morning bird

bustle

cocktails

moonlight

let's do this again soon, eh

Tanking

"From even the greatest of horrors irony is seldom absent."  
— H.P. Lovecraft

-I hope everyone likes this track. The cover art is currently a temporary one generated by AI, but I'm working on a new one that's suitable for the single.

I hope you enjoy it and have a wonderful day.

-Dead

COSMIC HORROR (2025)

FLY.wav // Ambient Breakcore // - ANTICITIZEN

Seventeen

It’s 2009.
You’re 5 years old.
The glow of the TV, the hum of the dishwasher,
your DS Lite cracked open on PictoChat.
You’re in the backseat while it rains,
and something about the world feels bigger than your tiny hands can hold.

“Still Hoping You Call” sounds like that exact feeling.

The song’s core message may be about a girl…
but the sound tells a bigger story.

A story of forgotten dreams.
Of the spaces between streetlights.
Of longing for something you can’t explain—but swear you’ve felt before.

It’s reverb-soaked nostalgia for a world that only existed in your childhood head.
A world where everything felt infinite,
and you didn’t even know you were already missing it.

SUNSHINE & RAINBOWS 1. Out Now Worldwide.

still hoping you call (interlude)

im hakey! (or deadxone) im 17 RAHH i make indie/techy music
She/Her
u can sample my music jus tag me n credit me :3

Tristan Williams—also known by his producer alias, T.B. On The Beat—doesn’t follow the industry. He ran from it with both middle fingers raised. Heartbroken, broke, and barely holding on, he started building songs the only way he knew how: messy, loud, full of soul. What began as therapy in a dark room turned into a body of work that spans the raw country ache of Life in a Small Town and Golden Years, the cinematic dream-pop haze of Sunshine & Rainbows I, and the ambient confessions of Purity Culture I & II.

He got tired of the same old crap—sterile mixing, lifeless masters, paint-by-numbers pop songs with no blood in them. So he burned the blueprint. His mixes are flawed on purpose. His sound is grief, nostalgia, and growth—warped like an old VHS tape, but still warm to the touch. Every chord has a scar. Every lyric’s been lived.

Tristan doesn’t chase perfection—he chases feeling. His production is built for people who want something real again.

He doesn’t just make music. He makes what saved him.
And now he’s giving it back—with no apologies.

Demos, unfinished songs, and things that sound cool.

commission us! haberchuck.music@gmail.com — two dudes who can't get enough of the video games we grew up on and their music

New tracks tagged #Reverbcore