Kyle South (vocals, guitar) lost his father Memorial Day 2023 and that has been the inspiration for this album. These songs are about impermanence, loss, grief, anxiety, love and how to overcome these shared human experiences.

Lyrics:
February lost the moon
Stars describe the mood
February lost the moon
Two thousand thirty seven

Our love is here to stay
Match made in space
Our love is here to stay

February lost the mood
Stars describe the moon
February lost the mood
Two thousand thirty seven
Two thousand thirty seven

Our love is here to stay
Match made in space
Our love is here to stay
Match made in space
Our love is here to stay
Match made in space
Our love is here to stay

>>> All songs were Produced, Recorded, and Mixed by Larry Crane (Elliott Smith, The Shins, Death Cab for Cutie, The Decemberists, Sleater-Kinney, Quasi, The Dandy Warhols, founder of Tape Op Magazine, Oregon Music Hall of Fame inductee) at Jackpot! Recording Studio in Portland, OR.

>>> All songs were mastered by Adam Gonsalves (Elliott Smith, Ty Segall, Kill Rock Stars, Willie Nelson, Rogue Wave) at Telegraph Mastering in Portland, OR.

Indigenous Robot:
Kyle South: Vocals, Guitar
Elyse South: Keyboard
Vince Graeber: Bass
Alex Perrine: Drums

2037

Kyle South (vocals, guitar) lost his father Memorial Day 2023 and that has been the inspiration for this album. These songs are about impermanence, loss, grief, anxiety, love and how to overcome these shared human experiences.

Lyrics:
Marching along in the tail of the wind
Everything you know has yet to begin
Tomorrow is never the place to win
The harder your sorrow will hit your chin
Remember your life is the one you get
Everyday you have is a precious gift
Don’t waste away in the hold have been
Hold your head up high don’t give up the fight

Close your eyes and mean it
Now you’ve got the feeling
Breathe in out
Breathe it out

The limb has fallen from a family tree
The power of grief has shaken each leaf
How will we ever ride out of the storm
Talk about the times when laugher was strong
Guilty of loving my family to much
Guilty of loving my family to much
Now is the time to ride out of the storm
Sharing your life is the way to the door

Close your eyes and mean it
Now you’ve got the feeling
Breathe in out
Breathe it out
Close your eyes and lean in
Now you’ve got the feeling
Breathe in out
Breathe it out

>>> All songs were Produced, Recorded, and Mixed by Larry Crane (Elliott Smith, The Shins, Death Cab for Cutie, The Decemberists, Sleater-Kinney, Quasi, The Dandy Warhols, founder of Tape Op Magazine, Oregon Music Hall of Fame inductee) at Jackpot! Recording Studio in Portland, OR.

>>> All songs were mastered by Adam Gonsalves (Elliott Smith, Ty Segall, Kill Rock Stars, Willie Nelson, Rogue Wave) at Telegraph Mastering in Portland, OR.

Indigenous Robot:
Kyle South: Vocals, Guitar
Elyse South: Keyboard
Vince Graeber: Bass
Alex Perrine: Drums

Breathe

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

A day in the life of Roller Doper, just Chilling at the trap with a kitty on my lap.

Chillin At the Trap with Kitty on my Lap

Composed, arranged, performed, and produced by
Carlos Vivanco

Èr, Wǔ, Yī

Devil's Grip

Sombras Tardias

Sombras Tardías

I produced this song with John Fallon for our band, The Laissez Fairs. It is the 3rd song on our album, "Cryptic Numbers" (Rum Bar Records). John wrote it and plays all the guitars and bass, and he has the lead vocals. I'm playing organ and other keyboard sounds and singing backup vocals. Guido Tries is the drummer.

Buy this song

Steal The Whole World

Composed, arranged, performed, and produced by:
Carlos Vivanco

Redlight District

Composed, arranged, performed, and produced by:
Carlos Vivanco

Magic particles refer to a concept in quantum physics, particularly related to the behavior of particles like top quarks.
Researchers at the Large Hadron Collider have found that top quarks exhibit a property known as magic, which could advance quantum computing. 
This "magic" measures how well-suited particles are for building powerful quantum computers, indicating the complexity of calculations that can be performed on non-quantum computers. 
Additionally, there is a software tool called Magic Particles, which is used for creating 2D and 3D special effects in various applications.

Magic Particles

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — VST orchestration, vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Fender Precion four-string fretted bass, and Roland Phantom synthesizer
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson Custom T model electric guitar
Mistermark-- @user-432503709 -- Mark – VST string arrangement
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitrar, mix, and production

 This song began as a musical letter written, composed, and sung by Carl to Eclectic Collective. Carl and Josh had been sniffing around each other's pages, admiring each other's work and collaborators. So Carl reached out with this friendly, uplifting song, as a gift to the band. 
  Ken was first in line, adding his awesome, driving drums to give us a heartbeat to build upon. Josh came along next and completed the rhythm section with his trusty four-string fretless bass. Stephen was next up to bat, adding his dynamic raspy guitar, which almost sounds like an electrified fiddle. Next up, Mark added the tasteful VST strings arrangement in the second half of Carl's original composition.  
  We had it pretty much done sounding, but wanted to spice it up a bit, so we came up with the idea for a coda. Josh added his bass and synth for it, and Tez came up with the thrilling guitar part of it, as well. Tez also added the thrilling guitar intro, too. 
  Once it was in the can, we asked Tez to mix and produce it for us, which he did in his always expert fashion.
  This is the first song EC has done with Carl, but we know it won't be the last. We all admire him for his creativity, proficiency, and prolificacy. His page is worth a stroll, too, as it contains a lot of gems.
  We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark: 

Hey Collective Seeds,

Let's work things out across that water
There's a cable under sea,
We can send all sorts of...
Music/Words/Sounds - It's insane!
Look Lads,
That's life in the fastlane!

So it's ones and zeros
Mine and yours and theres
We are all heroes...

Watching the fire,
From a distance we're warm
But not from their mire,
From this musical charm.
It's a bonfire,
An inferno.
Earth got plenty to turn off...

So we can sing to love
And we can play for more dove.
Let's combine our powers. Collective!
A Paddy/Yankee toasted sandwich

Tex festival streak
Psyched for more free
K2 to peak
Mistermark chimes ' found life fought
Give, You Entheogenic Psychonaught
Collective lands
Psyched for more free

Dear Collective (Eclectic Collective with The Beautiful Dark)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

"...Their sound is great, songs are catchy, and you can tell they are in it for the love of the music, pure and simple..."

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Bakersfield Ca Born and raised. Melancholy madness disguised behind comedic sadness.

I write and record music in Las Vegas. I perform with the bands, The Laissez Fairs, The Double Whammys, and Trevor and The Joneses.

New tracks tagged #Real Instruments