Audio copyright (c) 2023 Gary Regester.  All rights reserved.

4ms Spherical Wavetable Navigator + Noise Reap Lola Filter and Noise Reap VCF 2164 (bass)
Soulsby Oscitron (low randomized melody)
Mutable Instruments Rings (high randomized melody)
Qu-Bit Chord + ALA Cumulus + Mannequins Three Sisters (pad)
Erica Synths Pico Drums (bass drum and snare)
Mutable Instruments Plaits (hi-hat)

Recorded 10/5/23.

Kono Kage no Machi De (modular synth patch) [4ms SWN, Qu-Bit Chord, Rings]

Copyright (c) 2023 Gary Regester.  All rights reserved.

I gave up working on this one because the Hermod can't handle the complex time signatures and therefore can't switch smoothly from one sequence to the next.  I had to stitch this together in Audacity.

Qu-Bit Chord + Doepfer S&H (chords)
Moog Mother-32 + Vinicius Electrik Lizard (melody)
Mutable Instruments Peaks (bass drum and snare)
Erica Synths Pico Drums (toms)
Doepfer A-111-5 Mini Synthesizer Voice (bass)
Mutable Instruments Rings (arpeggio)

Recorded 11/12/23.

What Was Not Lost (modular synth) [Qu-Bit Chord, Vinicius Lizard, Moog Mother-32]

Copyright (c) 2024 Gary Regester.  All rights reserved.

Tiptop Buchla 258t Dual Oscillator (bass)
Doepfer A-149-1 Quantized/Stored Random Voltages (for 258t)
EMW Alias + Snazzy FX Tidal Wave + Behringer Filtamp 1006 (bass doubling stuff)
Erica Synths Pico Drums
Qu-Bit Chord + Mannequins Three Sisters + Doepfer A-188-2 Tapped BBD (chords)
4ms Ensemble Oscillator + Noise Reap VCF 2164 (chords)
Endorphin.es Furthrrrr Generator + Qu-Bit Nautilus (rhythmic melodic stuff)

Recorded 1/29/24.

Circumaggravate (modular synth patch) [Tiptop Buchla; Furthrrrr; Qu-Bit Chord, Nautilus]

Performed on Eurorack modular: Erica Black Sequencer, Vermona Melodicer, Qu-Bit Surface, XAOC Odessa, Erica LXR drum synth. Mixed and recorded using Cosmotronic Messor and 1010 Bluebox.

Eurorack modular track - "Quantum Fugue"

In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community.

Chapters
00:00 - Introduction
01:13 - The Tate Modern Installation
02:52 - Working With Laurie Anderson
06:40 - The Origin Of The Name Scanner
10:47 - Module 1: Morphagene
14:30 - Module 2: Mimeophon
18:52 - Module 3: Equation Composer
24:08 - Module 4: QU-Bit Prism
26:51 - Finding Your Sound With Modular
29:22 - Module 5: QU-Bit Nano Rand
31:16 - Module 6: Instruō øchd DivKid
33:12 - Modular Social Community
35:31 - Modular Aesthetics
38:38 - Module 7: Bela Gliss
42:37 - The Performance

Full module list at: https://www.soundonsound.com/people/scanner-my-life-modules-sos-podcast

Robin Rimbaud Biog
Scanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. 

To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world’s first Virtual Reality ballet, Nightfall, for Dutch National Ballet.

More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.

Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.
http://www.scannerdot.com

William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. 

As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. 

Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” 

Stokes currently lectures in Music Production at City, University of London.

https://www.vokagentle.com/

Find more shows on our podcast channel: www.soundonsound.com/sos-podcasts

Electronic Music

Scanner - My Life In Modules

Scanner - My Life In Modules | Podcast

Live recording of modular rig + EP-133 for drums. No editing. One take.

Alien Transmission (Live)

Was experimenting with eurorack and the sound is matching with event horizon...movie 1997. Must watch

Event Horizon Eurorack

Slow and beatthing

TwinsdualVCO Oppisample

squilg

Modular Soundsystem & the great Nativ Instuments & other libraries. Something complete different for afterwork is important...

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
&#13;
Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
&#13;
Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
&#13;
Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

New tracks tagged #Qu-Bit