Maxi-Single, containing Radio Edit and Extended version of a classic house duet.

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ONE MORE TRY - DO IT DUET VERSION -RADIO EDIT

ONE MORE TRY - DO IT DUET VERSION -EXTENDED CLUB MIX

"Come Back to Me" is a soulful ballad that captures the aching loneliness of someone yearning for a lost love to return. Through imagery of starlit nights and whispered memories, the song paints a portrait of emotional longing that echoes through empty spaces. Cold winds and silent halls become metaphors for the absence left behind, while patience tangles on the floor and hearts remember what love truly costs. The chorus serves as a heartfelt plea, asking the lost lover to find their way through the haze and shadows back to where enduring grace awaits. Every star in the night sky becomes a beacon waiting for her light, every tear a wish cast deep into the darkness. In dreams and memories, he holds her tight, keeping secrets close within his heart where their connection still lives. Time may bend and circumstances change, but the song insists that love stands still in the echoes of their shared days. 

Listen on your platform:
https://push.fm/fl/ugzbhjwo
https://open.spotify.com/artist/2qzn8X3AOQUokEPJlIHsY8?si=NJDzjK9TRwi7Of1D6hSWMw
https://soundcloud.com/keith-jones-281413858
https://www.youtube.com/@KeithJones-xs1jr
https://paypal.me/KeithJonesTorquayQLD

Lyrics
Come Back to Me

Glimmers in the night sky fall
Whispers of memories and dreams
Footsteps echo down the hall
In the silence your name screams

Cold winds knock upon my door
Still I search for what we lost
Patience tangled in the floor
Hearts remember love's true cost

Come back to me find your way
Through the haze and empty space
Let the shadows melt away
See our love's enduring grace

Every star awaits your light
Every tear a wish so deep
In the dark I hold you tight
In my heart where secrets keep

Time may bend but love stands still
In the echoes of our days
Fate can change if we have will
Lost in dreams where passion stays

Come back to me find your way
Through the haze and empty space
Let the shadows melt away
See our love's enduring grace

Keywords
soulful ballad, aching loneliness, lost love, starlit nights, whispered memories, emotional longing, empty spaces, silent halls, heartfelt plea, enduring grace, every star, every tear, love stands still, shared days, circumstances change

#rnb #soul #newmusic #music #hiphop #soulmusic #musiclover #rnbmusic #soulful #slowjam #vocal #vocalmusic #vocals #artist #artistlife

Come Back to Me

Come Back to Me - A Soulful Plea for Lost Love

“Jack” — by 4Me2BeFree
🔻 Song Insight

“Jack” is a raw, retro-soul blues anthem about reclaiming power after being bought, sold, and underestimated. Set in a smoky, late-’50s soundscape, it channels a Jan1s Jopl1n-style vocal storm — raspy, fierce, and unstoppable. The story unfolds from the eyes of a woman who sold the symbol of her captivity just to buy herself back. Every stomp, every chorus, feels like a courtroom verdict rendered in rhythm and whiskey.
It’s freedom paid in heartbreak — the moment you stop asking for love and start demanding respect.

🔻 Lyrics

[Intro]
All I wanted was love,
You played me like some cheap move.
Love wrapped in diamonds —
Now I’m the price,
And you’re too high.

[Verse 1]
You set the scene like a film,
The beach, the Ritz, the ring.
Said “forever” with a smirk,
But I could feel the strings —
You wanted control, to look like love.

[Bridge]
Someone you could train,
But I’m not that cheap,
I’m not for sale.

[Pre-Chorus]
Dropped the cash, made a vow,
Just to throw it in my face somehow.

[Chorus]
I sold the ring for jack,
Just enough to buy me back.
You called it love, but it was a trap —
At least I can toast to that.
You can’t buy me to stay,
It was a whore you wanted anyway.

[Verse 2]
Tropical skies, fake paradise,
Dinner for two under broken skies.
You said it was for us,
But I saw it in your eyes —
This wasn’t a gift,
It was leverage in disguise.

[Pre-Chorus]
Said you’d change, said you cared,
But the cost was more than I could bear.

[Chorus]
I sold the ring for jack,
Just enough to buy me back.
You called it love, but it was a trap —
At least I can toast to that.
You can’t buy me to stay,
It was a whore you wanted anyway.

[Bridge – Spoken]
You can buy a dog, train it to obey,
But I’m not your bitch, and I don’t play.
You said I had no choice that day,
But love ain’t debt — I never said I’d stay.

[Final Chorus]
I sold the ring for jack,
Just enough to buy me back.
You called it love, but it was a trap —
At least I can toast to that.
You can’t buy me to stay,
It was a whore you wanted anyway.

[Outro]
Now you wear the shame,
And I keep the peace.
You were never for me — just the receipt.
Black ink, your face, my mistake.
I can toast to that.

🔻 Personal Reflection

I wrote “Jack” from a place of reclamation — that exact second when heartbreak turns into fuel. It’s not about bitterness; it’s about freedom with a burn. This song lives in the space between heartbreak and rebirth, where you laugh, cry, and pour another drink because you’ve finally remembered who you are.

🔻 4Me2BeFree

“Jack” stands as a cornerstone of 4Me2BeFree’s sonic rebellion — soul, grit, and unfiltered truth. Our music bends genres the way real life bends expectations. Every track turns pain into cinematic catharsis. This isn’t escapism — it’s reflection, revolution, and release, all wrapped in distortion and light.

🔻 Copyright Notice

All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Jack

This song speaks to anyone who has ever watched someone they love begin to slip away. It’s the quiet pain of holding on while knowing you will soon have to let go. The story captures the thoughts, the memories, and the helplessness that come when you cannot stop time. Each line mirrors the feelings we all face — sadness, confusion, love, and reluctant acceptance. The music builds slowly, moving from soft piano reflection to emotional gospel soul. It’s not just a song about loss, it’s about love that refuses to fade. It reminds us that grief is not weakness, it’s proof of deep connection. The voice aches with truth, the instrumentation gently cradles every word. Whether you have lived it or watched someone else live it, the emotions in this song are universal. We all know the moment when love and goodbye meet, and this song simply says — we understand.

🎧 Listen on your platform:
Push.fm: https://push.fm/fl/ugzbhjwo
Spotify: https://open.spotify.com/artist/2qzn8X3AO61TI--zPxoytyPRg
SoundCloud: https://soundcloud.com/keith-jones-281413858
YouTube: https://www.youtube.com/@KeithJones-xs1jr
PayPal: https://paypal.me/KeithJonesTorquayQLD

Lyrics
I Have to Let You Go

I am sitting here thinking of You
Sitting here feeling so blue (memories)
Sitting here thinking about how we once were
Not knowing how I am going to ignite you once more (oh yeah)

Time keeps ticking by, and things are going backwards
My days are rolling by, and I cannot live without you (oh no)
Each day I wake in hope I will find what we once had
But no, there it goes, another day passes (how do I pull you out)

Time is moving my head is spinning (around and around and around)
You’ve lost your way, I keep throwing you a life line
You watch it land beside you and let it go by
You know I want what you once was (I do, can’t let go)
Please here comes that line again, take hold and we live again (ah hah ah hah ah hah)

Todays been really hard, I thought I saw you smile (was not sure)
Then, you nearly uttered a kind word (I said, what did you say)
No, you were gone again, oh baby come back (I want you bad)
When you love someone like you, so hard to let go (it is)

Time is moving my head is spinning (around and around and around)
You’ve lost your way, I keep throwing you a life line
You watch it land beside you and let it go by
You know I want what you once was (I do, can’t let go)
Please here comes that line again, take hold and we live again (ah hah ah hah ah hah)

I know I am only dreaming, you’re not the same no more
Your lost in some distant world, no one understands
But, if I could I would bring you back, lock that door to St Peters (I would)
I have to let you go, but I don’t want to, but we will meet again (ah hah ah hah ah hah)

Keywords
emotional connection, holding on, quiet pain, letting go, memories and helplessness, cannot stop time, sadness confusion love, reluctant acceptance, soft piano reflection, gospel soul, song about loss, love that refuses, grief is not weakness, deep connection, voice aches with truth

#rnb #soul #newmusic #music #hiphop #soulmusic #musiclover #rnbmusic #soulful #slowjam #vocal #vocalmusic #vocals #artist #artistlife #grief #loss

I Have to Let You Go

I Have to Let You Go – When Love Becomes Goodbye, still holding on

💬 "You just about make me believe in God… how the hell else would I have got you?"
This is for the ones who’ve stuck by us — even when we’re messy, late, different, or impossible to live with.

“Nobody Knows Me, But You Do” is a raw R&B track that speaks for every couple balancing OCD, ADHD, quirks, opposites, and love that somehow works.
It’s honest. It's imperfect. It's real.

(Jonesy200) brings his own life into this — no fairy tales, just a love that survives 24 years and counting. If your partner still holds steady when your mouth’s on repeat… this one’s for you.

🎧 Hit play. Hit like. And hit share — someone out there needs to hear this too.
🌍 From Australia to Lagos, Cairo, Hanoi and everywhere in between — love is love, and this one’s universal.

🎧 Listen on your favorite platform:
Push.fm: https://push.fm/fl/ugzbhjwo
Spotify: https://open.spotify.com/artist/2qzn8X3AOQUokEPJlIHsY8?si=NJDzjK9TRwi7Of1D6hSWMw
SoundCloud: https://soundcloud.com/keith-jones-281413858
YouTube: https://www.youtube.com/@KeithJones-xs1jr
PayPal: https://paypal.me/KeithJonesTorquayQLD

Lyrics
Nobody Knows Me But You Do

Verse 1:
I’m always packin’ early, keys in hand by ten to five
You’re still lookin’ for your shoes, (like we got all night) we leave at 5
I overthink the silence, need a plan or sign, hate being late
You just smile, say (no need to rush, we'll be fine)
We are always late

Hook:
Nobody knows me, but you do
You don’t run, when my mouth is on repeat
You hold steady, I never feel any heat
You understand all of me, but don't bide by it
Nobody knows me, but you do
For 24 years now you have not changed
I’m wired different, you accept not change
Nobody knows me like you do

Verse 2
I have my repetitive ways you know why
You have your OCD ways which I hardly ever comply
You will move my things and blow my mind
Your OCD drives me nuts
One thing, I would like to unwind
But Nobody knows me like you do

Bridge
Well I don't know, if we fit opposites attract
We might fit, polar opposites attract
You with OCD and me with what they now call ADHD
They are two groups of letters you would not think
(Would ever go together)

Hook:
Nobody knows me, but you do
You don’t run when my mouth is on repeat
You hold steady I never feel any heat
You understand all of me, but don't bide by it
Nobody knows me, but you do
For 24 years now you have not changed
I’m wired different, you accept but won't change
Nobody knows me like you do

One thing for sure you are by my side
No matter how I am you never hide
My love for you will always be, even with OCD
You just about make me believe in God
How the hell else would I have got you, by my side

Hook:
Nobody knows me, but you do
You don’t run when my mouth is on repeat
You hold steady I never feel any heat
You understand all of me, but don't bide by it
Nobody knows me, but you do
For 24 years now you have not changed
I’m wired different, you accept but won't change
Nobody knows me like you do

Keywords
Nobody Knows Me, but you do, raw R&B track, balancing OCD, ADHD, quirks, love that somehow works, It’s honest, It's imperfect, It's real, (Jonesy200), brings his own life, no fairy tales, mouth’s on repeat

#rnb #soul #newmusic #music #hiphop #soulmusic #musiclover #rnbmusic #soulful #slowjam #vocal #vocalmusic #vocals #artist #artistlife 

Nobody Knows Me But You Do

Nobody Knows Me But You Do - You just about make me believe in God

“Cheap Champagne” is a soulful confession poured straight from the heart — a toast to love, loss, and the storms we survive. Set against a smoky, vintage soul groove, the song drips with atmosphere: thunder in the distance, rain on the window, and a glass raised to everything that went wrong.

With raw vocals and lush, jazz-tinged instrumentation, it captures the bittersweet moment after heartbreak — when the truth settles like the calm after a storm. Each lyric shimmers between defiance and sorrow, between the ruins of what was and the strength to keep standing.

A slow dance through regret, resilience, and the taste of cheap champagne.

Cheap Champagne

“Tera Aura” — a Punjabi-English smooth hip-hop and R&B track infused with 1990s soul and New Jack Swing energy.
Groovy, romantic, and confident — built on a warm bassline, funky rhythm guitars, silky keys, and soulful harmonies.

A fusion of old-school swing and modern R&B polish, celebrating allure, rhythm, and connection.
Vocals glide through soft harmonies and light reverb, wrapped in that unmistakable 90s groove.

#RnB #HipHop #Soul #90s #NewJackSwing #Funk #PunjabiEnglish #ContemporaryRnB #TeraAura #HafeezAkram KarmaMusic

Tera Aura

for the ones who feel before they speak.
Morgan Swims – “Feelings Are Weapons”
Warm Rhodes. Tape-soft drums. Quiet vulnerability.
A late-night soul moment for listeners who feel deeply.
“Feelings Are Weapons” is a tender, late-night soul confession from Morgan Swims. Built on warm Rhodes chords, soft tape-textured drums, and an intimate vocal performance, the track channels the emotional honesty of 70s R&B into a modern context. It’s quiet, vulnerable, and deeply human — the sound of trying to stay composed even when the heart is heavy. A slow-burning retro-soul mood piece that hits deeper with every listen.

Morgan Swims - Feelings Are Weapons

A song originally released in 1969 0r 70 depending on where you lived, sang By Gloria Taylor, written by Al Kent, this is our updated version inspired by the original sang by Lyn Li and The Baby Dolls, Susan Trip, Diane  Evon and Ebony Sunshine conducted and arraigned by Herbert Reid 

You Got To Pay The Price

You Got To Pay The Price (  2nd  Radio Mix )

Sydney based electronic music composer / producer.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

🎶 To all performing artists — don’t scroll past.
Just been notified by the Australian Songwriters Association that I have been recognised in the early judging in 2 categories (So Proud) and they said:
We’re excited to let you know that you have been Shortlisted by the judges in the Australian Songwriting Contest 2025. You should be very proud to have achieved such a result in this highly respected contest.

https://soundcloud.com/keith-jones-281413858/falling-for-a-farm-girl

https://soundcloud.com/keith-jones-281413858/true-blue-horizon

I am also on Spotify here is my link
Spotify: https://open.spotify.com/artist/2qzn8X3AOQUokEPJlIHsY8?si=NJDzjK9TRwi7Of1D6hSWMw
 
Every song you hear on my platforms is a demo — not a final product.
I write every word. These songs are built using technology to show you how they could sound, not replace you.

If you are looking for songs that will make you be noticed then I am looking for performing artists that can take my songs to the world, contact me via my email and lets make things happen. kandltjones@gmail.com

Let’s collaborate. Let’s disrupt. Let’s be heard. 🦅 If you've got the voice, I've got the fire.

Let’s make music that matters.

🎶 Keith Jones | Songwriter & Multi-Genre Artist | Artist Name: Jonesy200
I’m Jonesy200 — a multi-genre songwriter with 292 songs and counting original songs available for licensing by serious performing artists. If you're a vocalist ready to perform meaningful, emotional tracks that can create impact (and returns) — I’ve got songs built to make waves. I write across genres: Country, Hip Hop, R&B, Pop, Soul, Rock, Folk and can do more — because life doesn’t fit in a box, and neither should your music. Tracks like “I’m Still Standing” are more than songs — they’re my truth. Born with epilepsy, shaped by ADHD, I fought to stand on my own — and now the world is starting to listen. Over 400,000 listens on SoundCloud, 40,000 average per month — and not a single dime spent on promotion. Real music. Real listeners. No fake plays. This is organic growth — powered by heart, not hype. Now we expand. Spotify. SoundCloud. YouTube. Audiomack. One channel at a time — breaking down the music industry wall the way it should be done: with songs that matter. And voices that do them justice. Listen to Jonesy200 music on your platform: push.fm/fl/ugzbhjwo
Spotify: open.spotify.com/artist/2qzn8X3AO…9TRwi7Of1D6hSWMw
SoundCloud: @keith-jones-281413858
YouTube: www.youtube.com/@KeithJones-xs1jr
PayPal: paypal.me/KeithJonesTorquayQLD

Keywords
Australian Songwriter & Multi-Genre Artist
Country, Rock, Pop, EDM, Hip Hop, Rap, Alternative, Soul/R&B, Folk
Crossover Artist with Storytelling Lyrics
Original Music for Artists & Performers
High-Energy Tracks & Soulful Ballads

#AustralianMusic #IndieFolk #CountryRock #PopHits #RockAndRoll #EDMMusic #HipHopBeats #RapLyrics #AlternativeVibes #MusicWithMeaning #TimelessTracks #NewMusicAlert #MultiGenreArtist #Songwriter

© Keith Jones (Jonesy200). All rights reserved.
All songs, lyrics, and recordings are the intellectual property of Keith Jones (Jonesy200). Unauthorized use, reproduction, or distribution of any content without explicit written permission is strictly prohibited.

Cheektowaga Music & Moving Pictures: Independent Film Production and Full-Service Record Label

Since our founding in the early 1980s by Herbert V Reid Jr., Cheektowaga Music & Moving Pictures has been a champion for authentic artists. We were born from a mission to dismantle the "closed shop" inequities of the traditional music industry, creating a platform for creators who operate outside the mainstream gatekeepers. While our roots are in music, our vision expanded with the visual revolution of MTV, leading us naturally into the world of independent film production.

Today, we are a multifaceted entertainment company and a full-service record production entity. Our "Moving Pictures" ethos represents our commitment to powerful storytelling, whether through a song's narrative or a film's compelling visuals. We are actively developing impactful projects, including our upcoming feature film, My Name Is Brad. This socially conscious film tackles the complex issues of homelessness and addiction, seeking to offer profound insights into the human condition and the circumstances that lead individuals to despair.

Expanding Our Legacy in the Modern Entertainment Landscape

Building on this foundation, Cheektowaga is committed to being a comprehensive creative partner in today's digital age. Our expertise now encompasses entertainment marketing and strategic audience engagement, ensuring that powerful stories don't just get made—they get seen and heard. From music video production and artist development to feature film financing and distribution strategy, we provide an integrated suite of services. Explore our evolving projects and learn how we can bring your creative vision to life through our official portal at https:// Cheektowaga-OMNI.com. We continue to empower artists, challenge conventions, and produce content that resonates and matters.
About the founder :









Music was my first language, a passion that took root before I could properly form words. I spent 16 years studying piano, including two at the university level, though I didn't graduate. By fourteen, I was already sealing envelopes, sending my demos out into the world with a teenager’s hopeful desperation. I spent years trekking to office buildings, dropping off those tapes, until I landed a meeting with the late, great Morris Levy. He was the first to call me out on what he saw: I was all over the map. Opera, Bluegrass, and everything in between—I had no distinct genre, just a deep, abiding love for sound.

That eclectic ear was forged in the Southern Baptist church, where I was taught piano for one reason: to ensure the choir always had a musician. I played that role faithfully until a single, accidental experience—attending a service on acid—shook my faith in the institution, though never in God. It was a turning point among many too numerous to mention.

Morris saw my chaos not as a weakness, but as a strength. He suggested I stop trying to fit into a box and instead build my own. He was right on point. So, being who I am, I turned away from hip-hop and rap and dove headfirst into the rock market. That leap of faith became Cheektowaga Records.

My process is my own. I work in Cubase or Magix, and I don't rely on A.I. for composition—my tools are synthesizers, samples, and a network of incredible session singers and musicians I hire from across the web. While I might use an A.I. studio to sketch a demo, the final product is always human.

To many in the industry, I’m a villain; to others, a savior of sorts. And unlike most executives, I write the majority of my own releases. But don’t mistake me for another Frank Farian; my operation is built on a different kind of alchemy.

The work you hear started as unpolished demos. It has taken a lifetime to hone them, and the polishing is a process I’m still deeply immersed in. A more detailed story is coming in a book, but for now, recognize this: I am not "gay," I am Vince. And Vince is a man of many contradictions. I've had meaningful relationships with both men and women; my preference is for adults, connection, and chemistry, not a specific gender. I don't really have a type, and I believe a person can be fluid, loving one thing one day and something else the next. To each their own.

Trust me, I have lived an interesting life. Read the book. As for the music, enjoy it or not—we all have our preferences.

(And Ryan… when you pass on, I’m throwing the biggest party you’ve ever seen. That’s an inside diss, y’all.)

Hani AlBader is a prolific Brooklyn-based DJ / Producer / Remixer who has maintained an appeal in both underground and commercial circles. 
A Strong work ethic & gutsy attitude earned this prolific artist worldwide recognition as a top producer & the remixer to stars like Justin Timberlake, Alicia Keys, Pink, Christina Aguilera & Michael Jackson to name a few. 
Hani started out in 1984 as a bedroom Dj recording mixed cassette tapes for himself & close friends.   By 1988 during his college years in Denver Hani became a professional Dj at several major clubs.  Saved enough money to buy used Synthesizers,  Drum Machines & 4 track tape decks from pawn shops. Hani learned on his own the art of making Electronic Dance Music & was able to release a few underground records just to put his name out there but,  that was not enough. In 1993 Hani got his start doing underground Acid House tracks for Carl Craig's Label Planet-e & Deep Dish's label Yoshitoshi.  
By 1994 Hani was enrolled in the Institute of Audio Research in New York City. There he gained a well-needed knowledge of the fundamentals of audio acoustics, electronic circuitry, engineering & mixing.  While attending the institute Hani also wasted no time. Hani started his remix career working on projects for Artists such as Deee-Lite, Repercussions & Urban Soul.  Upon graduating IAR, Hani started at Bass Hit Studios as an intern assistant engineer. He chose this particular studio only because it was the closest to his apartment.  Soon Hani learned that Bass Hit was a Mecca for House music producers & remixers. Call it destiny.
It was at  Bass Hit Studios that Hani acquired a deeper sense of Electronic Dance Music by working for such House music luminaries as Masters at Work (Little Louie Vega & Kenny Dope), Roger Sanchez, and Danny Tenaglia. 
Hani cleaned the studio after them, picked up the garbage, and delivered food however, he also learned the basics of House arrangements and mixing.
The competition in New York City was very high & Hani had to quickly make a name for himself therefore, he did not follow the rules. He did not wait for record labels to give him a chance at remixing songs he liked. He chose songs he gravitated to & went on to produce his own remixes in his simple little studio without being commissioned or paid to do it. Through his connections, Hani built a long list of Dj friends who admired his talent & consistently played his work around the globe. His 1995 unauthorized remix of Sade’s "I Never Thought I'd See the Day" under the given alias Musk Men got him the exposure he'd been working for. It got bootlegged by several distributors in US & Europe and gave Hani a Jump-start. Sade was not into remixes so the remix never got approved by(Epic / Sony). Then came Hani's unauthorized remix of Sting's  "Sister Moon" bootleg. This was a big Sound Factory Bar/ Ministry Of Sound records thanks to Louie Vega & friends like Roger Sanchez . Due to its success, this one got the official approval by Sting & got released on AM:PM by Simon Dunmor. This bootleg remix & many others are available on http://djhani.com/
This Biography continues on http://djhani.com/hani-biography/

Musician/Producer from Huntington Beach, California.

New tracks tagged #RetroSoul