Dark Light of Death [EP] - Iron Ouroboros [US, 2025]
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Dark Light of Death 
by Iron Ouroboros 
Massachusetts, USA
(EP) [8 tracks, 17:19]
Released October 31st 2025
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Contact: email or Instagram
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listen on BandCamp 👇
https://ironouroboros.bandcamp.com/al...
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Instagram 👇
https://www.instagram.com/ironouroboros8 
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Track List
 1. Luciferian Hellrealm Madness Intro 0:00
 2. Uproar of Chaotic Death Witchery   1:12
 3. Lord Lucifer 4:33
 4. Divine Delirium  7:46
 5. Storming Towards Victory 8:45
 6. Luciferian Darkness (Archgoat) 12:07
 7. All That is Beyond 15:22
 8. Dark Light of Night Outro 16:14
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All instruments, production and artwork
by Black Ancient Flame Wind Thrower
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Listen to Dark Light of Death on YouTube 👇👇👇
https://www.youtube.com/watch?v=O0sgS4M04BM
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Buy the EP Digitally on BandCamp 👇👇👇
https://ironouroboros.bandcamp.com/album/dark-light-of-death
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Open to all inquiries and collaboration

Luciferian Hellrealm Madness Intro

Luciferian Darkness (Archgoat Cover)

Lord Lucifer

All That is Beyond

Divine Delirium

Uproar of Chaotic Death Witchery

Dark Light of Night Outro

Jason Mowry: guitars, bass, and production
Carlos Vivanco: piano, drums, and the wicked guitar solo from 3:05 onward :)

Blue On Blue

Composed, arranged, performed, and produced by
Carlos Vivanco

Against The Grain

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

Trading Mics for Fish Pages (Eclectic Collective with SunnyBeck)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Instagram: @ironouroboros8
contact: instagram or email

I started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

New tracks tagged #Real Instruments