27 minutes that will change your life forever

The Thinking Machine

Do As I Say

Who Is Lebron James

My Grandpa Killed Hitler (Part 2)

Special Forces

The Ballad Of Garth Algar

Untitled song

Left By The Dumpster At The Shell

$10 Frankenstein Sausage Party

Let it go  (Intro)

Jerry Garcia Band - I'll Take A Melody (Live in Asbury Park, NJ, 7.26.80)

Phantom

The Welcoming/Mirage Train(Medley)

capicola

Instrumental hipnótica inspirada en el desierto. Una fusión de funk bailable, guitarras espaciales y atmósferas cálidas al estilo de Khruangbin, LA LOM y Arc De Soleil.

UN SUTIL SI

Smalts Tracks, Multiple Souls: The Art of Versions Returns. In 1970s Jamaica, a revolution began. One band, countless voices.
We recorded our Smalts song 'Bmonition' from poet Sylvia Plath, imagined through the voice of our enigmatic female guest singer B, exploring the poet's warning about excessive analysis and dissection.
Bmonition is the third single in the Smalts Queen B Series, continuing our journey through powerful poetry reimagined through versioning traditions.

Bmonition

A completely different genre from my previous track. It was gonna have a drop after the drums into some 808s, but I liked the drums too much, and it evolved into this. I did update it since I first posted it, if it sounds suddenly different.

Flaxen

All guitars and sounds produced by the Fudge Nutz 

Summer Sorted Locally

Smalts bandmembers participated in Dutch electronic band Minny Pops. It adds a fascinating dimension to their sound. As one of the first Dutch bands signed to Factory Records alongside Joy Division and New Order, Minny Pops helped define the electronic music landscape of the early 1980s. Their innovative use of drum machines and synthesizers, particularly the Mini Pops drum machine that gave them their name, established new possibilities for electronic music production. This experimental heritage now feeds into Smalts' modern versioning approach, creating a unique bridge between mechanical precision and organic reinterpretation. 

They use acoustic-, electronic- and ethnic instruments such as flamenco guitar, krar sitar, masenqo, gamelan, and synthesizers. They play new wave-, idie-, world- and alternative rock songs.

All poems in their songs are from English-, American-, Dutch- and Russian origin. They are their foundation of realism, surrealism and absurdism. Smalts uses texts from Allen Ginsberg, surrealist texts from Louis Lehmann, and religious poems from Emily Dickinson. 

Smalts wraps  text with music. They mix genres and use different playing styles.

Smalts allows the music to frame a poem and sometimes to contradict it. We present the listener an alternative way to experience texts of poets. Poems are no longer  an autonomous artistic expressions, but absorbed in a container they tell a new story together with music. It is like an exhibition in which paintings by great masters can be admired. As individual pieces they have proven their place in art history and have their own message. In an exhibition shown in conjunction with works from other artists, they are part of what the exhibitionmaker wants to tell the viewer .

Jam band. Funk, rock, jazz fusion, psychedelia

pronounced "leck-ium"

artist who draws, artist on DAWs

The first Theogrind artist ever. Trying to change the world with my music one song at a time!

Qt3cX. Quetzal. Call me what you will. Producer. Digital Creator. Service-based Leadership. Enjoy the music. #7D #AlphaOmega

A musical history from 1991. Marcus Swambo Martin reed. And collabs

New tracks tagged #Psychadelic Rock