This is the 4th song that I'm releasing from my album Neurotypical Empire Volume I: 2244, which I'm hoping will be finished next year. This song describes a character with no redeeming features, who makes excuses for the way he is, and is told in no uncertain terms to go fuck himself.

Right My Wrongs

Daubrü

Rain and Rocks

Victory

Wings

Rain And Rocks

Nosebleed

The Thread

I did this track in Reason 12 using two instances of Grain, with two different patches. One for the high end, and the other for the low breathy-bassy sounds and a Roland TR909 VST, and Subtractor for the bass. 
I did a lot of automation on this one. 
This track started out as a practice doing automation in different synths.

A Salt Of Grain

Nous recevons trois invités: Daniel Denis, Michel Delville & Antoine Guenet. Ces trois grands musiciens (Daniel Denis, batterie/percussions:Univers Zéro, Art Zoyd; Michel Delville, guitare/synthétiseur/effets & Antoine Guenet, synthetiseur: The Wrong Object, The Gödel Codex, Machine Mass...) vont jouer et improviser en live pour la première fois ensemble.
Au programme:
The Wrong Object: Icy Uncle [8’46"; from "In and outflown tapes" ; Canterbury/RIO; 2024]
The Wrong Object: The honeypump riff [7’44"; from "In and outflown tapes" ; Canterbury/RIO; 2024]
The Wrong Object: Besotten but not forgotten [10’12"; from "In and outflown tapes" ; Canterbury/RIO; 2024]
Univers Zéro: Central Belgium inb the dark [9’54"; from "Crawling Wind" ; RIO; 1982]
Univers Zéro: Complainte [5’29"; from "Crawling Wind" ; RIO; 1982]
Daniel Denis + Michel Delville + Antoine Guenet: Track 1 [14’43"; from "Live improvisation" ; RIO; 04-06-05]
Daniel Denis + Michel Delville + Antoine Guenet: Track 2 [23’5"; from "Live improvisation" ; RIO; 17-10-24]
Daniel Denis + Michel Delville + Antoine Guenet: Track 3 [14’47"; from "Live improvisation" ; RIO; 17-10-24]
Daniel Denis + Michel Delville + Antoine Guenet: Track 4 [7’40"; from "Live improvisation" ; RIO; 17-10-24]
Daniel Denis + Michel Delville + Antoine Guenet: Track 5 [11’6"; from "Live improvisation" ; RIO; 17-10-24]

Progscopie - 339 - 20241024 - Daniel Denis + Michel Delville + Antoine Guenet

"Guilty But Insane" is the first single from my upcoming album.

Released October 18, 2024

Guitar: Jacek Kieller
Keys: Kevin Gastonguay
Bass: Pete Griffin
Drums: Thomas Lang
Sax: Jørgen Munkeby

Mix & Master by Josh Schroeder

Music written and produced by Jacek Kieller.

Guilty But Insane

One may say that prog rock, blues, gothic rock are the genres that describe the band's music. But there's only so much a genre can grasp of the eluding musical forms -- creative reflections of inner and outer happenings.

Welcome to everyone interested in what we do! Sweet dreams in our Bookhouse.

Contact us: bookhousedreams@gmail.com

Karuzel is a 5-piece prog band from Athens/Piraeus, Greece. With alternative, grunge, nu-metal, and progressive influences, we aim to deviate from established norms and challenge our listeners.

I am a Reason 12 user who enjoys playing with the synthesizers in the DAW. I also enjoy making songs, as well as sounds.

Jacek Kieller – Polish guitarist born in 1984. Jacek began his musical career over 20 years ago when he started taking classical guitar lessons. 
Within the following years ,the classical guitar ceased to be the only instrument for expressing his emotions. The need to experience some other musical dimensions made him to reach for the electric guitar. Because of that change, he found his unique way of expression, and created his own musical language, recognizable after just a few notes.

CREEPING CROCODILE  consists of 11 various compositions full of melodies and sophisticated instrumental parts, guaranteeing unrepeatable musical sensations at the highest level. 

The energy and rawness of the sound, as well as diversity and unpredictability mixed with the uninhibited freedom of expression, found its reflection in his solo album.

I have a great distaste for not making music.

Here you’ll find all of the songs I have written , my improvisations, as well as a good few weird experiments. I aim to keep changing my music, hopefully never getting stuck in a musical rut or staying in the same genre too long. When I started it was all one guitar stuff (no overdubs), and very bad sound production (i.e, no sound production!), but since then I’ve started adding more instruments such as drums bass and saz and I’m slowly but surely getting better at sound production. And last but not least, I am slowly but surely getting into singing. I welcome all feedback whether good or bad. Or indifferent. I also want to hear from those who are apathetic about my music! I recorded three albums:

Lifespan (2018):
soundcloud.com/user-429211267/sets/lifespan
The Telescope (2019):
soundcloud.com/user-429211267/sets/the-telescope
On these first two there is no sound production as such because I didn’t understand that stuff at the time, then I recorded this one:

 Argentavis Magnificens (2021):
soundcloud.com/user-429211267/sets/electric-juniper-saz
at which point I was finally starting to get my head around the sound production thing. I’m currently working on an album called Neurotypical Empire, Vol 1: 2244, the first song of which I have released:

https://soundcloud.com/user-429211267/neurotypical-empire-vol-1-2244-edit-1-export-1

All are welcome here, except of course bigots. If you are racist, homophobic or transphobic, I respectfully ask that you go away.

Instrumental post rock band LEVT combine mellow and dreamy tones with blazing guitar riffs in an unsettling atmospheric soundscape.

 LEVT released their debut album entitled "Vodälse" on Brick Kiln Records on June 7, 2019. "Vodälse" is a concept album about the journey of birth and its relation to the elements. Each song represents a different stage and mood while taking the listener through diverse musical arrangements. 
With the opening track "Havsjö" the instruments start quietly floating into each other, building up a big wave that loudly breaks in the final moments of the song. "Havsjö" represents the starting point for the exciting journey that follows with the other tracks on the album: "Utryensrömmnum", a spacy-dancy drum-and-bass driven up-tempo song. "Overägno", the heaviest song on the album with its fiery riffing. "Stödagnur", lovely and short with a choral ending. "Avxluta", where the journey ends in a big climax. 

The bands front man and songwriter Sväro Stungett, who wears an oryx mask to hide his real identity, about “Vodälse”: "Besides its concept “Vodälse” is also a very personal album. Having played in different bands before I have never had complete creative control. With LEVT this has changed and I have now the freedom to write the music that I want to along with the concept of the band and our debut album that I had in mind. So one of the personal aspects about “Vodälse” is that it is like a birth a of new musical chapter for me".

New tracks tagged #Prog-rock