“I have always loved this song, such a classic.” 

the night before. 

We said our goodbyes,
Love was in your eyes.
Now today I find you have changed your mind,

Treat me like you did the night before.
Were you telling lies?
Was I so unwise?

When I held you near you were so sincere,
Treat me like you did the night before.
Last night is the night I will remember you by;
When I think of things we did it makes me want to cry.

We said our goodbyes
Love was in your eyes.
Now today I find you have changed your mind,

Treat me like you did the night before.
Last night is the night I will remember you by;
When I think of things we did it makes me want to cry.

Were you telling lies?
Was I so unwise?
When I held you near you were so sincere,
Treat me like you did the night before.

Songwriters: Paul McCartney / John Lennon

©1965 Sony/ATV Music Publishing LLC. All rights reserved.

the night before. (The Beatles cover)

De los sótanos grasientos del medio oeste al escenario mugriento del CBGB. Los Dead Boys no vinieron a salvar el punk, vinieron a profanarlo. Con Stiv Bators desangrándose en directo y Cheetah Chrome apuñalando riffs como quien parte botellas, el grupo convirtió el caos en religión y el desenfreno en estilo de vida.

En este episodio 175 de Radio Condenado, viajamos al corazón más sucio de la escena neoyorquina: desde los días proto-punk en Cleveland con Rocket From The Tombs hasta la disolución definitiva de los Dead Boys en la Gran Manzana y las mutaciones posteriores de sus miembros en The Lords of the New Church, The Wanderers o en la carrera solista de Stiv.

Un especial que suena a violencia juvenil, sexo guarro y electricidad desatada. Punk en estado químicamente inestable.

Tracklist episodio RC#175 | The Dead Boys:

Dead Boys - “Down In Flames”

Dead Boys - “Not Anymore”

Dead Boys - “Ain’t It Fun”

Dead Boys - “What Love Is”

Dead Boys - “Big City”

Dead Boys - “Caught With The Meat In Your Mouth”

Dead Boys - “All This and More”

Dead Boys - “Sonic Reducer”

Dead Boys - “Ain’t Nothin’ To Do”

Dead Boys - “I Don’t Wanna Be a Catholic Boy”

Dead Boys - “3rd Generation Nation”

Dead Boys - “Dead and Alive”

Stiv Bators - “Swingin' A Go-Go”

Cheetah Chrome - “Still Wanna Die”

Ronnie Spector - “Hell Of A Nerve”

The Wanderers - “Take Them And Break Them”

The Lords of the New Church - “New Church”

The Lords of the New Church - “Russian Roulette”

Dead Boys - “All The Way Down (Poison Lady)”

The Lords of the New Church - “Like A Virgin”

Escucha el episodio completo en Ivoox, SoundCloud, Spotify o YouTube.

RC175 - Dead Boys

Issues

An old style rock and roll Christmas song

Old ST Nick   (Sure Can Pick)

Missing Limbs

Es una canción pop con una energía luminosa y nostálgica, inspirada en la estética melódica de Los Beatles. Combina una letra emocional y honesta sobre el miedo a perder a alguien importante y la fragilidad de los vínculos

Si Te Vas

GET-OVER-IT-(REMIX)

An alternative Christmas song for anyone who finds the season a little unbearable. A bad Santa, a wrecked family gathering, and a mess of guitars dragged through tape and valves.  Come with me, as we head home to ruin a family Christmas.

"christmas comes but once, so don't delay
pick up the bag with the tools and on your way
broken starlight frosts its shimmer down
footprints lend of themselves to the frozen ground
all year spent in hibernation been biding my time with delight
i am the ghost of circumstance
at the yuletide feast tonight

kismet calling up kitschness personified
a little red hat and a fistful of mince pie
nosing about in your tinseled little town
trying on your slippers and gown
I drink your whiskey, face-plant the turkey
thumb out your christmas pudding money
then I creep back up to the top of the chimney stack
a sack full of toys and away

merry christmas, dearest fuck you all
have a good one
merry christmas!

have a good look at the world and turn away
primates shitting out ink to mark a claim
you say it's part of the game 
but all i see is
rocket men at rocket play
have a little bit of the cold-hard truth
oh, i'm so glad I could bring the news
toys all wrapped in a burglar's sack
and i'm off on my merry way

merry christmas, dearest fuck you all
have a good one
merry christmas!
merry christmas, dearest fuck you all
have a good one
merry christmas!

merry christmas, dearest fuck you all
have a good one
merry christmas!"

Merry Christmas

Buy Me!

my mom likes giraffes so  when i did this jam i named it this ;-P

GIRAFFE_REMIX)

Heavy metal guitars with distorted 808s. Lmk in the comments if this is better than the original. Hmu if you like my style and want to buy beats or collab. I usually do more melodic trap beats and less rage but I am open to try anything.

POP OUT- Playboi Carti ($imon$ays! REMIX)


Oh Lord, I wasn’t supposed to still be here,
or should I swallow yet another lie?
Tell your angels to stop playing with my hope,
because this martyr game is getting old,
and walking through your Roman circus isn’t funny at all.

Oh Lord, I could say: solve this problem for me,
you whispered so much about love and solidarity,
I’m starting to think, it’s complicated, I started thinking…
Are you really real?
The god they once told me about
seems like a grand illusion to keep me faithful and blind.

Oh Lord, then who really are you?
Where are your angels now?
Is this “new spirituality” just another illusion?
’Cause I’m seeing their souls,
your gurus say that if I buy their courses and their books,
I’ll find happiness — something exclusive.

Oh Lord! Here we go again?
Another lie just for me?
This martyr game is wearing me down!
And your Roman circus isn’t funny at all!

I grew up around books and intellectuals,
learning of your existence from theories,
I think it was Aristotle they quoted,
talking about ontology, the One and only Being.

Religion slipped away from me
in a moment when faith and the will to live abandoned me,
and the bus fell seventy meters down,
the faith from books died in that accident,
I was left empty, with a resilient heart.

Oh Lord, you do exist for real — you know what I feel,
you know what’s happening to me right now,
others might say: “She just needs a job,”
but having no money, not even for that American dream,
means not having the basics anymore.

And there are other things I don’t get, oh Lord,
every time I tell you to fuck off, or when I question you,
I always get the same image and the same sensation —
a pitch-black sky and people without compassion.

Oh Lord! Here we go again?
Another lie just for me?
This martyr game is wearing me down!
And your Roman circus isn’t funny at all!

And what do you want me to do? I spoke and wrote about them,
all I’ve gotten is meeting unpleasant people,
some anonymous, dancing over my corpse,
others crying out for your answers
while I don’t even have mine — or yours.

When I was a teenager, I loved Janis Joplin,
with a guitar in hand, I wanted to be like her,
and like her, I lived on the edge,
I allowed myself to live rock and roll.

Oh Lord, my favorite sport is telling you to fuck off,
when I don’t understand, when my soul twists inside,
to understand the dark night, you must walk through it,
to understand hunger and lack, you must live them,
I try to understand, I don’t take instructions blindly,
you made me like this — a woman who enjoys
smoking, the blues, rock and roll, and jazz.

I’m a woman going through her critical moment,
I’m a woman who likes smoking a pipe,
I’m a woman who loves wine and a little bit of herbs,
I’m a woman who accidentally sees the future,
I’m a woman who stands strong in life and dares to say:
I don’t want this bullshit.

Oh Lord! Here we go again?
Another lie just for me?
This martyr game is wearing me down!
And your Roman circus isn’t funny at all!


I don't find your circus amusing

Colours Drifting  - Running Back To You

Broken Birds

Don't do me wrong 29.11.'25

Blarin' Horns

Burmah grabado en vivo con un cassette de mano desde el púbica  

Festa do rock Burmah na Getulio  Vargas  1975 (valor documental)

Bad Trip x Zaad Azmi x Sun Coup

LSD x Zaad Azmi x Sun Coup

Perfil en SoundCloud de Charlie Condenado (condenadofanzine.com) para subir sesiones y pinchadas que realiza así como los episodios del podcast Radio Condenado y su proyecto de generación musical con IA llamado Condenado Mafia Kult [CMK]

Rainbow Unicorn Explosion (R.U.E.) is the creative partnership of the Hawke sisters: Vidia, Amber, and Nova. Three cute (and probably insane) angels from another dimension (or possibly the Midwest). Likely lesbians, definitely anarchists, and maybe a little broken, but always emotionally honest and open-hearted. 🌈🦄💥

Mauricio Jade es un cantante y compositor chileno (Concepción)  quien se adentra en el mundo profesional de la música a los 16 años con diversos proyectos grupales. A finales del 2022 inicia su carrera solista con el lanzamiento de "Muero un Poco" y posteriormente en 2023 estrena "Aferrados Al Amor" ; ambos con una propuesta que busca mezclar la música popular actual con elementos vintage que rememoran sus principales influencias.

Melodic Trap, Gunna Type Beats are my specialty.

A seasoned producer with a lifetime of musical passion and continues to push the boundaries of electronic dance music. At 67, his love for the genre remains as vibrant as ever, inspiring him to create innovative and energetic beats that resonate with audiences young and old.

have  fun-make music-make people happy-make peace--you  are never as good or bad as you think you are..sometimes..when you drink your own koolaid- it makes you sick....drink green tea
instead..we are all put here to help eachother...
eat  blueberrys...they are good for the mind..
                                 steven  a  dixon


Para comunicarte, mi correo: maritecamacho@gmail.com
Toda la música y las letras fueron compuestas y producidas por Marite Camacho.
Cada obra forma parte de un proceso creativo y humano, realizado mediante el uso de FL Studio y herramientas de IA asistida, empleadas únicamente como instrumentos de apoyo para la generación y el arreglo sonoro.

La intención artística y literaria es el eje central del proyecto: las letras pertenecen a un conjunto de textos originales que integran un libro de próxima publicación, donde música y palabra se entrelazan para explorar temas de sanación, espiritualidad y reflexión contemporánea.

La IA fue utilizada como herramienta creativa, nunca como autora, siendo la dirección, intención y sentido expresivo completamente humanos.
Todos los derechos reservados.

All music and lyrics were composed and produced by Marite Camacho.
Each work is the result of a human creative process developed through FL Studio and AI-assisted tools, used solely as supportive instruments for sound generation and arrangement.

The artistic and literary intent lies at the heart of this project: the lyrics are part of a collection of original texts that will be published in an upcoming book, where music and words intertwine to explore themes of healing, spirituality, and contemporary reflection.

AI was used strictly as a creative tool — never as the author — with all artistic direction, intention, and emotional meaning remaining fully human.
All rights reserved.

Biografía:
Marité Camacho es una productora musical argentina que ha explorado y reinventado su arte desde sus primeros pasos en la composición desde el 2006 en adelante. Sus primeras composiciones fue incursionando en el potencial creativo de DAWs como FL Studio (entonces conocido como Fruity Loops) y Sonar. Sin embargo, su pasión por la música y la experimentación la llevó a trascender géneros, evolucionando hacia composiciones orquestales al descubrir las posibilidades de las librerías profesionales y VSTs como Kontakt.

Paralelamente a su música instrumental, Marité ha mantenido una profunda conexión con la poesía, escribiendo versos de un marcado estilo romántico con toques castizos. Su lírica está influenciada por grandes figuras de la poesía española, como Santa Teresa de Jesús, San Juan de la Cruz, Miguel Hernández y León Felipe, y por la lírica de Joan Manuel Serrat, que marcó su infancia.

Entre 1996 y 2000, Marité estudió psicología con especialización en psicoanálisis, complementando su formación con estudios en antropología y sociología. Este profundo conocimiento de la condición humana ha enriquecido su poesía, impregnándola de temas como el desamor, la soledad, los miedos y la búsqueda de espiritualidad. Sus versos, marcados por una sensibilidad única, reflejan su influencia de autores budistas, así como su práctica de la meditación y la ecuanimidad, explorando con delicadeza los rincones más profundos del alma.

Su adolescencia estuvo impregnada de rock argentino, una influencia inevitable en el contexto de la Guerra de Malvinas, que amplificó las voces de bandas emergentes y consolidadas del país. Estas raíces, sumadas a su curiosidad insaciable por explorar nuevas culturas y sonidos, la han llevado a escuchar y aprehender estilos tan diversos como música de Medio Oriente, Anatolia, África, el folclore celta y nórdico, la música latina, el pop y, por supuesto, el rock en todas sus variantes.

Con la llegada de las herramientas de inteligencia artificial en la música, Marité dio nueva vida a sus proyectos, integrando poesía y sonido en un diálogo íntimo y emotivo. 
En todas las canciones, la estructura armónica y melódica se llevan a cabo el fl studio y otros daw, luego se traslada para que se genere la voz en una ia generativa de vos, que es otro daw. La post producción se lleva a cabo en fl studio y la masterización se realiza con ozone 11, que tiene una IA para masterizar.

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

Hidden away in the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the quiet strangeness of the everyday. Acoustic warmth, blues-stained guitars, jazz-streaked piano, and dreamlike textures fold into each other, creating music that drifts between clarity and haze.

His track In Parks Of Tall Trees found its way to Tom Robinson’s BBC 6 Music Introducing Mixtape, a small ripple in what has become a steady tide of restless ideas. From first picking up a guitar in the late 90s and stumbling through those formative songs in the early 2000s - many of which later resurfaced on Apprentice Green - flakebelly’s path has been one of constant diversion and reinvention. The early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in the pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Now comes The Boy In The Diving Bell - out now - a 17-track reckoning with past ghosts, unfinished business, and the fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

The Boy In The Diving Bell is only the beginning - the first of three interconnected albums, the demos for which are already written. Yet even as that arc unfolds, flakebelly has begun detouring into a very different landscape: a new project built from vinyl samples, drum loops, and dirty guitars driven through vintage outboard gear, cassette recorders, and battered mixers. It is dark, abrasive, and deliberately uncomfortable - sound pushed to the point of collapse, distorted tape glued together with transformer saturation, live mixes through old delay units, dials twisted until frequencies scream. If The Diving Bell trilogy is haunted by memory, this parallel work dives into raw sound destruction and the strange beauty of degradation.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio. The result is music that feels lived-in and handmade - always shifting, never fixed, and forever searching for new shapes in the sound.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

music fanatic. inspired songwriter and music producer. avid guitarist. enthusiastic mixer. 

I create for the pure joy of it and I love to include my Wife and Daughter in the music to capture a beautiful moment; a personal time capsule. Music is an expressive outlet for me and I write from the heart.

Close to my heart is raising awareness of the chronically painful genetic connective tissue disorder HEDS (Hyper-Mobility Ehlers-Danlos Syndrome) to encourage recognition and a deeper understanding of the condition; that no two people with HEDS are identical and live with different symptoms, types and experiences. 
*Please follow the hyperlink below to the HEDS Society website for further information.*

I write songs inspired by my family, the music I enjoy, life and all the amazing experiences that come along everyday. I create with passion wherever the joyous process takes me and this page is an archive of all those moments. 

I enjoy making this music and maybe you will enjoy listening to it…

heart house and the new kindness. 2025

New tracks tagged #ROCK AND ROLL