ʕweuis iosmi ʕuelʔn neʔst ʔekuns ʔe ’dērkt, tom ’gwrʕeum uogom
ugentm, tom m’geʕm borom, tom dgmenm ʔoʔku brentm. ʔe uēukwt ʕweuis ʔkumus: kwntske ʔmoi kērt ʕnerm ui’denti ʔekuns ʕ’gentm. ʔe ueukwnt ʔkeus: kludi ʕwuei, kwntske nsmi kērt ui’dntsu: ʕnēr potis ʕwuiom ʕulʔenm subi gwormom uestrom kwrneuti, ʕwuimus kwe ʕuelʔn neʔsti. to’d kekluus ʕweuis ʕe’grom ʔe bēu’gd.



    A sheep that had no wool saw horses, one of them pulling a heavy wagon, one carrying a big load, and one carrying a man quickly. The sheep said to the horses: "My heart pains me, seeing a man driving horses." The horses said: "Listen, sheep, our hearts pain us when we see this: a man, the master, makes the wool of the sheep into a warm garment for himself. And the sheep has no wool." Having heard this, the sheep fled into the plain.

https://www.kortlandt.nl/publications/art243e.pdf

ʕʷeuis ʔkeus kʷe | The Sheep and the Horses (Proto-Indo-European)

superiority complex (voditsa remix)

Economy of Freedom - (Yves Tumor · Croatian Amor) • Striptease - (FKA Twigs · Koreless)


𝓢𝓲𝓵𝓴 𝓯𝓸𝓻 𝓶𝔂 𝓽𝓮𝓪𝓻𝓼, 𝓪𝓷𝓭 𝓵𝓪𝓬𝓮 𝓯𝓸𝓻 𝓶𝔂 𝓯𝓮𝓪𝓻𝓼

The Economy of Strip Teasing

Fine Shit (@playboicarti)• Hidden Teeth - (@osheyack)

DON'T SAY YOU RIDE FOR ME

Reconstructed Bombook

Depeche mode meets KMFDM and Excision in a dark and dirty alleyway...

Stripped X-rated version

That pre-game moment between "Okay, everybody let's go out!" and "Wait, just one more piñacolada!?"...

Featuring reconstructed dance music (RDM) of Sparrow & Barbossa's enchanting "Pata Pata" with classics like Polo & Pan's "Dorothy," and Nicolau Marinho & Tough Art's edit of Chuck Brown in "Bustin Loose" — like a perfectly blended piña colada, swirling with freshly cut Tropical pineapple beats, a splash of Tech-house rum, and hints of cinnamon spiced Soulful House throughout. 💫🪩

Hypnotic Heat

LOVE WE SHARED


Techno · 135 BPM · düster, treibend, melodisch

Absturz, 18.10.25 – ich hatte das Closing beim Kolibri Collective und holy shit… das war mein bester Gig bisher.
Pure Ekstase, Schweiß, Bass, Licht – ich war komplett drüber und gleichzeitig genau da.
Leider kein Mitschnitt. Also hab ich’s zuhause nochmal nachgespielt – aus dem Kopf, mit Gefühl, und nem ordentlichen Schuss Rausch.

Das Set hat durch meinen Controller so’n  Knistern bekommen – unabsichtlich, aber irgendwie auch passend.
Wie ein schmutziger Abdruck von dieser Nacht.
Nicht perfekt, aber echt.

Für alle, die da waren.
Und für alle, die gern nochmal abstürzen wollen. 🖤

Tracks inspiriert von: Dusty Kid, Chris Liebing, Victor Ruiz, Oliver Huntemann, Sam Paganini, Anetha, Dominik Eulberg & Alfred Heinrichs

Absturz 18·10·25 – Kolibri Collective Closing

ソルナヴィオ 『みんな幸せになりたいだけ』

この曲は、かつて配信された同タイトル曲の再構築バージョンです。
歌詞とメロディはそのままに、
サウンドのみを新たな質感へと更新しました。

同じ言葉と旋律のまま、
その“響き方”だけを静かに変えた実験です。

TikTokで公開しているのは、この音源のラスト11行（終章部分）のみ。
フルバージョンはここでしか聴けません。

― 言葉と意味の実験場、ソルナヴィオ

【Full lyrics】

みんな幸せになりたいだけ
願う幸せが悪魔的だったり
胸張って言えないものだったり
いろいろあるけど
みんな幸せになりたいだけ

みんな幸せになりたいだけ
あの人のために自分を偽ったり
お誕生日に一人でケーキ買ったり
いろいろするのは
みんな幸せになりたいからなんだ

夕暮れ時は綺麗で、少し寂しくて
人生の終わりとどこか重なる
それも、幸せになりたいから感じること

跡形もなく自分が消えて
この世ではないどこかに行くとき
それでも残るものがあるとしたら
きっと根源的な不思議な気持ち
それは幸せになりたい気持ちと似てる
あの日笑って追いかけたような、時がなくなる気持ち

不幸になりたい人もいる
幸せをあきらめた人もいる
幸せを知らない人もいるだろう
幸せを心底嫌う人もいるだろう
蓋を開けてみたら、みんな同じ
みんな幸せになりたいだけ

何もしなくても
何も思わなくても
人はみんな幸せに向かってる
いろいろあって、いろいろして、
みんな幸せになっているだけ

ソルナヴィオ – みんな幸せになりたいだけ

Psychotic Surge: An Anti-Musical Cartography

Between Rio de Janeiro's humid nights and the Bay Area's electric fog emerges a sonic territory that refuses naming. Psychotic Surge inhabits the threshold where structured rhythm dissolves into controlled chaos, where the predictable becomes uncanny. Here, experimental improvisations capture fleeting auras—each recording a unique fingerprint of temporal collapse, where early acid techno memories bleed into orchestral synthetic dreams, noise becomes prayer, and minimal compass constraints birth maximal expression.|

This is not music seeking approval but sound demanding participation. Like thought before language, these compositions exist in the space between intention and accident, where repetition becomes difference and structure emerges from its own undoing. The project traces a geography of becoming—each track a deterritorialized moment where voices merge with synthesizers not to communicate but to invoke presence itself. Concrete-musique fragments scatter across avant-garde landscapes, creating soundscapes that remember futures and anticipate pasts.

Listen not to understand but to inhabit. Each track opens a clearing where being precedes meaning, where the ear becomes an organ of ontological investigation. Enter these sound-worlds as you would enter memory—sideways, vulnerable, ready to be transformed. The psychotic surge event is not performance but ritual participation in the moment's aura, an invitation to dissolve the boundary between listener and listened. Here, in the grey area where music questions its own existence, you're called to witness sound's capacity to reveal what language conceals—the raw pulse of existence before it learns to speak. Engage these recordings as maps to territories that exist only in their crossing, where each listen births a new geography of sensation.

ⲙⲁⲓⲱϣ (maiōš) 'fond of reading aloud', from Coptic ⲙⲉ (me) 'to love' and ⲱϣ (ōš) 'to read aloud'.

Lebensfreude entsteht aus dem Herzen

https://www.instagram.com/elli_spirelli_1901?igsh=MXZlOGJiOTkzNjg0eA==

Computer & synthesizer-based artist from Narrm / Melbourne Australia. Sound has been described as reflective, dreamy, melanchonic and transformative. Far ranging influences from Techno, Garage, Drum N Bass, Electronica, Psychedelia, Trip Hop & Pop. Often re contextualizing favorite vocalists in a wash of electronic experimental haze.  Hope you enjoy listening.

Born in Dallas, Texas, with the actual surname, MR. LOVING, is an Amsterdam-based queer nomadic DJ pioneering Remixed Dance Music (RDM)—4-track live-mixed sonic collages across House, Nu/Disco, Funk, Tropical, and other globally inspired beats.

キチガイの俺から、他のキチガイへ

New tracks tagged #Reconstructed