Dark Light of Death [EP] - Iron Ouroboros [US, 2025]
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Dark Light of Death 
by Iron Ouroboros 
Massachusetts, USA
(EP) [8 tracks, 17:19]
Released October 31st 2025
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Contact: email or Instagram
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listen on BandCamp 👇
https://ironouroboros.bandcamp.com/al...
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Instagram 👇
https://www.instagram.com/ironouroboros8 
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Track List
 1. Luciferian Hellrealm Madness Intro 0:00
 2. Uproar of Chaotic Death Witchery   1:12
 3. Lord Lucifer 4:33
 4. Divine Delirium  7:46
 5. Storming Towards Victory 8:45
 6. Luciferian Darkness (Archgoat) 12:07
 7. All That is Beyond 15:22
 8. Dark Light of Night Outro 16:14
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All instruments, production and artwork
by Black Ancient Flame Wind Thrower
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Listen to Dark Light of Death on YouTube 👇👇👇
https://www.youtube.com/watch?v=O0sgS4M04BM
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Buy the EP Digitally on BandCamp 👇👇👇
https://ironouroboros.bandcamp.com/album/dark-light-of-death
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Open to all inquiries and collaboration

Dark Light of Night Outro

Jason Mowry: guitars, bass, and production
Carlos Vivanco: piano, drums, and the wicked guitar solo from 3:05 onward :)

Blue On Blue

Composed, arranged, performed, and produced by
Carlos Vivanco

Against The Grain

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

Trading Mics for Fish Pages (Eclectic Collective with SunnyBeck)

Cast of characters:

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, lyrics, and composition
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson custom T guitar
J.J. Terrell– @j-j-terrell – organ and piano
Llanpsych–@llanpsych –Tez– mix, production, and mastering

This song began by Gaz composing it and on his acoustic guitar, and singing his original lyrics over it. Gaz is a brilliant songwriter, lyricist, and singer, with whom we've worked before. However, this is the first song he's shared with us. He gave it to Ken first, who started the project and invited the rest of us to it.
  Ken, who was the originator of the project, was actually the second person to lay down a part, which he did to Josh's bass, instead of the other way around, as they usually do it. Stephen then came in and replaced Gaz's acoustic guitar with his silky smooth electric guitar. JJ got down on his magical piano and organ parts not long after Stephen added his guitar. 
  This was a somewhat uncomplicated process, as Gaz gave us a fully realized song to work with right from the start. Tez sealed the deal with his expert production to cap it off, too.
  As mentioned, this is our second song starring Gaz, and we're very grateful to him for sharing his magic with us. We're all looking forward to working together again in the future, too. We hope you enjoy listening to this as much as we enjoyed creating it. 
Original lyrics by Gaz Brownie:
V1
Im drawing the conclusion that 
Im just being polite 
And questioning myself is it me our are they right
I’m feeling a little angry hope it’s not out of spite 
Is just a reaction to this uncomfortable night 

Chorus 
When did the world stop listening 
When did the world stop listening 


V2
As we compete for space to try & speak
Everyone’s on journey on a bus to shit creek
With condescending story’s of their bad & awesome week
And I’m working on finding just a better style of technique 

Chorus 

V3
I avoid catching that struggle bus 
Don’t wanna be part of my problem and be misunderstood 
What are you looking at is there something you wanna discuss 
I push his   face up the window cause I’ve had enough 

Finish on a chorus

When Did The World Stop Listening (Eclectic Collective with Gaz Brownie)

Composed & arranged by Adrian Schmidtke 
All Instruments by Adrian Schmidtke 
Recorded, mixed & mastered by Adrian Schmidtke • Studio Dr. S. (11/2025)

Larry’s Lounge

Hyperdrive

There's always a way out. Even when you don't see it, just remember the light you're looking for comes from you and not at you.

Dark Inside

Cast of Characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and PRS EG semi-hollow body electric guitar

First of all, we wish the happiest Thanksgiving to all our wonderful SoundCloud friends and family. This song began as a twinkle in Artur's eye a couple months ago. Hey composed it with his Jaguar, as that is the premium surf guitar out there, and shared it with Tez, who invited the rest of us onto the project. 
   Tez, being the first on the boat, added his thrilling guitar fills and solos first. It was kind of odd the way we did this one, in fact, with the melodic/chordal instruments first, followed by the rhythm section. That said, JJ was next up to bat, adding his magical electric piano and soaring organ. Ken was first up for the backline, adding his driving drums. Josh then finally added his fretless bass to the stew. But before he was done, Josh also added the guitar solo you hear from 1:30-1:55. 
  After it was all said and done, we asked Tez to mix it for us, as he is a master producer and mixer. 
  This is the latest in a long line of surf rock songs of Artur's we've been fortunate enough to get to play with. He is the surfingest Polish fellow you will ever come across, and a wonderful, familiar collaborator with Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Surf Vibe (Eclectic Collective with Surfers Like Us)

„Moving the Game Pieces“, a piece I composed to feature my new hammered dulcimer, has been released on all major streaming platforms today.
Additionally I recorded about 20 more instruments for it.  So if you‘re sick of AI slop and like handmade fantasy music with a heavy medieval touch, you‘ll probably enjoy it.

If you're interested in all the instruments used, you'll find quite a bit of "behind the scenes" footage on my YouTube channel: https://www.youtube.com/@TorbenFugger/shorts

Moving the Game Pieces

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – organ, synth, effects-heavy guitar, initial drums and bass, and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – piano
Mistermark-- @user-432503709 -- Mark –- VST bassoon and harpsicord   
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This song began with Chris composing it with his synth, guitar, drum pad and bass. Like many of his songs, it was pretty well formed before the rest of the group got a hold of it. This song was part of a load of songs he shared with the rest of Eclectic Collective all at once. We've been picking them off one by one, though, as we're always grateful to Chris for sharing his magic with us.
  The odd sound of the rhythmic melody, which uses chromatic walks, immediately caught Josh's ears. It struck him as something the Doors might have come up with. So, he set about replacing Chris' simple bass line with something fancier, as well as coming up with the lead guitar for the whole thing, and the lyrics and vocals, as well. Josh was really taken with this one, and heard all kinds of parts in it almost immediately. Ken went to bat next, adding his innovative, John Densmore-like drums to it, replacing Chris' initial rhythmic idea. JJ came next and added the essential piano you hear throughout. After that, Mark found a place for his amazing bassoon/harpsicord solo in the middle. But before it was all over, Chris also added some doubled vocals, too, to actualize the lyrics, which are about two friends taking an acid trip together. 
  After it was all laid down, we asked Tez to mix it for us, which he did in his expert fashion, as always.
  This is our latest song composed by Chris, and we love working on his music. If you dig this, you should pay his page a visit, too, as it's full of diamonds. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by Josh Clary:
Come take a trip with me and together we will see
Into the end
Of time
That you are also me 
And I am also you
We’re in the soup
And in a loop

Underneath your skin 
You’re the same as I
Yet we strive  
To divide
If you want to blur the lines
Just dislodge yourself from time
Let’s fly
Let ego die


We’ll discover what is hidden,
And know why it’s forbidden 
So hold tight 
To what’s right
Just come along with me
And together we can see
Use the light 
Of night

You are also me and I am also you
It’s true
We’re in the stew
I am also you and you are also me
Just look inside 
And see
  
Just feel your temples squeeze
And put your mind at ease
And tune in
To my vibe
You can come along 
Just listen to the song
And melt 
With me

Down and down we go
We should take it slow
Unless we can’t 
We’re all ants
 I knew that we’d have fun
I knew you were the one
To do this with
Now we’re a myth

We could go all night 
Until the sun is bright
It’s a long 
Long ride

You are also me and I am also you
It’s true
We’re in the stew
I am also you and you are also me
Just look inside
And see

You Are Also Me (Eclectic Collective)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Hi, I'm Torben Fugger, a composer from Koblenz (Germany) who focuses primarily on cinematic orchestral music. In my pieces, which often fall into the adventure or fantasy genre, I attach great importance to strong and catchy melodies and an emotional impact.

I think that the many years of listening to Johns Williams music on my Walkman while delivering newspapers in my youth have left their mark. As did the countless hours of exposure to the music of Howard Shore, Hans Zimmer and Michael Kamen. To put it briefly: I'm a film music nerd and you can definitely hear that in my own music.

Instagram: @ironouroboros8
contact: instagram or email

In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax , Johanna Hugring, Martina Hoogland, Amanda Garrett and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Dr. Adrian Schmidtke
Composer • Producer • Bass Player

Recording, Mixing & Mastering • Live & Studio Bass • Bass on Demand • Online-Lessons & Coaching • Music Production & Release

Supported by Pyramid Strings

New tracks tagged #Real instruments