We are thrilled to present the 16th episode of our podcast series, featuring multifaceted DJ and producer R-Oderick. With deep roots in Toronto’s techno and beats scenes, R-Oderick has earned worldwide acclaim for his authentic techno and house hybrids. His sound ranges from bleak Detroit futurism to dark, heavy compositions, showcased on labels such as Sonic Groove, Pinkman, and Opal Tapes. In this episode, R-Oderick delivers an immersive audio experience that reflects his innovative approach and dedication to the craft, making it a must-listen for fans of cutting-edge electronic music.

== https://www.instagram.com/r_od3rick/ ==

R - ODERICK BITECAST016

ÈBONY - Shades of Meridian [Turbo 251]
Stream & Buy - https://turborec.lnk.to/ShadesofMeridian

In the wake of their widely-acclaimed album Union, JUNO-nominated duo Èbony rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto. 

Opener “Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of “Forever.” Next, “Dull Side First” rides a spectral break through a sepulchral warehouse trip, “RIFT” invokes peak-time witchcraft, and closer “My Daylight” entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded. 

And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau’s tech-house alias “Arabian Nights.” It’s called integrity — try looking it up sometime.

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Shades of Meridian

Stream & Buy

Break My Skin feat. James Baley

BITE is the Berlin-based techno label co-founded by Hayden Payne (aka Phase Fatale) in 2018. Beginning with the debut collaborative EP by Silent Servant & Phase Fatale, the label aims to platform artists who operate outside the conventional preconceptions of techno and are united by an ambition to push the boundaries of electronic music. This drive is further exemplified by regular showcases at renowned institutions Berghain, Basement, and Tbilisi’s KHIDI as well as a multitude of clubs throughout Europe, Asia, and the Americas.

With a vast artist roster from stalwarts such as Ron Morelli and Teste to contemporary talent from the likes of Pablo Bozzi and Gael, the eclectic variety of releases touches upon a range of styles along the moodier fringes of electronic music. BITE has proved itself as the imprint to watch. Fresh off the heels of their 5 year anniversary in 2023 culminating in the acclaimed triple LP compilation ‘Shedding Skin,’ BITE moves into more dancefloor territory with their next releases by label head Phase Fatale and remixes by Rrose. The display of the music is also represented in its visual prowess with cutting designs and colorways intended to take the sound into another dimension. From proper techno to synthpunk and to sparse minimalist industrial, BITE never fails to deliver fresh and razor-sharp sounds tying together the narrative of dance music.

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

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