Progress

Even When I Lie...

Ancient Caveman Arts

Partial Jazz

For this track, I decided to start a little differently using a sample bass line to which I added my own brums and melody. It then morphed into an experiment utilizing space. 🤯 anyway, I hope you enjoy it. Any likes, reposts, and comments are greatly appreciated. Armijo Productions 💯👊🏾🫵🏾

No More

kind of the sequel to the track sloppy, it's so overproduced that you can barely hear the full arrangement

it features subtle microtonality

much of the track were built by my own voice

i itentionally change the mood at unexpected times to give it a jumpscare vibe

jumpscare groove

With multi-instrumentalist and producer Dynasty the Artist 510 at the helm, this third entry in Soulganic’s Variations series reinvents the track as a hypnotic, pulsating, progressive soul groove, fusing raw musicianship with bold experimental textures.

Layers of off-kilter rhythms, ethereal synths, and deep bass all swirl together, creating an immersive soundscape that feels both grounded and cosmic.

With Dynasty’s genre-blurring approach, this Variation pushes Pulling Me into an avant-garde realm where soul, rhythm, and innovation meld into something wholly unique.

Soulganic is:

Cory McClure (drums)
Ryan McKeithan (guitars)
Anthony Rodriguez (lead vocals, bass, synth, samples, sound design)

Produced by Dynasty the Artist 510

"Pushing Me (Pulling Me)" written, composed, arranged + performed by Soulganic
Original lyrics by Anthony Rodriguez + Ryan McKeithan
"Pushing Me (Pulling Me)" engineered + recorded by Scott Slagle, Asylum Digital, Charlotte, NC, USA
Mixed by Soulganic + Scott Slagle
Mastered by Soulganic, Casadero Sound Labs, NC, USA


Variations

Variations: 03 | Pulling Me (feat. Dynasty The Artist 510)

my complete rework to the Beatles's groundbreaking Eleanor Rigby to a more soulful/funky/jazzy stylistic that is closer to Stevie Wonder's music/motown type, that is completely different from the original song (which is dark and melancholic)

eleanor rigby (reharmonized)

Serious is about the frustration of a one-sided relationship. The song expresses the feeling of being dismissed, underappreciated, and misunderstood by someone who walked away while the narrator remained committed. With a raw, direct tone, it poses a powerful question: Why aren’t you taking me seriously? It captures the struggle to be seen, heard, and respected—not only in a personal relationship, but also within the music industry, where boundaries and voices are often overlooked.

With raw, direct vocal takes, smooth and tight vocal harmonies, funky guitar chords, a laid-back groove, smooth keys, a punchy bass line, and playful musical twists, Serious is a whole vibe — guaranteed to get you moving.

Serious

Music: via UDIO, FUZZ-0.8 
Lyrics: Lewis Carroll. 'A Boat Beneath A Sunny Sky', altered & amended. Original text follows immediately, altered text below:

*

A boat beneath a sunny sky,
Lingering onward dreamily
In an evening of July —

Children three that nestle near,
Eager eye and willing ear,
Pleased a simple tale to hear —

Long has paled that sunny sky:
Echoes fade and memories die:
Autumn frosts have slain July.

Still she haunts me, phantomwise,
Alice moving under skies
Never seen by waking eyes.

Children yet, the tale to hear,
Eager eye and willing ear,
Lovingly shall nestle near.

In a Wonderland they lie,
Dreaming as the days go by,
Dreaming as the summers die:

Ever drifting down the stream —
Lingering in the golden gleam —
Life, what is it but a dream?

•

Bliss is wondering estray
Flecks of sunlight idly sway

Former things are passed away
Former things are passed away

A boat beneath a sunny sky,
Lingering onward dreamily
In an Evening of July —

Children three that nestle near,
Eager eye and willing ear,
Pleased a simple tale to hear —

Ever drifting down the stream —
Lingering in the golden gleam —
Life, what is it but a dream?

Long has paled that sunny sky:
Echoes fade and memories die:
Autumn frosts have slain July.

Ever drifting down the stream —
Life, what is it but a dream?

Still she haunts me, phantomwise,
Alice moving under skies
Never seen by waking eyes.

Born from Silent Golden gleam —
Life, what are you but a dream?

Children yet, the tale to hear,
Eager eye and willing ear,
Lovingly shall nestle near.

In a Wonderland they lie,
Dreaming as the days go by,
Dreaming as the summers die:

Life, what is it but a stream
Ever drifting down the dream —
Born from silent golden gleam.



A Boat Beneath A Sunny Sky [after Lewis Carroll] Remastered

a pretty sick fusion track i created with my signature overproduced style

i got my inspiration from the Michael Jackson-esque groove, and try to mix the black music side with the more jazz fusion oriented music

i also experimented heavily with the chord sequence, basically exploited the tonal polarity to create unexpected chord changes for the Sonic-inspired melody

Can't Slow Down (Jumpscare Groove #2)

Encoded Feelings (D’Arabia Remix)

Bittersweet joy on a groove-soaked high.

D’Arabia turns Encoded Feelings into a euphoric disco house heater, bursting with funkwave flair, lush chords, and an emotional drive that’s both uplifting and tender. It’s dance music with a heart — playful, shimmering, and perfect for golden-hour highs or late-night catharsis.

This remix blends mid-2000s optimism with modern groove sensibilities — great for festival warm-ups, DJ sets, or anyone who dances to process their feelings.

🎛️ Disco House; Deep House; Funkwave; Breaks & Bliss
🎚️ Euphoric; Bittersweet; Playful; Uplifting; Emotional
🔊 Pump-Up; After Party; Festival Warm-Up; Y2KPop Vibes

Broadcast from the Basement - CLUB FRIENDLY REMIX

20/06/2025

Encoded Feelings (D'Arabia Remix)

Sal is Sleeping (Brine Remix)

Late-night introspection wrapped in deep house warmth.

Brine reimagines Sal is Sleeping as a dreamy, romantic slow-burner, driven by lush pads, vocal fragments, and a fluid, hypnotic groove. This remix blends deep house with subtle dub-tinted textures and future nostalgia, perfect for emotional landscapes and hazy memories.

Ideal for after-hours sets, fashion-forward visuals, or late-night drives, it carries a bittersweet beauty — reflective yet rhythmically alive. The kind of track that lingers long after it's over.

🎛️ Deep House; Indie Electronica; Dub-Tinted; Future Nostalgia
🎚️ Dreamy; Romantic; Melancholy; Introspective; Emotional
🌙 Festival Warm-Up; Closing Track; Driving Music

Sal is Sleeping (Brine Remix)

[歌詞]
夜の隙間に消えた  
言葉たちがまだ疼く  
Can't pretend it's fine  
But I smile like everything's alright  

誰も知らない秘密  
胸の奥にまだ光る  
I try to move on  
But your echo keeps hanging on  

（ねえ どうして）  
Why’d you leave without a trace  
（ねえ 答えて）  
All I needed was your face  

You never said goodbye  
涙は答えじゃない  
Still I wait, still I ache  
今もここで fade away  

灯りのない部屋で  
名前を呼ぶ夜もある  
I remember your voice  
Playing back like a worn-out choice  

Why did I hold on so long  
（見えない未来に）  
今さら気づいた truth  
We were shadows all along  
（重ねた幻）  

You never said goodbye  
涙は答えじゃない  
Still I wait, still I ache  
今もここで fade away  

（遠ざかる）  
I’m not the same  
（響くメロディー）  
Calling your name  

Can’t erase what we became  
But I won’t stay in this flame  

You never said goodbye  
涙は答えじゃない  
Still I wait, still I ache  
今もここで fade away

Hanging On

Ode to Driving

KM 0 is an independent electronic music producer duo based in Bologna (Italy) and composed of Jacopo Latini (aka Jabba) and Pasquale Berardi (aka Pachi MPC). Hours and hours of listening music is our food, synths, keyboards, drum machines, samplers and electronic bass are the tools to make it happen within the broad range of the electronic music.

KM 0 is a laboratory where many musical influences (House, Hip Hop, Italo Disco, Funk and not only) are mixed up to propose passionate musical experiments, that range from club vibes to more chill/ambient moods, to create background tracks for different urban situations and emotions. 

KM 0 aims to keep on spreading a message of love and “need” for music from its basement studio (somewhere in Bologna) to all the neighbourhoods around the World by leveraging on technology both to transform ideas into music and as a communication channel. 
KM 0 works to give back to the world of music and music lovers an infinitesimal percentage of emotions that music has being giving to all of us since we were born.

Underground is (not) fashion!
KM 0

音楽制作が趣味のベーシストです。楽曲の基本コンセプトは、グルーヴィーなリズム、優しいメロディー、そして聴き飽きない没入感です。様々な音楽ジャンルをミックスしています。現在はジェネレーティブAIを活用していますが、2025年にはDAWにてトラックパートを差し替え、生楽器をRECしオリジナリティを確立する予定です。もし私たちの音楽を気に入っていただけたら、フォローしていただけると嬉しいです。ありがとうございました。

I am a Bassist whose hobby is music production. The basic concept of my music is groovy rhythms, gentle melodies, and an immersive experience that you will never get tired of listening to. I mix a variety of genres. We currently utilize generative AI, but in 2025 we plan to replace track parts in DAW and REC live instruments to establish originality. If you like our music, we hope you will follow us. Thank you very much.

For enquiries contact: tanyageorgemusic@gmail.com

Tanya George was born and raised in St Kilda, Melbourne’s ever-evolving arts and entertainment hub, and it shows; her evolutionary electro-pop takes the genre to innovative new heights. Whether performing acapella with a vocal looper or surrounded by her dedicated band, she’s astounded countless audiences with her 4.5 octave vocal range.

As a regular on the Australian festival circuit, Tanya has performed on a diverse range of stages including St Kilda Festival, Melbourne International Jazz Festival, Womadelaide, and Queenscliff Music Festival, where she won the 2018 QMF busking competition. Earning her stripes as a sensation in the Bourke St busking scene, Tanya has crafted and refined the art of combining elements of soul, jazz and pop, and delivers excellence through her unique and dynamic vocal looping setup.

After releasing her first solo EP Sonder (2018, produced by Tommy Spender) with a sold-out launch at Revolver Melbourne, Tanya is gearing up to release her second solo EP Normality (2020), produced by the formidable Jimmy Alexander (Awaken I Am). The first single Writing Machine, released October 31st, 2019, raced to Number 1 on the Triple J Unearthed charts and guaranteed her a sell-out show at Horse Bazaar.

George's second EP, Normality, received media praise and several songs appeared in the Top 5 of the Unearthed charts. The EP is crafted solely from improvised vocal looping magic; Tanya elaborates “It was born purely on instinct, expression, and trust in my musical ability as a musician and a singer.”

Tanya’s fresh, eclectic sound and her thirst and drive for an explosive career has gained her recognition by artist Herbie Hancock, artist/producer Don Was, and many others:

“Tanya George’s music lures you in swiftly with strong melodic threads and jagged lyrics, it’s easy to get familiar and comfortable, not realising she has sculpted this soundscape entirely with only the human voice, coupled with her savviness with technology, she completely destroys the normal and has you suddenly questioning everything, all the while, bobbing in a sea of syncopated rhythms.” Diesel (Mark Lizotte)

“Like Japanese House but more funky.” Pip Rasmussen (TV presenter ABC Me)

“The soulful pop blend just runs rings around you.” Declan Byrne (Home & Hosed Host, Triple J Unearthed)

“Tanya takes vocal looping to a completely new level.” Roland

Tanya George has cemented her place as one of Australia’s most exciting rising acts and has secured her future through consistent dedication to her craft, her hunger, her ambition, and impeccable vocal abilities.

As Forté Magazine recently wrote, “If you don’t know the name, now is the time to start paying attention.”

Funky Indie Soul. Est. 2005. 
Soulganic is:
• Cory McClure (drums, keys, vocals)
• Ryan McKeithan (guitars, vocals)
• Anthony Rodriguez (lead vocals, bass)

My experimental canvas

All music here are composed, produced, arranged, conducted and performed entirely by myself

“I have no special talent. I am only passionately curious. ” 💯👊🏾🫵🏾

New tracks tagged #Progressive Soul