A collection of 11 tracks of brooding and dark music for mysteries, crime thrillers, suspense and tension.

These tracks will go well with scenes of crime/criminals, dark thrillers, supernatural thrillers, action thrillers and suspenseful mysteries.

Each track comes in various cuts, versions or mixes, giving you great options in editing. All in all there are 90 audio files (from 11 different main compositions).

For licensing, contact
https://www.LynnePublishing.com


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Thomas Hogan - Orbital

A concept album of daylight phantasmagoria: on a sun‑drenched summit the world feels at once familiar and strange, its edges alive and shifting. In the shimmering haze, forms begin to stir — a silent procession of spectres; a tree briefly a raised human arm; clouds swelling into creatures before collapsing back to formless vapour. He cannot tell whether he dreams or wakes, whether these visions arise from within or have always lain hidden in the fabric of reality. A sudden gust scatters them; what remains is a vast, profound stillness. Tracks include ‘Sternenfinder’, ‘Eisenkernspule’ and ‘Krampus’.

Created entirely in Bitwig, with many instruments and effects from u‑he, AudioThing, Decent Samples and TAL, produced on Tuxedo OS. A cross‑platform toolchain (Linux, Windows, macOS) that keeps the process free and flexible. Best experienced on headphones – mind cinema guaranteed.

Release date: 31. May 2025

Parasomnie

Eisenkernspule

Leichtigkeitsmomente

Krampus

Sternenfinder

The Soul withdraws, it cannot stay,
From the little lie we keep.
Our Soul withdraws, it cannot stay,
In the slumber where we sleep.

The light of fact falls on the floor,
A sudden gleam, too sharp to face.
We hide our breath behind the door,
And seek the shelter of the space.
We fear the wound that keeps us growing,
The silent shift that makes us see.
We fear the vast, cold overflowing,
The lonely self that should be free.

Our Soul withdraws, it cannot stay,
From the little lie we keep.
Our Soul withdraws, it cannot stay,
From the lies we hold so dear.

The world is built on soft evasion,
A woven veil of gentle words.
A fear of change, a long suppression,
That stills the flight of inner birds.
We keep the surface calm and mild,
To never feel the soul's demand.
To be transformed, to be the child,
To stand unmasked upon the sand.

Our Soul withdraws, it cannot stay,
From the little lie we keep.
Shadows wait for break of day,
In the slumber where we sleep.

Oh, will the change, be the fire now,
Step into the wind without a name.
Life asks us only how and when and how,
We burn upon the sacred flame.

The Soul returns and takes its form,
For truth is not the stone, but wings.
To stand revealed in the world's storm,
Is all the peace the spirit brings.
Be naked to the greatest light now,
And feel the future on your brow.
You are the light, unbroken, true...
Flow with the stream that runs so deep...
The past fades out. The world awaits you.
Awake, and break the final sleep.

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Ozone 11, Sound Studio, VirtualDJ, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, FLUXpro, Apple's Keynote

The Little Lies We Keep

★ based on the 2003 song "Crystalline Green" by UK act GOLDFRAPP ★ more shred here : soundcloud.com/le-slapon/sets/gazed-diffused ★

𝐌𝐎𝐎𝐍𝐒 : 𝘾𝙧𝙮𝙨𝙩𝙖𝙡𝙡𝙞𝙣𝙚 𝙂𝙧𝙚𝙚𝙣 (𝙶𝙾𝙻𝙳𝙵𝚁𝙰𝙿𝙿 ᶜᵒᵛᵉʳ)

y la poca vergüenza

𝐒𝐏𝐑𝐄𝐄 : 𝘾𝙧𝙮𝙨𝙩𝙖𝙡𝙡𝙞𝙣𝙚 𝙂𝙧𝙚𝙚𝙣 (𝙶𝙾𝙻𝙳𝙵𝚁𝙰𝙿𝙿 ᶜᵒᵛᵉʳ)

hyper music nerd from boring zürich, switzerland. electronic dj with a flair for techno, electro, synthwave, coldwave, minimalwave, and an obsession for creating yummy ai songs mostly in non-electronic eclectic flavours like shoegaze, postpunk, garagerock, darkwave, and whatnot. serious but also not so sometimes... check Albums or Playlists for a less messy experience 😉 enjoy!

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

My name is Volker Redder, online I go by "docredder." It all came about because I studied biology and computer science for a long time and received my doctorate as the crowning achievement of my academic career.
As a child, I sang Bach in the church's „Knabenchor Unser Lieben Frauen“ because my mother thought it was good for my soul. And it was, until, thanks to an excellent teacher, I realized that music is like mathematics. After that, I loved not only music but also mathematics and all sciences based on mathematics: physics, biology, chemistry, computer science. So, I went straight into the natural sciences and engineering. Yes, I studied a lot. However, a university career wasn't for me. I wanted to monetize the findings of the various sciences (you can't live on air and love alone) and founded over a dozen companies. Because who wants life to follow a clear formula? I certainly didn't. In addition to adventurous entrepreneurship, the subsequent career in politics (German Bundestag), and a growing family, I was constantly picking up the guitar or keyboard, which is what you do when you want to escape the chaos of everyday life.
Should I say I'm a virtuoso? No. That would be a lie. I'm just too lazy for that. Laziness, or in modern parlance, "efficiency," is a principle for me. And so I founded my "own studio," consisting of a lot of electronics and software. The hipsters call it DIY. I call it "not wanting to act like a big shot and book expensive recording studios." I'm a one-man orchestra, a chef-d'oeuvre who spends all day producing pop, rock, indie, and ambient mishmash until he finally finds it he likes. My menu? Pink Floyd, Genesis, Supertramp, Muse, Zappa, Miles Davis, and many more. Yes, all at once. I told you: mishmash.
There are guys who write music to become famous. Then there's me. I write music to keep myself from going crazy. Sometimes it's funny, sometimes there's melancholy in it, sometimes it's stories from literature or something sci-fi. Or from Tinder dates my daughters have told me. I mean, who hasn't wondered what "being in Tinder light" is? Exactly. I wrote it down. I use everything I can get my hands on: GarageBand, samples, my voice, AI voices, Udio, VirtualDJ, everything! I don't care if purists say it's no longer art. It doesn't matter, the main thing is that my music feels like a window you can look out of and discover something new again and again.
Every song becomes a little adventure. Sometimes I start with a line, sometimes with a feeling I can't shake. It's like an escape from reality, except in the end, there's no escape. And that's a good thing. This is how I stay grounded. Okay, grounded isn't the right word either. Let me put it this way: I've stayed true to myself. And I'm grateful for everyone who listens, shares, or comments.
It makes me feel like I'm not completely alone in this madness. So if you also like songs that don't follow the rules, I'd be happy if you joined in. After all, the world is crazy enough.
You have to fight that with music. I mean, that's logical, right?

New tracks tagged #ProgRock