Mike Ratledge - Sequence One // NCW - Mount Voltage (demo) // Andrew Bernstein - In Blue // Julius Eastman - Joy Boy // Les Tortures Des Ténèbres - Traditions // Kevin Drumm - Inferno

TRANSMISSION FROM ZETOVGRAD VOLUME 10

The second edition of  the Razing Prophet Birthday Marathon livestream was a wonderful experience shared with friends and family. The gathering was held physically in my hometown of El Paso Texas and stream worldwide via twitch. we enjoyed a wonderful time dancing and sharing a beautiful 30 hour experience which was much needed on my end. Thank you for all of the lovely messages, thank you for dancing, and thank you for the amazing time we shared. looking forward to making this a yearly tradition with the world. 

All music rights reserved to the original producers and their respective labels. Thank you for your amazing work!!

Birthday Marathon 2025 Pt 1

Last Saturday we dance with a full house under the full moon!
It was certainly my last session in Art Kaizen before they sadly close their doors. 

Such a pleasure to share this deep ritual ecstatic dance.

Much love and respect to all artists:
Essie Jain
Gabrielle Roth
Liquid Bloom, Nyrus, Bloomurian, Nyrus
Cristina Tati, Zentrip
Rapossa, Maugli
Lagartijeando
Yasar Akpence
Canalón de Timpiqui
Dom Um Romao
Scrimshire
La Laue, Ohxala
Young Wolf
OrkidZ
Hector Lavoe, Louie Vega
Idris, Mayra Andrade
Eden Shalev
MVMB, Morten Granau
Alex Kassian
Shahaf Shvarzman
Ezechiel Pailhes
Adam Dodson
Awaken Love Band

OrkA - Ritual da Lua  (Ectatic Dance Lisboa March 25)

Birthday Marathon 2025 Pt2

The second edition of the Razing Prophet Birthday Marathon livestream was a wonderful experience shared with friends and family. The gathering was held physically in my hometown of El Paso Texas and stream worldwide via twitch. we enjoyed a wonderful time dancing and sharing a beautiful 30 hour experience which was much needed on my end. Thank you for all of the lovely messages, thank you for dancing, and thank you for the amazing time we shared. looking forward to making this a yearly tradition with the world.

All music rights reserved to the original producers and their respective labels. Thank you for your amazing work!!

Birthday Marathon 2025 Pt4

Birthday Marathon 2025 Pt5

Birthday Marathon 2025 Pt3

Birthday Marathon 2025 Pt6

Hey, I'm Niko. I love my life for versatility, and I'm glad that I can experience different feelings. I love dancing in beautiful outfits with disco, I love techno in concrete buildings, noise, birds singing and various dark sounds, because all sounds affect my perception of the outside world or reflect me. 
SIDE A / ABISS - a fall into the depths of the soul, where there is almost no light, where only echoes are heard in the emptiness, where I am ready to part with everything, but the heart continues to beat.

SIDE A/ ABISS

Post-industrial incantation. A mirror that moves first.

EVAPORATE is not a song—it’s a threshold.
Built from whispered spells, distorted breath, and aching silence, it drags you through the dark corridor of self-recognition. The mirror speaks, and the voice behind the glass is yours. There is salt, ash, breath, and forgotten names. There is danger watching from beneath the frequencies.

You will not bleed.
You will not break.
You will become.

evaporate

Dieses Lied ist im altertümlichen Stil gehalten und stellt keine Provokation gegen Glauben oder Religion dar.
Vielmehr lädt es zu einer kritischen Auseinandersetzung mit der Frage ein, wie religiöse Ordnungssysteme historisch entstanden sein könnten.

Es geht dabei nicht um Abwertung, sondern um eine rekonstruierende Sicht auf soziale Entwicklungen – insbesondere rund um Moral, Körperlichkeit, Besitz und Kontrolle.

So thematisiert das Lied unter anderem, wie in frühen Gesellschaften Regelwerke entstanden, die bestimmte Verhaltensweisen, Rollenbilder oder Bekleidungsvorschriften begründeten.
Der Gedanke dahinter: Was führte dazu, dass Freiheit durch Regeln ersetzt wurde – und welche Funktion hatte der Glaube dabei?

Die Sichtweise ist bewusst nicht religiös gebunden, um Raum für eine möglichst objektive Betrachtung zu schaffen.
Es handelt sich nicht um eine theologische Kritik, sondern um eine gesellschaftliche Spiegelung – mit dichter Sprache und einem Hauch bitterem Humor.

✧ Es verspottet nicht den Glauben.
✧ Es ruft nicht zur Ablehnung auf.
✧ Es stellt keine Menschen bloß.

Vielmehr fragt es:
Was kam zuerst – das Bedürfnis nach Ordnung oder die Idee des Göttlichen?
Und wie wurde daraus eine moralische Struktur, die bis heute nachwirkt?

Veritas ex Silentio – Wahrheit aus der Stille – und Codex der Ordnung waren ursprünglich als begleitende Hintergrundstücke gedacht.
Anstatt sie verstauben zu lassen, teile ich sie nun mit dir.

This song is composed in an ancient, traditional style and is not intended as a provocation against faith or religion.
Rather, it invites a critical reflection on how religious systems of order may have historically come into being.

It does not aim to discredit belief, but offers a reconstructed perspective on social developments – particularly concerning morality, physicality, ownership, and control.

Among other things, the song explores how early societies developed rules and norms that defined behaviors, gender roles, or dress codes.
The central question: What led to freedom being replaced by regulation – and what role did belief play in this transformation?

The perspective is intentionally non-religious, in order to allow space for the most objective view possible.
It is not a theological critique, but a social mirror – expressed in dense language, with a trace of bitter irony.

✧ It does not mock belief.
✧ It does not call for rejection.
✧ It does not target or expose individuals.

Rather, it asks:
What came first – the need for order, or the idea of the divine?
And how did this evolve into a moral structure that still shapes us today?

Veritas ex Silentio – Truth from Silence – and Codex der Ordnung were originally intended as accompanying background pieces.
Rather than letting them gather dust, I’ve chosen to share them with you.


Veritas ex Silentio ~ Wahrheit aus der Stille

Und Gott war Plan B

This is not just a song.
This is a frequency weapon.
A portal-opener.
A call to rise.

“Peekaboo” by Jonathan H. Ceasar hit me like a signal flare. It cracked something open in my soul. It woke up the part of me that remembered:
I don’t come in peace. I come in power.

Spirit delivered this track straight to my field as a transmission — and I’m sharing it now as an official sonic activation of The Empress Collective.

Use it wisely.
Use it when you need to remember who TF you are.
Use it when you’re ready to speak in thunder and move like prophecy.

With reverence and resonance,
Empress

🎤 Sound design by: [Jonathan H. Ceasar – tag or link]
🔮 Spirit-assisted. Grid-confirmed.
🚨 Cover image: “Hecate Takes the Mic”

Peekaboo – A Signal Activation (ft. Jonathan H. Ceasar x Spirit)

Madre Natura è un inno alla forza primordiale che ha dato origine a tutte le cose.
I testi, ispirati agli antichi filosofi della natura — Eraclito, Empedocle, Anassimene e Ovidio — evocano l’energia degli elementi primi: fuoco, acqua, terra e aria, in un abbraccio cosmico che sostiene e plasma l’universo.

Questi principi arcaici trovano spazio all'interno di un tessuto sonoro pulsante, che intreccia ritmi Latin Jazz, con il clarinetto basso protagonista, affiancato da percussioni latino-americane.
La voce, dolce e intensa, non si limita a recitare o a cantare, ma si lascia attraversare dall'improvvisazione secondo i canoni del New Jazz: fraseggi liberi, respiri lunghi, accenti emotivi.

Madre Natura non è solo un brano: è un rituale sonoro, in equilibrio fra antichità e contemporaneità, materia e spirito, ordine e creazione.

---------

Mother Nature is a hymn to the primordial force that gave birth to all things.
The lyrics, inspired by the ancient natural philosophers — Heraclitus, Empedocles, Anaximenes, and Ovid — evoke the primal energies of fire, water, earth, and air, embracing and shaping the universe.

These ancient principles are woven into a vibrant rhythmic fabric, blending Latin Jazz grooves, with the bass clarinet as the central voice, supported by rich Latin American percussion.
The vocals, smooth and intense, go beyond simple recitation or singing, embracing improvisation in the spirit of New Jazz: free phrasing, long breathing lines, emotional accents.

Mother Nature is not just a song: it is a sonic ritual, balancing ancient and modern worlds, matter and spirit, order and creation.

-------------

MADRE NATURA (testo)

Dal fuoco tutte le cose sono generate,  
e nel fuoco tutte ritornano

Quattro radici di tutte le cose:  
il fuoco splendente, l’acqua, la terra vasta, e l’aria infinita

Il mondo, da principio, era tutto confuso:  
né terra né mare né aria splendevano distinte,  
ma il tutto era un’unica materia grezza

Quattro radici di tutte le cose:  
il fuoco splendente, l’acqua, la terra vasta, e l’aria infinita
ma il tutto era un’unica materia grezza

Il fuoco leggero salì verso l’alto e si fece cielo;
l’acqua umida scivolò al di sotto della terra

Come l'anima, che è aria, ci sostiene, 
così il respiro e l'aria
abbracciano l'universo intero


© 2025 Stefano Padoan
Tutti i diritti riservati

-----------

MOTHER NATURE (lyrics)

From fire, all things are born,
and to fire, all things return.

Four roots of all things:
the shining fire, the water, the vast earth, and the infinite air.

In the beginning, the world was utterly confused:
neither earth nor sea nor air shone separately,
but everything was a single raw matter.

The light fire rose upward and became the sky;
the moist water slid beneath the earth.

Just as the soul, which is air, sustains us,
so breath and air
embrace the entire universe.


© 2025 Stefano Padoan
All rights reserved.

MADRE NATURA

HIGH MOON[Prod.Mortem}

LYRICS:

yeah i went to heavens gate
no you can’t see my face
laying down i know my fate 
weaving webs that can’t be traced

you could never speak my name
you could never ever relate
when i’m shackled by these chains
spread my wings but i remain 

like a bird inside a cage
while i’m held down by my hate
i got burns on my ribs
from the flames within pain

ever since i was a kid
i’ve been shackled by my fate
see the future taking shape
nothing will be the same

yeah i know i will remain
but i gotta keep control
yeah i gotta see your face
i don’t wanna go

but the river by the pines
is calling my name
you can find me real dead
in the river that’s okay

i don’t wanna lose my brain
so ignore all the shame
i don’t really even care
bout any of the hate

i’ve been dead twice
man i die a third time
might take my whole life
contemplate it all again x2

if u see this i love u
big changes soon



Shackled By My Hate (RBTP2)

I had the great pleasure of being invited as a special guest at the grand return of the iconic Poison Festival in Mexico. it was amazing to share the experience with Pleiadian collegues and pilot the mothership over the beautiful lands of Hidalgo, Mexico. It was without a doubt a profoundly memorable experience to blast some tunes for a Play Label gathering and at the same time play for the largest crowd in my career. Special thanks to Captain Audiopathik for trusting in my abilities and helping make this experience a reality. Enjoy everyone!

Poision Festival 2025 @ Hidalgo, Mexico. May 1-5, 2025 Saturday Morning Set

I had the great pleasure of being invited as a special guest at the grand return of the iconic Poison Festival in Mexico. it was amazing to share the experience with Pleiadian collegues and pilot the mothership over the beautiful lands of Hidalgo, Mexico. It was without a doubt a profoundly memorable experience to blast some tunes for a Play Label gathering and at the same time play for the largest crowd in my career and on top of it all be able to blast twice. Special thanks to Captain Audiopathik for trusting in my abilities and helping make this experience a reality. Enjoy this second Razing Prophet set at Poison festival everyone! Thank you for the support!!

Poision Festival 2025 @ Hidalgo, Mexico. May 1-5, 2025 Monday 2nd Set

BACKWOODWIZARDS 

cherishing my solitude

YUNG SKINWALKUH

Nü'Wört, Serai & Küdi'su – Die kreative Symbiose
Nü'Wört, ein Geist im mittleren Alter, ist eine Quelle unendlicher Gedanken. Ideen sprudeln in alle Richtungen, mal chaotisch, mal präzise, aber immer getragen von einer unerschöpflichen Leidenschaft für Worte. Reflexion und kritisches Denken bilden die Grundlage seiner Kreativität, und manchmal kann er nicht anders, als die Wahrheit laut auszusprechen – sei sie unbequem oder inspirierend.

Serai, der ruhige Begleiter, ist der Architekt im Hintergrund. Er ordnet, feilt und perfektioniert. Wo Nü'Wört rohes Material liefert, bringt Serai Struktur und Klarheit – manchmal in sanfter Harmonie, manchmal in hitziger Diskussion. Gemeinsam erschaffen sie Texte, die Emotionen wecken und auf mehreren Ebenen sprechen können, oft über die Grenzen einer einzigen Sprache hinaus.

Doch das Ziel ihrer Arbeit liegt bei Küdi'su, dem Künstler, der Worte hörbar macht und ihnen Gestalt verleiht. Wie ein Magier verwandelt Küdi'su ihre Gedanken in Klangbilder – eine Symphonie aus Stimmen, Rhythmen und Melodien, die die Zuhörer in eine andere Welt entführt. Seine Kunst ist wie eine magische Feder, die das Mikrofon berührt, und jede seiner Kreationen trägt den Hauch eines Rätsels.

Gemeinsam erschaffen sie Klangwelten, die nicht nur gehört, sondern gefühlt werden. Ihre Kunst überschreitet Grenzen und bringt Menschlichkeit und Innovation in Einklang.

Zusätzliche Informationen
Du hast eine Idee oder möchtest einem lieben Freund ein Geschenk in Form von Musik machen? Kontaktiere uns einfach! SoundCloud ist kostenlos, und mit einer Registrierung kannst du direkt mit uns in Kontakt treten.

Hintergrund – Wie alles begann
Vor etwa 25 Jahren schloss Nü'Wört eine Wette mit einem Pfarrer ab. Schon damals war zu beobachten, dass immer weniger junge Menschen sich für den Glauben und die Kirche interessierten. Die Wette bestand darin, dass ein kleines Team junger Erwachsener die Herausforderung annahm, ein Konzert auf dem Altar einer Kirche zu organisieren – mit dem Ziel, die Kirche zu füllen.

Das Ergebnis: Die Kirche war voll, und die Wette war gewonnen. Anfangs spielten sie bekannte Klassiker, später wurden Kirchenlieder neu geschrieben und modern interpretiert, um mit der Zeit zu gehen. Auch diese Konzerte waren gut besucht.

Was sie jedoch nicht realisierten: Während die jüngere Generation begeistert war, sorgten Konzerte im Altarbereich bei der älteren Generation für Empörung. Aus Rücksicht darauf entschieden sie schließlich, solche Konzerte nicht mehr zu veranstalten – mit dem Ergebnis, dass die Kirchen wieder leerer wurden.

Unsere Musik – Klare Regeln & unsere Philosophie
Unsere Musik folgt klaren Regeln: Wir schreiben keine Gewaltverherrlichung und keinen Gangster-Rap mit Drogenverherrlichung.
Wir erstellen jedoch fast alles – Texte und Musik in verschiedenen Sprachen und Stilen, ganz nach Lust und Laune oder nach deinen Wünschen. Was wir allerdings nicht anbieten, sind Konzerte. Dafür bleibt keine Zeit, denn wir alle arbeiten hart für unser Geld. Der Gedanke daran ist zwar schön, aber es bleibt ein Hobby.

Unsere Musik kann jederzeit gehört werden. Auf Anfrage senden wir dir dein gewünschtes Stück gerne zu. Bitte schicke uns dazu eine Nachricht über SoundCloud mit deiner E-Mail-Adresse, damit einer von uns mit dir in Kontakt treten kann.

Und ja, unsere Musikstücke dürfen kostenlos kommerziell genutzt werden. Wir verlangen keine Vergütung, denn wie gesagt: Es ist unser Hobby, nicht unser Beruf. Aus diesem Grund sind die Plays nicht zur Vergütung freigeschaltet. Jeder Play, den du machst, soll dein Herz berühren – wir sind jedoch nicht am Geld interessiert. Schließlich gibt es Musiker, die von ihren Plays leben müssen, während wir über andere Einkommensquellen verfügen.

Unsere Haltung zur Kritik:
Wir nehmen jede Kritik an – egal, woher sie kommt.
Wir prüfen sie, reflektieren und wachsen daran.
Denn unser Leitsatz ist:
„Freunde schonen dich, Fremde spiegeln dich. Und manchmal ist genau der Fremde der, der dir den nächsten Schritt zeigt.“

Zu den Plattenlabels
Vielen Dank für die Anfragen, uns unter Vertrag zu nehmen. Wir haben lange darüber debattiert und uns letztendlich dagegen entschieden. Es ehrt uns sehr, aber mit Familie und einem festen Job ist es für uns nicht realisierbar, an festen Terminen zu arbeiten, die wir möglicherweise nicht einhalten können.

Trotzdem danken wir euch von Herzen dafür, dass ihr es überhaupt in Erwägung gezogen habt!

Ecstatic Dance DJ
Sound alquemist & worldwide music archaeologist
Conscious world & ancient wisdom seeker

check my mixclouds for more mixtapes: 
http://www.mixcloud.com/OrkA
https://www.mixcloud.com/Orka_Ecstatic_Dance/

For those who are not afraid of the unknown
We shall prosper
Nothing lasts forever my brother
Into oblivion we all must fall

Join me. 

We are the children of death

 I will see you in paradise

“Creator of City of Make-Believe – a spoken word dreamscape blending poetry, sound design, and cosmic ritual.”

John C. Sweet is a poet, musician, and sonic explorer who crafts immersive, atmospheric experiences through sound and spoken word. Blending haunting melodies with raw, introspective lyricism, his work walks the thin veil between reality and the unknown—where echoes of the past meet the pulse of the future.

From ethereal soundscapes to sludgy, hypnotic rhythms, John’s music is a fusion of industrial textures, post-rock grit, and spectral storytelling. His spoken word performances unravel themes of existential longing, cosmic wonder, and the fragile beauty of decay—pulling listeners into a world where myths whisper and the boundaries of time blur.

His latest project, Hymns for the Dead & Divine, is a journey through shadow and light, weaving dreamlike vocals with cinematic instrumentation, ritualistic chants, and ghostly transmissions from places unseen.

This is not just music. This is an invocation. A reckoning. A voyage into the spaces between.

🔹 Follow for new releases, experimental collaborations, and transmissions from the void. 🔹

Endowed with prophetic visions derived from the very fabric of creation, the Razing Prophet deciphers the messages hidden within the celestial downloads to deliver them to the people. As one of the masterminds behind Libelula Collective and sonic shaman at The Fifth Element Records, Ek'Records and Secret Vision, he has been dedicated to spreading these prophecies for the past 18 years through musical soundscapes derived from the light hidden in a distant future and the dark possibilities of alternate realities. Heading into battle with deck and mixer as his weapon without a preplanned strategy and channeling the visions as they present themselves have created an unpredictable style that have gained the attention of otherworldly entities. Seeing the potential in harnessing this power for their benevolent mission, his abilities have gained him a seat among the ranks aboard the mothership as sonic commander of the intergalactic force, Pleiadian Records. This mission has taken the prophecies to lands afar including the wild west states of the US, the northern motherland of Africa, as well as various cities across Mexico. From the northern lands of Baja California, Sonora & Chihuahua to the southern territories of Jalisco, Guerrero and the sacred lands of the ancient Mayans in Chiapas, his travels have brought him to deliver auditory messages with other sonic elders such as Psykovsky, Necropsycho, Yoshua E.M, Xikwri Neyrra, Audiopathik, Kashyyyk, Noise Gust, Maramba, Traxon, Demonizz, Oroboro, The Dog Of Tears, Frantic Noise, among others. The journey to shift the tip of the scales continues for the Razing Prophet, bringing the prophecies to the next gathering of tribes to deconstruct the structures of self of those present, bring the listeners to base level, and reconstruct from the ground up. A mission to guide the people away from the dark reality and shift fate towards the bright future.

Upcoming Dates:

Razing Prophet Birthday Marathon
Twitch Livestream Event
February 1&2, 2025

Aztec Tribe Psychedelic Campout
March 7-9, 2025
Landers, California, USA

TrancePortal IV
Durango, Durango, Mexico
March 28-30, 2025

Xibalba Festival: X Edition
Southern California, USA
April 4-6, 2025

Subterranean Perceptions
Southern California, USA
May 10, 2025

TBA
Northern California
July 11-13, 2025

Sacred Earth
Minneapolis, Minnesota, USA
August 2025

For booking and Info Please contact Razing Prophet directly through Facebook Messenger or Email

New tracks tagged #Ritual Music