While it started out as a collection of  compositions with no apparent link between them, « From static »'s lyrics slowly revealed a recurring theme, present throughout the five songs of the EP in one way or another: the distorded perception of reality, and the inevitable loss of one's bearings linked to it.

Thus, the songs explore different aspects of this theme, like apophenia, depression, solitude and the need for belonging or individualism at all cost, often to the detriment of yourself or those around you.

Mixing influences from previous projects with a heavier sound and borrowing frome different genras like math rock, prog, or alternative music. This EP represents both the end product of a  musical era distilled throught hte five songs on this EP, and the premices of the songs to come. It is a foray into a decomplexing alternative rock, who's not afraid to bend it's definition.

The name, « from static », comes from a rehearsal in which the guitarist picked up the radio through his amp, we then decides to treat this EP like a flux of viewpoints and ideas, where every song is a different frequency, inadvertently captured.

Vocals by Quentin Benizeau
Guitars by Quentin Benizeau & Christopher Sunderland
Bass by Adrien Granger
Drums by Wayem Lebert
Music by Quentin Benizeau
Lyrics by Quentin Benizeau
Recorded at Brown bear recording & at home
Mixed at Brown bear recording
Mastered at Label Incisive
Artwork by Jérôme Romand

From Static

Death Run Radio - Apophenia

This is a short song a made for a scene in a movie where someone is about to take on the biggest challenge of their life and they need motivation BIG TIME!

It depicts the moment before the big step, the step/decision itself and the feeling of relief, transcendence and being supported by higher forces.

I made it for a songwriting competition for The Songwriting Academy.

---

This was the BRIEF:

Imagine a scene in a movie where someone is about to take on the biggest challenge of their life and they need motivation BIG TIME!

This month's challenge is to write a song that would empower, up-lift and give a massive boost to the person as they undertake something they've never done before.

They're scared, apprehensive, excited and need that one final push to get them going...and that's the job of your song!

---

LYRICS:

Hush.
Hide?
Now.
Go!

---

This track is available for *sync*.
I own all rights to it.

Leap of Faith

Ampliflare

See video at youtu.be/trSxuuwkiyE
Dystopic Progressive rock song at a 130BPM dance beat...about America in decay.

Verse One
To understand
a great society
Study the importance of greed

You can trust me
Cuz you know
I ain’t no socialist

To win the game
Push aside your shame
And feed on weaker men

Be a lion
Like me
I ain’t no socialist

Chorus
You ain’t gonna stop this train now
It’s way too late
There’s no debate

The jungle's already on fire,
I see the smoke
The broken hope

They feast on desperation,
Your despair
They don’t care

Empires built on suffering
Just another day
There’s no other way
anymore

Verse 2
Democracy
Is a lie
Your choices are decided by us

It’s a racket
We control
I ain’t no socialist

You’ll have less pain
When we control the reins
And decide what’s best for you

Just submit
To your kings
I ain’t no socialist

Verse 3
Gimme money More money
gimme money more money
It’s more power more power for me
You can trust me
Cuz ya know
I ain’t no socialist

I want more take it all
I want more take it all
I’m still hungry so hungry
let’s feed

Be a lion
Like me
I ain’t no socialist

SOCIALIST (see video link)

White Rabbit - Jefferson Airplane Tribute

- Format: Single (from the upcoming Album "Echoes of Distant Stars")
- EAN: 4064946535527 
- Time: 3:38 Minutes  
- Released: April 21, 2025  
- ℗ 2025 StRANGe Music Productions (SMP)
- © 2025 StRANGe Music Productions Records (SMP Records)
- Genre: Progressive Rock 
- Available as Download

Shadow Inside

"Afsaanehye Na-Tamaam (Incomplete Legend)" is a profound and evocative progressive rock piece by Public Voice, a pioneering Iranian rock band. Featured in their landmark 2005 album "Scape from Darkness," this song masterfully blends Western rock influences with traditional Persian melodies and poetic lyricism.

Public Voice emerged as a powerful voice in Iran’s underground rock scene during a period when the genre faced heavy censorship and suppression. "Afsaanehye Na-Tamaam" particularly resonated with listeners due to its compelling storytelling, emotional intensity, and symbolic reflections on nostalgia, identity, and cultural struggle.

Lyrics by Shahid Mir Motahed
Melody composed by Reza Khalili

- Reza Khalili — Electric Guitar, Composer
- Mehdi Karimi — Vocal
- Ali Khalaji — Bass Guitar
- Metico Avan — Keyboards
- Bahman Khalili — Drums, Drums Programming
- Siavosh Fallahi — Keyboards Programming
- Pooria Poornazeri — Percussion

Music Arrangement: Public Voice Band
Mixing and Mastering: Ahye Studio, Mehr Studio
Record Controller: Reza Khalili
Executive Producer: Saeed Shahparvari
Released by: Barbad Music Inc.

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"Afsaanehye Na-Tamaam" ("Incomplete Legend") is more than just a song—it's an anthem of a generation navigating cultural shifts and suppressed voices. Its poetic lyrics and dynamic musical structure capture the essence of Iran’s progressive rock movement, making it a timeless piece for fans of deep, meaningful music.

This upload is a humble tribute to Public Voice and their enduring legacy in the world of music and cultural expression.

--- 

Album link in Spotify:
https://open.spotify.com/album/1Kjb6VhvAuTwRhHvyRnn21

Afsaanehye Na-Tamaam (Incomplete Legend)

Carne, Sangue e Morte

Chew Chew

Ruth, pt. 2: The Sky Was the Ocean

Rivers in Subspace

a song about installing my air conditioner and cleaning my apartment. edm track mashed up with alt-rock style

all fresh n' clean (another)

Canyon March

Bardo

One Bad Connection

one man DIY record label

SUBMIT YOUR MUSIC ➡️ https://linktr.ee/ajnamanagement

racist / sexist / transphobic scum... eat shit

High entropy. Rock.
Music = oxygen.
Fuck gen AI.

O LXS Projects nasceu de um desejo simples e poderoso: liberdade. Victor, sentindo-se preso às amarras de uma antiga banda, cruzou caminhos com Saulo — e ali surgiu uma parceria baseada na leveza, na confiança e na vontade de criar algo verdadeiro. Juntos, deram forma a um universo musical feito de silêncio e intensidade, onde a melancolia se mistura com beleza, e a introspecção ganha voz. Tudo com agilidade, entrega e alma.
Desde 2024, o duo vem construindo uma discografia íntima e conceitual, feita de fragmentos emocionais. As canções falam de solidão, passagem do tempo, amor que ficou no passado, e a difícil arte de se reconstruir. Mais do que álbuns, são cartas abertas. Registros sonoros de quem sente muito e escolhe transformar isso em som.

Cygnus Mantra es un proyecto musical que tiene sus orígenes hacia el año 2012 en la ciudad de Bogotá por iniciativa de Alexander Rendón, Julián Buitrago, Cristian Cruz y Nicolás Urquijo habitantes de la localidad de Kennedy. La banda inicia con el nombre Sour y surge de la convergencia de los gustos e influencias musicales de un grupo de cuatro amigos cuya intención es hacer música. Desde sus inicios el proyecto se encamina sus esfuerzos a la obtención de un sonido que refleje las influencias de cada uno de sus miembros. Entre los géneros que influencian el sonido de la banda podemos mencionar el Rock Psicodélico, el Rock and Roll, el Blues, el Jazz y diferentes corrientes de la Música Experimental entre otros.
La salida de dos de sus miembros fundadores en 2014 y el ingreso de Alejandro Palencia, en marzo del mismo año, da inicio a la etapa  actual de la banda. A partir de entonces la banda se enfoca en buscar un sonido propio y un ensamble a través del montaje de covers y arreglos de bandas que son influencia y de la composición y experimentación con material musical propio. De esta manera es cómo con el tiempo la banda va consolidando un estilo propio y va desarrollando trabajo de composición (el cual es parte fundamental de la banda y en la cual intervienen todos los integrantes a nivel musical y lírico, no sólo en la creación del contenido sino además en la producción del mismo). De igual manera también se hace necesario el cambio del nombre de la banda con el objeto de resaltar el nuevo punto de partida y con la finalidad de hacer público el proyecto. Es así como a partir del 2014 la banda adopta en nombre de SOUR.
La alineación actual de SOUR se completa cuando en marzo del 2015 ingresa Wilman Beltrán como vocalista de la banda y finalmente en agosto del mismo año ingresa Felipe Trejos en el bajo eléctrico. A partir de este momento SOUR continúa con el montaje de cover y arreglos de bandas como The Doors, Pink Floyd, Tame Impala, Jimmi Hendrix  entre muchas, y se enfoca en los sonidos del rock psicodélico que se desarrollaron a partir de los años 60s hasta la llegada del siglo XXI.
Desde el año 2016 y trabajando en colaboración con bandas como Molosh y Qal Blues, bandas de las cuales algunos de sus miembros también son habitantes de la localidad Kennedy, SOUR da inicio con una serie de presentaciones en diferentes bares de la ciudad como Brok Bar, The Grange Bar, 6L6 Bar y Epicus Bar. También durante el primer semestre del 2017 la banda cuenta con la oportunidad de participar en dos ocasiones en el festival de bandas de Baltika Records en donde se alcanza el puesto de finalistas. Gracias a estas presentaciones la banda tiene la oportunidad de dar a conocer su trabajo, de empezar a formar un público y de desarrollar la puesta en escena y mejorar el performance acorde a la estética del grupo y del genero musical.
Paralelo a esto, durante el trascurso del 2016 y lo corrido del 2017, la banda ha trabajado en la composición y producción de alrededor de 6 temas propios y actualmente se encuentra en la producción del primer video musical. La banda también se ha enfocado en la difusión de su música a través de plataformas como Spotify, ITunes, Soundcloud y YouTube, y redes sociales como Facebook o Instagram.

Finalmente cabe mencionar que SOUR es un proyecto auto gestionado por los miembros de la banda y que todo el trabajo de montaje de las piezas musicales, sesiones de ensayo, sesiones de grabación, trabajo de mezcla y masterización, producción audiovisual y gestión de eventos se da en una sala de ensayo propia, ubicada en Kennedy y gracias al trabajo de los 5 músicos que integran el proyecto.

ok EDM producer. big house and genre crossover tracks 

inquiries: jameskcarropm@gmail.com

Welcome to SoulFood |SoulCity 
  
SoundDesign 
of capturing a song's spirit while creating an own one to give the listener an opportunity to experience something new and different though having a quite familiar feeling while listening to the song 🎶

Feel free to scroll through and find the right song fitting your current mood. There's is a pretty good chance for success to enjoy food for your soul 

... right here, right now 😉✌️

"Music has the power to heal, transform and inspire and we have the power through deep listening to increase our intuition and self awareness“ 

(Andre Feriante)  



New tracks tagged #ProgressiveRock