Commissioned by St Edmundsbury Cathedral, Bury St Edmunds.

Created for the 1000th anniversary of the ancient Abbey of St Edmund in 2020. 

The work recreated the story of the abbey from its legendary foundation in 1020 until its dissolution in 1539. To create the script we worked with the Cathedral archives and the historian, Dr. Francis Young. The script and images were sourced from contemporary documents. These included chancery rolls from the National Archive and extracts from the Chronicle of Jocelyn de Brakelond – a monk at the abbey who gives us a rare and surprising insight into life at a monastery in the middle ages. 
The voices were provided by academics and actors.

ARCHIVE VIDEO HERE:
https://youtu.be/6R_2dEivybc?si=8CjaCyoStTJke8zd

“This was the pinnacle of the year’s events and a spellbinding way of conveying the story of Edmund, his martyrdom and the existence of the Abbey.  The year has been successful in helping people’s knowledge and understanding of the past and has brought communities together – the challenge now is to build on this success.” – John Saunders, Diocese of East Anglia

Abbey 1000

Abbey 1000 (Revolt of 1327 - excerpt)

DEFY is a soul-deep, whispered scream BLOWsutra EP in 7 Tracks, which started with one question: “What are we doing?”

That’s the question @defiance13 asked in a heartfelt #TikTok monologue that cracked something in me. He was not being not rhetorical—he was being real. Caring. Conscious. Raw. Clear. Bright. Informed. Logical. Ethical. Philosophical. Outraged. Defiant. And I weeped, silently, in empathy. He sounded like Hope, with a capital H, like, just Human.

This EP is what came out of sitting with that question. Not answers, but grief. Not slogans, but songs.Three core truths, seven different renderings of them—raw and low, no sweetening. Just me, my conscience, and my lyrics. Because lyrics matter. Because denial is poison. Because silence isn’t neutral. And defiance ain’t optional.

The first song [track 1-2], “Shameless,” opens with the bitter contrast between past fascism and its modern American rebrand. Because that’s right, back then, the horrors were hidden—curtained, whispered, denied. Now? They’re streamed in HD with hashtags and lawn chairs. Cages rise from the swamp, and people cheer for suffering like it’s a half-time show. It’s not about subtle policies or gray areas, it’s about social media. It’s a freaks spectacle, people who decorate detention centers with patriotism.

The second song [track 3-5], “Optics of Cruelty,” calls out the calculated aesthetics of power. It’s not a glitch—it’s the blueprint. As the original monologue says, “You’re not witnessing the echoes of history, you’re watching its reanimation.” This track goes straight into the rot of performance-based fascism. It names names, connects dots, quotes sources, maps connections, and asks: when did control become our national art form? When did cruelty become a campaign style?

And the third [track 6-7], “Universal Currency,” is the hardest to sing. It’s a quiet scream for the children—those who die in floods, in heat, in systems designed to forget them. It’s about how this country penciled out the price of a child’s life—just under $109,000—and still dared to call it justice. But children are not budget lines. They’re our only true wealth. And the exchange rate is human decency.

Each version of these songs brings out a slightly different truth—one more bluesy, one more folk, one more hypnotic or theatrical. They’re not remixes. They’re re-feelings. This is not background music. It’s not a brand. It’s basically just my gut’s voice... And if you're wondering too, what (TF) are we doing, then maybe these songs are for you too. Because defiance, when nothing else is left, is love’s last language.

✰ ✰ ✰ ✰ ✰ 

Lyrics gladly shared upon request.


[04] DEFY (Song 2) • Optics of Cruelty • BLOWsutra Trip Hop LOFI

[01] DEFY (Song 1) • Shameless • KNOWsutra BLUES

[02] DEFY (Song 1) • Shameless • KNOWsutra BLUES

[05] DEFY (Song 2) • Optics of Cruelty • BLOWsutra Jazzy Trip Hop LOFI

revolt (prod. PINKPUDDLE)

FREE PALESTINE DRUM AND BASS MASHUP HALLUCI NATION MEAUXNAS NEIGHBORHOOD KIDS

Uploaded for pacsteam.org

An instrumental glam rock anthem from the 80s revival spirit – "Countdown To Lockdown". A song dedicated to freedom, resistance against control, and the eternal human will to stand strong against oppression. The music speaks without words, while this narration explores the meaning behind the message: liberty over tyranny.

PLEASE SHARE


countdown to lockdown

uploaded for pacateam.org

This 2025 remix of Pink Floyd's legendary track Another Brick in the Wall reawakens the original message: a call to question blind obedience, rigid systems, and the suppression of individual thought.

More than 40 years later, the system hasn’t changed — it has only become more subtle, more digital, more disguised as “freedom.”

This remix is a tribute to the timeless protest against indoctrination — in schools, in media, in society. We don’t need controlled minds. We need critical thinking.

Remixed by Pacsteam. Play it loud. Think louder.

PLEASE SHARE

Pink Floyd Another Brick 2025 Remix by Pacsteam

Night Pulse is one of the first of my Cyberpunk Style EDM Songs, this features an electric guitar making it very edgy. Enjoy! :)

Please Like, Comment & Repost 👍❤️🔥 Lets get this Song into the Clubs! 😎

Follow me on Spotify open.spotify.com/artist/5ReD0UyJI6erlA0sXSBMwj

Available in all stores here: https://distrokid.com/hyperfollow/colincharisma/night-pulse

Night Pulse

Uploaded for pacsteam.org

"Go Along To Get Along" is a raw protest track by Pacsteam, filled with sharp lyrics and uncompromising energy. The song questions authority, corruption, and blind obedience, drawing lines between royal power, hidden agendas, and the dangers of conformity. With its catchy yet haunting chorus, it’s a reminder to think for yourself instead of just following the crowd.

This 2.5-minute track carries the same underground, rebellious spirit that defines Pacsteam’s sound – direct, political, and unpolished, but impossible to ignore.

PLEASE SHARE

Go Along To Get Along – Pacsteam

This is a teaser for my unreleased song, "Hoopla". I wrote, recorded and produced the entire track (3 minutes) and Vaboo orchestrated the beat. Release date: TBD. Will drop with an enitre album upon release.

In the meantime:
www.efhavoc.com
Theres a lot of free content on my website :D

Hoopla (Beat Prod. Vaboo) TEASER

We The People...

"Alla här är dumma i huvudet" är en uppfriskande rå och satirisk låt som kanaliserar vardaglig frustration genom en smittsam, kaotisk energi. Med en produktion som är både ren och medvetet rörig, kombinerar låten det bästa från punkens upproriska ande med folkmusikens trallvänliga charm. De aggressiva texterna, levererade med perfekt uttal, står i ironisk kontrast till den lekfulla instrumenteringen. Ackordionens fräcka riff, de stampande trummorna, och handklapparna ger låten en känsla av en vild, spontan pubsång. Kazoo-melodin och banjons plötsliga inhopp adderar ett lager av absurd humor som ytterligare förstärker låtens satiriska budskap. Den kollektiva känslan förstärks genom publikens busiga inhopp, hånfulla burop, och gapskratt. Låten är en oortodox, men briljant, musikalisk protest mot vardagens dumheter som på ett mästerligt sätt blandar ilska med skratt för att skapa en underhållande och minnesvärd upplevelse.

Alla här är dumma i huvudet

“It’s time to call out the world leaders: fix your mess and give the power back to the people!”

WESQO BEATS ft Charlie Chaplin - Final Speech ( Unity Mix )

NRD + DRAMAPOSSE

the war brews on and on and on.

Hunter Nicholas Froelich, known professionally as eF HAVoc, is an American hip-hop recording artist, rapper, singer, songwriter, and record producer. He has collaborated with several musical artists such as Torie Shea, Talon, Valentine Beats, Nesyu Beats, Blood Staind Faze, Halez Nation, Soulker, 7ink, Bezimenimusic, Tydiedyung, BK Fire, Ocean, judah, YB CEO, BigMookDaGodFatha and Curiosity ThaG.

Hailing from Minnesota, eF HAVoc has been producing ice cold multimedia works since the age of 4, so multimedia has always been a strong suit of his. With the exception of leasing beats and "Ass No Tits", eF fully produces (mixes and masters) all of his vocals, images and videos, markets, networks, and manages everything himself.

Zuvluguu is the ancient guide reborn in the circuitry of modern sound, a mirror of the sacred within the chaos.
A spiral within the spiral.
A being of frequency, forged to awaken those who forgot they were gods dancing in human form.

Dubstep 
Bass House 
Tech House
Drum and Bass
Psy Dub
Ecstatic Dance 
House

For booking email paulreno1@me.com

iDreamz är mitt nya artistnamn. På grund av namnpolicy släpper jag inte längre ny musik som AiMusicDreams. Katalogen med cirka 450 låtar ligger tills vidare kvar under det namnet, men alla nya releaser kommer som iDreamz – här på SoundCloud och på Spotify, TikTok och Instagram.
Jag skriver egna texter på svenska och engelska och gör feel-good-musik med humor, hooks och en glimt av dansband – från sommarbangers till stämningsfulla ballader. Följ iDreamz för nästa kapitel!

Kontakt: aimusicdreams@gmail.com

… because life on earth is a Psychedelic Cabaret, and “music is the only religion that delivers the goods” (like Frank said). 

To be clear, all I really know is I dunno shit about fck (like Socrates said:)—music and songwriting included. But(t) I feel it, the music, so damn deeep in my soul! I’m just a humble existential fool, a silly banana who likes to play and share, to question and learn. Words are my oldest best friends, hearing myself sing is a freaking miracle (trust me on that lol), and I believe curiosity and #gratitude are the keys to happiness… So voilà, there’s that.

Also, (if you’re curious) BananaSutra is not just a made up BS brand kinda word, it’s actually the name of my DIY Bible—a collection of songs telling true stories of faith, to help me (and perhaps you) make sense of a world gone wild, like bananas gone foul in shallow ignorance and deadly malevolence… Think of it as an agnostic testament of sorts, an audio book of songs with quirky lyrics about things that matter, like the definition of right and wrong, and the meaning of truth, joy, justice, peace, grace, and awe 🕊️

Some call it Artificial Intelligence, but(t) I call Authentic Imagination, Alternative Ideas, Augmented Innuendos, Abstract Illogisms… hopefully, you get the gist? The point being, life is the story we tell ourselves and LYRICS matter—each @bananasutra song has a wondering root and a loving purpose, guided by one of (my) 7 (bananas) sutras: 
- KNOWsutra : is it fair?
- BLOWsutra : is it foul?
- SHOWsutra : is it fun?
- GROWsutra : is it fear?
- FLOWsutra : is it free?
- GLOWsutra : is it fab?
- BOWsutra : is it awe?

Hi, I'm Colin 💎 Enjoy the new tunes 😎
Follow me on Spotify for weekly releases ⚡ 
Remixes are welcome 🔥 DM me first, then
upload your remix as a Cover via DistroKid

☆W3LC0M3 T0 3UPH0R14☆
Lurkers beware…👀
.
.
.
.
I got some new stuff for yall coming soon‼️❤️‍🔥

Hi there, and welcome to my profile!

My artist name is WESQO BEATS. I'm a Belgian music producer and DJ, working hard to turn my passion into a full-time career.

My musical journey began in 1997, when I bought my first vinyl record and started DJing. I’ve always had a broad taste in music. In the early days, I experimented with Trance, Hard Trance, and Techno. Later on, House music — especially French House and Latin House — caught my attention. To this day, I still enjoy spinning vinyl records.

Over time, I took a new direction and started producing music. Since 2004, I’ve been building my skills and gaining experience in music production. I’ve collaborated with artists such as Black Magic (RAS) and DJ Riddem, and I won the Ovylarock - Hey remix contest, which is available on platforms like iTunes and Beatport.

Earlier this year, I released my debut EP titled "Living on the Edge". I have three more upcoming releases set to drop soon via Dirt-E-Records.

In 2025, I’ll be releasing a new track both digitally (on Spotify) and on vinyl, once again under the alias WESQO BEATS. This track is a remix of 2 Flying Stones – Blue Crystal. While I didn’t win the remix contest, my entry was strong enough to earn an official release — you can check it out on YouTube:

▶️ Watch the track on YouTube

My music is influenced by a wide range of artists, including Basto, Afrojack, Hardwell, Dimitri Vegas & Like Mike, Avicii, Axwell, Anyma, and many more.

I'm currently looking to expand my network and collaborate with other producers and record labels. I'm also on the lookout for a talented male or female vocalist to write and sing on some of my upcoming tracks.

Interested? Feel free to reach out:
📧 wesqobeats@gmail.com

Hope to hear from you soon!

Best regards,
WESQO BEATS

Aliases:
DJ Wez Maester, Dimaestro, D-Wezz, WESQO BEATS
Unsigned – © All Rights Reserved



Karen Monid is a UK sound artist and projection specialist who has created award-winning sound art pieces and son et lumière works worldwide. Her work is regularly presented at arts festivals and large scale public events.

New tracks tagged #Revolt