feel intimate, emotional, and expansive. Every composition carries a fragment of a story — a moment of truth captured in sound.

Echoes of Light exists where emotion, technique, and storytelling meet.
Here, every track means something.
Here, every sound has a past.
And every listen is a connection.

I'm a Producer from The Nederlands, i make all kind of styles of music (metal, pop, rock, jazz, prog, etc).
My musical origins are that of a vocalist and sound engineer. 
Along the way i picked up some more instruments that i started to play, and got bitten by the songwriting bug.

Crossing the Rubicon is a progressive instrumental band that fuses the intensity of metal with the fluidity of jazz and fusion. Founded by guitarist and composer Alejandro in Dayton, Ohio, the project began as a solo endeavor and has grown into a full ensemble defined by complex rhythms, soaring melodies, and the unmistakable voice of the saxophone within modern progressive soundscapes.

Since its early releases (Ascension, Bloom, Matter), the band has pushed boundaries with genre-bending compositions that combine the heaviness of Meshuggah, the harmonic sophistication of Plini, and the groove of Animals as Leaders. Along the way, Crossing the Rubicon has shared the stage with national acts such as Yngwie Malmsteen and earned recognition from publications including It Djents (now Everything Is Noise) and Prog Sphere.

After years of evolution, lineup changes, and experimentation, the group entered a new era in 2024 with a revitalized roster:

Alejandro – Guitar, founder, composition

Gabriel Coffing – Drums (Columbus, OH)

Madison Jones – Guitar (Washington State)

Adam Knox – Bass (Dayton, OH)

Jonathan Baldwin – Saxophone (Dayton, OH / Las Vegas, NV)

Together, this lineup is preparing the forthcoming concept album Knowledge (2025). The record represents both a reinvention and a culmination of the band’s journey, exploring themes of transformation and identity through a progressive metal lens while blending influences from deathcore, funk, avant-garde jazz, and beyond into a cohesive sonic narrative.

With dynamic compositions that shift between technical precision and melodic introspection, Crossing the Rubicon creates music that is both cerebral and visceral. On SoundCloud, listeners can explore the band’s evolving catalog, from early epics like Bloom to the psychedelic explorations of Metempsychosis and the powerful new direction that defines their current era.

Crossing the Rubicon is not only a band but an ongoing exploration of sound, story, and spirit.

I make music for fun just like one punch man is a hero for fun. There will be a bar about this in one of my songs stay tuned.

Radio Stadtfilter ist das Winterthurer Kultur- und HörerInnenradio. In Informations-, Kultur, Talk- und Hintergrundsendungen berichtet Radio Stadtfilter über Winterthur und die Welt und sendet erst noch Tag und Nacht die beste Musik.

Mehr redaktionelle Inhalte (Radiobeiträge, Interviews, Reportagen, Stadtkalender, FCW-Zusammenfassungen, Rubriken, etc.) befinden sich auf dem Soundcloud-Account der Redaktion: https://soundcloud.com/stadtfilter

pronounced "leck-ium"

artist that draws, artist on DAWs

why are all these bots following me

⚠️ No paid parasites—promotion’s welcome only if it costs me nothing.

Forged in fire and wired for war, Synth Berserker is not just a sound—it’s a declaration.
Blending cinematic power, Viking fury, outlaw grit, and battle-scarred poetry, Synth Berserker smashes through genre walls with the force of a warhammer. From Norse chant to disco heartbreak, pagan country to searing metal, every track is a weapon—each lyric a curse, a blessing, or both.

Born of myth and rebellion, Synth Berserker channels divine wrath, betrayed honor, and untamed emotion into songs that strike deep and leave scars.

Genres: Norse folk, metal, cinematic country, outlaw country, country rock, soft/country rock, rock, Blues Rock, and disco-infused power ballads
Signature sound: crushing drums, soaring melodies, fierce vocals, and an unrelenting spirit

Composer, Producer & Educator from the UK, specialising in music for Film, TV and Video Games.

I'm guitarist and drummer that loves to write metal tunes. Contact me if you wanna collaborate. I am currently looking for a vocalist.

New tracks tagged #Prog Metal