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Lyrics:

I need you right here
No time for arguing
I see the light clear
I'll stop and drive you in
I'm feeling high lows
Live with my mind open
Steer with my eyes closed
Yeah, that's a bright omen
I've been thinking 'bout you lately
I can't even lie
And time's so precious, ain't it baby?
Who am I to cry?
I've been fiending for your love
And I've been dreaming every night
If you need me, call my number
I'll be there before you rise

I know you don't need me
But you know that I need you
And loving you's been careless
Yeah, I'm acting like a fool
I've been reaching out for nothing
You've been busy making moves
Yeah, I see you're up to something
So I'll leave you to your rules

There's a thought in my head
I've been really depressed
I've been moving all these mountains
Yet, I'm feeling the stress
Of the day to day that I go through
You don't know the half
So if I say something rude
Just know I'm dealing with that
But I've been thinking 'bout you lately
I can't even lie
And time's so precious, ain't it baby?
Who am I to cry?
I've been fiending for your love
And I've been dreaming every night
If you need me, call my number
I'll be there before you rise

I know you don't need me
But you know that I need you
And loving you's been careless
Yeah, I'm acting like a fool
I've been reaching out for nothing
You've been busy making moves
Yeah, I see you're up to something
So I'll leave you to your rules

Hi, come stop by my house
Drop in, not out
All the doors are open for you
Come stop by
All the doors are open for you
My house

I know you don't need me
But you know that I need you
And loving you's been careless
Yeah, I'm acting like a fool
I've been reaching out for nothing
You've been busy making moves
Yeah, I see you're up to something
So I'll leave you to your rules

There's a thought in my head
I've been really depressed
I've been moving all these mountains
Yet, I'm feeling the stress
I've been reaching out for nothing
You've been busy making moves
Yeah, I see you're up to something
So I'll leave you to your rules

Produced by LX & Pacific
Mixed by Ruga
Mastered by Luis Moreno

All Platforms

Reaching Out

I DO NOT OWN THE ART, BACKGROUND VISUALS OR INSTRUMENTAL. THIS PROJECT IS STRICTLY FOR NON-PROFIT USE. CREDIT HAS BEEN GIVEN TO THE APPROPRIATE INDIVIDUALS. I DO NOT CLAIM OWNERSHIP.  © DISNEY 

@raining_marbles  - https://www.youtube.com/watch?v=oBK1E2FBiuQ&ab_channel=RainingMarbles (instrumental)

@HEYBLESS    - https://beacons.ai/hey_bless/
mix/master/video
SPOTIFY: https://open.spotify.com/artist/26WHBQSJBRXWd3pRFQtYVy?si=CeKpxUJ4Tl2YoB-t4l8P9g
INSTAGRAM: https://instagram.com/prod.bless?utm_medium=copy_link
YOUTUBE: https://youtube.com/c/HEYBLESS

Art by Solbi Park
artist porfolio: https://solbipark.pb.online/toh

Background visuals are from The Owl House; owned by Disney.

One day I listened to Raining Marbles' rendition of the owl house outro and i knew upon listening to it I wanted to work with it. After a few listens i got inspiration from 'Reaching Out', and decided to evolve around that episode as the concept for the song (it also comes from a place very deep down in my heart, as i have been currently dealing with grief for the past 4 years). I hope you guys enjoy :)

EMPTY (prod. Raining Marbles) [The Owl House: 'Reaching Out' concept]

“SUKIYAKI” was sung by Kyu Sakamoto and became a hit all over the world.
Kaorimys put her original sensibility into the masterpiece with a new arrangement.

SUKIYAKI ー 上を向いて歩こう ー kaorimys

DENY EVERYTHING (PROD. HUH)

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Lyrics:

To all of my friends
To all of our nights
I miss you to death
I'll love you for life

We weren't supposed to grow up this fast
Just yesterday, we were those kids in class
Now we get paid to work a day, so sad
And I wouldn't trade it for the life I had
Now I'm walking alone on this road
Am I on my path?
And I know that I won't let this go
So I run right back
It's true in your life that you find
There's no need to be right
I feel like we try and we try
We just need to be kind

To all of my friends
To all of our nights
I miss you to death
I'll love you for life
Oh oh, oh oh oh oh
Oh oh, oh oh oh oh
Oh oh, oh oh oh oh
Oh oh, oh oh oh oh
To all of my friends (Oh oh oh oh)
To all of our nights (Oh oh oh oh)
I miss you to death (Oh oh oh oh)
I'll love you for life (Oh oh oh oh)

Remember when we used to party?
Remember how we used to laugh?
Remember when we made a promise?
That if we leave we'd come back
Home ain't the same without you guys, I'm serious
Don't make me say what you don't want to hear, it's just
Life has a way of killing all our fearlessness
I guess I'm insane for feeling like a kid again
I guess I'm insane for feeling like a kid again
I miss you to death, I'll love you for life

To all of my friends (Oh oh oh oh)
To all of our nights (Oh oh oh oh)
I miss you to death (Oh oh oh oh)
I'll love you for life (Oh oh oh oh)
To all of my friends (Oh oh oh oh)
To all of our nights (Oh oh oh oh)
I miss you to death (Oh oh oh oh)
I'll love you for life (Oh oh oh oh)

Produced by Young Taylor
Mixed by Ruga
Mastered by Luis Moreno

You Won't Be Lonely

"Little World" is a poignant indie folk anthem that explores the paradox of urban isolation in our interconnected world. Born from a unique human-AI collaboration, this song weaves a tapestry of relatable emotions, from the loneliness of city life to the hopeful journey of reaching out and building genuine connections.

Little World

The Dog Diaries Pt57

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

proffesionally trained sound engineer (and producer)

Music, arts, creativity for the globe

Radioprimco.com is an alternative radio station to the ‘burger’ stations, although it just so happens we provide exceptional burgers too. We have a passion for music and we’re quite partisan about the fact that we’re the genuine article for discerning listeners. Chuck in some comedy shows, docu’s, news and banter and you have a good mix; We like to mix the music up with iconic oldies and new alternative, indie, rock, trip/hip-hop, banter, punk, ska, reggae, documentaries, metal, funk, soul, comedy, skank, pyschadelic, news, house, jazz…

New tracks tagged #ReachingOut