Performance of my Flute Ensemble arrangement of Spring 1 from the "Four Seasons Recomposed" by Max Richter/Vivaldi.

Spring 1 for Flute Choir

This is just CMC, but I went and added on/edited things I wasn't happy with. The old one will stay because I don't feel like deleting it after it's already gained some attention. Enjoy the edited version.

CMCv2 [EDITED]

Music published by CEZAME MUSIC AGENCY
https://www.cezamemusic.com/classical-elegance-album-4640.html

CEZ4610 - Classical Elegance

Gnossienne Revisited

Sentimental Sonata

Reverie

Pavane for a Fairy

Romantic Nocturne

Pavane for a Dead Princess

Barcarolle for a Starry Night

Je Crois Entendre Encore

Elvira Madigan Concerto

Meditation from Thais

ALBUM BFAN Link - https://bfan.link/bartokosmos

Bartokosmos Album Snippet

Rêverie, L. 68

Pavane pour une infante défunte, M. 19

Suite bergamasque, L. 75- III. Clair de lune

1-2-3-4-5-6-7, All Good Children Go To Heaven.

you never give me your money (hyper-tenacious mix)

Anna Kurka’s cover -no, rewrite- of "Let You Down" strips the original track back to its emotional core, with an arrangement that centers around piano, violin, cello, and flute. The instrumental backdrop is delicate and evocative, creating a hauntingly beautiful atmosphere. The piano provides the foundation, while the string instruments—violin and cello—add depth and warmth, enhancing the emotional weight of the song. The flute adds an almost ethereal touch, weaving in and out of the melody to create a hauntingly soft, almost dreamlike feel.

Anna’s voice is the centerpiece, carrying an immense vulnerability throughout the track. Her delivery brings a sense of rawness to the lyrics, emphasizing themes of regret, disappointment, and emotional turmoil. The stripped-down arrangement allows her voice to shine, while the strings and piano create a cinematic, introspective mood.

The overall vibe is one of quiet melancholy, giving the song a more reflective and personal tone compared to the original.

Anna Kurka - Let You Down (recomposed)

(Semi)Professional Musician/Composer & Arranger

Hi, I’m Anna!  If you like my stuff - Like & Subscribe please!

I’ve always been drawn to creativity in all its forms, and over the years, I’ve found a lot of joy in blending different passions. I create machinima in Second Life, using the virtual world as a canvas to tell stories that are personal and often reflect deeper emotions. For me, it’s less about the visuals and more about connecting with the people who watch, letting them feel something real. When I'm not making films, you’ll probably find me writing and recording music. I love experimenting with sounds, mixing indie and electronic styles, and sometimes you’ll hear me cover songs that resonate with me. I also DJ both in Second Life and on Mixcloud, where I get to share music I love and create spaces for people to vibe out or unwind. It’s all about the little moments of connection—whether through a song, a film, or a mix—and I’m grateful for the chance to share those moments with others.

After two CD releases with his own trio on major jazz label ACT in 2008 and 2010, Chris Gall is about to release his first Solo-CD "CHRIS GALL - PIANO SOLO" in January 2015 (GLM Music), counting 13 original compositions for piano plus two cover versions of Claude Debussy and Yann Thiersen. 
In 2015 he will also be doing some extensive touring with ECHO-awarded world music group Quadro Nuevo for their common release "Tango!".

DJ Bootsie (Ugar / BBE Records - Budapest, Hungary)

DJ Bootsie, the  Hungarian interpreter of turntables and sound samples, provides an exact, up to the beat, and in-depth account of his given psychological and musical state every 5 years. His debut album The Silent Partner was released in 2004 while we had to wait for his next one, entitled Holidays in the Shade, till 2009. Another half-decade later, his third album is to be released this fall. While the new record takes a plunge into the dark depths of a familiar musical universe and psyche, it also opens a path for something new.

  His debut album The Silent Partner was released on the Ugar label in 2004. At that time, Bootsie had laid all his cards on the table and since then he continues to work in the same vein: drawing on electronic beats, urban Hip Hop, Hungarian folk music and culture in general, jazz and experimentation, contemporary music and sound painting, film score, while also expanding and breaking the boundaries of traditional music genres. Bootsie’s predominantly instrumental pieces are characterized by epic structures and intimacy. His compositions are stations of an inward journey, created out of self-discipline and self-monitoring. Besides the Hungarian fans of the genre, his album also caught the attention of audiences abroad. Music by Bootsie was featured in such prominent places as the Buddha Bar Compilation (Vol. 7) , DJ Cam-My playlist, Mercedes Benz Mixtape, Marc Cain, Vogue Germany, CSI tv series, etc.)
His second (and third) solo album Holiday in the Shade was released under the renowned British label BBE in 2009. Featuring two New York MCs (Vast Aire and O.C.), the album received great reviews from all over the world, further increasing Bootsie’s prestige. 

Predominantly preferring to compose and produce music alone, Bootsie also performs his pieces live. Initially he played solo, then with his Trio; in recent years, there are two formations accompanying him: a quartet of saxophone, drums, guitar, keyboards and a turntable, or the acoustic big band with violin and wind instruments. The former is more traditional by predominantly playing Hip Hop and jazz while the latter also puts emphasis on contemporary elements of film scores and folk music.

His talent is recognized beyond his fans. Sometimes he receives exciting requests from surprising sources. He composed music for the 2011 film titled Ticket by Oscar-winner animator Ferenc Rófusz. In 2012, he revised two movements of Ferenc Erkel’s historic opera László Hunyadi commissioned by the Hungarian State Opera; success led to further commissioned work to rearrange two Wagner pieces, Götterdämmerung - Twilight of the Gods and Das Rheingold - The Rhine Gold. In the same year, his track Horseriders Toward The Abyss was used for opening the fireworks at the St. Stephen’s Day celebrations of Hungary. 


As a solo DJ, as well as with his live band of various setups from trio to eleven-piece small big-band, he played at a myriad of clubs, concert venues and festivals in Hungary as well as abroad (in Latvia, Russia, Romania, Slovakia, Czechia, Austria, Germany, the Netherlands, Belgium, France, the UK, USA, Spain, Portugal and China).

The Allegro Identity album (4th) live debut was recently held at the Palace of Arts, this was his third performing return to this holy shrine of top venues of his homecountry.

New tracks tagged #Recomposed